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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98526D it is the complementary color #67AD92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98526D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98526D shade: #9D5268, #AE647B, #BF768E, #D088A1 and #E19AB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98526D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98526D shade: #98526D, #87405A, #762E47, #651C34 and #540A21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98526D shade: #98526D, #98525A and #985252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98526D shade: #98526D, #985280, #985293, #8A5298 and #775298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98526D shade matches the following richer shades: #98526D, #AB3F68, #BE2C64, #D11960 and #E4065B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98526D shade: #98526D, #856571, #727875, #5F8B7A and #4C9E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98526D shade: #985293, #985281, #98526E, #98525B and #985B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98526D shade: #623546, #7D435A, #98526D, #AD6681 and #BB8197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98526D shade: #98526D, #988A52 and #528A98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98526D shade: #98526D, #6E9852 and #526E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98526D shade: #98526D, #988A52, #52987C and #526098

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98526D shade: #98526D, #919852, #52987C and #595298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

Complementary color

CMYK 40 / 0 / 16 / 32

HEX #67AD92

RGB 103 173 146

HSL 156.86, 0.3%, 0.54%

LAB 65.63, -28.42, 6.99

 

CMYK 0 / 48 / 34 / 38

HEX #9D5268

RGB 157 82 104

HSL 342.4, 0.31%, 0.47%

LAB 44.52, 33.63, 1.48

 

CMYK 0 / 43 / 29 / 32

HEX #AE647B

RGB 174 100 123

HSL 341.35, 0.31%, 0.54%

LAB 51.32, 32.69, 0.21

 

CMYK 0 / 38 / 26 / 25

HEX #BF768E

RGB 191 118 142

HSL 340.27, 0.36%, 0.61%

LAB 58.02, 31.81, -0.87

 

CMYK 0 / 35 / 23 / 18

HEX #D088A1

RGB 208 136 161

HSL 339.17, 0.43%, 0.67%

LAB 64.64, 30.98, -1.82

 

CMYK 0 / 32 / 20 / 12

HEX #E19AB4

RGB 225 154 180

HSL 338.03, 0.54%, 0.74%

LAB 71.16, 30.22, -2.67

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 53 / 33 / 47

HEX #87405A

RGB 135 64 90

HSL 338.03, 0.36%, 0.39%

LAB 37.03, 33.38, -1.13

 

CMYK 0 / 61 / 40 / 54

HEX #762E47

RGB 118 46 71

HSL 339.17, 0.44%, 0.32%

LAB 30.06, 34.2, 0.6

 

CMYK 0 / 72 / 49 / 60

HEX #651C34

RGB 101 28 52

HSL 340.27, 0.57%, 0.25%

LAB 23.15, 34.67, 3

 

CMYK 0 / 88 / 61 / 67

HEX #540A21

RGB 84 10 33

HSL 341.35, 0.79%, 0.18%

LAB 16.56, 34.13, 6.62

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 46 / 41 / 40

HEX #98525A

RGB 152 82 90

HSL 353.14, 0.3%, 0.46%

LAB 43.43, 29.96, 8.4

 

CMYK 0 / 46 / 46 / 40

HEX #985252

RGB 152 82 82

HSL 0, 0.3%, 0.46%

LAB 43.24, 29.04, 13.02

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 46 / 16 / 40

HEX #985280

RGB 152 82 128

HSL 320.57, 0.3%, 0.46%

LAB 44.62, 35.44, -13.08

 

CMYK 0 / 46 / 3 / 40

HEX #985293

RGB 152 82 147

HSL 304.29, 0.3%, 0.46%

LAB 45.38, 38.81, -23.36

 

CMYK 9 / 46 / 0 / 40

HEX #8A5298

RGB 138 82 152

HSL 288, 0.3%, 0.46%

LAB 43.81, 35.42, -28.94

 

CMYK 22 / 46 / 0 / 40

HEX #775298

RGB 119 82 152

HSL 271.71, 0.3%, 0.46%

LAB 41.57, 29.61, -32.61

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 63 / 39 / 33

HEX #AB3F68

RGB 171 63 104

HSL 337.22, 0.46%, 0.46%

LAB 43.08, 47.95, -0.35

 

CMYK 0 / 77 / 47 / 25

HEX #BE2C64

RGB 190 44 100

HSL 336.99, 0.62%, 0.46%

LAB 43.75, 60.37, 3.52

 

CMYK 0 / 88 / 54 / 18

HEX #D11960

RGB 209 25 96

HSL 336.85, 0.79%, 0.46%

LAB 45.76, 69.43, 9.38

 

CMYK 0 / 97 / 60 / 11

HEX #E4065B

RGB 228 6 91

HSL 337.03, 0.95%, 0.46%

LAB 48.73, 75.73, 17.17

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 24 / 15 / 48

HEX #856571

RGB 133 101 113

HSL 337.5, 0.14%, 0.46%

LAB 46.29, 14.9, -1.75

 

CMYK 5 / 0 / 3 / 53

HEX #727875

RGB 114 120 117

HSL 150, 0.03%, 0.46%

LAB 49.85, -2.87, 0.86

 

CMYK 32 / 0 / 12 / 45

HEX #5F8B7A

RGB 95 139 122

HSL 156.82, 0.19%, 0.46%

LAB 54.35, -18.96, 4.29

 

CMYK 52 / 0 / 20 / 38

HEX #4C9E7E

RGB 76 158 126

HSL 156.59, 0.35%, 0.46%

LAB 59.43, -32.92, 9.16

 

CMYK 0 / 46 / 3 / 40

HEX #985293

RGB 152 82 147

HSL 304.29, 0.3%, 0.46%

LAB 45.38, 38.81, -23.36

 

CMYK 0 / 46 / 15 / 40

HEX #985281

RGB 152 82 129

HSL 319.71, 0.3%, 0.46%

LAB 44.65, 35.61, -13.63

 

CMYK 0 / 46 / 28 / 40

HEX #98526E

RGB 152 82 110

HSL 336, 0.3%, 0.46%

LAB 44, 32.62, -3.04

 

CMYK 0 / 46 / 40 / 40

HEX #98525B

RGB 152 82 91

HSL 352.29, 0.3%, 0.46%

LAB 43.46, 30.08, 7.82

 

CMYK 0 / 40 / 46 / 40

HEX #985B52

RGB 152 91 82

HSL 7.71, 0.3%, 0.46%

LAB 45.31, 23.98, 15.86

 

CMYK 0 / 46 / 29 / 62

HEX #623546

RGB 98 53 70

HSL 337.33, 0.3%, 0.3%

LAB 28.34, 22.53, -1.64

 

CMYK 0 / 46 / 28 / 51

HEX #7D435A

RGB 125 67 90

HSL 336.21, 0.3%, 0.38%

LAB 36.2, 27.98, -2.53

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 41 / 25 / 32

HEX #AD6681

RGB 173 102 129

HSL 337.18, 0.3%, 0.54%

LAB 51.81, 32.09, -2.65

 

CMYK 0 / 31 / 19 / 27

HEX #BB8197

RGB 187 129 151

HSL 337.24, 0.3%, 0.62%

LAB 60.34, 25.65, -2.71

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 9 / 46 / 40

HEX #988A52

RGB 152 138 82

HSL 48, 0.3%, 0.46%

LAB 57.52, -2.82, 31.8

 

CMYK 46 / 9 / 0 / 40

HEX #528A98

RGB 82 138 152

HSL 192, 0.3%, 0.46%

LAB 54.28, -14.54, -13.22

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 28 / 0 / 46 / 40

HEX #6E9852

RGB 110 152 82

HSL 96, 0.3%, 0.46%

LAB 58.4, -27.39, 32.21

 

CMYK 46 / 28 / 0 / 40

HEX #526E98

RGB 82 110 152

HSL 216, 0.3%, 0.46%

LAB 45.92, 1.61, -26.02

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 0 / 9 / 46 / 40

HEX #988A52

RGB 152 138 82

HSL 48, 0.3%, 0.46%

LAB 57.52, -2.82, 31.8

 

CMYK 46 / 0 / 18 / 40

HEX #52987C

RGB 82 152 124

HSL 156, 0.3%, 0.46%

LAB 57.76, -28.96, 7.95

 

CMYK 46 / 37 / 0 / 40

HEX #526098

RGB 82 96 152

HSL 228, 0.3%, 0.46%

LAB 41.89, 10.27, -32.33

 

CMYK 0 / 46 / 28 / 40

HEX #98526D

RGB 152 82 109

HSL 336.86, 0.3%, 0.46%

LAB 43.97, 32.47, -2.47

 

CMYK 5 / 0 / 46 / 40

HEX #919852

RGB 145 152 82

HSL 66, 0.3%, 0.46%

LAB 60.86, -13.38, 35.81

 

CMYK 46 / 0 / 18 / 40

HEX #52987C

RGB 82 152 124

HSL 156, 0.3%, 0.46%

LAB 57.76, -28.96, 7.95

 

CMYK 41 / 46 / 0 / 40

HEX #595298

RGB 89 82 152

HSL 246, 0.3%, 0.46%

LAB 38.6, 20.99, -37.5

 

Description

Color code: HEX #98526D | qconv.com Color code: HEX #98526D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 82 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 82 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 28 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 28% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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