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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98527A it is the complementary color #67AD85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98527A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98527A shade: #9D5275, #AE6488, #BF769B, #D088AE and #E19AC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98527A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98527A shade: #98527A, #874067, #762E54, #651C41 and #540A2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98527A shade: #98527A, #985267, #985254 and #985252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98527A shade: #98527A, #98528D, #905298, #7D5298 and #6A5298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98527A shade matches the following richer shades: #98527A, #AB3F7D, #BE2C7F, #D11982 and #E40685

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98527A shade: #98527A, #856577, #727874, #5F8B72 and #4C9E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98527A shade: #905298, #98528D, #98527B, #985268 and #985255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98527A shade: #62354F, #7D4364, #98527A, #AD668E and #BB81A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98527A shade: #98527A, #987D52 and #529798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98527A shade: #98527A, #7B9852 and #527B98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98527A shade: #98527A, #987D52, #52986F and #526D98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98527A shade: #98527A, #989252, #52986F and #525798

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

Complementary color

CMYK 40 / 0 / 23 / 32

HEX #67AD85

RGB 103 173 133

HSL 145.71, 0.3%, 0.54%

LAB 65.33, -31.18, 13.74

 

CMYK 0 / 48 / 25 / 38

HEX #9D5275

RGB 157 82 117

HSL 332, 0.31%, 0.47%

LAB 44.92, 35.45, -5.86

 

CMYK 0 / 43 / 22 / 32

HEX #AE6488

RGB 174 100 136

HSL 330.81, 0.31%, 0.54%

LAB 51.71, 34.6, -6.91

 

CMYK 0 / 38 / 19 / 25

HEX #BF769B

RGB 191 118 155

HSL 329.59, 0.36%, 0.61%

LAB 58.41, 33.77, -7.81

 

CMYK 0 / 35 / 16 / 18

HEX #D088AE

RGB 208 136 174

HSL 328.33, 0.43%, 0.67%

LAB 65.02, 32.98, -8.6

 

CMYK 0 / 32 / 14 / 12

HEX #E19AC1

RGB 225 154 193

HSL 327.04, 0.54%, 0.74%

LAB 71.53, 32.25, -9.31

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 53 / 24 / 47

HEX #874067

RGB 135 64 103

HSL 327.04, 0.36%, 0.39%

LAB 37.48, 35.27, -8.68

 

CMYK 0 / 61 / 29 / 54

HEX #762E54

RGB 118 46 84

HSL 328.33, 0.44%, 0.32%

LAB 30.51, 35.95, -7.26

 

CMYK 0 / 72 / 36 / 60

HEX #651C41

RGB 101 28 65

HSL 329.59, 0.57%, 0.25%

LAB 23.6, 36.22, -5.27

 

CMYK 0 / 88 / 45 / 67

HEX #540A2E

RGB 84 10 46

HSL 330.81, 0.79%, 0.18%

LAB 16.98, 35.4, -2.19

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 46 / 32 / 40

HEX #985267

RGB 152 82 103

HSL 342, 0.3%, 0.46%

LAB 43.78, 31.63, 0.93

 

CMYK 0 / 46 / 45 / 40

HEX #985254

RGB 152 82 84

HSL 358.29, 0.3%, 0.46%

LAB 43.29, 29.26, 11.87

 

CMYK 0 / 46 / 46 / 40

HEX #985252

RGB 152 82 82

HSL 0, 0.3%, 0.46%

LAB 43.24, 29.04, 13.02

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 46 / 7 / 40

HEX #98528D

RGB 152 82 141

HSL 309.43, 0.3%, 0.46%

LAB 45.13, 37.7, -20.15

 

CMYK 5 / 46 / 0 / 40

HEX #905298

RGB 144 82 152

HSL 293.14, 0.3%, 0.46%

LAB 44.56, 37.27, -27.7

 

CMYK 18 / 46 / 0 / 40

HEX #7D5298

RGB 125 82 152

HSL 276.86, 0.3%, 0.46%

LAB 42.25, 31.42, -31.49

 

CMYK 30 / 46 / 0 / 40

HEX #6A5298

RGB 106 82 152

HSL 260.57, 0.3%, 0.46%

LAB 40.19, 25.76, -34.87

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 63 / 27 / 33

HEX #AB3F7D

RGB 171 63 125

HSL 325.56, 0.46%, 0.46%

LAB 43.79, 50.55, -12.23

 

CMYK 0 / 77 / 33 / 25

HEX #BE2C7F

RGB 190 44 127

HSL 325.89, 0.62%, 0.46%

LAB 44.63, 63.09, -11.86

 

CMYK 0 / 88 / 38 / 18

HEX #D11982

RGB 209 25 130

HSL 325.76, 0.79%, 0.46%

LAB 46.79, 72.29, -10.09

 

CMYK 0 / 97 / 42 / 11

HEX #E40685

RGB 228 6 133

HSL 325.68, 0.95%, 0.46%

LAB 49.88, 78.78, -6.91

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 24 / 11 / 48

HEX #856577

RGB 133 101 119

HSL 326.25, 0.14%, 0.46%

LAB 46.48, 15.98, -5.08

 

CMYK 5 / 0 / 3 / 53

HEX #727874

RGB 114 120 116

HSL 140, 0.03%, 0.46%

LAB 49.82, -3.07, 1.41

 

CMYK 32 / 0 / 18 / 45

HEX #5F8B72

RGB 95 139 114

HSL 145.91, 0.19%, 0.46%

LAB 54.15, -20.7, 8.61

 

CMYK 52 / 0 / 30 / 38

HEX #4C9E6F

RGB 76 158 111

HSL 145.61, 0.35%, 0.46%

LAB 59.1, -36.18, 17.09

 

CMYK 5 / 46 / 0 / 40

HEX #905298

RGB 144 82 152

HSL 293.14, 0.3%, 0.46%

LAB 44.56, 37.27, -27.7

 

CMYK 0 / 46 / 7 / 40

HEX #98528D

RGB 152 82 141

HSL 309.43, 0.3%, 0.46%

LAB 45.13, 37.7, -20.15

 

CMYK 0 / 46 / 19 / 40

HEX #98527B

RGB 152 82 123

HSL 324.86, 0.3%, 0.46%

LAB 44.43, 34.62, -10.32

 

CMYK 0 / 46 / 32 / 40

HEX #985268

RGB 152 82 104

HSL 341.14, 0.3%, 0.46%

LAB 43.81, 31.77, 0.36

 

CMYK 0 / 46 / 44 / 40

HEX #985255

RGB 152 82 85

HSL 357.43, 0.3%, 0.46%

LAB 43.31, 29.38, 11.29

 

CMYK 0 / 46 / 19 / 62

HEX #62354F

RGB 98 53 79

HSL 325.33, 0.3%, 0.3%

LAB 28.66, 24.04, -7.08

 

CMYK 0 / 46 / 20 / 51

HEX #7D4364

RGB 125 67 100

HSL 325.86, 0.3%, 0.38%

LAB 36.55, 29.57, -8.33

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 41 / 18 / 32

HEX #AD668E

RGB 173 102 142

HSL 326.2, 0.3%, 0.54%

LAB 52.22, 34.1, -9.72

 

CMYK 0 / 31 / 13 / 27

HEX #BB81A2

RGB 187 129 162

HSL 325.86, 0.3%, 0.62%

LAB 60.67, 27.45, -8.52

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 18 / 46 / 40

HEX #987D52

RGB 152 125 82

HSL 36.86, 0.3%, 0.46%

LAB 53.98, 4.47, 27.3

 

CMYK 46 / 1 / 0 / 40

HEX #529798

RGB 82 151 152

HSL 180.86, 0.3%, 0.46%

LAB 58.22, -21.47, -7.31

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 19 / 0 / 46 / 40

HEX #7B9852

RGB 123 152 82

HSL 84.86, 0.3%, 0.46%

LAB 59.23, -22.38, 33.43

 

CMYK 46 / 19 / 0 / 40

HEX #527B98

RGB 82 123 152

HSL 204.86, 0.3%, 0.46%

LAB 49.77, -6.1, -20.08

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 18 / 46 / 40

HEX #987D52

RGB 152 125 82

HSL 36.86, 0.3%, 0.46%

LAB 53.98, 4.47, 27.3

 

CMYK 46 / 0 / 27 / 40

HEX #52986F

RGB 82 152 111

HSL 144.86, 0.3%, 0.46%

LAB 57.46, -31.78, 14.87

 

CMYK 46 / 28 / 0 / 40

HEX #526D98

RGB 82 109 152

HSL 216.86, 0.3%, 0.46%

LAB 45.63, 2.22, -26.48

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 4 / 46 / 40

HEX #989252

RGB 152 146 82

HSL 54.86, 0.3%, 0.46%

LAB 59.75, -7.2, 34.57

 

CMYK 46 / 0 / 27 / 40

HEX #52986F

RGB 82 152 111

HSL 144.86, 0.3%, 0.46%

LAB 57.46, -31.78, 14.87

 

CMYK 46 / 43 / 0 / 40

HEX #525798

RGB 82 87 152

HSL 235.71, 0.3%, 0.46%

LAB 39.37, 15.97, -36.3

 

Description

Color code: HEX #98527A | qconv.com Color code: HEX #98527A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 82 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 82 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 20 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 20% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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