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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98591F it is the complementary color #67A6E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98591F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98591F shade: #9D591A, #AE6B2D, #BF7D40, #D08F53 and #E1A166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98591F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98591F shade: #98591F, #87470C, #763500, #652300 and #541100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98591F shade: #98591F, #98381F and #981F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98591F shade: #98591F, #98791F, #96981F, #75981F and #54981F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98591F shade matches the following richer shades: #98591F, #A75810 and #B65801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98591F shade: #98591F, #89592E, #7A5A3C, #6B5B4B and #5C5B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98591F shade: #981F27, #98371F, #98571F, #98781F and #98981F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98591F shade: #533111, #764518, #98591F, #BA6D26 and #D58134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98591F shade: #98591F, #47981F and #271F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98591F shade: #98591F, #1F9857 and #571F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98591F shade: #98591F, #47981F, #1F5F98 and #6F1F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98591F shade: #98591F, #23981F, #1F5F98 and #941F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

Complementary color

CMYK 54 / 26 / 0 / 12

HEX #67A6E0

RGB 103 166 224

HSL 208.76, 0.66%, 0.64%

LAB 66.17, -3.86, -35.48

 

CMYK 0 / 43 / 83 / 38

HEX #9D591A

RGB 157 89 26

HSL 28.85, 0.72%, 0.36%

LAB 44.78, 23.33, 45.6

 

CMYK 0 / 39 / 74 / 32

HEX #AE6B2D

RGB 174 107 45

HSL 28.84, 0.59%, 0.43%

LAB 51.5, 21.47, 44.46

 

CMYK 0 / 35 / 66 / 25

HEX #BF7D40

RGB 191 125 64

HSL 28.82, 0.5%, 0.5%

LAB 58.14, 19.87, 42.96

 

CMYK 0 / 31 / 60 / 18

HEX #D08F53

RGB 208 143 83

HSL 28.8, 0.57%, 0.57%

LAB 64.71, 18.51, 41.4

 

CMYK 0 / 28 / 55 / 12

HEX #E1A166

RGB 225 161 102

HSL 28.78, 0.67%, 0.64%

LAB 71.18, 17.32, 39.88

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 0 / 47 / 91 / 47

HEX #87470C

RGB 135 71 12

HSL 28.78, 0.84%, 0.29%

LAB 37.27, 23.38, 43.18

 

CMYK 0 / 55 / 100 / 54

HEX #763500

RGB 118 53 0

HSL 26.95, 1%, 0.23%

LAB 30.39, 25.74, 41.33

 

CMYK 0 / 65 / 100 / 60

HEX #652300

RGB 101 35 0

HSL 20.79, 1%, 0.2%

LAB 23.57, 28.18, 34.18

 

CMYK 0 / 80 / 100 / 67

HEX #541100

RGB 84 17 0

HSL 12.14, 1%, 0.16%

LAB 16.92, 29.92, 25.77

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 0 / 63 / 80 / 40

HEX #98381F

RGB 152 56 31

HSL 12.4, 0.66%, 0.36%

LAB 37.12, 38.88, 35.67

 

CMYK 0 / 80 / 80 / 40

HEX #981F1F

RGB 152 31 31

HSL 0, 0.66%, 0.36%

LAB 33.47, 48.86, 31.89

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 0 / 20 / 80 / 40

HEX #98791F

RGB 152 121 31

HSL 44.63, 0.66%, 0.36%

LAB 52.34, 2.99, 50.32

 

CMYK 1 / 0 / 80 / 40

HEX #96981F

RGB 150 152 31

HSL 60.99, 0.66%, 0.36%

LAB 60.82, -14.84, 57.92

 

CMYK 23 / 0 / 80 / 40

HEX #75981F

RGB 117 152 31

HSL 77.36, 0.66%, 0.36%

LAB 58.36, -29.11, 54.77

 

CMYK 45 / 0 / 80 / 40

HEX #54981F

RGB 84 152 31

HSL 93.72, 0.66%, 0.36%

LAB 56.53, -41.62, 52.41

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 0 / 47 / 90 / 35

HEX #A75810

RGB 167 88 16

HSL 28.61, 0.83%, 0.36%

LAB 45.95, 27.97, 50.72

 

CMYK 0 / 52 / 99 / 29

HEX #B65801

RGB 182 88 1

HSL 28.84, 0.99%, 0.36%

LAB 48.17, 34.03, 57.04

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 0 / 35 / 66 / 46

HEX #89592E

RGB 137 89 46

HSL 28.35, 0.5%, 0.36%

LAB 42.25, 15.37, 32.47

 

CMYK 0 / 26 / 51 / 52

HEX #7A5A3C

RGB 122 90 60

HSL 29.03, 0.34%, 0.36%

LAB 40.86, 9.18, 22.39

 

CMYK 0 / 15 / 30 / 58

HEX #6B5B4B

RGB 107 91 75

HSL 30, 0.18%, 0.36%

LAB 39.78, 3.8, 11.64

 

CMYK 0 / 1 / 2 / 64

HEX #5C5B5A

RGB 92 91 90

HSL 30, 0.01%, 0.36%

LAB 38.72, 0.19, 0.71

 

CMYK 0 / 80 / 74 / 40

HEX #981F27

RGB 152 31 39

HSL 356.03, 0.66%, 0.36%

LAB 33.57, 49.18, 27.15

 

CMYK 0 / 64 / 80 / 40

HEX #98371F

RGB 152 55 31

HSL 11.9, 0.66%, 0.36%

LAB 36.94, 39.35, 35.49

 

CMYK 0 / 43 / 80 / 40

HEX #98571F

RGB 152 87 31

HSL 27.77, 0.66%, 0.36%

LAB 43.64, 22.44, 42.12

 

CMYK 0 / 21 / 80 / 40

HEX #98781F

RGB 152 120 31

HSL 44.13, 0.66%, 0.36%

LAB 52.07, 3.55, 50.07

 

CMYK 0 / 0 / 80 / 40

HEX #98981F

RGB 152 152 31

HSL 60, 0.66%, 0.36%

LAB 60.98, -13.95, 58.13

 

CMYK 0 / 41 / 80 / 67

HEX #533111

RGB 83 49 17

HSL 29.09, 0.66%, 0.2%

LAB 23.92, 12.31, 26.05

 

CMYK 0 / 42 / 80 / 54

HEX #764518

RGB 118 69 24

HSL 28.72, 0.66%, 0.28%

LAB 34.34, 17.18, 34.67

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 0 / 41 / 80 / 27

HEX #BA6D26

RGB 186 109 38

HSL 28.78, 0.66%, 0.44%

LAB 53.51, 25.25, 50.12

 

CMYK 0 / 39 / 76 / 16

HEX #D58134

RGB 213 129 52

HSL 28.7, 0.66%, 0.52%

LAB 61.74, 26.4, 53.28

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 53 / 0 / 80 / 40

HEX #47981F

RGB 71 152 31

HSL 100.17, 0.66%, 0.36%

LAB 55.98, -45.75, 51.7

 

CMYK 74 / 80 / 0 / 40

HEX #271F98

RGB 39 31 152

HSL 243.97, 0.66%, 0.36%

LAB 22.58, 43.24, -63.7

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 80 / 0 / 43 / 40

HEX #1F9857

RGB 31 152 87

HSL 147.77, 0.66%, 0.36%

LAB 55.52, -47.31, 25.26

 

CMYK 43 / 80 / 0 / 40

HEX #571F98

RGB 87 31 152

HSL 267.77, 0.66%, 0.36%

LAB 27.5, 49.24, -55.42

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 53 / 0 / 80 / 40

HEX #47981F

RGB 71 152 31

HSL 100.17, 0.66%, 0.36%

LAB 55.98, -45.75, 51.7

 

CMYK 80 / 38 / 0 / 40

HEX #1F5F98

RGB 31 95 152

HSL 208.26, 0.66%, 0.36%

LAB 39.14, 0.88, -36.83

 

CMYK 27 / 80 / 0 / 40

HEX #6F1F98

RGB 111 31 152

HSL 279.67, 0.66%, 0.36%

LAB 30.94, 53.37, -49.66

 

CMYK 0 / 41 / 80 / 40

HEX #98591F

RGB 152 89 31

HSL 28.76, 0.66%, 0.36%

LAB 44.12, 21.31, 42.58

 

CMYK 77 / 0 / 80 / 40

HEX #23981F

RGB 35 152 31

HSL 118.02, 0.66%, 0.36%

LAB 54.98, -53.96, 50.4

 

CMYK 80 / 38 / 0 / 40

HEX #1F5F98

RGB 31 95 152

HSL 208.26, 0.66%, 0.36%

LAB 39.14, 0.88, -36.83

 

CMYK 3 / 80 / 0 / 40

HEX #941F98

RGB 148 31 152

HSL 298.02, 0.66%, 0.36%

LAB 37.01, 60.6, -39.58

 

Description

Color code: HEX #98591F | qconv.com Color code: HEX #98591F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 89 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 89 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 80 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 80% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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