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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9834A6 it is the complementary color #67CB59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9834A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9834A6 shade: #9D34A1, #AE46B4, #BF58C7, #D06ADA and #E17CED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9834A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9834A6 shade: #9834A6, #872293, #761080, #65006D and #54005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9834A6 shade: #9834A6, #A63495, #A63477, #A63458 and #A63439

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9834A6 shade: #9834A6, #7934A6, #5B34A6, #3C34A6 and #3434A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9834A6 shade matches the following richer shades: #9834A6, #A622B8 and #B311CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9834A6 shade: #9834A6, #8B4694, #7D5883, #706971 and #637B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9834A6 shade: #5A34A6, #7934A6, #9734A6, #A63497 and #A63479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9834A6 shade: #5F2067, #7B2A87, #9834A6, #B341C3 and #BF60CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9834A6 shade: #9834A6, #A63C34 and #34A669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9834A6 shade: #9834A6, #A69734 and #34A697

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9834A6 shade: #9834A6, #A63C34, #43A634 and #349FA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9834A6 shade: #9834A6, #A65E34, #43A634 and #347CA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

Complementary color

CMYK 49 / 0 / 56 / 20

HEX #67CB59

RGB 103 203 89

HSL 112.63, 0.52%, 0.57%

LAB 73.75, -51.21, 47.31

 

CMYK 2 / 68 / 0 / 37

HEX #9D34A1

RGB 157 52 161

HSL 297.8, 0.51%, 0.42%

LAB 41.53, 57, -37.73

 

CMYK 3 / 61 / 0 / 29

HEX #AE46B4

RGB 174 70 180

HSL 296.73, 0.44%, 0.49%

LAB 47.85, 57.03, -38.82

 

CMYK 4 / 56 / 0 / 22

HEX #BF58C7

RGB 191 88 199

HSL 295.68, 0.5%, 0.56%

LAB 54.22, 56.69, -39.61

 

CMYK 5 / 51 / 0 / 15

HEX #D06ADA

RGB 208 106 218

HSL 294.64, 0.6%, 0.64%

LAB 60.59, 56.15, -40.22

 

CMYK 5 / 48 / 0 / 7

HEX #E17CED

RGB 225 124 237

HSL 293.63, 0.76%, 0.71%

LAB 66.93, 55.5, -40.7

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 8 / 77 / 0 / 42

HEX #872293

RGB 135 34 147

HSL 293.63, 0.62%, 0.35%

LAB 34.81, 56.11, -40.18

 

CMYK 8 / 88 / 0 / 50

HEX #761080

RGB 118 16 128

HSL 294.64, 0.78%, 0.28%

LAB 28.85, 54.35, -38.09

 

CMYK 7 / 100 / 0 / 57

HEX #65006D

RGB 101 0 109

HSL 295.6, 1%, 0.21%

LAB 23.24, 51.14, -35.15

 

CMYK 7 / 100 / 0 / 65

HEX #54005A

RGB 84 0 90

HSL 296, 1%, 0.18%

LAB 18.47, 44.85, -30.48

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 0 / 69 / 10 / 35

HEX #A63495

RGB 166 52 149

HSL 308.95, 0.52%, 0.43%

LAB 42.36, 57.2, -29.11

 

CMYK 0 / 69 / 28 / 35

HEX #A63477

RGB 166 52 119

HSL 324.74, 0.52%, 0.43%

LAB 41.05, 52.9, -12.77

 

CMYK 0 / 69 / 47 / 35

HEX #A63458

RGB 166 52 88

HSL 341.05, 0.52%, 0.43%

LAB 40.03, 49.39, 5.11

 

CMYK 0 / 69 / 66 / 35

HEX #A63439

RGB 166 52 57

HSL 357.37, 0.52%, 0.43%

LAB 39.34, 46.95, 23.63

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 27 / 69 / 0 / 35

HEX #7934A6

RGB 121 52 166

HSL 276.32, 0.52%, 0.43%

LAB 36.51, 49.73, -49.07

 

CMYK 45 / 69 / 0 / 35

HEX #5B34A6

RGB 91 52 166

HSL 260.53, 0.52%, 0.43%

LAB 32.77, 43.53, -55.29

 

CMYK 64 / 69 / 0 / 35

HEX #3C34A6

RGB 60 52 166

HSL 244.21, 0.52%, 0.43%

LAB 29.84, 38.27, -60.21

 

CMYK 69 / 69 / 0 / 35

HEX #3434A6

RGB 52 52 166

HSL 240, 0.52%, 0.43%

LAB 29.26, 37.18, -61.18

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 10 / 82 / 0 / 28

HEX #A622B8

RGB 166 34 184

HSL 292.8, 0.69%, 0.43%

LAB 42.33, 68.74, -50.04

 

CMYK 11 / 92 / 0 / 21

HEX #B311CA

RGB 179 17 202

HSL 292.54, 0.84%, 0.43%

LAB 44.59, 77.19, -56.8

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 6 / 53 / 0 / 42

HEX #8B4694

RGB 139 70 148

HSL 293.08, 0.36%, 0.43%

LAB 41.23, 41.43, -30.56

 

CMYK 5 / 33 / 0 / 49

HEX #7D5883

RGB 125 88 131

HSL 291.63, 0.2%, 0.43%

LAB 42.73, 23.18, -18.08

 

CMYK 1 / 7 / 0 / 56

HEX #706971

RGB 112 105 113

HSL 292.5, 0.04%, 0.43%

LAB 45.28, 4.35, -3.49

 

CMYK 20 / 0 / 23 / 52

HEX #637B5F

RGB 99 123 95

HSL 111.43, 0.13%, 0.43%

LAB 49.06, -14.55, 12.5

 

CMYK 46 / 69 / 0 / 35

HEX #5A34A6

RGB 90 52 166

HSL 260, 0.52%, 0.43%

LAB 32.66, 43.34, -55.48

 

CMYK 27 / 69 / 0 / 35

HEX #7934A6

RGB 121 52 166

HSL 276.32, 0.52%, 0.43%

LAB 36.51, 49.73, -49.07

 

CMYK 9 / 69 / 0 / 35

HEX #9734A6

RGB 151 52 166

HSL 292.11, 0.52%, 0.43%

LAB 40.88, 56.5, -41.82

 

CMYK 0 / 69 / 9 / 35

HEX #A63497

RGB 166 52 151

HSL 307.89, 0.52%, 0.43%

LAB 42.46, 57.52, -30.16

 

CMYK 0 / 69 / 27 / 35

HEX #A63479

RGB 166 52 121

HSL 323.68, 0.52%, 0.43%

LAB 41.13, 53.16, -13.89

 

CMYK 8 / 69 / 0 / 60

HEX #5F2067

RGB 95 32 103

HSL 293.24, 0.53%, 0.26%

LAB 25.09, 39.08, -28.35

 

CMYK 9 / 69 / 0 / 47

HEX #7B2A87

RGB 123 42 135

HSL 292.26, 0.53%, 0.35%

LAB 33.17, 48.09, -35.51

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 8 / 67 / 0 / 24

HEX #B341C3

RGB 179 65 195

HSL 292.62, 0.52%, 0.51%

LAB 48.64, 63.05, -46.24

 

CMYK 7 / 53 / 0 / 20

HEX #BF60CD

RGB 191 96 205

HSL 292.29, 0.52%, 0.59%

LAB 55.94, 53.98, -40.33

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 0 / 64 / 69 / 35

HEX #A63C34

RGB 166 60 52

HSL 4.21, 0.52%, 0.43%

LAB 40.55, 43.17, 28.16

 

CMYK 69 / 0 / 37 / 35

HEX #34A669

RGB 52 166 105

HSL 147.89, 0.52%, 0.43%

LAB 60.8, -46.04, 22.57

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 0 / 9 / 69 / 35

HEX #A69734

RGB 166 151 52

HSL 52.11, 0.52%, 0.43%

LAB 62.07, -6.17, 51.94

 

CMYK 69 / 0 / 9 / 35

HEX #34A697

RGB 52 166 151

HSL 172.11, 0.52%, 0.43%

LAB 61.86, -35.07, -1.48

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 0 / 64 / 69 / 35

HEX #A63C34

RGB 166 60 52

HSL 4.21, 0.52%, 0.43%

LAB 40.55, 43.17, 28.16

 

CMYK 60 / 0 / 69 / 35

HEX #43A634

RGB 67 166 52

HSL 112.11, 0.52%, 0.43%

LAB 60.53, -50.54, 48.47

 

CMYK 69 / 4 / 0 / 35

HEX #349FA6

RGB 52 159 166

HSL 183.68, 0.52%, 0.43%

LAB 60.14, -27.38, -12.49

 

CMYK 8 / 69 / 0 / 35

HEX #9834A6

RGB 152 52 166

HSL 292.63, 0.52%, 0.43%

LAB 41.03, 56.73, -41.56

 

CMYK 0 / 43 / 69 / 35

HEX #A65E34

RGB 166 94 52

HSL 22.11, 0.52%, 0.43%

LAB 47.44, 25.65, 36.2

 

CMYK 60 / 0 / 69 / 35

HEX #43A634

RGB 67 166 52

HSL 112.11, 0.52%, 0.43%

LAB 60.53, -50.54, 48.47

 

CMYK 69 / 25 / 0 / 35

HEX #347CA6

RGB 52 124 166

HSL 202.11, 0.52%, 0.43%

LAB 49.37, -8.57, -28.98

 

Description

Color code: HEX #9834A6 | qconv.com Color code: HEX #9834A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 52 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 52 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 69 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 69% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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