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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981CEC it is the complementary color #67E313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981CEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #981CEC shade: #9D1CE7, #AE2EFA, #BF40FF, #D052FF and #E164FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981CEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #981CEC shade: #981CEC, #870AD9, #7600C6, #6500B3 and #5400A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #981CEC shade: #981CEC, #D01CEC, #EC1CD0, #EC1C98 and #EC1C60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #981CEC shade: #981CEC, #601CEC, #281CEC and #1C1CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #981CEC shade matches the following richer shades: #981CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #981CEC shade: #981CEC, #9430D8, #9044C5, #8D57B1 and #896B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #981CEC shade: #261CEC, #5E1CEC, #951CEC, #CD1CEC and #EC1CD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #981CEC shade: #6A0DA8, #8210CF, #981CEC, #A942EF and #BB68F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #981CEC shade: #981CEC, #EC1C49 and #1CEC42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #981CEC shade: #981CEC, #EC951C and #1CEC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #981CEC shade: #981CEC, #EC1C49, #73EC1C and #1CECBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #981CEC shade: #981CEC, #EC2D1C, #73EC1C and #1CDBEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

Complementary color

CMYK 55 / 0 / 92 / 11

HEX #67E313

RGB 103 227 19

HSL 95.77, 0.85%, 0.48%

LAB 80.67, -64.6, 76.32

 

CMYK 32 / 88 / 0 / 9

HEX #9D1CE7

RGB 157 28 231

HSL 278.13, 0.81%, 0.51%

LAB 43.9, 77.43, -74.71

 

CMYK 30 / 82 / 0 / 2

HEX #AE2EFA

RGB 174 46 250

HSL 277.65, 0.95%, 0.58%

LAB 49.32, 79.17, -76.46

 

CMYK 25 / 75 / 0 / 0

HEX #BF40FF

RGB 191 64 255

HSL 279.9, 1%, 0.63%

LAB 53.99, 77.25, -71.55

 

CMYK 18 / 68 / 0 / 0

HEX #D052FF

RGB 208 82 255

HSL 283.7, 1%, 0.66%

LAB 58.66, 73.79, -63.89

 

CMYK 12 / 61 / 0 / 0

HEX #E164FF

RGB 225 100 255

HSL 288.39, 1%, 0.7%

LAB 63.62, 70.03, -55.83

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 38 / 95 / 0 / 15

HEX #870AD9

RGB 135 10 217

HSL 276.23, 0.91%, 0.45%

LAB 38.51, 74.91, -75.66

 

CMYK 40 / 100 / 0 / 22

HEX #7600C6

RGB 118 0 198

HSL 275.76, 1%, 0.39%

LAB 33.83, 70.53, -72.41

 

CMYK 44 / 100 / 0 / 30

HEX #6500B3

RGB 101 0 179

HSL 273.85, 1%, 0.35%

LAB 29.47, 64.92, -68.46

 

CMYK 48 / 100 / 0 / 37

HEX #5400A0

RGB 84 0 160

HSL 271.5, 1%, 0.31%

LAB 25.02, 59.23, -64.4

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 12 / 88 / 0 / 7

HEX #D01CEC

RGB 208 28 236

HSL 291.92, 0.85%, 0.52%

LAB 52.17, 85.69, -63.75

 

CMYK 0 / 88 / 12 / 7

HEX #EC1CD0

RGB 236 28 208

HSL 308.08, 0.85%, 0.52%

LAB 55.3, 86.37, -42.59

 

CMYK 0 / 88 / 36 / 7

HEX #EC1C98

RGB 236 28 152

HSL 324.23, 0.85%, 0.52%

LAB 52.87, 79.92, -13.67

 

CMYK 0 / 88 / 59 / 7

HEX #EC1C60

RGB 236 28 96

HSL 340.38, 0.85%, 0.52%

LAB 51.28, 75.49, 17.83

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 59 / 88 / 0 / 7

HEX #601CEC

RGB 96 28 236

HSL 259.62, 0.85%, 0.52%

LAB 36.69, 72.14, -89.69

 

CMYK 83 / 88 / 0 / 7

HEX #281CEC

RGB 40 28 236

HSL 243.46, 0.85%, 0.52%

LAB 32.56, 69.21, -96.67

 

CMYK 88 / 88 / 0 / 7

HEX #1C1CEC

RGB 28 28 236

HSL 240, 0.85%, 0.52%

LAB 32.11, 68.91, -97.44

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 31 / 78 / 0 / 15

HEX #9430D8

RGB 148 48 216

HSL 275.71, 0.68%, 0.52%

LAB 43.31, 67.52, -67.16

 

CMYK 27 / 65 / 0 / 23

HEX #9044C5

RGB 144 68 197

HSL 275.35, 0.53%, 0.52%

LAB 44.37, 54.26, -54.52

 

CMYK 20 / 51 / 0 / 31

HEX #8D57B1

RGB 141 87 177

HSL 276, 0.37%, 0.52%

LAB 46.52, 39.05, -39.45

 

CMYK 13 / 32 / 0 / 38

HEX #896B9D

RGB 137 107 157

HSL 276, 0.2%, 0.52%

LAB 49.82, 21.7, -22.58

 

CMYK 84 / 88 / 0 / 7

HEX #261CEC

RGB 38 28 236

HSL 242.88, 0.85%, 0.52%

LAB 32.48, 69.15, -96.82

 

CMYK 60 / 88 / 0 / 7

HEX #5E1CEC

RGB 94 28 236

HSL 259.04, 0.85%, 0.52%

LAB 36.49, 71.98, -90.03

 

CMYK 37 / 88 / 0 / 7

HEX #951CEC

RGB 149 28 236

HSL 274.9, 0.85%, 0.52%

LAB 43.18, 77.42, -78.78

 

CMYK 13 / 88 / 0 / 7

HEX #CD1CEC

RGB 205 28 236

HSL 291.06, 0.85%, 0.52%

LAB 51.69, 85.22, -64.55

 

CMYK 0 / 88 / 10 / 7

HEX #EC1CD4

RGB 236 28 212

HSL 306.92, 0.85%, 0.52%

LAB 55.5, 86.9, -44.55

 

CMYK 37 / 92 / 0 / 34

HEX #6A0DA8

RGB 106 13 168

HSL 276, 0.86%, 0.35%

LAB 29.86, 60.97, -61.18

 

CMYK 37 / 92 / 0 / 19

HEX #8210CF

RGB 130 16 207

HSL 275.81, 0.86%, 0.44%

LAB 37.15, 71.49, -72.14

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 29 / 72 / 0 / 6

HEX #A942EF

RGB 169 66 239

HSL 275.72, 0.84%, 0.6%

LAB 50.17, 69.33, -68.94

 

CMYK 23 / 57 / 0 / 5

HEX #BB68F2

RGB 187 104 242

HSL 276.09, 0.84%, 0.68%

LAB 58.86, 56.56, -56.52

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 0 / 88 / 69 / 7

HEX #EC1C49

RGB 236 28 73

HSL 347.02, 0.85%, 0.52%

LAB 50.86, 74.29, 31.19

 

CMYK 88 / 0 / 72 / 7

HEX #1CEC42

RGB 28 236 66

HSL 130.96, 0.85%, 0.52%

LAB 82.18, -77.33, 65.53

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 0 / 37 / 88 / 7

HEX #EC951C

RGB 236 149 28

HSL 34.9, 0.85%, 0.52%

LAB 69.05, 24.69, 69.26

 

CMYK 88 / 0 / 37 / 7

HEX #1CEC95

RGB 28 236 149

HSL 154.9, 0.85%, 0.52%

LAB 83.13, -65.86, 29.38

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 0 / 88 / 69 / 7

HEX #EC1C49

RGB 236 28 73

HSL 347.02, 0.85%, 0.52%

LAB 50.86, 74.29, 31.19

 

CMYK 51 / 0 / 88 / 7

HEX #73EC1C

RGB 115 236 28

HSL 94.9, 0.85%, 0.52%

LAB 83.82, -64.27, 77.75

 

CMYK 88 / 0 / 19 / 7

HEX #1CECBF

RGB 28 236 191

HSL 167.02, 0.85%, 0.52%

LAB 83.97, -56.57, 8.8

 

CMYK 36 / 88 / 0 / 7

HEX #981CEC

RGB 152 28 236

HSL 275.77, 0.85%, 0.52%

LAB 43.6, 77.79, -78.07

 

CMYK 0 / 81 / 88 / 7

HEX #EC2D1C

RGB 236 45 28

HSL 4.9, 0.85%, 0.52%

LAB 51.6, 69.5, 55.91

 

CMYK 51 / 0 / 88 / 7

HEX #73EC1C

RGB 115 236 28

HSL 94.9, 0.85%, 0.52%

LAB 83.82, -64.27, 77.75

 

CMYK 88 / 7 / 0 / 7

HEX #1CDBEC

RGB 28 219 236

HSL 184.9, 0.85%, 0.52%

LAB 80.16, -36.85, -20.64

 

Description

Color code: HEX #981CEC | qconv.com Color code: HEX #981CEC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 28 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 28 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 88 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 88% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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