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Color name
HEX #981C75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981C75 it is the complementary color #67E38A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981C75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #981C75 shade: #9D1C70, #AE2E83, #BF4096, #D052A9 and #E164BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981C75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #981C75 shade: #981C75, #870A62, #76004F, #65003C and #540029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #981C75 shade: #961B74, #961B52, #961B31 and #961B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #981C75 shade: #961B74, #961B95, #771B96, #551B96 and #341B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #981C75 shade matches the following richer shades: #961B74 and #A50D7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #981C75 shade: #961B74, #882A6D, #793867, #6B4661 and #5D555A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #981C75 shade: #751B96, #961B96, #961B75, #961B55 and #961B34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #981C75 shade: #510E3E, #731559, #961B74, #B9228E and #D82CA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #981C75 shade: #981C75, #96551B and #1B9686

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #981C75 shade: #981C75, #75961B and #1B7596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #981C75 shade: #981C75, #96551B, #1B963C and #1B5D96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #981C75 shade: #981C75, #967A1B, #1B963C and #1B3896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 23 / 40

HEX #981C75

RGB 152 28 117

HSL 316.94, 0.69%, 0.35%

LAB 35.58, 57.03, -20.13

 

Complementary color

CMYK 55 / 0 / 39 / 11

HEX #67E38A

RGB 103 227 138

HSL 136.94, 0.69%, 0.65%

LAB 81.65, -53.7, 33.25

 

CMYK 0 / 82 / 29 / 38

HEX #9D1C70

RGB 157 28 112

HSL 320.93, 0.7%, 0.36%

LAB 36.31, 57.6, -15.77

 

CMYK 0 / 74 / 25 / 32

HEX #AE2E83

RGB 174 46 131

HSL 320.16, 0.58%, 0.43%

LAB 42.14, 58.83, -18.38

 

CMYK 0 / 66 / 21 / 25

HEX #BF4096

RGB 191 64 150

HSL 319.37, 0.5%, 0.5%

LAB 48.19, 59.24, -20.34

 

CMYK 0 / 61 / 19 / 18

HEX #D052A9

RGB 208 82 169

HSL 318.57, 0.57%, 0.57%

LAB 54.35, 59.16, -21.86

 

CMYK 0 / 56 / 16 / 12

HEX #E164BC

RGB 225 100 188

HSL 317.76, 0.68%, 0.64%

LAB 60.56, 58.78, -23.09

 

CMYK 0 / 82 / 23 / 40

HEX #981C75

RGB 152 28 117

HSL 316.94, 0.69%, 0.35%

LAB 35.58, 57.03, -20.13

 

CMYK 0 / 93 / 27 / 47

HEX #870A62

RGB 135 10 98

HSL 317.76, 0.86%, 0.28%

LAB 30.03, 54.52, -16.82

 

CMYK 0 / 100 / 33 / 54

HEX #76004F

RGB 118 0 79

HSL 319.83, 1%, 0.23%

LAB 25, 50.17, -12.3

 

CMYK 0 / 100 / 41 / 60

HEX #65003C

RGB 101 0 60

HSL 324.36, 1%, 0.2%

LAB 20.41, 44.13, -6.6

 

CMYK 0 / 100 / 51 / 67

HEX #540029

RGB 84 0 41

HSL 330.71, 1%, 0.16%

LAB 15.72, 38, -0.42

 

CMYK 0 / 82 / 23 / 41

HEX #961B74

RGB 150 27 116

HSL 316.59, 0.69%, 0.35%

LAB 35.06, 56.69, -20.33

 

CMYK 0 / 82 / 45 / 41

HEX #961B52

RGB 150 27 82

HSL 333.17, 0.69%, 0.35%

LAB 33.73, 52.79, -0.54

 

CMYK 0 / 82 / 67 / 41

HEX #961B31

RGB 150 27 49

HSL 349.27, 0.69%, 0.35%

LAB 32.9, 50.27, 19.88

 

CMYK 0 / 82 / 82 / 41

HEX #961B1B

RGB 150 27 27

HSL 0, 0.69%, 0.35%

LAB 32.58, 49.3, 33.19

 

CMYK 0 / 82 / 23 / 41

HEX #961B74

RGB 150 27 116

HSL 316.59, 0.69%, 0.35%

LAB 35.06, 56.69, -20.33

 

CMYK 0 / 82 / 1 / 41

HEX #961B95

RGB 150 27 149

HSL 300.49, 0.69%, 0.35%

LAB 36.81, 61.57, -38.04

 

CMYK 21 / 82 / 0 / 41

HEX #771B96

RGB 119 27 150

HSL 284.88, 0.69%, 0.35%

LAB 31.6, 55.75, -47.32

 

CMYK 43 / 82 / 0 / 41

HEX #551B96

RGB 85 27 150

HSL 268.29, 0.69%, 0.35%

LAB 26.5, 50.02, -55.84

 

CMYK 65 / 82 / 0 / 41

HEX #341B96

RGB 52 27 150

HSL 252.2, 0.69%, 0.35%

LAB 22.71, 45.81, -62.21

 

CMYK 0 / 82 / 23 / 41

HEX #961B74

RGB 150 27 116

HSL 316.59, 0.69%, 0.35%

LAB 35.06, 56.69, -20.33

 

CMYK 0 / 92 / 26 / 35

HEX #A50D7A

RGB 165 13 122

HSL 316.97, 0.85%, 0.35%

LAB 37.28, 63.57, -20.42

 

CMYK 0 / 82 / 23 / 41

HEX #961B74

RGB 150 27 116

HSL 316.59, 0.69%, 0.35%

LAB 35.06, 56.69, -20.33

 

CMYK 0 / 69 / 20 / 47

HEX #882A6D

RGB 136 42 109

HSL 317.23, 0.53%, 0.35%

LAB 33.97, 47.03, -17.79

 

CMYK 0 / 54 / 15 / 53

HEX #793867

RGB 121 56 103

HSL 316.62, 0.37%, 0.35%

LAB 33.72, 34.77, -14.58

 

CMYK 0 / 35 / 9 / 58

HEX #6B4661

RGB 107 70 97

HSL 316.22, 0.21%, 0.35%

LAB 34.74, 20.53, -9.4

 

CMYK 0 / 9 / 3 / 64

HEX #5D555A

RGB 93 85 90

HSL 322.5, 0.04%, 0.35%

LAB 37.05, 4.28, -1.73

 

CMYK 22 / 82 / 0 / 41

HEX #751B96

RGB 117 27 150

HSL 283.9, 0.69%, 0.35%

LAB 31.27, 55.39, -47.86

 

CMYK 0 / 82 / 0 / 41

HEX #961B96

RGB 150 27 150

HSL 300, 0.69%, 0.35%

LAB 36.87, 61.73, -38.56

 

CMYK 0 / 82 / 22 / 41

HEX #961B75

RGB 150 27 117

HSL 316.1, 0.69%, 0.35%

LAB 35.11, 56.82, -20.89

 

CMYK 0 / 82 / 43 / 41

HEX #961B55

RGB 150 27 85

HSL 331.71, 0.69%, 0.35%

LAB 33.82, 53.08, -2.35

 

CMYK 0 / 82 / 65 / 41

HEX #961B34

RGB 150 27 52

HSL 347.8, 0.69%, 0.35%

LAB 32.95, 50.45, 18.01

 

CMYK 0 / 83 / 23 / 68

HEX #510E3E

RGB 81 14 62

HSL 317.01, 0.71%, 0.19%

LAB 17.51, 35.35, -12.82

 

CMYK 0 / 82 / 23 / 55

HEX #731559

RGB 115 21 89

HSL 316.6, 0.69%, 0.27%

LAB 26.45, 46.09, -16.78

 

CMYK 0 / 82 / 23 / 41

HEX #961B74

RGB 150 27 116

HSL 316.59, 0.69%, 0.35%

LAB 35.06, 56.69, -20.33

 

CMYK 0 / 82 / 23 / 27

HEX #B9228E

RGB 185 34 142

HSL 317.09, 0.69%, 0.43%

LAB 43.38, 66.39, -23.03

 

CMYK 0 / 80 / 23 / 15

HEX #D82CA7

RGB 216 44 167

HSL 317.09, 0.69%, 0.51%

LAB 50.91, 74.01, -25.89

 

CMYK 0 / 82 / 23 / 40

HEX #981C75

RGB 152 28 117

HSL 316.94, 0.69%, 0.35%

LAB 35.58, 57.03, -20.13

 

CMYK 0 / 43 / 82 / 41

HEX #96551B

RGB 150 85 27

HSL 28.29, 0.69%, 0.35%

LAB 42.85, 22.54, 43.06

 

CMYK 82 / 0 / 11 / 41

HEX #1B9686

RGB 27 150 134

HSL 172.2, 0.69%, 0.35%

LAB 55.85, -35.6, -0.7

 

CMYK 0 / 82 / 23 / 40

HEX #981C75

RGB 152 28 117

HSL 316.94, 0.69%, 0.35%

LAB 35.58, 57.03, -20.13

 

CMYK 22 / 0 / 82 / 41

HEX #75961B

RGB 117 150 27

HSL 76.1, 0.69%, 0.35%

LAB 57.73, -28.33, 55.4

 

CMYK 82 / 22 / 0 / 41

HEX #1B7596

RGB 27 117 150

HSL 196.1, 0.69%, 0.35%

LAB 45.85, -13.56, -25.12

 

CMYK 0 / 82 / 23 / 40

HEX #981C75

RGB 152 28 117

HSL 316.94, 0.69%, 0.35%

LAB 35.58, 57.03, -20.13

 

CMYK 0 / 43 / 82 / 41

HEX #96551B

RGB 150 85 27

HSL 28.29, 0.69%, 0.35%

LAB 42.85, 22.54, 43.06

 

CMYK 82 / 0 / 60 / 41

HEX #1B963C

RGB 27 150 60

HSL 136.1, 0.69%, 0.35%

LAB 54.42, -51.49, 37.82

 

CMYK 82 / 38 / 0 / 41

HEX #1B5D96

RGB 27 93 150

HSL 207.8, 0.69%, 0.35%

LAB 38.31, 0.92, -36.95

 

CMYK 0 / 82 / 23 / 40

HEX #981C75

RGB 152 28 117

HSL 316.94, 0.69%, 0.35%

LAB 35.58, 57.03, -20.13

 

CMYK 0 / 19 / 82 / 41

HEX #967A1B

RGB 150 122 27

HSL 46.34, 0.69%, 0.35%

LAB 52.38, 1.34, 51.68

 

CMYK 82 / 0 / 60 / 41

HEX #1B963C

RGB 27 150 60

HSL 136.1, 0.69%, 0.35%

LAB 54.42, -51.49, 37.82

 

CMYK 82 / 63 / 0 / 41

HEX #1B3896

RGB 27 56 150

HSL 225.85, 0.69%, 0.35%

LAB 27.47, 25.84, -54.44

 

Description

Color code: HEX #981C75 | qconv.com Color code: HEX #981C75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 28 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 28 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 23 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 23% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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