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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #979B26 it is the complementary color #6864D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #979B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #979B26 shade: #9C9B21, #ADAD34, #BEBF47, #CFD15A and #E0E36D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #979B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #979B26 shade: #979B26, #868913, #757700, #646500 and #535300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #979B26 shade: #979C25, #9C8025, #9C6025, #9C4025 and #9C2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #979B26 shade: #979C25, #789C25, #589C25, #389C25 and #259C33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #979B26 shade matches the following richer shades: #979C25, #A6AB16 and #B5BB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #979B26 shade: #979C25, #898C35, #7A7C45, #6C6C54 and #5D5D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #979B26 shade: #9C6025, #9C8025, #989C25, #789C25 and #599C25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #979B26 shade: #575915, #777A1D, #979C25, #B8BD2D and #CCD142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #979B26 shade: #979B26, #259C41 and #70259C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #979B26 shade: #979B26, #25989C and #9C2598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #979B26 shade: #979B26, #259C41, #29259C and #9C2580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #979B26 shade: #979B26, #259C64, #29259C and #9C255C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 75 / 39

HEX #979B26

RGB 151 155 38

HSL 62.05, 0.61%, 0.38%

LAB 61.79, -15.67, 56.58

 

Complementary color

CMYK 52 / 54 / 0 / 15

HEX #6864D9

RGB 104 100 217

HSL 242.05, 0.61%, 0.62%

LAB 48.34, 33.28, -59.8

 

CMYK 0 / 1 / 79 / 39

HEX #9C9B21

RGB 156 155 33

HSL 59.51, 0.65%, 0.37%

LAB 62.19, -13.66, 58.72

 

CMYK 0 / 0 / 70 / 32

HEX #ADAD34

RGB 173 173 52

HSL 60, 0.54%, 0.44%

LAB 68.77, -14.67, 58.86

 

CMYK 1 / 0 / 63 / 25

HEX #BEBF47

RGB 190 191 71

HSL 60.5, 0.48%, 0.51%

LAB 75.24, -15.48, 58.35

 

CMYK 1 / 0 / 57 / 18

HEX #CFD15A

RGB 207 209 90

HSL 61.01, 0.56%, 0.59%

LAB 81.62, -16.15, 57.5

 

CMYK 1 / 0 / 52 / 11

HEX #E0E36D

RGB 224 227 109

HSL 61.53, 0.68%, 0.66%

LAB 87.92, -16.69, 56.48

 

CMYK 3 / 0 / 75 / 39

HEX #979B26

RGB 151 155 38

HSL 62.05, 0.61%, 0.38%

LAB 61.79, -15.67, 56.58

 

CMYK 2 / 0 / 86 / 46

HEX #868913

RGB 134 137 19

HSL 61.53, 0.76%, 0.31%

LAB 55.08, -14.56, 55.73

 

CMYK 2 / 0 / 100 / 53

HEX #757700

RGB 117 119 0

HSL 61.01, 1%, 0.23%

LAB 48.23, -13.21, 53.58

 

CMYK 1 / 0 / 100 / 60

HEX #646500

RGB 100 101 0

HSL 60.59, 1%, 0.2%

LAB 41.24, -11.41, 47.77

 

CMYK 0 / 0 / 100 / 67

HEX #535300

RGB 83 83 0

HSL 60, 1%, 0.16%

LAB 34.04, -9.53, 41.79

 

CMYK 3 / 0 / 76 / 39

HEX #979C25

RGB 151 156 37

HSL 62.52, 0.62%, 0.38%

LAB 62.07, -16.23, 57.18

 

CMYK 0 / 18 / 76 / 39

HEX #9C8025

RGB 156 128 37

HSL 45.88, 0.62%, 0.38%

LAB 54.7, 1.15, 50.4

 

CMYK 0 / 38 / 76 / 39

HEX #9C6025

RGB 156 96 37

HSL 29.75, 0.62%, 0.38%

LAB 46.4, 19.36, 42.26

 

CMYK 0 / 59 / 76 / 39

HEX #9C4025

RGB 156 64 37

HSL 13.61, 0.62%, 0.38%

LAB 39.36, 36.76, 34.96

 

CMYK 0 / 76 / 76 / 39

HEX #9C2525

RGB 156 37 37

HSL 0, 0.62%, 0.38%

LAB 35.05, 48.37, 30.28

 

CMYK 3 / 0 / 76 / 39

HEX #979C25

RGB 151 156 37

HSL 62.52, 0.62%, 0.38%

LAB 62.07, -16.23, 57.18

 

CMYK 23 / 0 / 76 / 39

HEX #789C25

RGB 120 156 37

HSL 78.15, 0.62%, 0.38%

LAB 59.8, -29.49, 54.23

 

CMYK 44 / 0 / 76 / 39

HEX #589C25

RGB 88 156 37

HSL 94.29, 0.62%, 0.38%

LAB 58.02, -41.57, 51.9

 

CMYK 64 / 0 / 76 / 39

HEX #389C25

RGB 56 156 37

HSL 110.42, 0.62%, 0.38%

LAB 56.83, -50.8, 50.33

 

CMYK 76 / 0 / 67 / 39

HEX #259C33

RGB 37 156 51

HSL 127.06, 0.62%, 0.38%

LAB 56.5, -53.23, 44.32

 

CMYK 3 / 0 / 76 / 39

HEX #979C25

RGB 151 156 37

HSL 62.52, 0.62%, 0.38%

LAB 62.07, -16.23, 57.18

 

CMYK 3 / 0 / 87 / 33

HEX #A6AB16

RGB 166 171 22

HSL 62.01, 0.77%, 0.38%

LAB 67.49, -17.83, 66.39

 

CMYK 3 / 0 / 97 / 27

HEX #B5BB06

RGB 181 187 6

HSL 61.99, 0.94%, 0.38%

LAB 73.14, -19.6, 73.61

 

CMYK 3 / 0 / 76 / 39

HEX #979C25

RGB 151 156 37

HSL 62.52, 0.62%, 0.38%

LAB 62.07, -16.23, 57.18

 

CMYK 2 / 0 / 62 / 45

HEX #898C35

RGB 137 140 53

HSL 62.07, 0.45%, 0.38%

LAB 56.42, -13.09, 44.77

 

CMYK 2 / 0 / 44 / 51

HEX #7A7C45

RGB 122 124 69

HSL 62.18, 0.28%, 0.38%

LAB 50.67, -9.52, 29.69

 

CMYK 0 / 0 / 22 / 58

HEX #6C6C54

RGB 108 108 84

HSL 60, 0.13%, 0.38%

LAB 45.02, -4.42, 13.47

 

CMYK 7 / 7 / 0 / 61

HEX #5D5D64

RGB 93 93 100

HSL 240, 0.04%, 0.38%

LAB 39.71, 1.52, -4

 

CMYK 0 / 38 / 76 / 39

HEX #9C6025

RGB 156 96 37

HSL 29.75, 0.62%, 0.38%

LAB 46.4, 19.36, 42.26

 

CMYK 0 / 18 / 76 / 39

HEX #9C8025

RGB 156 128 37

HSL 45.88, 0.62%, 0.38%

LAB 54.7, 1.15, 50.4

 

CMYK 3 / 0 / 76 / 39

HEX #989C25

RGB 152 156 37

HSL 62.02, 0.62%, 0.38%

LAB 62.16, -15.79, 57.29

 

CMYK 23 / 0 / 76 / 39

HEX #789C25

RGB 120 156 37

HSL 78.15, 0.62%, 0.38%

LAB 59.8, -29.49, 54.23

 

CMYK 43 / 0 / 76 / 39

HEX #599C25

RGB 89 156 37

HSL 93.78, 0.62%, 0.38%

LAB 58.07, -41.23, 51.96

 

CMYK 2 / 0 / 76 / 65

HEX #575915

RGB 87 89 21

HSL 61.76, 0.62%, 0.22%

LAB 36.41, -10.15, 36.84

 

CMYK 2 / 0 / 76 / 52

HEX #777A1D

RGB 119 122 29

HSL 61.94, 0.62%, 0.3%

LAB 49.41, -13.01, 47.17

 

CMYK 3 / 0 / 76 / 39

HEX #979C25

RGB 151 156 37

HSL 62.52, 0.62%, 0.38%

LAB 62.07, -16.23, 57.18

 

CMYK 3 / 0 / 76 / 26

HEX #B8BD2D

RGB 184 189 45

HSL 62.08, 0.62%, 0.46%

LAB 74.05, -18.37, 66.59

 

CMYK 2 / 0 / 68 / 18

HEX #CCD142

RGB 204 209 66

HSL 62.1, 0.61%, 0.54%

LAB 81.2, -18.9, 66.77

 

CMYK 3 / 0 / 75 / 39

HEX #979B26

RGB 151 155 38

HSL 62.05, 0.61%, 0.38%

LAB 61.79, -15.67, 56.58

 

CMYK 76 / 0 / 58 / 39

HEX #259C41

RGB 37 156 65

HSL 134.12, 0.62%, 0.38%

LAB 56.64, -51.53, 38.04

 

CMYK 28 / 76 / 0 / 39

HEX #70259C

RGB 112 37 156

HSL 277.82, 0.62%, 0.38%

LAB 32.19, 52.17, -50.07

 

CMYK 3 / 0 / 75 / 39

HEX #979B26

RGB 151 155 38

HSL 62.05, 0.61%, 0.38%

LAB 61.79, -15.67, 56.58

 

CMYK 76 / 3 / 0 / 39

HEX #25989C

RGB 37 152 156

HSL 182.02, 0.62%, 0.38%

LAB 57.32, -28.94, -11.08

 

CMYK 0 / 76 / 3 / 39

HEX #9C2598

RGB 156 37 152

HSL 302.02, 0.62%, 0.38%

LAB 39, 60.53, -36.33

 

CMYK 3 / 0 / 75 / 39

HEX #979B26

RGB 151 155 38

HSL 62.05, 0.61%, 0.38%

LAB 61.79, -15.67, 56.58

 

CMYK 76 / 0 / 58 / 39

HEX #259C41

RGB 37 156 65

HSL 134.12, 0.62%, 0.38%

LAB 56.64, -51.53, 38.04

 

CMYK 74 / 76 / 0 / 39

HEX #29259C

RGB 41 37 156

HSL 242.02, 0.62%, 0.38%

LAB 24.31, 41.46, -63.29

 

CMYK 0 / 76 / 18 / 39

HEX #9C2580

RGB 156 37 128

HSL 314.12, 0.62%, 0.38%

LAB 37.75, 56.86, -23.57

 

CMYK 3 / 0 / 75 / 39

HEX #979B26

RGB 151 155 38

HSL 62.05, 0.61%, 0.38%

LAB 61.79, -15.67, 56.58

 

CMYK 76 / 0 / 36 / 39

HEX #259C64

RGB 37 156 100

HSL 151.76, 0.62%, 0.38%

LAB 57.16, -45.45, 20.36

 

CMYK 74 / 76 / 0 / 39

HEX #29259C

RGB 41 37 156

HSL 242.02, 0.62%, 0.38%

LAB 24.31, 41.46, -63.29

 

CMYK 0 / 76 / 41 / 39

HEX #9C255C

RGB 156 37 92

HSL 332.27, 0.62%, 0.38%

LAB 36.3, 52.39, -3.08

 

Description

Color code: HEX #979B26 | qconv.com Color code: HEX #979B26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 155 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 155 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 75 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 75% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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