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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978F8F it is the complementary color #687070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978F8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978F8F shade: #9C8F8A, #ADA19D, #BEB3B0, #CFC5C3 and #E0D7D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978F8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978F8F shade: #978F8F, #867D7C, #756B69, #645956 and #534743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978F8F shade: #988F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978F8F shade: #988F8F, #98918F, #98948F, #98968F and #97988F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978F8F shade matches the following richer shades: #988F8F, #A97E7E, #BA6C6C, #CC5B5B and #DD4A4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978F8F shade: #988F8F, #86A0A0, #75B2B2, #64C3C3 and #52D4D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978F8F shade: #988F94, #988F91, #988F8F, #98918F and #98948F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978F8F shade: #6E6666, #847A7A, #988F8F, #ABA5A5 and #BFBABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978F8F shade: #978F8F, #96988F and #8F9398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978F8F shade: #978F8F, #8F988F and #8F8F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978F8F shade: #978F8F, #96988F, #8F9898 and #918F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978F8F shade: #978F8F, #93988F, #8F9898 and #938F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 5 / 41

HEX #978F8F

RGB 151 143 143

HSL 0, 0.04%, 0.58%

LAB 60.08, 2.96, 1.05

 

Complementary color

CMYK 7 / 0 / 0 / 56

HEX #687070

RGB 104 112 112

HSL 180, 0.04%, 0.42%

LAB 46.58, -3.02, -1.05

 

CMYK 0 / 8 / 12 / 39

HEX #9C8F8A

RGB 156 143 138

HSL 16.67, 0.08%, 0.58%

LAB 60.38, 3.94, 4.4

 

CMYK 0 / 7 / 9 / 32

HEX #ADA19D

RGB 173 161 157

HSL 15, 0.09%, 0.65%

LAB 67.13, 3.65, 3.64

 

CMYK 0 / 6 / 7 / 25

HEX #BEB3B0

RGB 190 179 176

HSL 12.86, 0.1%, 0.72%

LAB 73.75, 3.38, 2.92

 

CMYK 0 / 5 / 6 / 19

HEX #CFC5C3

RGB 207 197 195

HSL 10, 0.11%, 0.79%

LAB 80.26, 3.14, 2.24

 

CMYK 0 / 4 / 4 / 12

HEX #E0D7D6

RGB 224 215 214

HSL 6, 0.14%, 0.86%

LAB 86.65, 2.91, 1.58

 

CMYK 0 / 5 / 5 / 41

HEX #978F8F

RGB 151 143 143

HSL 0, 0.04%, 0.58%

LAB 60.08, 2.96, 1.05

 

CMYK 0 / 7 / 7 / 47

HEX #867D7C

RGB 134 125 124

HSL 6, 0.04%, 0.51%

LAB 53.16, 3.23, 1.77

 

CMYK 0 / 9 / 10 / 54

HEX #756B69

RGB 117 107 105

HSL 10, 0.05%, 0.44%

LAB 46.07, 3.54, 2.53

 

CMYK 0 / 11 / 14 / 61

HEX #645956

RGB 100 89 86

HSL 12.86, 0.08%, 0.36%

LAB 38.77, 3.89, 3.36

 

CMYK 0 / 14 / 19 / 67

HEX #534743

RGB 83 71 67

HSL 15, 0.11%, 0.29%

LAB 31.23, 4.32, 4.27

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 0 / 5 / 6 / 40

HEX #98918F

RGB 152 145 143

HSL 13.33, 0.04%, 0.58%

LAB 60.7, 2.21, 1.97

 

CMYK 0 / 3 / 6 / 40

HEX #98948F

RGB 152 148 143

HSL 33.33, 0.04%, 0.58%

LAB 61.51, 0.53, 3.15

 

CMYK 0 / 1 / 6 / 40

HEX #98968F

RGB 152 150 143

HSL 46.67, 0.04%, 0.58%

LAB 62.06, -0.58, 3.94

 

CMYK 1 / 0 / 6 / 40

HEX #97988F

RGB 151 152 143

HSL 66.67, 0.04%, 0.58%

LAB 62.52, -2.06, 4.6

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 0 / 25 / 25 / 34

HEX #A97E7E

RGB 169 126 126

HSL 0, 0.2%, 0.58%

LAB 56.94, 16.65, 6.51

 

CMYK 0 / 42 / 42 / 27

HEX #BA6C6C

RGB 186 108 108

HSL 0, 0.36%, 0.58%

LAB 54.29, 30.99, 13.52

 

CMYK 0 / 55 / 55 / 20

HEX #CC5B5B

RGB 204 91 91

HSL 0, 0.53%, 0.58%

LAB 53.03, 44.88, 22.19

 

CMYK 0 / 67 / 67 / 13

HEX #DD4A4A

RGB 221 74 74

HSL 0, 0.68%, 0.58%

LAB 52.69, 57.12, 32.22

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 16 / 0 / 0 / 37

HEX #86A0A0

RGB 134 160 160

HSL 180, 0.12%, 0.58%

LAB 63.96, -9.01, -3.03

 

CMYK 34 / 0 / 0 / 30

HEX #75B2B2

RGB 117 178 178

HSL 180, 0.28%, 0.58%

LAB 68.63, -19.55, -6.26

 

CMYK 49 / 0 / 0 / 24

HEX #64C3C3

RGB 100 195 195

HSL 180, 0.44%, 0.58%

LAB 73.34, -27.99, -8.67

 

CMYK 61 / 0 / 0 / 17

HEX #52D4D4

RGB 82 212 212

HSL 180, 0.6%, 0.58%

LAB 78.25, -34.99, -10.6

 

CMYK 0 / 6 / 3 / 40

HEX #988F94

RGB 152 143 148

HSL 326.67, 0.04%, 0.58%

LAB 60.3, 4.27, -1.46

 

CMYK 0 / 6 / 5 / 40

HEX #988F91

RGB 152 143 145

HSL 346.67, 0.04%, 0.58%

LAB 60.22, 3.7, 0.13

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 0 / 5 / 6 / 40

HEX #98918F

RGB 152 145 143

HSL 13.33, 0.04%, 0.58%

LAB 60.7, 2.21, 1.97

 

CMYK 0 / 3 / 6 / 40

HEX #98948F

RGB 152 148 143

HSL 33.33, 0.04%, 0.58%

LAB 61.51, 0.53, 3.15

 

CMYK 0 / 7 / 7 / 57

HEX #6E6666

RGB 110 102 102

HSL 0, 0.04%, 0.42%

LAB 43.91, 3.15, 1.13

 

CMYK 0 / 8 / 8 / 48

HEX #847A7A

RGB 132 122 122

HSL 0, 0.04%, 0.5%

LAB 52.1, 3.82, 1.37

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 0 / 4 / 4 / 33

HEX #ABA5A5

RGB 171 165 165

HSL 0, 0.03%, 0.66%

LAB 68.23, 2.16, 0.76

 

CMYK 0 / 3 / 3 / 25

HEX #BFBABA

RGB 191 186 186

HSL 0, 0.04%, 0.74%

LAB 75.91, 1.76, 0.61

 

CMYK 0 / 5 / 5 / 41

HEX #978F8F

RGB 151 143 143

HSL 0, 0.04%, 0.58%

LAB 60.08, 2.96, 1.05

 

CMYK 1 / 0 / 6 / 40

HEX #96988F

RGB 150 152 143

HSL 73.33, 0.04%, 0.58%

LAB 62.44, -2.43, 4.47

 

CMYK 6 / 3 / 0 / 40

HEX #8F9398

RGB 143 147 152

HSL 213.33, 0.04%, 0.58%

LAB 60.76, -0.44, -3.15

 

CMYK 0 / 5 / 5 / 41

HEX #978F8F

RGB 151 143 143

HSL 0, 0.04%, 0.58%

LAB 60.08, 2.96, 1.05

 

CMYK 6 / 0 / 6 / 40

HEX #8F988F

RGB 143 152 143

HSL 120, 0.04%, 0.58%

LAB 61.89, -5, 3.61

 

CMYK 6 / 6 / 0 / 40

HEX #8F8F98

RGB 143 143 152

HSL 240, 0.04%, 0.58%

LAB 59.66, 1.81, -4.76

 

CMYK 0 / 5 / 5 / 41

HEX #978F8F

RGB 151 143 143

HSL 0, 0.04%, 0.58%

LAB 60.08, 2.96, 1.05

 

CMYK 1 / 0 / 6 / 40

HEX #96988F

RGB 150 152 143

HSL 73.33, 0.04%, 0.58%

LAB 62.44, -2.43, 4.47

 

CMYK 6 / 0 / 0 / 40

HEX #8F9898

RGB 143 152 152

HSL 180, 0.04%, 0.58%

LAB 62.14, -3.22, -1.12

 

CMYK 5 / 6 / 0 / 40

HEX #918F98

RGB 145 143 152

HSL 253.33, 0.04%, 0.58%

LAB 59.83, 2.52, -4.5

 

CMYK 0 / 5 / 5 / 41

HEX #978F8F

RGB 151 143 143

HSL 0, 0.04%, 0.58%

LAB 60.08, 2.96, 1.05

 

CMYK 3 / 0 / 6 / 40

HEX #93988F

RGB 147 152 143

HSL 93.33, 0.04%, 0.58%

LAB 62.2, -3.53, 4.1

 

CMYK 6 / 0 / 0 / 40

HEX #8F9898

RGB 143 152 152

HSL 180, 0.04%, 0.58%

LAB 62.14, -3.22, -1.12

 

CMYK 3 / 6 / 0 / 40

HEX #938F98

RGB 147 143 152

HSL 266.67, 0.04%, 0.58%

LAB 59.99, 3.24, -4.24

 

Description

Color code: HEX #978F8F | qconv.com Color code: HEX #978F8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 143 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 143 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 5 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 5% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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