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Color name
HEX #978F19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978F19 it is the complementary color #6870E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978F19 shade: #9C8F14, #ADA127, #BEB33A, #CFC54D and #E0D760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978F19 shade: #978F19, #867D06, #756B00, #645900 and #534700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978F19 shade: #999118, #996E18, #994C18, #992918 and #991818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978F19 shade: #999118, #7F9918, #5C9918, #399918 and #18991A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978F19 shade matches the following richer shades: #999118 and #A79D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978F19 shade: #999118, #8B8427, #7C7835, #6E6B44 and #5F5E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978F19 shade: #994C18, #996E18, #999018, #7F9918 and #5D9918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978F19 shade: #524E0D, #766F13, #999118, #BCB21E and #DCD028

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978F19 shade: #978F19, #18992A and #5D1899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978F19 shade: #978F19, #189990 and #901899

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978F19 shade: #978F19, #18992A, #182199 and #991888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978F19 shade: #978F19, #189950, #182199 and #991861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 83 / 41

HEX #978F19

RGB 151 143 25

HSL 56.19, 0.72%, 0.35%

LAB 58.32, -9.83, 57.5

 

Complementary color

CMYK 55 / 51 / 0 / 10

HEX #6870E6

RGB 104 112 230

HSL 236.19, 0.72%, 0.65%

LAB 52.11, 30.09, -61.07

 

CMYK 0 / 8 / 87 / 39

HEX #9C8F14

RGB 156 143 20

HSL 54.26, 0.77%, 0.35%

LAB 58.75, -7.69, 59.33

 

CMYK 0 / 7 / 77 / 32

HEX #ADA127

RGB 173 161 39

HSL 54.63, 0.63%, 0.42%

LAB 65.37, -9.02, 60.24

 

CMYK 0 / 6 / 69 / 25

HEX #BEB33A

RGB 190 179 58

HSL 55, 0.53%, 0.49%

LAB 71.89, -10.1, 60.14

 

CMYK 0 / 5 / 63 / 19

HEX #CFC54D

RGB 207 197 77

HSL 55.38, 0.58%, 0.56%

LAB 78.31, -11, 59.5

 

CMYK 0 / 4 / 57 / 12

HEX #E0D760

RGB 224 215 96

HSL 55.78, 0.67%, 0.63%

LAB 84.63, -11.75, 58.59

 

CMYK 0 / 5 / 83 / 41

HEX #978F19

RGB 151 143 25

HSL 56.19, 0.72%, 0.35%

LAB 58.32, -9.83, 57.5

 

CMYK 0 / 7 / 96 / 47

HEX #867D06

RGB 134 125 6

HSL 55.78, 0.91%, 0.27%

LAB 51.55, -8.37, 55.54

 

CMYK 0 / 9 / 100 / 54

HEX #756B00

RGB 117 107 0

HSL 54.87, 1%, 0.23%

LAB 44.66, -6.55, 50.98

 

CMYK 0 / 11 / 100 / 61

HEX #645900

RGB 100 89 0

HSL 53.4, 1%, 0.2%

LAB 37.58, -4.51, 45.12

 

CMYK 0 / 14 / 100 / 67

HEX #534700

RGB 83 71 0

HSL 51.33, 1%, 0.16%

LAB 30.27, -2.35, 39.06

 

CMYK 0 / 5 / 84 / 40

HEX #999118

RGB 153 145 24

HSL 56.28, 0.73%, 0.35%

LAB 59.06, -10.03, 58.47

 

CMYK 0 / 28 / 84 / 40

HEX #996E18

RGB 153 110 24

HSL 40, 0.73%, 0.35%

LAB 49.48, 9.47, 50.29

 

CMYK 0 / 50 / 84 / 40

HEX #994C18

RGB 153 76 24

HSL 24.19, 0.73%, 0.35%

LAB 41.23, 28.75, 43.03

 

CMYK 0 / 73 / 84 / 40

HEX #992918

RGB 153 41 24

HSL 7.91, 0.73%, 0.35%

LAB 34.85, 45.47, 37.23

 

CMYK 0 / 84 / 84 / 40

HEX #991818

RGB 153 24 24

HSL 0, 0.73%, 0.35%

LAB 32.9, 50.92, 35.41

 

CMYK 0 / 5 / 84 / 40

HEX #999118

RGB 153 145 24

HSL 56.28, 0.73%, 0.35%

LAB 59.06, -10.03, 58.47

 

CMYK 17 / 0 / 84 / 40

HEX #7F9918

RGB 127 153 24

HSL 72.09, 0.73%, 0.35%

LAB 59.31, -25.68, 57.86

 

CMYK 40 / 0 / 84 / 40

HEX #5C9918

RGB 92 153 24

HSL 88.37, 0.73%, 0.35%

LAB 57.2, -39.6, 55.2

 

CMYK 63 / 0 / 84 / 40

HEX #399918

RGB 57 153 24

HSL 104.65, 0.73%, 0.35%

LAB 55.8, -50.29, 53.42

 

CMYK 84 / 0 / 83 / 40

HEX #18991A

RGB 24 153 26

HSL 120.93, 0.73%, 0.35%

LAB 55.13, -56.06, 51.99

 

CMYK 0 / 5 / 84 / 40

HEX #999118

RGB 153 145 24

HSL 56.28, 0.73%, 0.35%

LAB 59.06, -10.03, 58.47

 

CMYK 0 / 6 / 94 / 35

HEX #A79D0A

RGB 167 157 10

HSL 56.18, 0.89%, 0.35%

LAB 63.63, -10.36, 65.42

 

CMYK 0 / 5 / 84 / 40

HEX #999118

RGB 153 145 24

HSL 56.28, 0.73%, 0.35%

LAB 59.06, -10.03, 58.47

 

CMYK 0 / 5 / 72 / 45

HEX #8B8427

RGB 139 132 39

HSL 55.8, 0.56%, 0.35%

LAB 54.17, -8.76, 48.53

 

CMYK 0 / 3 / 57 / 51

HEX #7C7835

RGB 124 120 53

HSL 56.62, 0.4%, 0.35%

LAB 49.47, -8.01, 36.72

 

CMYK 0 / 3 / 38 / 57

HEX #6E6B44

RGB 110 107 68

HSL 55.71, 0.24%, 0.35%

LAB 44.59, -5.32, 22.3

 

CMYK 0 / 1 / 14 / 63

HEX #5F5E52

RGB 95 94 82

HSL 55.38, 0.07%, 0.35%

LAB 39.66, -1.96, 7.03

 

CMYK 0 / 50 / 84 / 40

HEX #994C18

RGB 153 76 24

HSL 24.19, 0.73%, 0.35%

LAB 41.23, 28.75, 43.03

 

CMYK 0 / 28 / 84 / 40

HEX #996E18

RGB 153 110 24

HSL 40, 0.73%, 0.35%

LAB 49.48, 9.47, 50.29

 

CMYK 0 / 6 / 84 / 40

HEX #999018

RGB 153 144 24

HSL 55.81, 0.73%, 0.35%

LAB 58.77, -9.49, 58.23

 

CMYK 17 / 0 / 84 / 40

HEX #7F9918

RGB 127 153 24

HSL 72.09, 0.73%, 0.35%

LAB 59.31, -25.68, 57.86

 

CMYK 39 / 0 / 84 / 40

HEX #5D9918

RGB 93 153 24

HSL 87.91, 0.73%, 0.35%

LAB 57.25, -39.23, 55.26

 

CMYK 0 / 5 / 84 / 68

HEX #524E0D

RGB 82 78 13

HSL 56.52, 0.73%, 0.19%

LAB 32.42, -6.6, 36.03

 

CMYK 0 / 6 / 84 / 54

HEX #766F13

RGB 118 111 19

HSL 55.76, 0.72%, 0.27%

LAB 46, -7.83, 47.42

 

CMYK 0 / 5 / 84 / 40

HEX #999118

RGB 153 145 24

HSL 56.28, 0.73%, 0.35%

LAB 59.06, -10.03, 58.47

 

CMYK 0 / 5 / 84 / 26

HEX #BCB21E

RGB 188 178 30

HSL 56.2, 0.72%, 0.43%

LAB 71.3, -11.56, 68.49

 

CMYK 0 / 5 / 82 / 14

HEX #DCD028

RGB 220 208 40

HSL 56, 0.72%, 0.51%

LAB 82.1, -12.71, 76.22

 

CMYK 0 / 5 / 83 / 41

HEX #978F19

RGB 151 143 25

HSL 56.19, 0.72%, 0.35%

LAB 58.32, -9.83, 57.5

 

CMYK 84 / 0 / 73 / 40

HEX #18992A

RGB 24 153 42

HSL 128.37, 0.73%, 0.35%

LAB 55.22, -54.86, 46.62

 

CMYK 39 / 84 / 0 / 40

HEX #5D1899

RGB 93 24 153

HSL 272.09, 0.73%, 0.35%

LAB 27.52, 53.02, -55.97

 

CMYK 0 / 5 / 83 / 41

HEX #978F19

RGB 151 143 25

HSL 56.19, 0.72%, 0.35%

LAB 58.32, -9.83, 57.5

 

CMYK 84 / 0 / 6 / 40

HEX #189990

RGB 24 153 144

HSL 175.81, 0.73%, 0.35%

LAB 57.07, -34.32, -4.63

 

CMYK 6 / 84 / 0 / 40

HEX #901899

RGB 144 24 153

HSL 295.81, 0.73%, 0.35%

LAB 35.76, 61.78, -42.23

 

CMYK 0 / 5 / 83 / 41

HEX #978F19

RGB 151 143 25

HSL 56.19, 0.72%, 0.35%

LAB 58.32, -9.83, 57.5

 

CMYK 84 / 0 / 73 / 40

HEX #18992A

RGB 24 153 42

HSL 128.37, 0.73%, 0.35%

LAB 55.22, -54.86, 46.62

 

CMYK 84 / 78 / 0 / 40

HEX #182199

RGB 24 33 153

HSL 235.81, 0.73%, 0.35%

LAB 22.24, 41.42, -64.9

 

CMYK 0 / 84 / 11 / 40

HEX #991888

RGB 153 24 136

HSL 307.91, 0.73%, 0.35%

LAB 36.37, 60.9, -30.73

 

CMYK 0 / 5 / 83 / 41

HEX #978F19

RGB 151 143 25

HSL 56.19, 0.72%, 0.35%

LAB 58.32, -9.83, 57.5

 

CMYK 84 / 0 / 48 / 40

HEX #189950

RGB 24 153 80

HSL 146.05, 0.73%, 0.35%

LAB 55.64, -49.76, 29.14

 

CMYK 84 / 78 / 0 / 40

HEX #182199

RGB 24 33 153

HSL 235.81, 0.73%, 0.35%

LAB 22.24, 41.42, -64.9

 

CMYK 0 / 84 / 37 / 40

HEX #991861

RGB 153 24 97

HSL 326.05, 0.73%, 0.35%

LAB 34.58, 55.88, -8.92

 

Description

Color code: HEX #978F19 | qconv.com Color code: HEX #978F19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 143 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 143 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 83% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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