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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978F06 it is the complementary color #6870F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978F06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978F06 shade: #9C8F01, #ADA114, #BEB327, #CFC53A and #E0D74D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978F06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978F06 shade: #978F06, #867D00, #756B00, #645900 and #534700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978F06 shade: #978F06, #976806, #974106, #971A06 and #970606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978F06 shade: #978F06, #789706, #519706, #2A9706 and #069709

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978F06 shade matches the following richer shades: #978F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978F06 shade: #978F06, #8A8413, #7E781F, #716D2C and #646239

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978F06 shade: #974006, #976706, #978E06, #7A9706 and #539706

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978F06 shade: #484403, #706A04, #978F06, #BFB507 and #E6DA09

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978F06 shade: #978F06, #069719 and #530697

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978F06 shade: #978F06, #06978E and #8E0697

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978F06 shade: #978F06, #069719, #061097 and #970684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978F06 shade: #978F06, #069745, #061097 and #970658

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

Complementary color

CMYK 58 / 55 / 0 / 2

HEX #6870F9

RGB 104 112 249

HSL 236.69, 0.92%, 0.69%

LAB 53.35, 36.12, -69.67

 

CMYK 0 / 8 / 99 / 39

HEX #9C8F01

RGB 156 143 1

HSL 54.97, 0.99%, 0.31%

LAB 58.71, -8.03, 62.63

 

CMYK 0 / 7 / 88 / 32

HEX #ADA114

RGB 173 161 20

HSL 55.29, 0.79%, 0.38%

LAB 65.3, -9.59, 65.27

 

CMYK 0 / 6 / 79 / 25

HEX #BEB327

RGB 190 179 39

HSL 55.63, 0.66%, 0.45%

LAB 71.78, -10.93, 66.56

 

CMYK 0 / 5 / 72 / 19

HEX #CFC53A

RGB 207 197 58

HSL 55.97, 0.61%, 0.52%

LAB 78.17, -12.04, 66.79

 

CMYK 0 / 4 / 66 / 12

HEX #E0D74D

RGB 224 215 77

HSL 56.33, 0.7%, 0.59%

LAB 84.48, -12.97, 66.41

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 0 / 7 / 100 / 47

HEX #867D00

RGB 134 125 0

HSL 55.97, 1%, 0.26%

LAB 51.54, -8.49, 56.68

 

CMYK 0 / 9 / 100 / 54

HEX #756B00

RGB 117 107 0

HSL 54.87, 1%, 0.23%

LAB 44.66, -6.55, 50.98

 

CMYK 0 / 11 / 100 / 61

HEX #645900

RGB 100 89 0

HSL 53.4, 1%, 0.2%

LAB 37.58, -4.51, 45.12

 

CMYK 0 / 14 / 100 / 67

HEX #534700

RGB 83 71 0

HSL 51.33, 1%, 0.16%

LAB 30.27, -2.35, 39.06

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 0 / 31 / 96 / 41

HEX #976806

RGB 151 104 6

HSL 40.55, 0.92%, 0.31%

LAB 47.61, 11.57, 53.45

 

CMYK 0 / 57 / 96 / 41

HEX #974106

RGB 151 65 6

HSL 24.41, 0.92%, 0.31%

LAB 38.5, 33.37, 47.11

 

CMYK 0 / 83 / 96 / 41

HEX #971A06

RGB 151 26 6

HSL 8.28, 0.92%, 0.31%

LAB 32.55, 49.43, 43.34

 

CMYK 0 / 96 / 96 / 41

HEX #970606

RGB 151 6 6

HSL 0, 0.92%, 0.31%

LAB 31.17, 53.38, 42.41

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 21 / 0 / 96 / 41

HEX #789706

RGB 120 151 6

HSL 72.83, 0.92%, 0.31%

LAB 58.17, -28.14, 60.17

 

CMYK 46 / 0 / 96 / 41

HEX #519706

RGB 81 151 6

HSL 88.97, 0.92%, 0.31%

LAB 55.98, -43.15, 57.51

 

CMYK 72 / 0 / 96 / 41

HEX #2A9706

RGB 42 151 6

HSL 105.1, 0.92%, 0.31%

LAB 54.7, -53.52, 55.93

 

CMYK 96 / 0 / 94 / 41

HEX #069709

RGB 6 151 9

HSL 121.24, 0.92%, 0.31%

LAB 54.23, -57.65, 54.87

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 0 / 4 / 86 / 46

HEX #8A8413

RGB 138 132 19

HSL 56.97, 0.76%, 0.31%

LAB 53.98, -10.04, 54.95

 

CMYK 0 / 5 / 75 / 51

HEX #7E781F

RGB 126 120 31

HSL 56.21, 0.61%, 0.31%

LAB 49.46, -8.57, 46.68

 

CMYK 0 / 4 / 61 / 56

HEX #716D2C

RGB 113 109 44

HSL 56.52, 0.44%, 0.31%

LAB 45.12, -7.62, 36.05

 

CMYK 0 / 2 / 43 / 61

HEX #646239

RGB 100 98 57

HSL 57.21, 0.27%, 0.31%

LAB 40.8, -5.97, 23.59

 

CMYK 0 / 58 / 96 / 41

HEX #974006

RGB 151 64 6

HSL 24, 0.92%, 0.31%

LAB 38.3, 33.89, 46.98

 

CMYK 0 / 32 / 96 / 41

HEX #976706

RGB 151 103 6

HSL 40.14, 0.92%, 0.31%

LAB 47.36, 12.15, 53.26

 

CMYK 0 / 6 / 96 / 41

HEX #978E06

RGB 151 142 6

HSL 56.28, 0.92%, 0.31%

LAB 57.98, -9.71, 61.09

 

CMYK 19 / 0 / 96 / 41

HEX #7A9706

RGB 122 151 6

HSL 72, 0.92%, 0.31%

LAB 58.31, -27.29, 60.34

 

CMYK 45 / 0 / 96 / 41

HEX #539706

RGB 83 151 6

HSL 88.14, 0.92%, 0.31%

LAB 56.07, -42.47, 57.62

 

CMYK 0 / 6 / 96 / 72

HEX #484403

RGB 72 68 3

HSL 56.52, 0.92%, 0.15%

LAB 28.16, -6.11, 35.68

 

CMYK 0 / 5 / 96 / 56

HEX #706A04

RGB 112 106 4

HSL 56.67, 0.93%, 0.23%

LAB 43.89, -8.3, 49.23

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 0 / 5 / 96 / 25

HEX #BFB507

RGB 191 181 7

HSL 56.74, 0.93%, 0.39%

LAB 72.32, -12.2, 73.26

 

CMYK 0 / 5 / 96 / 10

HEX #E6DA09

RGB 230 218 9

HSL 56.74, 0.92%, 0.47%

LAB 85.5, -13.99, 84.33

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 96 / 0 / 83 / 41

HEX #069719

RGB 6 151 25

HSL 127.86, 0.92%, 0.31%

LAB 54.28, -56.96, 51.44

 

CMYK 45 / 96 / 0 / 41

HEX #530697

RGB 83 6 151

HSL 271.86, 0.92%, 0.31%

LAB 24.33, 55.87, -60.03

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 96 / 0 / 6 / 41

HEX #06978E

RGB 6 151 142

HSL 176.28, 0.92%, 0.31%

LAB 56.21, -35.05, -4.77

 

CMYK 6 / 96 / 0 / 41

HEX #8E0697

RGB 142 6 151

HSL 296.28, 0.92%, 0.31%

LAB 34.22, 64.16, -43.49

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 96 / 0 / 83 / 41

HEX #069719

RGB 6 151 25

HSL 127.86, 0.92%, 0.31%

LAB 54.28, -56.96, 51.44

 

CMYK 96 / 89 / 0 / 41

HEX #061097

RGB 6 16 151

HSL 235.86, 0.92%, 0.31%

LAB 18.56, 48.42, -69.81

 

CMYK 0 / 96 / 13 / 41

HEX #970684

RGB 151 6 132

HSL 307.86, 0.92%, 0.31%

LAB 34.75, 62.91, -30.83

 

CMYK 0 / 5 / 96 / 41

HEX #978F06

RGB 151 143 6

HSL 56.69, 0.92%, 0.31%

LAB 58.26, -10.25, 61.31

 

CMYK 96 / 0 / 54 / 41

HEX #069745

RGB 6 151 69

HSL 146.07, 0.92%, 0.31%

LAB 54.66, -52.24, 33.59

 

CMYK 96 / 89 / 0 / 41

HEX #061097

RGB 6 16 151

HSL 235.86, 0.92%, 0.31%

LAB 18.56, 48.42, -69.81

 

CMYK 0 / 96 / 42 / 41

HEX #970658

RGB 151 6 88

HSL 326.07, 0.92%, 0.31%

LAB 32.73, 57.66, -5.9

 

Description

Color code: HEX #978F06 | qconv.com Color code: HEX #978F06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 143 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 143 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 96 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 96% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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