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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978D86 it is the complementary color #687279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978D86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978D86 shade: #9C8D81, #AD9F94, #BEB1A7, #CFC3BA and #E0D5CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978D86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978D86 shade: #978D86, #867B73, #756960, #64574D and #53453A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978D86 shade: #978D85, #978885 and #978585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978D86 shade: #978D85, #979285, #979685, #939785 and #8E9785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978D86 shade matches the following richer shades: #978D85, #A98A73, #BC8661, #CE834F and #E0803D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978D86 shade: #978D85, #859097, #7393AA, #6196BC and #4F9ACE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978D86 shade: #978588, #978885, #978D85, #979185 and #979685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978D86 shade: #6D645D, #837870, #978D85, #AAA29C and #BDB7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978D86 shade: #978D86, #8D9785 and #858597

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978D86 shade: #978D86, #85978D and #8D8597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978D86 shade: #978D86, #8D9785, #859097 and #908597

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978D86 shade: #978D86, #879785, #859097 and #958597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

Complementary color

CMYK 14 / 6 / 0 / 53

HEX #687279

RGB 104 114 121

HSL 204.71, 0.08%, 0.44%

LAB 47.44, -2.19, -5.15

 

CMYK 0 / 10 / 17 / 39

HEX #9C8D81

RGB 156 141 129

HSL 26.67, 0.12%, 0.56%

LAB 59.62, 3.54, 8.43

 

CMYK 0 / 8 / 14 / 32

HEX #AD9F94

RGB 173 159 148

HSL 26.4, 0.13%, 0.63%

LAB 66.38, 3.21, 7.58

 

CMYK 0 / 7 / 12 / 25

HEX #BEB1A7

RGB 190 177 167

HSL 26.09, 0.15%, 0.7%

LAB 73.01, 2.92, 6.77

 

CMYK 0 / 6 / 10 / 19

HEX #CFC3BA

RGB 207 195 186

HSL 25.71, 0.18%, 0.77%

LAB 79.52, 2.66, 6.01

 

CMYK 0 / 5 / 8 / 12

HEX #E0D5CD

RGB 224 213 205

HSL 25.26, 0.23%, 0.84%

LAB 85.93, 2.42, 5.29

 

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

CMYK 0 / 8 / 14 / 47

HEX #867B73

RGB 134 123 115

HSL 25.26, 0.08%, 0.49%

LAB 52.37, 2.76, 5.88

 

CMYK 0 / 10 / 18 / 54

HEX #756960

RGB 117 105 96

HSL 25.71, 0.1%, 0.42%

LAB 45.26, 3.1, 6.78

 

CMYK 0 / 13 / 23 / 61

HEX #64574D

RGB 100 87 77

HSL 26.09, 0.13%, 0.35%

LAB 37.95, 3.51, 7.76

 

CMYK 0 / 17 / 30 / 67

HEX #53453A

RGB 83 69 58

HSL 26.4, 0.18%, 0.28%

LAB 30.4, 4.03, 8.87

 

CMYK 0 / 7 / 12 / 41

HEX #978D85

RGB 151 141 133

HSL 26.67, 0.08%, 0.56%

LAB 59.27, 2.28, 5.59

 

CMYK 0 / 10 / 12 / 41

HEX #978885

RGB 151 136 133

HSL 10, 0.08%, 0.56%

LAB 57.92, 5.1, 3.65

 

CMYK 0 / 12 / 12 / 41

HEX #978585

RGB 151 133 133

HSL 0, 0.08%, 0.56%

LAB 57.12, 6.81, 2.49

 

CMYK 0 / 7 / 12 / 41

HEX #978D85

RGB 151 141 133

HSL 26.67, 0.08%, 0.56%

LAB 59.27, 2.28, 5.59

 

CMYK 0 / 3 / 12 / 41

HEX #979285

RGB 151 146 133

HSL 43.33, 0.08%, 0.56%

LAB 60.63, -0.51, 7.54

 

CMYK 0 / 1 / 12 / 41

HEX #979685

RGB 151 150 133

HSL 56.67, 0.08%, 0.56%

LAB 61.73, -2.73, 9.1

 

CMYK 3 / 0 / 12 / 41

HEX #939785

RGB 147 151 133

HSL 73.33, 0.08%, 0.56%

LAB 61.68, -4.8, 8.99

 

CMYK 6 / 0 / 12 / 41

HEX #8E9785

RGB 142 151 133

HSL 90, 0.08%, 0.56%

LAB 61.29, -6.68, 8.38

 

CMYK 0 / 7 / 12 / 41

HEX #978D85

RGB 151 141 133

HSL 26.67, 0.08%, 0.56%

LAB 59.27, 2.28, 5.59

 

CMYK 0 / 18 / 32 / 34

HEX #A98A73

RGB 169 138 115

HSL 25.56, 0.24%, 0.56%

LAB 59.75, 8.32, 16.75

 

CMYK 0 / 29 / 48 / 26

HEX #BC8661

RGB 188 134 97

HSL 24.4, 0.4%, 0.56%

LAB 60.43, 16.28, 28.09

 

CMYK 0 / 36 / 62 / 19

HEX #CE834F

RGB 206 131 79

HSL 24.57, 0.56%, 0.56%

LAB 61.58, 23.9, 39.7

 

CMYK 0 / 43 / 73 / 12

HEX #E0803D

RGB 224 128 61

HSL 24.66, 0.72%, 0.56%

LAB 63.03, 31.86, 50.96

 

CMYK 0 / 7 / 12 / 41

HEX #978D85

RGB 151 141 133

HSL 26.67, 0.08%, 0.56%

LAB 59.27, 2.28, 5.59

 

CMYK 12 / 5 / 0 / 41

HEX #859097

RGB 133 144 151

HSL 203.33, 0.08%, 0.56%

LAB 59.13, -2.48, -5.07

 

CMYK 32 / 14 / 0 / 33

HEX #7393AA

RGB 115 147 170

HSL 205.09, 0.24%, 0.56%

LAB 59.36, -5.48, -15.68

 

CMYK 48 / 20 / 0 / 26

HEX #6196BC

RGB 97 150 188

HSL 205.05, 0.4%, 0.56%

LAB 59.88, -7.06, -25.18

 

CMYK 62 / 25 / 0 / 19

HEX #4F9ACE

RGB 79 154 206

HSL 204.57, 0.56%, 0.56%

LAB 60.98, -7.58, -33.63

 

CMYK 0 / 12 / 10 / 41

HEX #978588

RGB 151 133 136

HSL 350, 0.08%, 0.56%

LAB 57.2, 7.34, 0.88

 

CMYK 0 / 10 / 12 / 41

HEX #978885

RGB 151 136 133

HSL 10, 0.08%, 0.56%

LAB 57.92, 5.1, 3.65

 

CMYK 0 / 7 / 12 / 41

HEX #978D85

RGB 151 141 133

HSL 26.67, 0.08%, 0.56%

LAB 59.27, 2.28, 5.59

 

CMYK 0 / 4 / 12 / 41

HEX #979185

RGB 151 145 133

HSL 40, 0.08%, 0.56%

LAB 60.36, 0.04, 7.15

 

CMYK 0 / 1 / 12 / 41

HEX #979685

RGB 151 150 133

HSL 56.67, 0.08%, 0.56%

LAB 61.73, -2.73, 9.1

 

CMYK 0 / 8 / 15 / 57

HEX #6D645D

RGB 109 100 93

HSL 26.25, 0.08%, 0.4%

LAB 43, 2.25, 5.25

 

CMYK 0 / 8 / 15 / 49

HEX #837870

RGB 131 120 112

HSL 25.26, 0.08%, 0.48%

LAB 51.18, 2.77, 5.91

 

CMYK 0 / 7 / 12 / 41

HEX #978D85

RGB 151 141 133

HSL 26.67, 0.08%, 0.56%

LAB 59.27, 2.28, 5.59

 

CMYK 0 / 5 / 8 / 33

HEX #AAA29C

RGB 170 162 156

HSL 25.71, 0.08%, 0.64%

LAB 67.12, 1.81, 4.14

 

CMYK 0 / 3 / 6 / 26

HEX #BDB7B2

RGB 189 183 178

HSL 27.27, 0.08%, 0.72%

LAB 74.76, 1.22, 3.28

 

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

CMYK 7 / 0 / 12 / 41

HEX #8D9785

RGB 141 151 133

HSL 93.33, 0.08%, 0.56%

LAB 61.21, -7.05, 8.26

 

CMYK 12 / 12 / 0 / 41

HEX #858597

RGB 133 133 151

HSL 240, 0.08%, 0.56%

LAB 56.08, 3.76, -9.6

 

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

CMYK 12 / 0 / 7 / 41

HEX #85978D

RGB 133 151 141

HSL 146.67, 0.08%, 0.56%

LAB 60.82, -8.44, 3.09

 

CMYK 7 / 12 / 0 / 41

HEX #8D8597

RGB 141 133 151

HSL 266.67, 0.08%, 0.56%

LAB 56.75, 6.58, -8.53

 

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

CMYK 7 / 0 / 12 / 41

HEX #8D9785

RGB 141 151 133

HSL 93.33, 0.08%, 0.56%

LAB 61.21, -7.05, 8.26

 

CMYK 12 / 5 / 0 / 41

HEX #859097

RGB 133 144 151

HSL 203.33, 0.08%, 0.56%

LAB 59.13, -2.48, -5.07

 

CMYK 5 / 12 / 0 / 41

HEX #908597

RGB 144 133 151

HSL 276.67, 0.08%, 0.56%

LAB 57.02, 7.65, -8.11

 

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

CMYK 11 / 0 / 12 / 41

HEX #879785

RGB 135 151 133

HSL 113.33, 0.08%, 0.56%

LAB 60.76, -9.27, 7.56

 

CMYK 12 / 5 / 0 / 41

HEX #859097

RGB 133 144 151

HSL 203.33, 0.08%, 0.56%

LAB 59.13, -2.48, -5.07

 

CMYK 1 / 12 / 0 / 41

HEX #958597

RGB 149 133 151

HSL 293.33, 0.08%, 0.56%

LAB 57.46, 9.45, -7.4

 

Description

Color code: HEX #978D86 | qconv.com Color code: HEX #978D86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 141 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 141 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 11 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 11% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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