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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9782A0 it is the complementary color #687D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9782A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9782A0 shade: #9C829B, #AD94AE, #BEA6C1, #CFB8D4 and #E0CAE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9782A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9782A0 shade: #9782A0, #86708D, #755E7A, #644C67 and #533A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9782A0 shade: #9781A0, #9F81A0, #A08199, #A08191 and #A08188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9782A0 shade: #9781A0, #8F81A0, #8681A0 and #8181A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9782A0 shade matches the following richer shades: #9781A0, #9E70B2, #A55EC4, #AC4CD5 and #B33BE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9782A0 shade: #9781A0, #90938E, #89A57D, #82B76B and #7BC859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9782A0 shade: #8781A0, #8F81A0, #9781A0, #9F81A0 and #A08199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9782A0 shade: #6D5976, #836B8E, #9781A0, #AA99B2 and #BEB1C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9782A0 shade: #9782A0, #A08185 and #81A08B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9782A0 shade: #9782A0, #A09781 and #81A097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9782A0 shade: #9782A0, #A08185, #8BA081 and #81A09D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9782A0 shade: #9782A0, #A08881, #8BA081 and #819AA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 19 / 0 / 37

HEX #9782A0

RGB 151 130 160

HSL 282, 0.14%, 0.57%

LAB 57.16, 13.72, -13.02

 

Complementary color

CMYK 17 / 0 / 24 / 51

HEX #687D5F

RGB 104 125 95

HSL 102, 0.14%, 0.43%

LAB 50.02, -13.73, 13.88

 

CMYK 0 / 17 / 1 / 39

HEX #9C829B

RGB 156 130 155

HSL 302.31, 0.12%, 0.56%

LAB 57.46, 14.49, -9.63

 

CMYK 1 / 15 / 0 / 32

HEX #AD94AE

RGB 173 148 174

HSL 297.69, 0.14%, 0.63%

LAB 64.26, 14.02, -10.12

 

CMYK 2 / 14 / 0 / 24

HEX #BEA6C1

RGB 190 166 193

HSL 293.33, 0.18%, 0.7%

LAB 70.92, 13.59, -10.6

 

CMYK 2 / 13 / 0 / 17

HEX #CFB8D4

RGB 207 184 212

HSL 289.29, 0.25%, 0.78%

LAB 77.46, 13.2, -11.06

 

CMYK 3 / 13 / 0 / 9

HEX #E0CAE7

RGB 224 202 231

HSL 285.52, 0.38%, 0.85%

LAB 83.89, 12.83, -11.52

 

CMYK 6 / 19 / 0 / 37

HEX #9782A0

RGB 151 130 160

HSL 282, 0.14%, 0.57%

LAB 57.16, 13.72, -13.02

 

CMYK 5 / 21 / 0 / 45

HEX #86708D

RGB 134 112 141

HSL 285.52, 0.11%, 0.5%

LAB 50.19, 14.22, -12.62

 

CMYK 4 / 23 / 0 / 52

HEX #755E7A

RGB 117 94 122

HSL 289.29, 0.13%, 0.42%

LAB 43.05, 14.77, -12.21

 

CMYK 3 / 26 / 0 / 60

HEX #644C67

RGB 100 76 103

HSL 293.33, 0.15%, 0.35%

LAB 35.71, 15.41, -11.79

 

CMYK 1 / 31 / 0 / 67

HEX #533A54

RGB 83 58 84

HSL 297.69, 0.18%, 0.28%

LAB 28.13, 16.14, -11.35

 

CMYK 6 / 19 / 0 / 37

HEX #9781A0

RGB 151 129 160

HSL 282.58, 0.14%, 0.57%

LAB 56.9, 14.3, -13.41

 

CMYK 1 / 19 / 0 / 37

HEX #9F81A0

RGB 159 129 160

HSL 298.06, 0.14%, 0.57%

LAB 57.66, 17.12, -12.18

 

CMYK 0 / 19 / 4 / 37

HEX #A08199

RGB 160 129 153

HSL 313.55, 0.14%, 0.57%

LAB 57.53, 16.12, -8.33

 

CMYK 0 / 19 / 9 / 37

HEX #A08191

RGB 160 129 145

HSL 329.03, 0.14%, 0.57%

LAB 57.29, 14.64, -4.08

 

CMYK 0 / 19 / 15 / 37

HEX #A08188

RGB 160 129 136

HSL 346.45, 0.14%, 0.57%

LAB 57.03, 13.06, 0.73

 

CMYK 6 / 19 / 0 / 37

HEX #9781A0

RGB 151 129 160

HSL 282.58, 0.14%, 0.57%

LAB 56.9, 14.3, -13.41

 

CMYK 11 / 19 / 0 / 37

HEX #8F81A0

RGB 143 129 160

HSL 267.1, 0.14%, 0.57%

LAB 56.17, 11.52, -14.59

 

CMYK 16 / 19 / 0 / 37

HEX #8681A0

RGB 134 129 160

HSL 249.68, 0.14%, 0.57%

LAB 55.39, 8.44, -15.84

 

CMYK 19 / 19 / 0 / 37

HEX #8181A0

RGB 129 129 160

HSL 240, 0.14%, 0.57%

LAB 54.98, 6.77, -16.5

 

CMYK 6 / 19 / 0 / 37

HEX #9781A0

RGB 151 129 160

HSL 282.58, 0.14%, 0.57%

LAB 56.9, 14.3, -13.41

 

CMYK 11 / 37 / 0 / 30

HEX #9E70B2

RGB 158 112 178

HSL 281.82, 0.3%, 0.57%

LAB 54.1, 30.25, -28.01

 

CMYK 16 / 52 / 0 / 23

HEX #A55EC4

RGB 165 94 196

HSL 281.76, 0.46%, 0.57%

LAB 51.83, 46.11, -41.88

 

CMYK 19 / 64 / 0 / 16

HEX #AC4CD5

RGB 172 76 213

HSL 282.04, 0.62%, 0.57%

LAB 50.39, 60.26, -53.86

 

CMYK 23 / 74 / 0 / 9

HEX #B33BE7

RGB 179 59 231

HSL 281.86, 0.78%, 0.57%

LAB 50.07, 72.13, -64.53

 

CMYK 6 / 19 / 0 / 37

HEX #9781A0

RGB 151 129 160

HSL 282.58, 0.14%, 0.57%

LAB 56.9, 14.3, -13.41

 

CMYK 2 / 0 / 3 / 42

HEX #90938E

RGB 144 147 142

HSL 96, 0.02%, 0.57%

LAB 60.56, -2.06, 2.25

 

CMYK 17 / 0 / 24 / 35

HEX #89A57D

RGB 137 165 125

HSL 102, 0.18%, 0.57%

LAB 64.73, -17.39, 17.61

 

CMYK 29 / 0 / 42 / 28

HEX #82B76B

RGB 130 183 107

HSL 101.84, 0.35%, 0.57%

LAB 69.24, -31.6, 33.18

 

CMYK 39 / 0 / 56 / 22

HEX #7BC859

RGB 123 200 89

HSL 101.62, 0.5%, 0.57%

LAB 73.7, -43.86, 47.47

 

CMYK 16 / 19 / 0 / 37

HEX #8781A0

RGB 135 129 160

HSL 251.61, 0.14%, 0.57%

LAB 55.47, 8.78, -15.7

 

CMYK 11 / 19 / 0 / 37

HEX #8F81A0

RGB 143 129 160

HSL 267.1, 0.14%, 0.57%

LAB 56.17, 11.52, -14.59

 

CMYK 6 / 19 / 0 / 37

HEX #9781A0

RGB 151 129 160

HSL 282.58, 0.14%, 0.57%

LAB 56.9, 14.3, -13.41

 

CMYK 1 / 19 / 0 / 37

HEX #9F81A0

RGB 159 129 160

HSL 298.06, 0.14%, 0.57%

LAB 57.66, 17.12, -12.18

 

CMYK 0 / 19 / 4 / 37

HEX #A08199

RGB 160 129 153

HSL 313.55, 0.14%, 0.57%

LAB 57.53, 16.12, -8.33

 

CMYK 8 / 25 / 0 / 54

HEX #6D5976

RGB 109 89 118

HSL 281.38, 0.14%, 0.41%

LAB 40.74, 14.02, -13.35

 

CMYK 8 / 25 / 0 / 44

HEX #836B8E

RGB 131 107 142

HSL 281.14, 0.14%, 0.49%

LAB 48.63, 16.33, -15.61

 

CMYK 6 / 19 / 0 / 37

HEX #9781A0

RGB 151 129 160

HSL 282.58, 0.14%, 0.57%

LAB 56.9, 14.3, -13.41

 

CMYK 4 / 14 / 0 / 30

HEX #AA99B2

RGB 170 153 178

HSL 280.8, 0.14%, 0.65%

LAB 65.39, 10.95, -10.7

 

CMYK 3 / 10 / 0 / 23

HEX #BEB1C4

RGB 190 177 196

HSL 281.05, 0.14%, 0.73%

LAB 73.79, 8.14, -7.97

 

CMYK 6 / 19 / 0 / 37

HEX #9782A0

RGB 151 130 160

HSL 282, 0.14%, 0.57%

LAB 57.16, 13.72, -13.02

 

CMYK 0 / 19 / 17 / 37

HEX #A08185

RGB 160 129 133

HSL 352.26, 0.14%, 0.57%

LAB 56.95, 12.55, 2.35

 

CMYK 19 / 0 / 13 / 37

HEX #81A08B

RGB 129 160 139

HSL 139.35, 0.14%, 0.57%

LAB 63.07, -15.07, 7.42

 

CMYK 6 / 19 / 0 / 37

HEX #9782A0

RGB 151 130 160

HSL 282, 0.14%, 0.57%

LAB 57.16, 13.72, -13.02

 

CMYK 0 / 6 / 19 / 37

HEX #A09781

RGB 160 151 129

HSL 42.58, 0.14%, 0.57%

LAB 62.67, -0.46, 12.79

 

CMYK 19 / 0 / 6 / 37

HEX #81A097

RGB 129 160 151

HSL 162.58, 0.14%, 0.57%

LAB 63.38, -12.61, 1.13

 

CMYK 6 / 19 / 0 / 37

HEX #9782A0

RGB 151 130 160

HSL 282, 0.14%, 0.57%

LAB 57.16, 13.72, -13.02

 

CMYK 0 / 19 / 17 / 37

HEX #A08185

RGB 160 129 133

HSL 352.26, 0.14%, 0.57%

LAB 56.95, 12.55, 2.35

 

CMYK 13 / 0 / 19 / 37

HEX #8BA081

RGB 139 160 129

HSL 100.65, 0.14%, 0.57%

LAB 63.52, -13.35, 13.74

 

CMYK 19 / 0 / 2 / 37

HEX #81A09D

RGB 129 160 157

HSL 174.19, 0.14%, 0.57%

LAB 63.54, -11.32, -1.99

 

CMYK 6 / 19 / 0 / 37

HEX #9782A0

RGB 151 130 160

HSL 282, 0.14%, 0.57%

LAB 57.16, 13.72, -13.02

 

CMYK 0 / 15 / 19 / 37

HEX #A08881

RGB 160 136 129

HSL 13.55, 0.14%, 0.57%

LAB 58.66, 7.92, 7.12

 

CMYK 13 / 0 / 19 / 37

HEX #8BA081

RGB 139 160 129

HSL 100.65, 0.14%, 0.57%

LAB 63.52, -13.35, 13.74

 

CMYK 19 / 4 / 0 / 37

HEX #819AA0

RGB 129 154 160

HSL 191.61, 0.14%, 0.57%

LAB 61.93, -7.39, -6.07

 

Description

Color code: HEX #9782A0 | qconv.com Color code: HEX #9782A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 130 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 130 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 19 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 19% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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