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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97879A it is the complementary color #687865. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97879A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97879A shade: #9C8795, #AD99A8, #BEABBB, #CFBDCE and #E0CFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97879A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97879A shade: #97879A, #867587, #756374, #645161 and #533F4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97879A shade: #98879B, #9B8799, #9B8793, #9B878E and #9B8789

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97879A shade: #98879B, #92879B, #8D879B, #88879B and #87879B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97879A shade matches the following richer shades: #98879B, #A475AC, #B063BE, #BC52D0 and #C840E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97879A shade: #98879B, #8B9989, #7FAA77, #73BC65 and #67CE54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97879A shade: #8D879B, #92879B, #97879B, #9B8799 and #9B8793

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97879A shade: #6E5E71, #847187, #98879B, #AB9DAD and #BEB4C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97879A shade: #97879A, #9B8887 and #879B90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97879A shade: #97879A, #9B9787 and #879B97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97879A shade: #97879A, #9B8887, #8A9B87 and #879A9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97879A shade: #97879A, #9B8E87, #8A9B87 and #87949B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

Complementary color

CMYK 13 / 0 / 16 / 53

HEX #687865

RGB 104 120 101

HSL 110.53, 0.09%, 0.43%

LAB 48.66, -9.85, 8.47

 

CMYK 0 / 13 / 4 / 39

HEX #9C8795

RGB 156 135 149

HSL 320, 0.1%, 0.57%

LAB 58.57, 10.47, -4.54

 

CMYK 0 / 12 / 3 / 32

HEX #AD99A8

RGB 173 153 168

HSL 315, 0.11%, 0.64%

LAB 65.35, 10.07, -5.12

 

CMYK 0 / 10 / 2 / 25

HEX #BEABBB

RGB 190 171 187

HSL 309.47, 0.13%, 0.71%

LAB 72, 9.71, -5.68

 

CMYK 0 / 9 / 0 / 19

HEX #CFBDCE

RGB 207 189 206

HSL 303.33, 0.16%, 0.78%

LAB 78.53, 9.38, -6.22

 

CMYK 0 / 8 / 0 / 12

HEX #E0CFE1

RGB 224 207 225

HSL 296.67, 0.23%, 0.85%

LAB 84.95, 9.07, -6.75

 

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

CMYK 1 / 13 / 0 / 47

HEX #867587

RGB 134 117 135

HSL 296.67, 0.07%, 0.49%

LAB 51.31, 10.03, -7.4

 

CMYK 0 / 15 / 1 / 54

HEX #756374

RGB 117 99 116

HSL 303.33, 0.08%, 0.42%

LAB 44.18, 10.49, -6.87

 

CMYK 0 / 19 / 3 / 61

HEX #645161

RGB 100 81 97

HSL 309.47, 0.1%, 0.35%

LAB 36.85, 11.01, -6.31

 

CMYK 0 / 24 / 6 / 67

HEX #533F4E

RGB 83 63 78

HSL 315, 0.14%, 0.29%

LAB 29.27, 11.62, -5.72

 

CMYK 2 / 13 / 0 / 39

HEX #98879B

RGB 152 135 155

HSL 291, 0.09%, 0.57%

LAB 58.39, 10.19, -8.29

 

CMYK 0 / 13 / 1 / 39

HEX #9B8799

RGB 155 135 153

HSL 306, 0.09%, 0.57%

LAB 58.6, 10.87, -6.8

 

CMYK 0 / 13 / 5 / 39

HEX #9B8793

RGB 155 135 147

HSL 324, 0.09%, 0.57%

LAB 58.42, 9.73, -3.62

 

CMYK 0 / 13 / 8 / 39

HEX #9B878E

RGB 155 135 142

HSL 339, 0.09%, 0.57%

LAB 58.27, 8.8, -0.96

 

CMYK 0 / 13 / 12 / 39

HEX #9B8789

RGB 155 135 137

HSL 354, 0.09%, 0.57%

LAB 58.13, 7.9, 1.71

 

CMYK 2 / 13 / 0 / 39

HEX #98879B

RGB 152 135 155

HSL 291, 0.09%, 0.57%

LAB 58.39, 10.19, -8.29

 

CMYK 6 / 13 / 0 / 39

HEX #92879B

RGB 146 135 155

HSL 273, 0.09%, 0.57%

LAB 57.85, 8.05, -9.15

 

CMYK 9 / 13 / 0 / 39

HEX #8D879B

RGB 141 135 155

HSL 258, 0.09%, 0.57%

LAB 57.42, 6.28, -9.83

 

CMYK 12 / 13 / 0 / 39

HEX #88879B

RGB 136 135 155

HSL 243, 0.09%, 0.57%

LAB 57.01, 4.54, -10.5

 

CMYK 13 / 13 / 0 / 39

HEX #87879B

RGB 135 135 155

HSL 240, 0.09%, 0.57%

LAB 56.92, 4.19, -10.63

 

CMYK 2 / 13 / 0 / 39

HEX #98879B

RGB 152 135 155

HSL 291, 0.09%, 0.57%

LAB 58.39, 10.19, -8.29

 

CMYK 5 / 32 / 0 / 33

HEX #A475AC

RGB 164 117 172

HSL 291.27, 0.25%, 0.57%

LAB 55.68, 28.1, -22.06

 

CMYK 7 / 48 / 0 / 25

HEX #B063BE

RGB 176 99 190

HSL 290.77, 0.41%, 0.57%

LAB 53.89, 45.35, -35.09

 

CMYK 10 / 61 / 0 / 18

HEX #BC52D0

RGB 188 82 208

HSL 290.48, 0.57%, 0.57%

LAB 53.25, 60.35, -46.3

 

CMYK 12 / 72 / 0 / 11

HEX #C840E2

RGB 200 64 226

HSL 290.37, 0.74%, 0.57%

LAB 53.42, 73.51, -56.15

 

CMYK 2 / 13 / 0 / 39

HEX #98879B

RGB 152 135 155

HSL 291, 0.09%, 0.57%

LAB 58.39, 10.19, -8.29

 

CMYK 9 / 0 / 10 / 40

HEX #8B9989

RGB 139 153 137

HSL 112.5, 0.07%, 0.57%

LAB 61.72, -8.14, 6.71

 

CMYK 25 / 0 / 30 / 33

HEX #7FAA77

RGB 127 170 119

HSL 110.59, 0.23%, 0.57%

LAB 65.43, -24.53, 21.75

 

CMYK 39 / 0 / 46 / 26

HEX #73BC65

RGB 115 188 101

HSL 110.34, 0.39%, 0.57%

LAB 69.86, -39.78, 36.87

 

CMYK 50 / 0 / 59 / 19

HEX #67CE54

RGB 103 206 84

HSL 110.66, 0.55%, 0.57%

LAB 74.61, -52.95, 50.59

 

CMYK 9 / 13 / 0 / 39

HEX #8D879B

RGB 141 135 155

HSL 258, 0.09%, 0.57%

LAB 57.42, 6.28, -9.83

 

CMYK 6 / 13 / 0 / 39

HEX #92879B

RGB 146 135 155

HSL 273, 0.09%, 0.57%

LAB 57.85, 8.05, -9.15

 

CMYK 3 / 13 / 0 / 39

HEX #97879B

RGB 151 135 155

HSL 288, 0.09%, 0.57%

LAB 58.3, 9.83, -8.44

 

CMYK 0 / 13 / 1 / 39

HEX #9B8799

RGB 155 135 153

HSL 306, 0.09%, 0.57%

LAB 58.6, 10.87, -6.8

 

CMYK 0 / 13 / 5 / 39

HEX #9B8793

RGB 155 135 147

HSL 324, 0.09%, 0.57%

LAB 58.42, 9.73, -3.62

 

CMYK 3 / 17 / 0 / 56

HEX #6E5E71

RGB 110 94 113

HSL 290.53, 0.09%, 0.41%

LAB 42.02, 10.24, -8.36

 

CMYK 2 / 16 / 0 / 47

HEX #847187

RGB 132 113 135

HSL 291.82, 0.09%, 0.49%

LAB 50.06, 11.65, -9.3

 

CMYK 2 / 13 / 0 / 39

HEX #98879B

RGB 152 135 155

HSL 291, 0.09%, 0.57%

LAB 58.39, 10.19, -8.29

 

CMYK 1 / 9 / 0 / 32

HEX #AB9DAD

RGB 171 157 173

HSL 292.5, 0.09%, 0.65%

LAB 66.36, 8.09, -6.45

 

CMYK 1 / 6 / 0 / 25

HEX #BEB4C0

RGB 190 180 192

HSL 290, 0.09%, 0.73%

LAB 74.44, 5.75, -4.82

 

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

CMYK 0 / 12 / 13 / 39

HEX #9B8887

RGB 155 136 135

HSL 3, 0.09%, 0.57%

LAB 58.35, 6.99, 3.16

 

CMYK 13 / 0 / 7 / 39

HEX #879B90

RGB 135 155 144

HSL 147, 0.09%, 0.57%

LAB 62.17, -9.31, 3.38

 

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

CMYK 0 / 3 / 13 / 39

HEX #9B9787

RGB 155 151 135

HSL 48, 0.09%, 0.57%

LAB 62.38, -1.41, 8.95

 

CMYK 13 / 0 / 3 / 39

HEX #879B97

RGB 135 155 151

HSL 168, 0.09%, 0.57%

LAB 62.36, -7.88, -0.3

 

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

CMYK 0 / 12 / 13 / 39

HEX #9B8887

RGB 155 136 135

HSL 3, 0.09%, 0.57%

LAB 58.35, 6.99, 3.16

 

CMYK 11 / 0 / 13 / 39

HEX #8A9B87

RGB 138 155 135

HSL 111, 0.09%, 0.57%

LAB 62.16, -9.96, 8.46

 

CMYK 13 / 1 / 0 / 39

HEX #879A9B

RGB 135 154 155

HSL 183, 0.09%, 0.57%

LAB 62.19, -6.48, -2.81

 

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

CMYK 0 / 8 / 13 / 39

HEX #9B8E87

RGB 155 142 135

HSL 21, 0.09%, 0.57%

LAB 59.95, 3.6, 5.47

 

CMYK 11 / 0 / 13 / 39

HEX #8A9B87

RGB 138 155 135

HSL 111, 0.09%, 0.57%

LAB 62.16, -9.96, 8.46

 

CMYK 13 / 5 / 0 / 39

HEX #87949B

RGB 135 148 155

HSL 201, 0.09%, 0.57%

LAB 60.51, -3.17, -5.28

 

Description

Color code: HEX #97879A | qconv.com Color code: HEX #97879A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 135 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 135 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 12 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 12% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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