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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97781A it is the complementary color #6887E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97781A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97781A shade: #9C7815, #AD8A28, #BE9C3B, #CFAE4E and #E0C061

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97781A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97781A shade: #97781A, #866607, #755400, #644200 and #533000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97781A shade: #987919, #985719, #983419 and #981919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97781A shade: #987919, #959819, #739819, #519819 and #2F9819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97781A shade matches the following richer shades: #987919 and #A7800B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97781A shade: #987919, #8A7128, #7B6A36, #6D6345 and #5E5C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97781A shade: #983519, #985719, #987819, #969819 and #749819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97781A shade: #52410D, #755D13, #987919, #BB951F and #DAAF2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97781A shade: #97781A, #209819 and #461998

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97781A shade: #97781A, #199878 and #781998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97781A shade: #97781A, #209819, #193998 and #921998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97781A shade: #97781A, #199839, #193998 and #981978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 83 / 41

HEX #97781A

RGB 151 120 26

HSL 45.12, 0.71%, 0.35%

LAB 51.94, 2.9, 51.67

 

Complementary color

CMYK 55 / 41 / 0 / 10

HEX #6887E5

RGB 104 135 229

HSL 225.12, 0.71%, 0.65%

LAB 57.97, 15.89, -51.14

 

CMYK 0 / 23 / 87 / 39

HEX #9C7815

RGB 156 120 21

HSL 44, 0.76%, 0.35%

LAB 52.46, 5.07, 53.88

 

CMYK 0 / 20 / 77 / 32

HEX #AD8A28

RGB 173 138 40

HSL 44.21, 0.62%, 0.42%

LAB 59.17, 3.46, 54.13

 

CMYK 0 / 18 / 69 / 25

HEX #BE9C3B

RGB 190 156 59

HSL 44.43, 0.53%, 0.49%

LAB 65.78, 2.13, 53.51

 

CMYK 0 / 16 / 62 / 19

HEX #CFAE4E

RGB 207 174 78

HSL 44.65, 0.57%, 0.56%

LAB 72.29, 1.02, 52.51

 

CMYK 0 / 14 / 57 / 12

HEX #E0C061

RGB 224 192 97

HSL 44.88, 0.67%, 0.63%

LAB 78.7, 0.09, 51.35

 

CMYK 0 / 21 / 83 / 41

HEX #97781A

RGB 151 120 26

HSL 45.12, 0.71%, 0.35%

LAB 51.94, 2.9, 51.67

 

CMYK 0 / 24 / 95 / 47

HEX #866607

RGB 134 102 7

HSL 44.88, 0.9%, 0.28%

LAB 45.06, 4.71, 50.43

 

CMYK 0 / 28 / 100 / 54

HEX #755400

RGB 117 84 0

HSL 43.08, 1%, 0.23%

LAB 38.06, 6.94, 46.35

 

CMYK 0 / 34 / 100 / 61

HEX #644200

RGB 100 66 0

HSL 39.6, 1%, 0.2%

LAB 30.89, 9.48, 40.46

 

CMYK 0 / 42 / 100 / 67

HEX #533000

RGB 83 48 0

HSL 34.7, 1%, 0.16%

LAB 23.52, 12.21, 33.12

 

CMYK 0 / 20 / 84 / 40

HEX #987919

RGB 152 121 25

HSL 45.35, 0.72%, 0.35%

LAB 52.31, 2.77, 52.36

 

CMYK 0 / 43 / 84 / 40

HEX #985719

RGB 152 87 25

HSL 29.29, 0.72%, 0.35%

LAB 43.6, 22.22, 44.68

 

CMYK 0 / 66 / 84 / 40

HEX #983419

RGB 152 52 25

HSL 12.76, 0.72%, 0.35%

LAB 36.37, 40.52, 38.06

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 0 / 20 / 84 / 40

HEX #987919

RGB 152 121 25

HSL 45.35, 0.72%, 0.35%

LAB 52.31, 2.77, 52.36

 

CMYK 2 / 0 / 84 / 40

HEX #959819

RGB 149 152 25

HSL 61.42, 0.72%, 0.35%

LAB 60.71, -15.5, 59.48

 

CMYK 24 / 0 / 84 / 40

HEX #739819

RGB 115 152 25

HSL 77.48, 0.72%, 0.35%

LAB 58.2, -30.2, 56.32

 

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

CMYK 69 / 0 / 84 / 40

HEX #2F9819

RGB 47 152 25

HSL 109.61, 0.72%, 0.35%

LAB 55.21, -52.14, 52.51

 

CMYK 0 / 20 / 84 / 40

HEX #987919

RGB 152 121 25

HSL 45.35, 0.72%, 0.35%

LAB 52.31, 2.77, 52.36

 

CMYK 0 / 23 / 93 / 35

HEX #A7800B

RGB 167 128 11

HSL 45, 0.88%, 0.35%

LAB 55.76, 5.45, 59.32

 

CMYK 0 / 20 / 84 / 40

HEX #987919

RGB 152 121 25

HSL 45.35, 0.72%, 0.35%

LAB 52.31, 2.77, 52.36

 

CMYK 0 / 18 / 71 / 46

HEX #8A7128

RGB 138 113 40

HSL 44.69, 0.55%, 0.35%

LAB 48.72, 1.47, 42.56

 

CMYK 0 / 14 / 56 / 52

HEX #7B6A36

RGB 123 106 54

HSL 45.22, 0.39%, 0.35%

LAB 45.34, -0.41, 31.35

 

CMYK 0 / 9 / 37 / 57

HEX #6D6345

RGB 109 99 69

HSL 45, 0.22%, 0.35%

LAB 42.16, -0.96, 18.52

 

CMYK 0 / 2 / 12 / 63

HEX #5E5C53

RGB 94 92 83

HSL 49.09, 0.06%, 0.35%

LAB 39, -0.99, 5.46

 

CMYK 0 / 65 / 84 / 40

HEX #983519

RGB 152 53 25

HSL 13.23, 0.72%, 0.35%

LAB 36.54, 40.07, 38.22

 

CMYK 0 / 43 / 84 / 40

HEX #985719

RGB 152 87 25

HSL 29.29, 0.72%, 0.35%

LAB 43.6, 22.22, 44.68

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 1 / 0 / 84 / 40

HEX #969819

RGB 150 152 25

HSL 60.94, 0.72%, 0.35%

LAB 60.79, -15.05, 59.58

 

CMYK 24 / 0 / 84 / 40

HEX #749819

RGB 116 152 25

HSL 77.01, 0.72%, 0.35%

LAB 58.26, -29.78, 56.4

 

CMYK 0 / 21 / 84 / 68

HEX #52410D

RGB 82 65 13

HSL 45.22, 0.73%, 0.19%

LAB 28.39, 1.39, 32.33

 

CMYK 0 / 21 / 84 / 54

HEX #755D13

RGB 117 93 19

HSL 45.31, 0.72%, 0.27%

LAB 40.67, 2.1, 42.68

 

CMYK 0 / 20 / 84 / 40

HEX #987919

RGB 152 121 25

HSL 45.35, 0.72%, 0.35%

LAB 52.31, 2.77, 52.36

 

CMYK 0 / 20 / 83 / 27

HEX #BB951F

RGB 187 149 31

HSL 45.38, 0.72%, 0.43%

LAB 63.47, 3.41, 61.58

 

CMYK 0 / 20 / 81 / 15

HEX #DAAF2A

RGB 218 175 42

HSL 45.34, 0.7%, 0.51%

LAB 73.37, 3.5, 68.07

 

CMYK 0 / 21 / 83 / 41

HEX #97781A

RGB 151 120 26

HSL 45.12, 0.71%, 0.35%

LAB 51.94, 2.9, 51.67

 

CMYK 79 / 0 / 84 / 40

HEX #209819

RGB 32 152 25

HSL 116.69, 0.72%, 0.35%

LAB 54.9, -54.78, 52.11

 

CMYK 54 / 84 / 0 / 40

HEX #461998

RGB 70 25 152

HSL 261.26, 0.72%, 0.35%

LAB 24.53, 49.27, -60.38

 

CMYK 0 / 21 / 83 / 41

HEX #97781A

RGB 151 120 26

HSL 45.12, 0.71%, 0.35%

LAB 51.94, 2.9, 51.67

 

CMYK 84 / 0 / 21 / 40

HEX #199878

RGB 25 152 120

HSL 164.88, 0.72%, 0.35%

LAB 56.11, -40.49, 7.65

 

CMYK 21 / 84 / 0 / 40

HEX #781998

RGB 120 25 152

HSL 284.88, 0.72%, 0.35%

LAB 31.7, 56.92, -48.36

 

CMYK 0 / 21 / 83 / 41

HEX #97781A

RGB 151 120 26

HSL 45.12, 0.71%, 0.35%

LAB 51.94, 2.9, 51.67

 

CMYK 79 / 0 / 84 / 40

HEX #209819

RGB 32 152 25

HSL 116.69, 0.72%, 0.35%

LAB 54.9, -54.78, 52.11

 

CMYK 84 / 63 / 0 / 40

HEX #193998

RGB 25 57 152

HSL 224.88, 0.72%, 0.35%

LAB 27.85, 25.77, -55.05

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 0 / 21 / 83 / 41

HEX #97781A

RGB 151 120 26

HSL 45.12, 0.71%, 0.35%

LAB 51.94, 2.9, 51.67

 

CMYK 84 / 0 / 63 / 40

HEX #199839

RGB 25 152 57

HSL 135.12, 0.72%, 0.35%

LAB 55.03, -52.79, 39.94

 

CMYK 84 / 63 / 0 / 40

HEX #193998

RGB 25 57 152

HSL 224.88, 0.72%, 0.35%

LAB 27.85, 25.77, -55.05

 

CMYK 0 / 84 / 21 / 40

HEX #981978

RGB 152 25 120

HSL 315.12, 0.72%, 0.35%

LAB 35.45, 58.19, -22.21

 

Description

Color code: HEX #97781A | qconv.com Color code: HEX #97781A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 120 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 120 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 83% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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