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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976E50 it is the complementary color #6891AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976E50 shade: #9C6E4B, #AD805E, #BE9271, #CFA484 and #E0B697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976E50 shade: #976E50, #865C3D, #754A2A, #643817 and #532604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976E50 shade: #966D4F, #965A4F and #964F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976E50 shade: #966D4F, #96804F, #96934F, #85964F and #72964F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976E50 shade matches the following richer shades: #966D4F, #A86A3C, #BB672A, #CE6417 and #E06104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976E50 shade: #966D4F, #837061, #717274, #5E7586 and #4C7899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976E50 shade: #964F57, #96594F, #966C4F, #967F4F and #96924F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976E50 shade: #604532, #7B5940, #966D4F, #AC8162 and #BA977D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976E50 shade: #976E50, #6A964F and #504F96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976E50 shade: #976E50, #4F966C and #6C4F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976E50 shade: #976E50, #6A964F, #4F7896 and #7B4F96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976E50 shade: #976E50, #55964F, #4F7896 and #904F96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 47 / 41

HEX #976E50

RGB 151 110 80

HSL 25.35, 0.31%, 0.45%

LAB 49.87, 12.41, 23.09

 

Complementary color

CMYK 41 / 17 / 0 / 31

HEX #6891AF

RGB 104 145 175

HSL 205.35, 0.31%, 0.55%

LAB 58.31, -6.16, -20.18

 

CMYK 0 / 29 / 52 / 39

HEX #9C6E4B

RGB 156 110 75

HSL 25.93, 0.35%, 0.45%

LAB 50.37, 14.06, 26.7

 

CMYK 0 / 26 / 46 / 32

HEX #AD805E

RGB 173 128 94

HSL 25.82, 0.33%, 0.52%

LAB 57.2, 13.05, 25.22

 

CMYK 0 / 23 / 41 / 25

HEX #BE9271

RGB 190 146 113

HSL 25.71, 0.37%, 0.59%

LAB 63.91, 12.19, 23.88

 

CMYK 0 / 21 / 36 / 19

HEX #CFA484

RGB 207 164 132

HSL 25.6, 0.44%, 0.66%

LAB 70.51, 11.45, 22.64

 

CMYK 0 / 19 / 33 / 12

HEX #E0B697

RGB 224 182 151

HSL 25.48, 0.54%, 0.74%

LAB 77, 10.81, 21.51

 

CMYK 0 / 27 / 47 / 41

HEX #976E50

RGB 151 110 80

HSL 25.35, 0.31%, 0.45%

LAB 49.87, 12.41, 23.09

 

CMYK 0 / 31 / 54 / 47

HEX #865C3D

RGB 134 92 61

HSL 25.48, 0.37%, 0.38%

LAB 42.85, 13.5, 24.65

 

CMYK 0 / 37 / 64 / 54

HEX #754A2A

RGB 117 74 42

HSL 25.6, 0.47%, 0.31%

LAB 35.69, 14.84, 26.38

 

CMYK 0 / 44 / 77 / 61

HEX #643817

RGB 100 56 23

HSL 25.71, 0.63%, 0.24%

LAB 28.38, 16.53, 28.23

 

CMYK 0 / 54 / 95 / 67

HEX #532604

RGB 83 38 4

HSL 25.82, 0.91%, 0.17%

LAB 20.96, 18.62, 28.79

 

CMYK 0 / 27 / 47 / 41

HEX #966D4F

RGB 150 109 79

HSL 25.35, 0.31%, 0.45%

LAB 49.48, 12.45, 23.13

 

CMYK 0 / 40 / 47 / 41

HEX #965A4F

RGB 150 90 79

HSL 9.3, 0.31%, 0.45%

LAB 44.75, 23.4, 16.85

 

CMYK 0 / 47 / 47 / 41

HEX #964F4F

RGB 150 79 79

HSL 0, 0.31%, 0.45%

LAB 42.22, 29.59, 13.41

 

CMYK 0 / 27 / 47 / 41

HEX #966D4F

RGB 150 109 79

HSL 25.35, 0.31%, 0.45%

LAB 49.48, 12.45, 23.13

 

CMYK 0 / 15 / 47 / 41

HEX #96804F

RGB 150 128 79

HSL 41.41, 0.31%, 0.45%

LAB 54.54, 1.58, 29.63

 

CMYK 0 / 2 / 47 / 41

HEX #96934F

RGB 150 147 79

HSL 57.46, 0.31%, 0.45%

LAB 59.81, -8.91, 36.18

 

CMYK 11 / 0 / 47 / 41

HEX #85964F

RGB 133 150 79

HSL 74.37, 0.31%, 0.45%

LAB 59.31, -17.66, 35.25

 

CMYK 24 / 0 / 47 / 41

HEX #72964F

RGB 114 150 79

HSL 90.42, 0.31%, 0.45%

LAB 57.99, -25.27, 33.33

 

CMYK 0 / 27 / 47 / 41

HEX #966D4F

RGB 150 109 79

HSL 25.35, 0.31%, 0.45%

LAB 49.48, 12.45, 23.13

 

CMYK 0 / 37 / 64 / 34

HEX #A86A3C

RGB 168 106 60

HSL 25.56, 0.47%, 0.45%

LAB 50.64, 20.3, 35.67

 

CMYK 0 / 45 / 78 / 27

HEX #BB672A

RGB 187 103 42

HSL 25.24, 0.63%, 0.45%

LAB 52.32, 29.09, 47.26

 

CMYK 0 / 51 / 89 / 19

HEX #CE6417

RGB 206 100 23

HSL 25.25, 0.8%, 0.45%

LAB 54.34, 37.86, 57.54

 

CMYK 0 / 57 / 98 / 12

HEX #E06104

RGB 224 97 4

HSL 25.36, 0.96%, 0.45%

LAB 56.49, 46.05, 64.72

 

CMYK 0 / 27 / 47 / 41

HEX #966D4F

RGB 150 109 79

HSL 25.35, 0.31%, 0.45%

LAB 49.48, 12.45, 23.13

 

CMYK 0 / 15 / 26 / 49

HEX #837061

RGB 131 112 97

HSL 26.47, 0.15%, 0.45%

LAB 48.61, 4.95, 11.1

 

CMYK 3 / 2 / 0 / 55

HEX #717274

RGB 113 114 116

HSL 220, 0.01%, 0.45%

LAB 48.02, 0.03, -1.24

 

CMYK 30 / 13 / 0 / 47

HEX #5E7586

RGB 94 117 134

HSL 205.5, 0.18%, 0.45%

LAB 48.04, -4.15, -12.05

 

CMYK 50 / 22 / 0 / 40

HEX #4C7899

RGB 76 120 153

HSL 205.71, 0.34%, 0.45%

LAB 48.6, -5.58, -22.5

 

CMYK 0 / 47 / 42 / 41

HEX #964F57

RGB 150 79 87

HSL 353.24, 0.31%, 0.45%

LAB 42.41, 30.48, 8.75

 

CMYK 0 / 41 / 47 / 41

HEX #96594F

RGB 150 89 79

HSL 8.45, 0.31%, 0.45%

LAB 44.51, 23.97, 16.53

 

CMYK 0 / 28 / 47 / 41

HEX #966C4F

RGB 150 108 79

HSL 24.51, 0.31%, 0.45%

LAB 49.22, 13.02, 22.8

 

CMYK 0 / 15 / 47 / 41

HEX #967F4F

RGB 150 127 79

HSL 40.56, 0.31%, 0.45%

LAB 54.27, 2.14, 29.29

 

CMYK 0 / 3 / 47 / 41

HEX #96924F

RGB 150 146 79

HSL 56.62, 0.31%, 0.45%

LAB 59.53, -8.37, 35.83

 

CMYK 0 / 28 / 48 / 62

HEX #604532

RGB 96 69 50

HSL 24.78, 0.32%, 0.29%

LAB 31.75, 8.92, 16.02

 

CMYK 0 / 28 / 48 / 52

HEX #7B5940

RGB 123 89 64

HSL 25.42, 0.32%, 0.37%

LAB 40.78, 10.66, 19.94

 

CMYK 0 / 27 / 47 / 41

HEX #966D4F

RGB 150 109 79

HSL 25.35, 0.31%, 0.45%

LAB 49.48, 12.45, 23.13

 

CMYK 0 / 25 / 43 / 33

HEX #AC8162

RGB 172 129 98

HSL 25.14, 0.31%, 0.53%

LAB 57.42, 12.5, 23.24

 

CMYK 0 / 19 / 33 / 27

HEX #BA977D

RGB 186 151 125

HSL 25.57, 0.31%, 0.61%

LAB 65, 9.29, 18.63

 

CMYK 0 / 27 / 47 / 41

HEX #976E50

RGB 151 110 80

HSL 25.35, 0.31%, 0.45%

LAB 49.87, 12.41, 23.09

 

CMYK 29 / 0 / 47 / 41

HEX #6A964F

RGB 106 150 79

HSL 97.18, 0.31%, 0.45%

LAB 57.5, -28.31, 32.62

 

CMYK 47 / 47 / 0 / 41

HEX #504F96

RGB 80 79 150

HSL 240.85, 0.31%, 0.45%

LAB 36.93, 19.94, -39

 

CMYK 0 / 27 / 47 / 41

HEX #976E50

RGB 151 110 80

HSL 25.35, 0.31%, 0.45%

LAB 49.87, 12.41, 23.09

 

CMYK 47 / 0 / 28 / 41

HEX #4F966C

RGB 79 150 108

HSL 144.51, 0.31%, 0.45%

LAB 56.64, -32.3, 15.4

 

CMYK 28 / 47 / 0 / 41

HEX #6C4F96

RGB 108 79 150

HSL 264.51, 0.31%, 0.45%

LAB 39.55, 27.63, -34.67

 

CMYK 0 / 27 / 47 / 41

HEX #976E50

RGB 151 110 80

HSL 25.35, 0.31%, 0.45%

LAB 49.87, 12.41, 23.09

 

CMYK 29 / 0 / 47 / 41

HEX #6A964F

RGB 106 150 79

HSL 97.18, 0.31%, 0.45%

LAB 57.5, -28.31, 32.62

 

CMYK 47 / 20 / 0 / 41

HEX #4F7896

RGB 79 120 150

HSL 205.35, 0.31%, 0.45%

LAB 48.63, -5.73, -20.67

 

CMYK 18 / 47 / 0 / 41

HEX #7B4F96

RGB 123 79 150

HSL 277.18, 0.31%, 0.45%

LAB 41.22, 32.1, -31.92

 

CMYK 0 / 27 / 47 / 41

HEX #976E50

RGB 151 110 80

HSL 25.35, 0.31%, 0.45%

LAB 49.87, 12.41, 23.09

 

CMYK 43 / 0 / 47 / 41

HEX #55964F

RGB 85 150 79

HSL 114.93, 0.31%, 0.45%

LAB 56.4, -35.6, 30.99

 

CMYK 47 / 20 / 0 / 41

HEX #4F7896

RGB 79 120 150

HSL 205.35, 0.31%, 0.45%

LAB 48.63, -5.73, -20.67

 

CMYK 4 / 47 / 0 / 41

HEX #904F96

RGB 144 79 150

HSL 294.93, 0.31%, 0.45%

LAB 43.83, 38.51, -27.64

 

Description

Color code: HEX #976E50 | qconv.com Color code: HEX #976E50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 110 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 110 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 47 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 47% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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