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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97603C it is the complementary color #689FC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97603C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97603C shade: #9C6037, #AD724A, #BE845D, #CF9670 and #E0A883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97603C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97603C shade: #97603C, #864E29, #753C16, #642A03 and #531800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97603C shade: #955F3B, #95463B and #953B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97603C shade: #955F3B, #95773B, #958F3B, #83953B and #6A953B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97603C shade matches the following richer shades: #955F3B, #A65B2A, #B75819 and #C85408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97603C shade: #955F3B, #84624C, #73665D, #62696E and #516D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97603C shade: #953B49, #95463B, #955E3B, #95763B and #958E3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97603C shade: #5A3924, #784C2F, #955F3B, #B37147 and #C08862

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97603C shade: #97603C, #61953B and #3B3D95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97603C shade: #97603C, #3B955E and #5E3B95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97603C shade: #97603C, #61953B, #3B7395 and #703B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97603C shade: #97603C, #46953B, #3B7395 and #8B3B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 60 / 41

HEX #97603C

RGB 151 96 60

HSL 23.74, 0.43%, 0.41%

LAB 46, 18.6, 29.6

 

Complementary color

CMYK 47 / 18 / 0 / 24

HEX #689FC3

RGB 104 159 195

HSL 203.74, 0.43%, 0.59%

LAB 63.08, -8.33, -24.16

 

CMYK 0 / 38 / 65 / 39

HEX #9C6037

RGB 156 96 55

HSL 24.36, 0.48%, 0.41%

LAB 46.59, 20.41, 33.24

 

CMYK 0 / 34 / 57 / 32

HEX #AD724A

RGB 173 114 74

HSL 24.24, 0.4%, 0.48%

LAB 53.4, 19.02, 31.51

 

CMYK 0 / 31 / 51 / 25

HEX #BE845D

RGB 190 132 93

HSL 24.12, 0.43%, 0.55%

LAB 60.1, 17.84, 29.91

 

CMYK 0 / 28 / 46 / 19

HEX #CF9670

RGB 207 150 112

HSL 24, 0.5%, 0.63%

LAB 66.71, 16.82, 28.46

 

CMYK 0 / 25 / 42 / 12

HEX #E0A883

RGB 224 168 131

HSL 23.87, 0.6%, 0.7%

LAB 73.21, 15.94, 27.12

 

CMYK 0 / 36 / 60 / 41

HEX #97603C

RGB 151 96 60

HSL 23.74, 0.43%, 0.41%

LAB 46, 18.6, 29.6

 

CMYK 0 / 42 / 69 / 47

HEX #864E29

RGB 134 78 41

HSL 23.87, 0.53%, 0.34%

LAB 39.03, 20.12, 31.44

 

CMYK 0 / 49 / 81 / 54

HEX #753C16

RGB 117 60 22

HSL 24, 0.68%, 0.27%

LAB 31.97, 21.95, 33.27

 

CMYK 0 / 58 / 97 / 61

HEX #642A03

RGB 100 42 3

HSL 24.12, 0.94%, 0.2%

LAB 24.86, 24.05, 34.17

 

CMYK 0 / 71 / 100 / 67

HEX #531800

RGB 83 24 0

HSL 17.35, 1%, 0.16%

LAB 17.88, 26.32, 26.89

 

CMYK 0 / 36 / 60 / 42

HEX #955F3B

RGB 149 95 59

HSL 24, 0.43%, 0.41%

LAB 45.48, 18.22, 29.47

 

CMYK 0 / 53 / 60 / 42

HEX #95463B

RGB 149 70 59

HSL 7.33, 0.43%, 0.41%

LAB 39.72, 32.24, 22.29

 

CMYK 0 / 60 / 60 / 42

HEX #953B3B

RGB 149 59 59

HSL 0, 0.43%, 0.41%

LAB 37.54, 37.9, 19.48

 

CMYK 0 / 36 / 60 / 42

HEX #955F3B

RGB 149 95 59

HSL 24, 0.43%, 0.41%

LAB 45.48, 18.22, 29.47

 

CMYK 0 / 20 / 60 / 42

HEX #95773B

RGB 149 119 59

HSL 40, 0.43%, 0.41%

LAB 51.72, 4.4, 36.89

 

CMYK 0 / 4 / 60 / 42

HEX #958F3B

RGB 149 143 59

HSL 56, 0.43%, 0.41%

LAB 58.37, -8.95, 44.41

 

CMYK 12 / 0 / 60 / 42

HEX #83953B

RGB 131 149 59

HSL 72, 0.43%, 0.41%

LAB 58.64, -19.93, 44.3

 

CMYK 29 / 0 / 60 / 42

HEX #6A953B

RGB 106 149 59

HSL 88.67, 0.43%, 0.41%

LAB 56.95, -30.11, 41.95

 

CMYK 0 / 36 / 60 / 42

HEX #955F3B

RGB 149 95 59

HSL 24, 0.43%, 0.41%

LAB 45.48, 18.22, 29.47

 

CMYK 0 / 45 / 75 / 35

HEX #A65B2A

RGB 166 91 42

HSL 23.71, 0.6%, 0.41%

LAB 46.65, 26.77, 40.53

 

CMYK 0 / 52 / 86 / 28

HEX #B75819

RGB 183 88 25

HSL 23.92, 0.76%, 0.41%

LAB 48.41, 34.83, 50.63

 

CMYK 0 / 58 / 96 / 22

HEX #C85408

RGB 200 84 8

HSL 23.75, 0.92%, 0.41%

LAB 50.26, 43.21, 58.15

 

CMYK 0 / 36 / 60 / 42

HEX #955F3B

RGB 149 95 59

HSL 24, 0.43%, 0.41%

LAB 45.48, 18.22, 29.47

 

CMYK 0 / 26 / 42 / 48

HEX #84624C

RGB 132 98 76

HSL 23.57, 0.27%, 0.41%

LAB 44.47, 10.7, 17.88

 

CMYK 0 / 11 / 19 / 55

HEX #73665D

RGB 115 102 93

HSL 24.55, 0.11%, 0.41%

LAB 44.14, 3.54, 6.96

 

CMYK 11 / 5 / 0 / 57

HEX #62696E

RGB 98 105 110

HSL 205, 0.06%, 0.41%

LAB 43.98, -1.57, -3.73

 

CMYK 36 / 14 / 0 / 50

HEX #516D7F

RGB 81 109 127

HSL 203.48, 0.22%, 0.41%

LAB 44.55, -5.4, -13.24

 

CMYK 0 / 60 / 51 / 42

HEX #953B49

RGB 149 59 73

HSL 350.67, 0.43%, 0.41%

LAB 37.84, 39.1, 11.08

 

CMYK 0 / 53 / 60 / 42

HEX #95463B

RGB 149 70 59

HSL 7.33, 0.43%, 0.41%

LAB 39.72, 32.24, 22.29

 

CMYK 0 / 37 / 60 / 42

HEX #955E3B

RGB 149 94 59

HSL 23.33, 0.43%, 0.41%

LAB 45.24, 18.79, 29.17

 

CMYK 0 / 21 / 60 / 42

HEX #95763B

RGB 149 118 59

HSL 39.33, 0.43%, 0.41%

LAB 51.45, 4.97, 36.57

 

CMYK 0 / 5 / 60 / 42

HEX #958E3B

RGB 149 142 59

HSL 55.33, 0.43%, 0.41%

LAB 58.09, -8.41, 44.1

 

CMYK 0 / 37 / 60 / 65

HEX #5A3924

RGB 90 57 36

HSL 23.33, 0.43%, 0.25%

LAB 27.37, 12.11, 19

 

CMYK 0 / 37 / 61 / 53

HEX #784C2F

RGB 120 76 47

HSL 23.84, 0.44%, 0.33%

LAB 36.68, 15.42, 24.76

 

CMYK 0 / 36 / 60 / 42

HEX #955F3B

RGB 149 95 59

HSL 24, 0.43%, 0.41%

LAB 45.48, 18.22, 29.47

 

CMYK 0 / 37 / 60 / 30

HEX #B37147

RGB 179 113 71

HSL 23.33, 0.43%, 0.49%

LAB 53.87, 21.89, 33.9

 

CMYK 0 / 29 / 49 / 25

HEX #C08862

RGB 192 136 98

HSL 24.26, 0.43%, 0.57%

LAB 61.39, 16.94, 28.87

 

CMYK 0 / 36 / 60 / 41

HEX #97603C

RGB 151 96 60

HSL 23.74, 0.43%, 0.41%

LAB 46, 18.6, 29.6

 

CMYK 35 / 0 / 60 / 42

HEX #61953B

RGB 97 149 59

HSL 94.67, 0.43%, 0.41%

LAB 56.44, -33.5, 41.23

 

CMYK 60 / 59 / 0 / 42

HEX #3B3D95

RGB 59 61 149

HSL 238.67, 0.43%, 0.41%

LAB 30.49, 26.64, -48.83

 

CMYK 0 / 36 / 60 / 41

HEX #97603C

RGB 151 96 60

HSL 23.74, 0.43%, 0.41%

LAB 46, 18.6, 29.6

 

CMYK 60 / 0 / 37 / 42

HEX #3B955E

RGB 59 149 94

HSL 143.33, 0.43%, 0.41%

LAB 55.31, -39.77, 21.28

 

CMYK 37 / 60 / 0 / 42

HEX #5E3B95

RGB 94 59 149

HSL 263.33, 0.43%, 0.41%

LAB 33.3, 35.54, -44.12

 

CMYK 0 / 36 / 60 / 41

HEX #97603C

RGB 151 96 60

HSL 23.74, 0.43%, 0.41%

LAB 46, 18.6, 29.6

 

CMYK 35 / 0 / 60 / 42

HEX #61953B

RGB 97 149 59

HSL 94.67, 0.43%, 0.41%

LAB 56.44, -33.5, 41.23

 

CMYK 60 / 23 / 0 / 42

HEX #3B7395

RGB 59 115 149

HSL 202.67, 0.43%, 0.41%

LAB 46.12, -7.81, -24.03

 

CMYK 25 / 60 / 0 / 42

HEX #703B95

RGB 112 59 149

HSL 275.33, 0.43%, 0.41%

LAB 35.48, 40.06, -40.5

 

CMYK 0 / 36 / 60 / 41

HEX #97603C

RGB 151 96 60

HSL 23.74, 0.43%, 0.41%

LAB 46, 18.6, 29.6

 

CMYK 53 / 0 / 60 / 42

HEX #46953B

RGB 70 149 59

HSL 112.67, 0.43%, 0.41%

LAB 55.19, -42.39, 39.47

 

CMYK 60 / 23 / 0 / 42

HEX #3B7395

RGB 59 115 149

HSL 202.67, 0.43%, 0.41%

LAB 46.12, -7.81, -24.03

 

CMYK 7 / 60 / 0 / 42

HEX #8B3B95

RGB 139 59 149

HSL 293.33, 0.43%, 0.41%

LAB 39.22, 47.17, -34.34

 

Description

Color code: HEX #97603C | qconv.com Color code: HEX #97603C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 96 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 96 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 60 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 60% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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