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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9751BC it is the complementary color #68AE43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9751BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9751BC shade: #9C51B7, #AD63CA, #BE75DD, #CF87F0 and #E099FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9751BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9751BC shade: #9751BC, #863FA9, #752D96, #641B83 and #530970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9751BC shade: #9752BB, #B352BB, #BB52A7, #BB528B and #BB526E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9751BC shade: #9752BB, #7A52BB, #5E52BB and #5252BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9751BC shade matches the following richer shades: #9752BB, #9D3FCF, #A32BE2 and #A918F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9751BC shade: #9752BB, #9165A8, #8B7995, #858C81 and #7F9F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9751BC shade: #5E52BB, #7A52BB, #9652BB, #B352BB and #BB52A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9751BC shade: #6A3487, #8240A4, #9752BB, #A970C7 and #BB8DD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9751BC shade: #9751BC, #BB5262 and #52BB6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9751BC shade: #9751BC, #BB9652 and #52BB96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9751BC shade: #9751BC, #BB5262, #77BB52 and #52BBAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9751BC shade: #9751BC, #BB6252, #77BB52 and #52ACBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 57 / 0 / 26

HEX #9751BC

RGB 151 81 188

HSL 279.25, 0.44%, 0.53%

LAB 47.1, 47.45, -44.87

 

Complementary color

CMYK 40 / 0 / 61 / 32

HEX #68AE43

RGB 104 174 67

HSL 99.25, 0.44%, 0.47%

LAB 64.66, -41.34, 46.93

 

CMYK 15 / 56 / 0 / 28

HEX #9C51B7

RGB 156 81 183

HSL 284.12, 0.41%, 0.52%

LAB 47.46, 47.68, -41.34

 

CMYK 14 / 51 / 0 / 21

HEX #AD63CA

RGB 173 99 202

HSL 283.11, 0.49%, 0.59%

LAB 54.1, 46.95, -41.66

 

CMYK 14 / 47 / 0 / 13

HEX #BE75DD

RGB 190 117 221

HSL 282.12, 0.6%, 0.66%

LAB 60.68, 46.17, -41.9

 

CMYK 14 / 44 / 0 / 6

HEX #CF87F0

RGB 207 135 240

HSL 281.14, 0.78%, 0.74%

LAB 67.19, 45.38, -42.1

 

CMYK 12 / 40 / 0 / 0

HEX #E099FF

RGB 224 153 255

HSL 281.76, 1%, 0.8%

LAB 73.45, 43.8, -40.37

 

CMYK 20 / 57 / 0 / 26

HEX #9751BC

RGB 151 81 188

HSL 279.25, 0.44%, 0.53%

LAB 47.1, 47.45, -44.87

 

CMYK 21 / 63 / 0 / 34

HEX #863FA9

RGB 134 63 169

HSL 280.19, 0.46%, 0.45%

LAB 40.39, 48.11, -44.52

 

CMYK 22 / 70 / 0 / 41

HEX #752D96

RGB 117 45 150

HSL 281.14, 0.54%, 0.38%

LAB 33.69, 48.48, -43.95

 

CMYK 24 / 79 / 0 / 49

HEX #641B83

RGB 100 27 131

HSL 282.12, 0.66%, 0.31%

LAB 27.11, 48.21, -42.95

 

CMYK 26 / 92 / 0 / 56

HEX #530970

RGB 83 9 112

HSL 283.11, 0.85%, 0.24%

LAB 20.84, 46.59, -41.13

 

CMYK 19 / 56 / 0 / 27

HEX #9752BB

RGB 151 82 187

HSL 279.43, 0.44%, 0.53%

LAB 47.24, 46.71, -44.06

 

CMYK 4 / 56 / 0 / 27

HEX #B352BB

RGB 179 82 187

HSL 295.43, 0.44%, 0.53%

LAB 50.93, 54.12, -37.99

 

CMYK 0 / 56 / 11 / 27

HEX #BB52A7

RGB 187 82 167

HSL 311.43, 0.44%, 0.53%

LAB 51.14, 52.87, -25.91

 

CMYK 0 / 56 / 26 / 27

HEX #BB528B

RGB 187 82 139

HSL 327.43, 0.44%, 0.53%

LAB 50.05, 48.66, -10.99

 

CMYK 0 / 56 / 41 / 27

HEX #BB526E

RGB 187 82 110

HSL 344, 0.44%, 0.53%

LAB 49.16, 45.06, 5.11

 

CMYK 19 / 56 / 0 / 27

HEX #9752BB

RGB 151 82 187

HSL 279.43, 0.44%, 0.53%

LAB 47.24, 46.71, -44.06

 

CMYK 35 / 56 / 0 / 27

HEX #7A52BB

RGB 122 82 187

HSL 262.86, 0.44%, 0.53%

LAB 43.89, 39.33, -49.61

 

CMYK 50 / 56 / 0 / 27

HEX #5E52BB

RGB 94 82 187

HSL 246.86, 0.44%, 0.53%

LAB 41.22, 32.87, -54.04

 

CMYK 56 / 56 / 0 / 27

HEX #5252BB

RGB 82 82 187

HSL 240, 0.44%, 0.53%

LAB 40.27, 30.42, -55.62

 

CMYK 19 / 56 / 0 / 27

HEX #9752BB

RGB 151 82 187

HSL 279.43, 0.44%, 0.53%

LAB 47.24, 46.71, -44.06

 

CMYK 24 / 70 / 0 / 19

HEX #9D3FCF

RGB 157 63 207

HSL 279.17, 0.6%, 0.53%

LAB 45.95, 61.45, -57.67

 

CMYK 28 / 81 / 0 / 11

HEX #A32BE2

RGB 163 43 226

HSL 279.34, 0.76%, 0.53%

LAB 45.64, 73.58, -68.99

 

CMYK 31 / 90 / 0 / 4

HEX #A918F6

RGB 169 24 246

HSL 279.19, 0.93%, 0.53%

LAB 46.63, 82.59, -78.64

 

CMYK 19 / 56 / 0 / 27

HEX #9752BB

RGB 151 82 187

HSL 279.43, 0.44%, 0.53%

LAB 47.24, 46.71, -44.06

 

CMYK 14 / 40 / 0 / 34

HEX #9165A8

RGB 145 101 168

HSL 279.4, 0.28%, 0.53%

LAB 49.68, 30.25, -29.17

 

CMYK 7 / 19 / 0 / 42

HEX #8B7995

RGB 139 121 149

HSL 278.57, 0.12%, 0.53%

LAB 53.31, 12.41, -12.55

 

CMYK 5 / 0 / 8 / 45

HEX #858C81

RGB 133 140 129

HSL 98.18, 0.05%, 0.53%

LAB 57.39, -4.71, 4.99

 

CMYK 20 / 0 / 31 / 38

HEX #7F9F6E

RGB 127 159 110

HSL 99.18, 0.2%, 0.53%

LAB 62.03, -20.45, 22.06

 

CMYK 50 / 56 / 0 / 27

HEX #5E52BB

RGB 94 82 187

HSL 246.86, 0.44%, 0.53%

LAB 41.22, 32.87, -54.04

 

CMYK 35 / 56 / 0 / 27

HEX #7A52BB

RGB 122 82 187

HSL 262.86, 0.44%, 0.53%

LAB 43.89, 39.33, -49.61

 

CMYK 20 / 56 / 0 / 27

HEX #9652BB

RGB 150 82 187

HSL 278.86, 0.44%, 0.53%

LAB 47.11, 46.45, -44.27

 

CMYK 4 / 56 / 0 / 27

HEX #B352BB

RGB 179 82 187

HSL 295.43, 0.44%, 0.53%

LAB 50.93, 54.12, -37.99

 

CMYK 0 / 56 / 10 / 27

HEX #BB52A8

RGB 187 82 168

HSL 310.86, 0.44%, 0.53%

LAB 51.18, 53.03, -26.43

 

CMYK 21 / 61 / 0 / 47

HEX #6A3487

RGB 106 52 135

HSL 279.04, 0.44%, 0.37%

LAB 32.41, 38.95, -36.87

 

CMYK 21 / 61 / 0 / 36

HEX #8240A4

RGB 130 64 164

HSL 279.6, 0.44%, 0.45%

LAB 39.74, 45.5, -42.62

 

CMYK 19 / 56 / 0 / 27

HEX #9752BB

RGB 151 82 187

HSL 279.43, 0.44%, 0.53%

LAB 47.24, 46.71, -44.06

 

CMYK 15 / 44 / 0 / 22

HEX #A970C7

RGB 169 112 199

HSL 279.31, 0.44%, 0.61%

LAB 56.23, 38.16, -36.63

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 20 / 57 / 0 / 26

HEX #9751BC

RGB 151 81 188

HSL 279.25, 0.44%, 0.53%

LAB 47.1, 47.45, -44.87

 

CMYK 0 / 56 / 48 / 27

HEX #BB5262

RGB 187 82 98

HSL 350.86, 0.44%, 0.53%

LAB 48.86, 43.81, 11.92

 

CMYK 56 / 0 / 42 / 27

HEX #52BB6C

RGB 82 187 108

HSL 134.86, 0.44%, 0.53%

LAB 68.33, -47.64, 31.06

 

CMYK 20 / 57 / 0 / 26

HEX #9751BC

RGB 151 81 188

HSL 279.25, 0.44%, 0.53%

LAB 47.1, 47.45, -44.87

 

CMYK 0 / 20 / 56 / 27

HEX #BB9652

RGB 187 150 82

HSL 38.86, 0.44%, 0.53%

LAB 64.15, 5.67, 40.69

 

CMYK 56 / 0 / 20 / 27

HEX #52BB96

RGB 82 187 150

HSL 158.86, 0.44%, 0.53%

LAB 69.14, -39.29, 9.69

 

CMYK 20 / 57 / 0 / 26

HEX #9751BC

RGB 151 81 188

HSL 279.25, 0.44%, 0.53%

LAB 47.1, 47.45, -44.87

 

CMYK 0 / 56 / 48 / 27

HEX #BB5262

RGB 187 82 98

HSL 350.86, 0.44%, 0.53%

LAB 48.86, 43.81, 11.92

 

CMYK 36 / 0 / 56 / 27

HEX #77BB52

RGB 119 187 82

HSL 98.86, 0.44%, 0.53%

LAB 69.52, -40.34, 45.79

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 20 / 57 / 0 / 26

HEX #9751BC

RGB 151 81 188

HSL 279.25, 0.44%, 0.53%

LAB 47.1, 47.45, -44.87

 

CMYK 0 / 48 / 56 / 27

HEX #BB6252

RGB 187 98 82

HSL 9.14, 0.44%, 0.53%

LAB 51.73, 34.21, 25.26

 

CMYK 36 / 0 / 56 / 27

HEX #77BB52

RGB 119 187 82

HSL 98.86, 0.44%, 0.53%

LAB 69.52, -40.34, 45.79

 

CMYK 56 / 8 / 0 / 27

HEX #52ACBB

RGB 82 172 187

HSL 188.57, 0.44%, 0.53%

LAB 65.66, -22.48, -15.85

 

Description

Color code: HEX #9751BC | qconv.com Color code: HEX #9751BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 81 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 81 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 57 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 57% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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