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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97575E it is the complementary color #68A8A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97575E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97575E shade: #9C5759, #AD696C, #BE7B7F, #CF8D92 and #E09FA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97575E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97575E shade: #97575E, #86454B, #753338, #642125 and #530F12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97575E shade: #98575E and #985757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97575E shade: #98575E, #985770, #985781, #985792 and #8C5798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97575E shade matches the following richer shades: #98575E, #AB444F, #BE3040, #D21D31 and #E50921

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97575E shade: #98575E, #846A6D, #717E7C, #5E918C and #4AA59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97575E shade: #985781, #985770, #98575F, #986157 and #987257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97575E shade: #63393E, #7E484E, #98575E, #AB6D74 and #BA878D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97575E shade: #97575E, #929857 and #577898

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97575E shade: #97575E, #5F9857 and #575F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97575E shade: #97575E, #929857, #579890 and #5C5798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97575E shade: #97575E, #7F9857, #579890 and #705798

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

Complementary color

CMYK 38 / 0 / 4 / 34

HEX #68A8A1

RGB 104 168 161

HSL 173.44, 0.27%, 0.53%

LAB 64.58, -22.16, -2.87

 

CMYK 0 / 44 / 43 / 39

HEX #9C5759

RGB 156 87 89

HSL 358.26, 0.28%, 0.48%

LAB 45.09, 28.64, 11.41

 

CMYK 0 / 39 / 38 / 32

HEX #AD696C

RGB 173 105 108

HSL 357.35, 0.29%, 0.55%

LAB 51.92, 27.58, 9.95

 

CMYK 0 / 35 / 33 / 25

HEX #BE7B7F

RGB 190 123 127

HSL 356.42, 0.34%, 0.61%

LAB 58.64, 26.63, 8.68

 

CMYK 0 / 32 / 29 / 19

HEX #CF8D92

RGB 207 141 146

HSL 355.45, 0.41%, 0.68%

LAB 65.27, 25.77, 7.57

 

CMYK 0 / 29 / 26 / 12

HEX #E09FA5

RGB 224 159 165

HSL 354.46, 0.51%, 0.75%

LAB 71.8, 25, 6.56

 

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

CMYK 0 / 49 / 44 / 47

HEX #86454B

RGB 134 69 75

HSL 354.46, 0.32%, 0.4%

LAB 37.54, 28.35, 9.05

 

CMYK 0 / 56 / 52 / 54

HEX #753338

RGB 117 51 56

HSL 355.45, 0.39%, 0.33%

LAB 30.48, 29.49, 11.01

 

CMYK 0 / 67 / 63 / 61

HEX #642125

RGB 100 33 37

HSL 356.42, 0.5%, 0.26%

LAB 23.44, 30.55, 13.65

 

CMYK 0 / 82 / 78 / 67

HEX #530F12

RGB 83 15 18

HSL 357.35, 0.69%, 0.19%

LAB 16.62, 31.06, 17.23

 

CMYK 0 / 43 / 38 / 40

HEX #98575E

RGB 152 87 94

HSL 353.54, 0.27%, 0.47%

LAB 44.66, 27.66, 7.69

 

CMYK 0 / 43 / 43 / 40

HEX #985757

RGB 152 87 87

HSL 0, 0.27%, 0.47%

LAB 44.49, 26.81, 11.71

 

CMYK 0 / 43 / 38 / 40

HEX #98575E

RGB 152 87 94

HSL 353.54, 0.27%, 0.47%

LAB 44.66, 27.66, 7.69

 

CMYK 0 / 43 / 26 / 40

HEX #985770

RGB 152 87 112

HSL 336.92, 0.27%, 0.47%

LAB 45.17, 30.14, -2.53

 

CMYK 0 / 43 / 15 / 40

HEX #985781

RGB 152 87 129

HSL 321.23, 0.27%, 0.47%

LAB 45.74, 32.85, -11.98

 

CMYK 0 / 43 / 4 / 40

HEX #985792

RGB 152 87 146

HSL 305.54, 0.27%, 0.47%

LAB 46.4, 35.89, -21.18

 

CMYK 8 / 43 / 0 / 40

HEX #8C5798

RGB 140 87 152

HSL 288.92, 0.27%, 0.47%

LAB 45.16, 33.22, -26.8

 

CMYK 0 / 43 / 38 / 40

HEX #98575E

RGB 152 87 94

HSL 353.54, 0.27%, 0.47%

LAB 44.66, 27.66, 7.69

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 75 / 66 / 25

HEX #BE3040

RGB 190 48 64

HSL 353.24, 0.6%, 0.47%

LAB 43.41, 56.5, 25.4

 

CMYK 0 / 86 / 77 / 18

HEX #D21D31

RGB 210 29 49

HSL 353.37, 0.76%, 0.47%

LAB 45.36, 66.5, 37.64

 

CMYK 0 / 96 / 86 / 10

HEX #E50921

RGB 229 9 33

HSL 353.45, 0.92%, 0.47%

LAB 48.21, 73.52, 50.37

 

CMYK 0 / 43 / 38 / 40

HEX #98575E

RGB 152 87 94

HSL 353.54, 0.27%, 0.47%

LAB 44.66, 27.66, 7.69

 

CMYK 0 / 20 / 17 / 48

HEX #846A6D

RGB 132 106 109

HSL 353.08, 0.11%, 0.47%

LAB 47.39, 10.84, 2.24

 

CMYK 10 / 0 / 2 / 51

HEX #717E7C

RGB 113 126 124

HSL 170.77, 0.05%, 0.47%

LAB 51.71, -5.21, -0.55

 

CMYK 35 / 0 / 3 / 43

HEX #5E918C

RGB 94 145 140

HSL 174.12, 0.21%, 0.47%

LAB 56.61, -18.2, -2.78

 

CMYK 55 / 0 / 6 / 35

HEX #4AA59B

RGB 74 165 155

HSL 173.41, 0.38%, 0.47%

LAB 62.28, -29.52, -3.04

 

CMYK 0 / 43 / 15 / 40

HEX #985781

RGB 152 87 129

HSL 321.23, 0.27%, 0.47%

LAB 45.74, 32.85, -11.98

 

CMYK 0 / 43 / 26 / 40

HEX #985770

RGB 152 87 112

HSL 336.92, 0.27%, 0.47%

LAB 45.17, 30.14, -2.53

 

CMYK 0 / 43 / 38 / 40

HEX #98575F

RGB 152 87 95

HSL 352.62, 0.27%, 0.47%

LAB 44.69, 27.79, 7.12

 

CMYK 0 / 36 / 43 / 40

HEX #986157

RGB 152 97 87

HSL 9.23, 0.27%, 0.47%

LAB 46.86, 21.12, 14.98

 

CMYK 0 / 25 / 43 / 40

HEX #987257

RGB 152 114 87

HSL 24.92, 0.27%, 0.47%

LAB 51.15, 11.32, 20.77

 

CMYK 0 / 42 / 37 / 61

HEX #63393E

RGB 99 57 62

HSL 352.86, 0.27%, 0.31%

LAB 29.23, 19.31, 4.92

 

CMYK 0 / 43 / 38 / 51

HEX #7E484E

RGB 126 72 78

HSL 353.33, 0.27%, 0.39%

LAB 37.15, 23.78, 6.45

 

CMYK 0 / 43 / 38 / 40

HEX #98575E

RGB 152 87 94

HSL 353.54, 0.27%, 0.47%

LAB 44.66, 27.66, 7.69

 

CMYK 0 / 36 / 32 / 33

HEX #AB6D74

RGB 171 109 116

HSL 353.23, 0.27%, 0.55%

LAB 52.79, 25.61, 6.44

 

CMYK 0 / 27 / 24 / 27

HEX #BA878D

RGB 186 135 141

HSL 352.94, 0.27%, 0.63%

LAB 61.39, 20.4, 4.52

 

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

CMYK 4 / 0 / 43 / 40

HEX #929857

RGB 146 152 87

HSL 65.54, 0.27%, 0.47%

LAB 61.01, -12.41, 33.4

 

CMYK 43 / 21 / 0 / 40

HEX #577898

RGB 87 120 152

HSL 209.54, 0.27%, 0.47%

LAB 49.16, -3, -20.99

 

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

CMYK 38 / 0 / 43 / 40

HEX #5F9857

RGB 95 152 87

HSL 112.62, 0.27%, 0.47%

LAB 57.63, -32.03, 28.42

 

CMYK 43 / 38 / 0 / 40

HEX #575F98

RGB 87 95 152

HSL 232.62, 0.27%, 0.47%

LAB 41.97, 12.25, -32.18

 

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

CMYK 4 / 0 / 43 / 40

HEX #929857

RGB 146 152 87

HSL 65.54, 0.27%, 0.47%

LAB 61.01, -12.41, 33.4

 

CMYK 43 / 0 / 5 / 40

HEX #579890

RGB 87 152 144

HSL 172.62, 0.27%, 0.47%

LAB 58.51, -22.8, -2.31

 

CMYK 39 / 43 / 0 / 40

HEX #5C5798

RGB 92 87 152

HSL 244.62, 0.27%, 0.47%

LAB 40.18, 18.66, -34.98

 

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

CMYK 16 / 0 / 43 / 40

HEX #7F9857

RGB 127 152 87

HSL 83.08, 0.27%, 0.47%

LAB 59.58, -20.17, 31.29

 

CMYK 43 / 0 / 5 / 40

HEX #579890

RGB 87 152 144

HSL 172.62, 0.27%, 0.47%

LAB 58.51, -22.8, -2.31

 

CMYK 26 / 43 / 0 / 40

HEX #705798

RGB 112 87 152

HSL 263.08, 0.27%, 0.47%

LAB 42.04, 24.49, -31.91

 

Description

Color code: HEX #97575E | qconv.com Color code: HEX #97575E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 87 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 87 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 38% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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