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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #973ABA it is the complementary color #68C545. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #973ABA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #973ABA shade: #9C3AB5, #AD4CC8, #BE5EDB, #CF70EE and #E082FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #973ABA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #973ABA shade: #973ABA, #8628A7, #751694, #640481 and #53006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #973ABA shade: #973ABA, #B93ABA, #BA3A98, #BA3A75 and #BA3A53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #973ABA shade: #973ABA, #743ABA, #523ABA and #3A3ABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #973ABA shade matches the following richer shades: #973ABA, #A026CD and #A913E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #973ABA shade: #973ABA, #8E4EA6, #856292, #7C767E and #73896A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #973ABA shade: #523ABA, #743ABA, #953ABA, #B73ABA and #BA3A9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #973ABA shade: #64267B, #7D309A, #973ABA, #A954C9 and #B974D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #973ABA shade: #973ABA, #BA3A45 and #3ABA63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #973ABA shade: #973ABA, #BA953A and #3ABA95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #973ABA shade: #973ABA, #BA3A45, #5EBA3A and #3ABAAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #973ABA shade: #973ABA, #BA563A, #5EBA3A and #3A9EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

Complementary color

CMYK 47 / 0 / 65 / 23

HEX #68C545

RGB 104 197 69

HSL 103.59, 0.52%, 0.52%

LAB 71.76, -50.62, 53.91

 

CMYK 14 / 68 / 0 / 29

HEX #9C3AB5

RGB 156 58 181

HSL 287.8, 0.51%, 0.47%

LAB 43.4, 58.05, -46.63

 

CMYK 14 / 62 / 0 / 22

HEX #AD4CC8

RGB 173 76 200

HSL 286.94, 0.53%, 0.54%

LAB 49.77, 57.88, -47.39

 

CMYK 13 / 57 / 0 / 14

HEX #BE5EDB

RGB 190 94 219

HSL 286.08, 0.63%, 0.61%

LAB 56.15, 57.41, -47.93

 

CMYK 13 / 53 / 0 / 7

HEX #CF70EE

RGB 207 112 238

HSL 285.24, 0.79%, 0.69%

LAB 62.53, 56.78, -48.33

 

CMYK 12 / 49 / 0 / 0

HEX #E082FF

RGB 224 130 255

HSL 285.12, 1%, 0.75%

LAB 68.77, 55.68, -47.69

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 20 / 76 / 0 / 35

HEX #8628A7

RGB 134 40 167

HSL 284.41, 0.61%, 0.41%

LAB 36.7, 57.65, -49.26

 

CMYK 21 / 85 / 0 / 42

HEX #751694

RGB 117 22 148

HSL 285.24, 0.74%, 0.33%

LAB 30.63, 56.43, -47.68

 

CMYK 22 / 97 / 0 / 49

HEX #640481

RGB 100 4 129

HSL 286.08, 0.94%, 0.26%

LAB 24.89, 53.82, -45.28

 

CMYK 25 / 100 / 0 / 57

HEX #53006E

RGB 83 0 110

HSL 285.27, 1%, 0.22%

LAB 19.9, 48.47, -41.37

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 1 / 69 / 0 / 27

HEX #B93ABA

RGB 185 58 186

HSL 299.53, 0.52%, 0.48%

LAB 48.12, 65.52, -41.79

 

CMYK 0 / 69 / 18 / 27

HEX #BA3A98

RGB 186 58 152

HSL 315.94, 0.52%, 0.48%

LAB 46.62, 60.5, -24.02

 

CMYK 0 / 69 / 37 / 27

HEX #BA3A75

RGB 186 58 117

HSL 332.34, 0.52%, 0.48%

LAB 45.29, 56.07, -4.82

 

CMYK 0 / 69 / 55 / 27

HEX #BA3A53

RGB 186 58 83

HSL 348.28, 0.52%, 0.48%

LAB 44.36, 52.86, 14.83

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 38 / 69 / 0 / 27

HEX #743ABA

RGB 116 58 186

HSL 267.19, 0.52%, 0.48%

LAB 38.35, 50.61, -58

 

CMYK 56 / 69 / 0 / 27

HEX #523ABA

RGB 82 58 186

HSL 251.25, 0.52%, 0.48%

LAB 34.73, 44.48, -64.04

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABA

RGB 58 58 186

HSL 240, 0.52%, 0.48%

LAB 32.86, 41.09, -67.19

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 22 / 81 / 0 / 20

HEX #A026CD

RGB 160 38 205

HSL 283.83, 0.69%, 0.48%

LAB 43.16, 70.43, -60.99

 

CMYK 25 / 92 / 0 / 12

HEX #A913E1

RGB 169 19 225

HSL 283.69, 0.84%, 0.48%

LAB 44.71, 79.44, -69.9

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 14 / 53 / 0 / 35

HEX #8E4EA6

RGB 142 78 166

HSL 283.64, 0.36%, 0.48%

LAB 44.17, 41.8, -36.68

 

CMYK 9 / 33 / 0 / 43

HEX #856292

RGB 133 98 146

HSL 283.75, 0.2%, 0.48%

LAB 46.71, 23.23, -20.9

 

CMYK 2 / 6 / 0 / 51

HEX #7C767E

RGB 124 118 126

HSL 285, 0.03%, 0.48%

LAB 50.39, 3.89, -3.56

 

CMYK 16 / 0 / 23 / 46

HEX #73896A

RGB 115 137 106

HSL 102.58, 0.13%, 0.48%

LAB 54.63, -14.08, 14.06

 

CMYK 56 / 69 / 0 / 27

HEX #523ABA

RGB 82 58 186

HSL 251.25, 0.52%, 0.48%

LAB 34.73, 44.48, -64.04

 

CMYK 38 / 69 / 0 / 27

HEX #743ABA

RGB 116 58 186

HSL 267.19, 0.52%, 0.48%

LAB 38.35, 50.61, -58

 

CMYK 20 / 69 / 0 / 27

HEX #953ABA

RGB 149 58 186

HSL 282.66, 0.52%, 0.48%

LAB 42.7, 57.5, -50.74

 

CMYK 2 / 69 / 0 / 27

HEX #B73ABA

RGB 183 58 186

HSL 298.59, 0.52%, 0.48%

LAB 47.8, 65.06, -42.31

 

CMYK 0 / 69 / 17 / 27

HEX #BA3A9A

RGB 186 58 154

HSL 315, 0.52%, 0.48%

LAB 46.71, 60.79, -25.08

 

CMYK 19 / 69 / 0 / 52

HEX #64267B

RGB 100 38 123

HSL 283.76, 0.53%, 0.32%

LAB 28.18, 41.79, -36.18

 

CMYK 19 / 69 / 0 / 40

HEX #7D309A

RGB 125 48 154

HSL 283.58, 0.52%, 0.4%

LAB 35.61, 49.81, -43.24

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 16 / 58 / 0 / 21

HEX #A954C9

RGB 169 84 201

HSL 283.59, 0.52%, 0.56%

LAB 50.68, 53.31, -46.54

 

CMYK 12 / 45 / 0 / 17

HEX #B974D3

RGB 185 116 211

HSL 283.58, 0.52%, 0.64%

LAB 59.44, 43.2, -38.27

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 0 / 69 / 63 / 27

HEX #BA3A45

RGB 186 58 69

HSL 354.84, 0.52%, 0.48%

LAB 44.08, 51.87, 23.06

 

CMYK 69 / 0 / 47 / 27

HEX #3ABA63

RGB 58 186 99

HSL 139.22, 0.52%, 0.48%

LAB 67.22, -53.77, 34.13

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 0 / 20 / 69 / 27

HEX #BA953A

RGB 186 149 58

HSL 42.66, 0.52%, 0.48%

LAB 63.54, 4.12, 51.49

 

CMYK 69 / 0 / 20 / 27

HEX #3ABA95

RGB 58 186 149

HSL 162.66, 0.52%, 0.48%

LAB 68.16, -43.56, 8.75

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 0 / 69 / 63 / 27

HEX #BA3A45

RGB 186 58 69

HSL 354.84, 0.52%, 0.48%

LAB 44.08, 51.87, 23.06

 

CMYK 49 / 0 / 69 / 27

HEX #5EBA3A

RGB 94 186 58

HSL 103.13, 0.52%, 0.48%

LAB 67.88, -50.23, 54.11

 

CMYK 69 / 0 / 6 / 27

HEX #3ABAAF

RGB 58 186 175

HSL 174.84, 0.52%, 0.48%

LAB 68.83, -36.81, -4.55

 

CMYK 19 / 69 / 0 / 27

HEX #973ABA

RGB 151 58 186

HSL 283.59, 0.52%, 0.48%

LAB 42.99, 57.94, -50.27

 

CMYK 0 / 54 / 69 / 27

HEX #BA563A

RGB 186 86 58

HSL 13.13, 0.52%, 0.48%

LAB 48.76, 38.38, 35.22

 

CMYK 49 / 0 / 69 / 27

HEX #5EBA3A

RGB 94 186 58

HSL 103.13, 0.52%, 0.48%

LAB 67.88, -50.23, 54.11

 

CMYK 69 / 15 / 0 / 27

HEX #3A9EBA

RGB 58 158 186

HSL 193.13, 0.52%, 0.48%

LAB 60.69, -19.74, -22.92

 

Description

Color code: HEX #973ABA | qconv.com Color code: HEX #973ABA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 58 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 58 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 69 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 69% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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