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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9738E3 it is the complementary color #68C71C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9738E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9738E3 shade: #9C38DE, #AD4AF1, #BE5CFF, #CF6EFF and #E080FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9738E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9738E3 shade: #9738E3, #8626D0, #7514BD, #6402AA and #530097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9738E3 shade: #9536E2, #C436E2, #E236D1, #E236A3 and #E23675

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9738E3 shade: #9536E2, #6736E2, #3836E2 and #3636E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9738E3 shade matches the following richer shades: #9536E2 and #9723F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9738E3 shade: #9536E2, #9348CF, #915BBD, #8F6DAA and #8D8098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9738E3 shade: #3936E2, #6636E2, #9436E2, #C236E2 and #E236D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9738E3 shade: #6B18AD, #811DD1, #9536E2, #A85AE7 and #BB7EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9738E3 shade: #9738E3, #E23661 and #36E250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9738E3 shade: #9738E3, #E29436 and #36E294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9738E3 shade: #9738E3, #E23661, #83E236 and #36E2B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9738E3 shade: #9738E3, #E23E36, #83E236 and #36D9E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 75 / 0 / 11

HEX #9738E3

RGB 151 56 227

HSL 273.33, 0.75%, 0.55%

LAB 45.57, 67.47, -69.75

 

Complementary color

CMYK 48 / 0 / 86 / 22

HEX #68C71C

RGB 104 199 28

HSL 93.33, 0.75%, 0.45%

LAB 72.14, -53.94, 67.59

 

CMYK 30 / 75 / 0 / 13

HEX #9C38DE

RGB 156 56 222

HSL 276.14, 0.72%, 0.55%

LAB 45.87, 67.25, -66.39

 

CMYK 28 / 69 / 0 / 5

HEX #AD4AF1

RGB 173 74 241

HSL 275.57, 0.86%, 0.62%

LAB 51.99, 67.24, -67.1

 

CMYK 25 / 64 / 0 / 0

HEX #BE5CFF

RGB 190 92 255

HSL 276.07, 1%, 0.68%

LAB 57.87, 65.78, -65.3

 

CMYK 19 / 57 / 0 / 0

HEX #CF6EFF

RGB 207 110 255

HSL 280.14, 1%, 0.72%

LAB 63.04, 61.19, -56.9

 

CMYK 12 / 50 / 0 / 0

HEX #E080FF

RGB 224 128 255

HSL 285.35, 1%, 0.75%

LAB 68.39, 56.68, -48.29

 

CMYK 33 / 75 / 0 / 11

HEX #9738E3

RGB 151 56 227

HSL 273.33, 0.75%, 0.55%

LAB 45.57, 67.47, -69.75

 

CMYK 36 / 82 / 0 / 18

HEX #8626D0

RGB 134 38 208

HSL 273.88, 0.69%, 0.48%

LAB 39.59, 66.94, -68.7

 

CMYK 38 / 89 / 0 / 26

HEX #7514BD

RGB 117 20 189

HSL 274.44, 0.81%, 0.41%

LAB 33.89, 65.39, -67.03

 

CMYK 41 / 99 / 0 / 33

HEX #6402AA

RGB 100 2 170

HSL 275, 0.98%, 0.34%

LAB 28.52, 62.57, -64.61

 

CMYK 45 / 100 / 0 / 41

HEX #530097

RGB 83 0 151

HSL 272.98, 1%, 0.3%

LAB 23.91, 57.15, -60.72

 

CMYK 34 / 76 / 0 / 11

HEX #9536E2

RGB 149 54 226

HSL 273.14, 0.75%, 0.55%

LAB 44.97, 67.67, -70.17

 

CMYK 13 / 76 / 0 / 11

HEX #C436E2

RGB 196 54 226

HSL 289.53, 0.75%, 0.55%

LAB 51.68, 75.99, -58.98

 

CMYK 0 / 76 / 8 / 11

HEX #E236D1

RGB 226 54 209

HSL 305.93, 0.75%, 0.55%

LAB 55.49, 79.19, -42.96

 

CMYK 0 / 76 / 28 / 11

HEX #E236A3

RGB 226 54 163

HSL 321.98, 0.75%, 0.55%

LAB 53.44, 73.17, -19.49

 

CMYK 0 / 76 / 48 / 11

HEX #E23675

RGB 226 54 117

HSL 338.02, 0.75%, 0.55%

LAB 51.94, 68.56, 5.74

 

CMYK 34 / 76 / 0 / 11

HEX #9536E2

RGB 149 54 226

HSL 273.14, 0.75%, 0.55%

LAB 44.97, 67.67, -70.17

 

CMYK 54 / 76 / 0 / 11

HEX #6736E2

RGB 103 54 226

HSL 257.09, 0.75%, 0.55%

LAB 39.6, 60.87, -79.17

 

CMYK 75 / 76 / 0 / 11

HEX #3836E2

RGB 56 54 226

HSL 240.7, 0.75%, 0.55%

LAB 35.93, 56.1, -85.36

 

CMYK 76 / 76 / 0 / 11

HEX #3636E2

RGB 54 54 226

HSL 240, 0.75%, 0.55%

LAB 35.82, 55.96, -85.54

 

CMYK 34 / 76 / 0 / 11

HEX #9536E2

RGB 149 54 226

HSL 273.14, 0.75%, 0.55%

LAB 44.97, 67.67, -70.17

 

CMYK 38 / 86 / 0 / 4

HEX #9723F4

RGB 151 35 244

HSL 273.3, 0.9%, 0.55%

LAB 44.68, 77.72, -80.82

 

CMYK 34 / 76 / 0 / 11

HEX #9536E2

RGB 149 54 226

HSL 273.14, 0.75%, 0.55%

LAB 44.97, 67.67, -70.17

 

CMYK 29 / 65 / 0 / 19

HEX #9348CF

RGB 147 72 207

HSL 273.33, 0.58%, 0.55%

LAB 46.1, 55.28, -57.48

 

CMYK 23 / 52 / 0 / 26

HEX #915BBD

RGB 145 91 189

HSL 273.06, 0.43%, 0.55%

LAB 48.48, 40.72, -43.29

 

CMYK 16 / 36 / 0 / 33

HEX #8F6DAA

RGB 143 109 170

HSL 273.44, 0.26%, 0.55%

LAB 51.47, 25.43, -27.57

 

CMYK 7 / 16 / 0 / 40

HEX #8D8098

RGB 141 128 152

HSL 272.5, 0.1%, 0.55%

LAB 55.45, 9.68, -11.06

 

CMYK 75 / 76 / 0 / 11

HEX #3936E2

RGB 57 54 226

HSL 241.05, 0.75%, 0.55%

LAB 35.98, 56.17, -85.27

 

CMYK 55 / 76 / 0 / 11

HEX #6636E2

RGB 102 54 226

HSL 256.74, 0.75%, 0.55%

LAB 39.5, 60.74, -79.34

 

CMYK 35 / 76 / 0 / 11

HEX #9436E2

RGB 148 54 226

HSL 272.79, 0.75%, 0.55%

LAB 44.84, 67.51, -70.39

 

CMYK 14 / 76 / 0 / 11

HEX #C236E2

RGB 194 54 226

HSL 288.84, 0.75%, 0.55%

LAB 51.38, 75.62, -59.48

 

CMYK 0 / 76 / 7 / 11

HEX #E236D3

RGB 226 54 211

HSL 305.23, 0.75%, 0.55%

LAB 55.59, 79.48, -43.94

 

CMYK 38 / 86 / 0 / 32

HEX #6B18AD

RGB 107 24 173

HSL 273.42, 0.76%, 0.39%

LAB 31.34, 59.59, -61.76

 

CMYK 38 / 86 / 0 / 18

HEX #811DD1

RGB 129 29 209

HSL 273.33, 0.76%, 0.47%

LAB 38.11, 69.05, -71.74

 

CMYK 34 / 76 / 0 / 11

HEX #9536E2

RGB 149 54 226

HSL 273.14, 0.75%, 0.55%

LAB 44.97, 67.67, -70.17

 

CMYK 27 / 61 / 0 / 9

HEX #A85AE7

RGB 168 90 231

HSL 273.19, 0.75%, 0.63%

LAB 53.39, 56.63, -59.26

 

CMYK 21 / 47 / 0 / 7

HEX #BB7EEC

RGB 187 126 236

HSL 273.27, 0.74%, 0.71%

LAB 62.96, 43.76, -46.68

 

CMYK 33 / 75 / 0 / 11

HEX #9738E3

RGB 151 56 227

HSL 273.33, 0.75%, 0.55%

LAB 45.57, 67.47, -69.75

 

CMYK 0 / 76 / 57 / 11

HEX #E23661

RGB 226 54 97

HSL 345, 0.75%, 0.55%

LAB 51.46, 67.05, 17.16

 

CMYK 76 / 0 / 65 / 11

HEX #36E250

RGB 54 226 80

HSL 129.07, 0.75%, 0.55%

LAB 79.47, -70.47, 57.42

 

CMYK 33 / 75 / 0 / 11

HEX #9738E3

RGB 151 56 227

HSL 273.33, 0.75%, 0.55%

LAB 45.57, 67.47, -69.75

 

CMYK 0 / 35 / 76 / 11

HEX #E29436

RGB 226 148 54

HSL 32.79, 0.75%, 0.55%

LAB 67.74, 21.77, 58.88

 

CMYK 76 / 0 / 35 / 11

HEX #36E294

RGB 54 226 148

HSL 152.79, 0.75%, 0.55%

LAB 80.36, -60.17, 26.21

 

CMYK 33 / 75 / 0 / 11

HEX #9738E3

RGB 151 56 227

HSL 273.33, 0.75%, 0.55%

LAB 45.57, 67.47, -69.75

 

CMYK 0 / 76 / 57 / 11

HEX #E23661

RGB 226 54 97

HSL 345, 0.75%, 0.55%

LAB 51.46, 67.05, 17.16

 

CMYK 42 / 0 / 76 / 11

HEX #83E236

RGB 131 226 54

HSL 93.14, 0.75%, 0.55%

LAB 81.56, -54.69, 69.69

 

CMYK 76 / 0 / 19 / 11

HEX #36E2B7

RGB 54 226 183

HSL 165, 0.75%, 0.55%

LAB 81.07, -52.45, 8.91

 

CMYK 33 / 75 / 0 / 11

HEX #9738E3

RGB 151 56 227

HSL 273.33, 0.75%, 0.55%

LAB 45.57, 67.47, -69.75

 

CMYK 0 / 73 / 76 / 11

HEX #E23E36

RGB 226 62 54

HSL 2.79, 0.75%, 0.55%

LAB 51.7, 62.26, 42.58

 

CMYK 42 / 0 / 76 / 11

HEX #83E236

RGB 131 226 54

HSL 93.14, 0.75%, 0.55%

LAB 81.56, -54.69, 69.69

 

CMYK 76 / 4 / 0 / 11

HEX #36D9E2

RGB 54 217 226

HSL 183.14, 0.75%, 0.55%

LAB 79.56, -37, -16.19

 

Description

Color code: HEX #9738E3 | qconv.com Color code: HEX #9738E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 56 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 56 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 75 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 75% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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