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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971CDD it is the complementary color #68E322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971CDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971CDD shade: #9C1CD8, #AD2EEB, #BE40FE, #CF52FF and #E064FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971CDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971CDD shade: #971CDD, #860ACA, #7500B7, #6400A4 and #530091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971CDD shade: #971BDE, #CC1BDE, #DE1BBB, #DE1B87 and #DE1B52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971CDD shade: #971BDE, #631BDE, #2E1BDE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971CDD shade matches the following richer shades: #971BDE and #9D07F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971CDD shade: #971BDE, #922FCA, #8C43B5, #8758A1 and #816C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971CDD shade: #2E1BDE, #621BDE, #961BDE, #CA1BDE and #DE1BBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971CDD shade: #651294, #7E16B9, #971BDE, #A93CE6 and #B960EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971CDD shade: #971CDD, #DE1B3B and #1BDE48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971CDD shade: #971CDD, #DE961B and #1BDE96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971CDD shade: #971CDD, #DE1B3B, #62DE1B and #1BDEBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971CDD shade: #971CDD, #DE351B, #62DE1B and #1BC4DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 87 / 0 / 13

HEX #971CDD

RGB 151 28 221

HSL 278.24, 0.78%, 0.49%

LAB 42.2, 74.66, -71.82

 

Complementary color

CMYK 54 / 0 / 85 / 11

HEX #68E322

RGB 104 227 34

HSL 98.24, 0.78%, 0.51%

LAB 80.74, -63.9, 73.8

 

CMYK 28 / 87 / 0 / 15

HEX #9C1CD8

RGB 156 28 216

HSL 280.85, 0.77%, 0.48%

LAB 42.55, 74.37, -68.36

 

CMYK 26 / 80 / 0 / 8

HEX #AD2EEB

RGB 173 46 235

HSL 280.32, 0.83%, 0.55%

LAB 48.05, 76.06, -70.11

 

CMYK 25 / 75 / 0 / 0

HEX #BE40FE

RGB 190 64 254

HSL 279.79, 0.99%, 0.62%

LAB 53.78, 76.88, -71.34

 

CMYK 19 / 68 / 0 / 0

HEX #CF52FF

RGB 207 82 255

HSL 283.35, 1%, 0.66%

LAB 58.53, 73.59, -64.12

 

CMYK 12 / 61 / 0 / 0

HEX #E064FF

RGB 224 100 255

HSL 288, 1%, 0.7%

LAB 63.49, 69.8, -56.05

 

CMYK 32 / 87 / 0 / 13

HEX #971CDD

RGB 151 28 221

HSL 278.24, 0.78%, 0.49%

LAB 42.2, 74.66, -71.82

 

CMYK 34 / 95 / 0 / 21

HEX #860ACA

RGB 134 10 202

HSL 278.75, 0.91%, 0.42%

LAB 37.02, 71.8, -69.43

 

CMYK 36 / 100 / 0 / 28

HEX #7500B7

RGB 117 0 183

HSL 278.36, 1%, 0.36%

LAB 32.26, 67.39, -66.16

 

CMYK 39 / 100 / 0 / 36

HEX #6400A4

RGB 100 0 164

HSL 276.59, 1%, 0.32%

LAB 27.82, 61.66, -62.15

 

CMYK 43 / 100 / 0 / 43

HEX #530091

RGB 83 0 145

HSL 274.34, 1%, 0.28%

LAB 23.28, 55.83, -58.05

 

CMYK 32 / 88 / 0 / 13

HEX #971BDE

RGB 151 27 222

HSL 278.15, 0.78%, 0.49%

LAB 42.21, 75.07, -72.38

 

CMYK 8 / 88 / 0 / 13

HEX #CC1BDE

RGB 204 27 222

HSL 294.46, 0.78%, 0.49%

LAB 50.56, 82.97, -58.44

 

CMYK 0 / 88 / 16 / 13

HEX #DE1BBB

RGB 222 27 187

HSL 310.77, 0.78%, 0.49%

LAB 51.73, 81.16, -36.26

 

CMYK 0 / 88 / 39 / 13

HEX #DE1B87

RGB 222 27 135

HSL 326.77, 0.78%, 0.49%

LAB 49.57, 75.37, -8.71

 

CMYK 0 / 88 / 63 / 13

HEX #DE1B52

RGB 222 27 82

HSL 343.08, 0.78%, 0.49%

LAB 48.16, 71.41, 21.73

 

CMYK 32 / 88 / 0 / 13

HEX #971BDE

RGB 151 27 222

HSL 278.15, 0.78%, 0.49%

LAB 42.21, 75.07, -72.38

 

CMYK 55 / 88 / 0 / 13

HEX #631BDE

RGB 99 27 222

HSL 262.15, 0.78%, 0.49%

LAB 35.42, 69.28, -83.79

 

CMYK 79 / 88 / 0 / 13

HEX #2E1BDE

RGB 46 27 222

HSL 245.85, 0.78%, 0.49%

LAB 30.97, 65.95, -91.31

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 32 / 88 / 0 / 13

HEX #971BDE

RGB 151 27 222

HSL 278.15, 0.78%, 0.49%

LAB 42.21, 75.07, -72.38

 

CMYK 35 / 97 / 0 / 5

HEX #9D07F2

RGB 157 7 242

HSL 278.3, 0.94%, 0.49%

LAB 43.84, 82.51, -81.03

 

CMYK 32 / 88 / 0 / 13

HEX #971BDE

RGB 151 27 222

HSL 278.15, 0.78%, 0.49%

LAB 42.21, 75.07, -72.38

 

CMYK 28 / 77 / 0 / 21

HEX #922FCA

RGB 146 47 202

HSL 278.32, 0.62%, 0.49%

LAB 41.86, 64.57, -61.46

 

CMYK 23 / 63 / 0 / 29

HEX #8C43B5

RGB 140 67 181

HSL 278.42, 0.46%, 0.49%

LAB 42.65, 50.24, -47.96

 

CMYK 16 / 45 / 0 / 37

HEX #8758A1

RGB 135 88 161

HSL 278.63, 0.29%, 0.49%

LAB 45.23, 33.07, -32.1

 

CMYK 9 / 23 / 0 / 45

HEX #816C8D

RGB 129 108 141

HSL 278.18, 0.13%, 0.49%

LAB 48.65, 14.81, -14.99

 

CMYK 79 / 88 / 0 / 13

HEX #2E1BDE

RGB 46 27 222

HSL 245.85, 0.78%, 0.49%

LAB 30.97, 65.95, -91.31

 

CMYK 56 / 88 / 0 / 13

HEX #621BDE

RGB 98 27 222

HSL 261.85, 0.78%, 0.49%

LAB 35.31, 69.19, -83.98

 

CMYK 32 / 88 / 0 / 13

HEX #961BDE

RGB 150 27 222

HSL 277.85, 0.78%, 0.49%

LAB 42.06, 74.94, -72.63

 

CMYK 9 / 88 / 0 / 13

HEX #CA1BDE

RGB 202 27 222

HSL 293.85, 0.78%, 0.49%

LAB 50.23, 82.64, -58.99

 

CMYK 0 / 88 / 15 / 13

HEX #DE1BBD

RGB 222 27 189

HSL 310.15, 0.78%, 0.49%

LAB 51.82, 81.42, -37.27

 

CMYK 32 / 88 / 0 / 42

HEX #651294

RGB 101 18 148

HSL 278.31, 0.78%, 0.33%

LAB 27.68, 54.88, -52.59

 

CMYK 32 / 88 / 0 / 27

HEX #7E16B9

RGB 126 22 185

HSL 278.28, 0.79%, 0.41%

LAB 35.03, 65.3, -62.75

 

CMYK 32 / 88 / 0 / 13

HEX #971BDE

RGB 151 27 222

HSL 278.15, 0.78%, 0.49%

LAB 42.21, 75.07, -72.38

 

CMYK 27 / 74 / 0 / 10

HEX #A93CE6

RGB 169 60 230

HSL 278.47, 0.77%, 0.57%

LAB 48.74, 69.75, -66.2

 

CMYK 21 / 59 / 0 / 8

HEX #B960EB

RGB 185 96 235

HSL 278.42, 0.78%, 0.65%

LAB 56.76, 58.51, -55.99

 

CMYK 32 / 87 / 0 / 13

HEX #971CDD

RGB 151 28 221

HSL 278.24, 0.78%, 0.49%

LAB 42.2, 74.66, -71.82

 

CMYK 0 / 88 / 73 / 13

HEX #DE1B3B

RGB 222 27 59

HSL 350.15, 0.78%, 0.49%

LAB 47.79, 70.35, 35.18

 

CMYK 88 / 0 / 68 / 13

HEX #1BDE48

RGB 27 222 72

HSL 133.85, 0.78%, 0.49%

LAB 77.84, -72.82, 58.76

 

CMYK 32 / 87 / 0 / 13

HEX #971CDD

RGB 151 28 221

HSL 278.24, 0.78%, 0.49%

LAB 42.2, 74.66, -71.82

 

CMYK 0 / 32 / 88 / 13

HEX #DE961B

RGB 222 150 27

HSL 37.85, 0.78%, 0.49%

LAB 67.59, 18.18, 67.65

 

CMYK 88 / 0 / 32 / 13

HEX #1BDE96

RGB 27 222 150

HSL 157.85, 0.78%, 0.49%

LAB 78.86, -60.74, 23.08

 

CMYK 32 / 87 / 0 / 13

HEX #971CDD

RGB 151 28 221

HSL 278.24, 0.78%, 0.49%

LAB 42.2, 74.66, -71.82

 

CMYK 0 / 88 / 73 / 13

HEX #DE1B3B

RGB 222 27 59

HSL 350.15, 0.78%, 0.49%

LAB 47.79, 70.35, 35.18

 

CMYK 56 / 0 / 88 / 13

HEX #62DE1B

RGB 98 222 27

HSL 98.15, 0.78%, 0.49%

LAB 78.99, -63.97, 73.59

 

CMYK 88 / 0 / 15 / 13

HEX #1BDEBD

RGB 27 222 189

HSL 169.85, 0.78%, 0.49%

LAB 79.7, -51.54, 3.72

 

CMYK 32 / 87 / 0 / 13

HEX #971CDD

RGB 151 28 221

HSL 278.24, 0.78%, 0.49%

LAB 42.2, 74.66, -71.82

 

CMYK 0 / 76 / 88 / 13

HEX #DE351B

RGB 222 53 27

HSL 8, 0.78%, 0.49%

LAB 49.68, 63.24, 53.69

 

CMYK 56 / 0 / 88 / 13

HEX #62DE1B

RGB 98 222 27

HSL 98.15, 0.78%, 0.49%

LAB 78.99, -63.97, 73.59

 

CMYK 88 / 12 / 0 / 13

HEX #1BC4DE

RGB 27 196 222

HSL 188, 0.78%, 0.49%

LAB 72.88, -30.36, -24.19

 

Description

Color code: HEX #971CDD | qconv.com Color code: HEX #971CDD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 28 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 28 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 87 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 87% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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