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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971028 it is the complementary color #68EFD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971028 shade: #9C1023, #AD2236, #BE3449, #CF465C and #E0586F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971028 shade: #971028, #860015, #750002, #640000 and #530000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971028 shade: #980F28 and #980F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971028 shade: #980F28, #980F4C, #980F71, #980F96 and #750F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971028 shade matches the following richer shades: #980F28 and #A5021F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971028 shade: #980F28, #8A1D31, #7D2B39, #6F3842 and #61464B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971028 shade: #980F71, #980F4D, #980F28, #981B0F and #983F0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971028 shade: #4D0814, #720C1E, #980F28, #BD1332 and #E2173B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971028 shade: #971028, #96980F and #0F5F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971028 shade: #971028, #28980F and #0F2898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971028 shade: #971028, #96980F, #0F987F and #120F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971028 shade: #971028, #6D980F, #0F987F and #3B0F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 74 / 41

HEX #971028

RGB 151 16 40

HSL 349.33, 0.81%, 0.33%

LAB 32.04, 52.71, 24.68

 

Complementary color

CMYK 56 / 0 / 10 / 6

HEX #68EFD7

RGB 104 239 215

HSL 169.33, 0.81%, 0.67%

LAB 86.79, -42.58, 0.48

 

CMYK 0 / 90 / 78 / 39

HEX #9C1023

RGB 156 16 35

HSL 351.86, 0.81%, 0.34%

LAB 33.05, 53.89, 29.27

 

CMYK 0 / 80 / 69 / 32

HEX #AD2236

RGB 173 34 54

HSL 351.37, 0.67%, 0.41%

LAB 38.37, 55.28, 24.57

 

CMYK 0 / 73 / 62 / 25

HEX #BE3449

RGB 190 52 73

HSL 350.87, 0.57%, 0.47%

LAB 44.07, 55.65, 20.73

 

CMYK 0 / 66 / 56 / 19

HEX #CF465C

RGB 207 70 92

HSL 350.36, 0.59%, 0.54%

LAB 50, 55.4, 17.62

 

CMYK 0 / 61 / 50 / 12

HEX #E0586F

RGB 224 88 111

HSL 349.85, 0.69%, 0.61%

LAB 56.06, 54.8, 15.07

 

CMYK 0 / 89 / 74 / 41

HEX #971028

RGB 151 16 40

HSL 349.33, 0.81%, 0.33%

LAB 32.04, 52.71, 24.68

 

CMYK 0 / 100 / 84 / 47

HEX #860015

RGB 134 0 21

HSL 350.6, 1%, 0.26%

LAB 27.08, 50.09, 30.11

 

CMYK 0 / 100 / 98 / 54

HEX #750002

RGB 117 0 2

HSL 358.97, 1%, 0.23%

LAB 22.95, 45.1, 33.84

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 100 / 100 / 67

HEX #530000

RGB 83 0 0

HSL 0, 1%, 0.16%

LAB 14.62, 35.43, 22.82

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 0 / 90 / 90 / 40

HEX #980F0F

RGB 152 15 15

HSL 0, 0.82%, 0.33%

LAB 31.92, 52.4, 39.17

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 0 / 90 / 50 / 40

HEX #980F4C

RGB 152 15 76

HSL 333.28, 0.82%, 0.33%

LAB 33, 55.48, 2.39

 

CMYK 0 / 90 / 26 / 40

HEX #980F71

RGB 152 15 113

HSL 317.08, 0.82%, 0.33%

LAB 34.42, 59.35, -19.4

 

CMYK 0 / 90 / 1 / 40

HEX #980F96

RGB 152 15 150

HSL 300.88, 0.82%, 0.33%

LAB 36.4, 64.54, -39.29

 

CMYK 23 / 90 / 0 / 40

HEX #750F98

RGB 117 15 152

HSL 284.67, 0.82%, 0.33%

LAB 30.38, 58.86, -50.53

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 0 / 99 / 81 / 35

HEX #A5021F

RGB 165 2 31

HSL 349.33, 0.98%, 0.33%

LAB 34.28, 58.13, 33.6

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 0 / 79 / 64 / 46

HEX #8A1D31

RGB 138 29 49

HSL 348.99, 0.65%, 0.33%

LAB 30.65, 46.04, 16.5

 

CMYK 0 / 66 / 54 / 51

HEX #7D2B39

RGB 125 43 57

HSL 349.76, 0.49%, 0.33%

LAB 30.36, 36.69, 10.41

 

CMYK 0 / 50 / 41 / 56

HEX #6F3842

RGB 111 56 66

HSL 349.09, 0.33%, 0.33%

LAB 30.88, 25.43, 4.91

 

CMYK 0 / 28 / 23 / 62

HEX #61464B

RGB 97 70 75

HSL 348.89, 0.16%, 0.33%

LAB 32.77, 12.43, 1.56

 

CMYK 0 / 90 / 26 / 40

HEX #980F71

RGB 152 15 113

HSL 317.08, 0.82%, 0.33%

LAB 34.42, 59.35, -19.4

 

CMYK 0 / 90 / 49 / 40

HEX #980F4D

RGB 152 15 77

HSL 332.85, 0.82%, 0.33%

LAB 33.03, 55.56, 1.77

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 0 / 82 / 90 / 40

HEX #981B0F

RGB 152 27 15

HSL 5.26, 0.82%, 0.33%

LAB 32.91, 49.61, 39.93

 

CMYK 0 / 59 / 90 / 40

HEX #983F0F

RGB 152 63 15

HSL 21.02, 0.82%, 0.33%

LAB 38.31, 34.96, 44.13

 

CMYK 0 / 90 / 74 / 70

HEX #4D0814

RGB 77 8 20

HSL 349.57, 0.81%, 0.17%

LAB 14.41, 31.6, 12.87

 

CMYK 0 / 89 / 74 / 55

HEX #720C1E

RGB 114 12 30

HSL 349.41, 0.81%, 0.25%

LAB 23.45, 42.53, 19.01

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 0 / 90 / 74 / 26

HEX #BD1332

RGB 189 19 50

HSL 349.06, 0.82%, 0.41%

LAB 40.43, 62.79, 30.31

 

CMYK 0 / 90 / 74 / 11

HEX #E2173B

RGB 226 23 59

HSL 349.36, 0.82%, 0.49%

LAB 48.38, 71.98, 36.07

 

CMYK 0 / 89 / 74 / 41

HEX #971028

RGB 151 16 40

HSL 349.33, 0.81%, 0.33%

LAB 32.04, 52.71, 24.68

 

CMYK 1 / 0 / 90 / 40

HEX #96980F

RGB 150 152 15

HSL 60.88, 0.82%, 0.33%

LAB 60.76, -15.3, 61.76

 

CMYK 90 / 38 / 0 / 40

HEX #0F5F98

RGB 15 95 152

HSL 204.96, 0.82%, 0.33%

LAB 38.82, -0.58, -37.37

 

CMYK 0 / 89 / 74 / 41

HEX #971028

RGB 151 16 40

HSL 349.33, 0.81%, 0.33%

LAB 32.04, 52.71, 24.68

 

CMYK 74 / 0 / 90 / 40

HEX #28980F

RGB 40 152 15

HSL 109.05, 0.82%, 0.33%

LAB 55.01, -53.94, 54.66

 

CMYK 90 / 74 / 0 / 40

HEX #0F2898

RGB 15 40 152

HSL 229.05, 0.82%, 0.33%

LAB 23.29, 36.39, -62.55

 

CMYK 0 / 89 / 74 / 41

HEX #971028

RGB 151 16 40

HSL 349.33, 0.81%, 0.33%

LAB 32.04, 52.71, 24.68

 

CMYK 1 / 0 / 90 / 40

HEX #96980F

RGB 150 152 15

HSL 60.88, 0.82%, 0.33%

LAB 60.76, -15.3, 61.76

 

CMYK 90 / 0 / 16 / 40

HEX #0F987F

RGB 15 152 127

HSL 169.05, 0.82%, 0.33%

LAB 56.18, -39.38, 3.76

 

CMYK 88 / 90 / 0 / 40

HEX #120F98

RGB 18 15 152

HSL 241.31, 0.82%, 0.33%

LAB 18.96, 49.37, -69.74

 

CMYK 0 / 89 / 74 / 41

HEX #971028

RGB 151 16 40

HSL 349.33, 0.81%, 0.33%

LAB 32.04, 52.71, 24.68

 

CMYK 28 / 0 / 90 / 40

HEX #6D980F

RGB 109 152 15

HSL 78.83, 0.82%, 0.33%

LAB 57.79, -32.96, 58.12

 

CMYK 90 / 0 / 16 / 40

HEX #0F987F

RGB 15 152 127

HSL 169.05, 0.82%, 0.33%

LAB 56.18, -39.38, 3.76

 

CMYK 61 / 90 / 0 / 40

HEX #3B0F98

RGB 59 15 152

HSL 259.27, 0.82%, 0.33%

LAB 22.08, 51.65, -64.46

 

Description

Color code: HEX #971028 | qconv.com Color code: HEX #971028 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 16 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 16 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 74 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 74% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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