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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971584 it is the complementary color #68EA7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971584. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971584 shade: #9C157F, #AD2792, #BE39A5, #CF4BB8 and #E05DCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971584. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971584 shade: #971584, #860371, #75005E, #64004B and #530038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971584 shade: #981485, #981461, #98143E, #98141A and #981414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971584 shade: #981485, #881498, #641498, #411498 and #1D1498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971584 shade matches the following richer shades: #981485 and #A6068F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971584 shade: #981485, #8A227B, #7C3071, #6E3E67 and #604C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971584 shade: #631498, #871498, #981487, #981463 and #981440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971584 shade: #4F0A45, #740F65, #981485, #BC19A5 and #E01FC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971584 shade: #971584, #984014 and #149875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971584 shade: #971584, #879814 and #148798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971584 shade: #971584, #984014, #149826 and #146C98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971584 shade: #971584, #986814, #149826 and #144598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 13 / 41

HEX #971584

RGB 151 21 132

HSL 308.77, 0.76%, 0.34%

LAB 35.56, 60.55, -29.55

 

Complementary color

CMYK 56 / 0 / 47 / 8

HEX #68EA7B

RGB 104 234 123

HSL 128.77, 0.76%, 0.66%

LAB 83.56, -58.51, 43.12

 

CMYK 0 / 87 / 19 / 39

HEX #9C157F

RGB 156 21 127

HSL 312.89, 0.76%, 0.35%

LAB 36.25, 60.92, -25.3

 

CMYK 0 / 77 / 16 / 32

HEX #AD2792

RGB 173 39 146

HSL 312.09, 0.63%, 0.42%

LAB 41.86, 62.84, -27.98

 

CMYK 0 / 70 / 13 / 25

HEX #BE39A5

RGB 190 57 165

HSL 311.28, 0.54%, 0.48%

LAB 47.74, 63.75, -29.98

 

CMYK 0 / 64 / 11 / 19

HEX #CF4BB8

RGB 207 75 184

HSL 310.45, 0.58%, 0.55%

LAB 53.77, 64.02, -31.5

 

CMYK 0 / 58 / 9 / 12

HEX #E05DCB

RGB 224 93 203

HSL 309.62, 0.68%, 0.62%

LAB 59.88, 63.89, -32.69

 

CMYK 0 / 86 / 13 / 41

HEX #971584

RGB 151 21 132

HSL 308.77, 0.76%, 0.34%

LAB 35.56, 60.55, -29.55

 

CMYK 0 / 98 / 16 / 47

HEX #860371

RGB 134 3 113

HSL 309.62, 0.96%, 0.27%

LAB 30.22, 57.36, -26.22

 

CMYK 0 / 100 / 20 / 54

HEX #75005E

RGB 117 0 94

HSL 311.79, 1%, 0.23%

LAB 25.53, 51.84, -21.49

 

CMYK 0 / 100 / 25 / 61

HEX #64004B

RGB 100 0 75

HSL 315, 1%, 0.2%

LAB 20.89, 45.71, -16.26

 

CMYK 0 / 100 / 33 / 67

HEX #530038

RGB 83 0 56

HSL 319.52, 1%, 0.16%

LAB 16.13, 39.42, -10.68

 

CMYK 0 / 87 / 13 / 40

HEX #981485

RGB 152 20 133

HSL 308.64, 0.77%, 0.34%

LAB 35.73, 61.1, -29.89

 

CMYK 0 / 87 / 36 / 40

HEX #981461

RGB 152 20 97

HSL 325, 0.77%, 0.34%

LAB 34.06, 56.54, -9.71

 

CMYK 0 / 87 / 59 / 40

HEX #98143E

RGB 152 20 62

HSL 340.91, 0.77%, 0.34%

LAB 32.97, 53.41, 11.55

 

CMYK 0 / 87 / 83 / 40

HEX #98141A

RGB 152 20 26

HSL 357.27, 0.77%, 0.34%

LAB 32.37, 51.65, 33.69

 

CMYK 0 / 87 / 87 / 40

HEX #981414

RGB 152 20 20

HSL 0, 0.77%, 0.34%

LAB 32.32, 51.49, 36.97

 

CMYK 0 / 87 / 13 / 40

HEX #981485

RGB 152 20 133

HSL 308.64, 0.77%, 0.34%

LAB 35.73, 61.1, -29.89

 

CMYK 11 / 87 / 0 / 40

HEX #881498

RGB 136 20 152

HSL 292.73, 0.77%, 0.34%

LAB 33.99, 61.03, -44.54

 

CMYK 34 / 87 / 0 / 40

HEX #641498

RGB 100 20 152

HSL 276.36, 0.77%, 0.34%

LAB 28.05, 55.06, -54.44

 

CMYK 57 / 87 / 0 / 40

HEX #411498

RGB 65 20 152

HSL 260.45, 0.77%, 0.34%

LAB 23.31, 50.58, -62.41

 

CMYK 81 / 87 / 0 / 40

HEX #1D1498

RGB 29 20 152

HSL 244.09, 0.77%, 0.34%

LAB 20.16, 47.82, -67.73

 

CMYK 0 / 87 / 13 / 40

HEX #981485

RGB 152 20 133

HSL 308.64, 0.77%, 0.34%

LAB 35.73, 61.1, -29.89

 

CMYK 0 / 96 / 14 / 35

HEX #A6068F

RGB 166 6 143

HSL 308.63, 0.93%, 0.34%

LAB 38.24, 67.29, -31.93

 

CMYK 0 / 87 / 13 / 40

HEX #981485

RGB 152 20 133

HSL 308.64, 0.77%, 0.34%

LAB 35.73, 61.1, -29.89

 

CMYK 0 / 75 / 11 / 46

HEX #8A227B

RGB 138 34 123

HSL 308.65, 0.6%, 0.34%

LAB 33.94, 52.71, -26.65

 

CMYK 0 / 61 / 9 / 51

HEX #7C3071

RGB 124 48 113

HSL 308.68, 0.44%, 0.34%

LAB 33.12, 41.54, -21.81

 

CMYK 0 / 44 / 6 / 57

HEX #6E3E67

RGB 110 62 103

HSL 308.75, 0.28%, 0.34%

LAB 33.43, 27.6, -15.15

 

CMYK 0 / 21 / 3 / 62

HEX #604C5D

RGB 96 76 93

HSL 309, 0.12%, 0.34%

LAB 34.89, 11.72, -6.77

 

CMYK 35 / 87 / 0 / 40

HEX #631498

RGB 99 20 152

HSL 275.91, 0.77%, 0.34%

LAB 27.9, 54.91, -54.7

 

CMYK 11 / 87 / 0 / 40

HEX #871498

RGB 135 20 152

HSL 292.27, 0.77%, 0.34%

LAB 33.81, 60.85, -44.83

 

CMYK 0 / 87 / 11 / 40

HEX #981487

RGB 152 20 135

HSL 307.73, 0.77%, 0.34%

LAB 35.84, 61.39, -30.96

 

CMYK 0 / 87 / 35 / 40

HEX #981463

RGB 152 20 99

HSL 324.09, 0.77%, 0.34%

LAB 34.14, 56.76, -10.88

 

CMYK 0 / 87 / 58 / 40

HEX #981440

RGB 152 20 64

HSL 340, 0.77%, 0.34%

LAB 33.02, 53.55, 10.3

 

CMYK 0 / 87 / 13 / 69

HEX #4F0A45

RGB 79 10 69

HSL 308.7, 0.78%, 0.17%

LAB 17.03, 37.25, -18.49

 

CMYK 0 / 87 / 13 / 55

HEX #740F65

RGB 116 15 101

HSL 308.91, 0.77%, 0.26%

LAB 26.72, 49.71, -24.23

 

CMYK 0 / 87 / 13 / 40

HEX #981485

RGB 152 20 133

HSL 308.64, 0.77%, 0.34%

LAB 35.73, 61.1, -29.89

 

CMYK 0 / 87 / 12 / 26

HEX #BC19A5

RGB 188 25 165

HSL 308.47, 0.77%, 0.42%

LAB 44.38, 71.95, -35.27

 

CMYK 0 / 86 / 13 / 12

HEX #E01FC4

RGB 224 31 196

HSL 308.7, 0.76%, 0.5%

LAB 52.74, 82.08, -39.85

 

CMYK 0 / 86 / 13 / 41

HEX #971584

RGB 151 21 132

HSL 308.77, 0.76%, 0.34%

LAB 35.56, 60.55, -29.55

 

CMYK 0 / 58 / 87 / 40

HEX #984014

RGB 152 64 20

HSL 20, 0.77%, 0.34%

LAB 38.54, 34.57, 42.32

 

CMYK 87 / 0 / 23 / 40

HEX #149875

RGB 20 152 117

HSL 164.09, 0.77%, 0.34%

LAB 55.98, -41.69, 9.16

 

CMYK 0 / 86 / 13 / 41

HEX #971584

RGB 151 21 132

HSL 308.77, 0.76%, 0.34%

LAB 35.56, 60.55, -29.55

 

CMYK 11 / 0 / 87 / 40

HEX #879814

RGB 135 152 20

HSL 67.73, 0.77%, 0.34%

LAB 59.58, -21.85, 59.29

 

CMYK 87 / 11 / 0 / 40

HEX #148798

RGB 20 135 152

HSL 187.73, 0.77%, 0.34%

LAB 51.55, -23.25, -17.54

 

CMYK 0 / 86 / 13 / 41

HEX #971584

RGB 151 21 132

HSL 308.77, 0.76%, 0.34%

LAB 35.56, 60.55, -29.55

 

CMYK 0 / 58 / 87 / 40

HEX #984014

RGB 152 64 20

HSL 20, 0.77%, 0.34%

LAB 38.54, 34.57, 42.32

 

CMYK 87 / 0 / 75 / 40

HEX #149826

RGB 20 152 38

HSL 128.18, 0.77%, 0.34%

LAB 54.81, -55.31, 47.71

 

CMYK 87 / 29 / 0 / 40

HEX #146C98

RGB 20 108 152

HSL 200, 0.77%, 0.34%

LAB 42.97, -8.21, -30.8

 

CMYK 0 / 86 / 13 / 41

HEX #971584

RGB 151 21 132

HSL 308.77, 0.76%, 0.34%

LAB 35.56, 60.55, -29.55

 

CMYK 0 / 32 / 87 / 40

HEX #986814

RGB 152 104 20

HSL 38.18, 0.77%, 0.34%

LAB 47.79, 12.33, 50.1

 

CMYK 87 / 0 / 75 / 40

HEX #149826

RGB 20 152 38

HSL 128.18, 0.77%, 0.34%

LAB 54.81, -55.31, 47.71

 

CMYK 87 / 55 / 0 / 40

HEX #144598

RGB 20 69 152

HSL 217.73, 0.77%, 0.34%

LAB 31.05, 17.09, -49.84

 

Description

Color code: HEX #971584 | qconv.com Color code: HEX #971584 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 21 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 21 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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