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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971497 it is the complementary color #68EB68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971497 shade: #9C1492, #AD26A5, #BE38B8, #CF4ACB and #E05CDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971497 shade: #971497, #860284, #750071, #64005E and #53004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971497 shade: #991399, #991375, #991351, #99132D and #991313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971497 shade: #991399, #751399, #511399, #2D1399 and #131399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971497 shade matches the following richer shades: #991399 and #A705A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971497 shade: #991399, #8B218B, #7D2F7D, #6F3E6F and #614C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971497 shade: #521399, #751399, #991399, #991375 and #991352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971497 shade: #500A50, #740F74, #991399, #BD18BD and #E11EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971497 shade: #971497, #992E13 and #139964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971497 shade: #971497, #999913 and #139999

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971497 shade: #971497, #992E13, #139913 and #137E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971497 shade: #971497, #995613, #139913 and #135699

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 0 / 41

HEX #971497

RGB 151 20 151

HSL 300, 0.77%, 0.34%

LAB 36.58, 63.63, -39.62

 

Complementary color

CMYK 56 / 0 / 56 / 8

HEX #68EB68

RGB 104 235 104

HSL 120, 0.77%, 0.66%

LAB 83.63, -61.37, 52.1

 

CMYK 0 / 87 / 6 / 39

HEX #9C1492

RGB 156 20 146

HSL 304.41, 0.77%, 0.35%

LAB 37.19, 63.83, -35.54

 

CMYK 0 / 78 / 5 / 32

HEX #AD26A5

RGB 173 38 165

HSL 303.56, 0.64%, 0.41%

LAB 42.74, 65.95, -38.03

 

CMYK 0 / 71 / 3 / 25

HEX #BE38B8

RGB 190 56 184

HSL 302.69, 0.54%, 0.48%

LAB 48.56, 67.02, -39.87

 

CMYK 0 / 64 / 2 / 19

HEX #CF4ACB

RGB 207 74 203

HSL 301.8, 0.58%, 0.55%

LAB 54.53, 67.42, -41.26

 

CMYK 0 / 59 / 1 / 12

HEX #E05CDE

RGB 224 92 222

HSL 300.91, 0.68%, 0.62%

LAB 60.58, 67.39, -42.32

 

CMYK 0 / 87 / 0 / 41

HEX #971497

RGB 151 20 151

HSL 300, 0.77%, 0.34%

LAB 36.58, 63.63, -39.62

 

CMYK 0 / 99 / 1 / 47

HEX #860284

RGB 134 2 132

HSL 300.91, 0.97%, 0.27%

LAB 31.3, 60.31, -36.52

 

CMYK 0 / 100 / 3 / 54

HEX #750071

RGB 117 0 113

HSL 302.05, 1%, 0.23%

LAB 26.66, 54.63, -32.07

 

CMYK 0 / 100 / 6 / 61

HEX #64005E

RGB 100 0 94

HSL 303.6, 1%, 0.2%

LAB 22.01, 48.48, -27.29

 

CMYK 0 / 100 / 10 / 67

HEX #53004B

RGB 83 0 75

HSL 305.78, 1%, 0.16%

LAB 17.21, 42.14, -22.3

 

CMYK 0 / 88 / 0 / 40

HEX #991399

RGB 153 19 153

HSL 300, 0.78%, 0.34%

LAB 37, 64.52, -40.15

 

CMYK 0 / 88 / 24 / 40

HEX #991375

RGB 153 19 117

HSL 316.12, 0.78%, 0.34%

LAB 35.05, 59.34, -20.93

 

CMYK 0 / 88 / 47 / 40

HEX #991351

RGB 153 19 81

HSL 332.24, 0.78%, 0.34%

LAB 33.63, 55.4, 0.05

 

CMYK 0 / 88 / 71 / 40

HEX #99132D

RGB 153 19 45

HSL 348.36, 0.78%, 0.34%

LAB 32.76, 52.89, 22.44

 

CMYK 0 / 88 / 88 / 40

HEX #991313

RGB 153 19 19

HSL 0, 0.78%, 0.34%

LAB 32.45, 51.97, 37.69

 

CMYK 0 / 88 / 0 / 40

HEX #991399

RGB 153 19 153

HSL 300, 0.78%, 0.34%

LAB 37, 64.52, -40.15

 

CMYK 24 / 88 / 0 / 40

HEX #751399

RGB 117 19 153

HSL 283.88, 0.78%, 0.34%

LAB 30.75, 58.18, -50.53

 

CMYK 47 / 88 / 0 / 40

HEX #511399

RGB 81 19 153

HSL 267.76, 0.78%, 0.34%

LAB 25.31, 52.99, -59.66

 

CMYK 71 / 88 / 0 / 40

HEX #2D1399

RGB 45 19 153

HSL 251.64, 0.78%, 0.34%

LAB 21.3, 49.47, -66.42

 

CMYK 88 / 88 / 0 / 40

HEX #131399

RGB 19 19 153

HSL 240, 0.78%, 0.34%

LAB 19.66, 48.14, -69.2

 

CMYK 0 / 88 / 0 / 40

HEX #991399

RGB 153 19 153

HSL 300, 0.78%, 0.34%

LAB 37, 64.52, -40.15

 

CMYK 0 / 97 / 0 / 35

HEX #A705A7

RGB 167 5 167

HSL 300, 0.94%, 0.34%

LAB 39.77, 71.03, -44.03

 

CMYK 0 / 88 / 0 / 40

HEX #991399

RGB 153 19 153

HSL 300, 0.78%, 0.34%

LAB 37, 64.52, -40.15

 

CMYK 0 / 76 / 0 / 45

HEX #8B218B

RGB 139 33 139

HSL 300, 0.62%, 0.34%

LAB 34.88, 55.89, -35.09

 

CMYK 0 / 62 / 0 / 51

HEX #7D2F7D

RGB 125 47 125

HSL 300, 0.45%, 0.34%

LAB 33.72, 44.47, -28.4

 

CMYK 0 / 44 / 0 / 56

HEX #6F3E6F

RGB 111 62 111

HSL 300, 0.28%, 0.34%

LAB 33.93, 29.55, -19.44

 

CMYK 0 / 22 / 0 / 62

HEX #614C61

RGB 97 76 97

HSL 300, 0.12%, 0.34%

LAB 35.15, 12.96, -8.9

 

CMYK 46 / 88 / 0 / 40

HEX #521399

RGB 82 19 153

HSL 268.21, 0.78%, 0.34%

LAB 25.44, 53.11, -59.44

 

CMYK 24 / 88 / 0 / 40

HEX #751399

RGB 117 19 153

HSL 283.88, 0.78%, 0.34%

LAB 30.75, 58.18, -50.53

 

CMYK 0 / 88 / 0 / 40

HEX #991399

RGB 153 19 153

HSL 300, 0.78%, 0.34%

LAB 37, 64.52, -40.15

 

CMYK 0 / 88 / 24 / 40

HEX #991375

RGB 153 19 117

HSL 316.12, 0.78%, 0.34%

LAB 35.05, 59.34, -20.93

 

CMYK 0 / 88 / 46 / 40

HEX #991352

RGB 153 19 82

HSL 331.79, 0.78%, 0.34%

LAB 33.66, 55.49, -0.56

 

CMYK 0 / 88 / 0 / 69

HEX #500A50

RGB 80 10 80

HSL 300, 0.78%, 0.18%

LAB 17.93, 39.41, -24.63

 

CMYK 0 / 87 / 0 / 55

HEX #740F74

RGB 116 15 116

HSL 300, 0.77%, 0.26%

LAB 27.62, 52.11, -32.48

 

CMYK 0 / 88 / 0 / 40

HEX #991399

RGB 153 19 153

HSL 300, 0.78%, 0.34%

LAB 37, 64.52, -40.15

 

CMYK 0 / 87 / 0 / 26

HEX #BD18BD

RGB 189 24 189

HSL 300, 0.77%, 0.42%

LAB 45.83, 75.78, -47.13

 

CMYK 0 / 87 / 0 / 12

HEX #E11EE1

RGB 225 30 225

HSL 300, 0.76%, 0.5%

LAB 54.42, 86.47, -53.77

 

CMYK 0 / 87 / 0 / 41

HEX #971497

RGB 151 20 151

HSL 300, 0.77%, 0.34%

LAB 36.58, 63.63, -39.62

 

CMYK 0 / 70 / 88 / 40

HEX #992E13

RGB 153 46 19

HSL 12.09, 0.78%, 0.34%

LAB 35.54, 43.33, 40.3

 

CMYK 88 / 0 / 35 / 40

HEX #139964

RGB 19 153 100

HSL 156.27, 0.78%, 0.34%

LAB 55.93, -46.23, 18.64

 

CMYK 0 / 87 / 0 / 41

HEX #971497

RGB 151 20 151

HSL 300, 0.77%, 0.34%

LAB 36.58, 63.63, -39.62

 

CMYK 0 / 0 / 88 / 40

HEX #999913

RGB 153 153 19

HSL 60, 0.78%, 0.34%

LAB 61.31, -14.39, 61.52

 

CMYK 88 / 0 / 0 / 40

HEX #139999

RGB 19 153 153

HSL 180, 0.78%, 0.34%

LAB 57.29, -31.95, -9.44

 

CMYK 0 / 87 / 0 / 41

HEX #971497

RGB 151 20 151

HSL 300, 0.77%, 0.34%

LAB 36.58, 63.63, -39.62

 

CMYK 0 / 70 / 88 / 40

HEX #992E13

RGB 153 46 19

HSL 12.09, 0.78%, 0.34%

LAB 35.54, 43.33, 40.3

 

CMYK 88 / 0 / 88 / 40

HEX #139913

RGB 19 153 19

HSL 120, 0.78%, 0.34%

LAB 55.04, -56.93, 53.7

 

CMYK 88 / 18 / 0 / 40

HEX #137E99

RGB 19 126 153

HSL 192.09, 0.78%, 0.34%

LAB 48.71, -18.18, -22.47

 

CMYK 0 / 87 / 0 / 41

HEX #971497

RGB 151 20 151

HSL 300, 0.77%, 0.34%

LAB 36.58, 63.63, -39.62

 

CMYK 0 / 44 / 88 / 40

HEX #995613

RGB 153 86 19

HSL 30, 0.78%, 0.34%

LAB 43.47, 23.05, 46.91

 

CMYK 88 / 0 / 88 / 40

HEX #139913

RGB 19 153 19

HSL 120, 0.78%, 0.34%

LAB 55.04, -56.93, 53.7

 

CMYK 88 / 44 / 0 / 40

HEX #135699

RGB 19 86 153

HSL 210, 0.78%, 0.34%

LAB 36.16, 5.93, -42.2

 

Description

Color code: HEX #971497 | qconv.com Color code: HEX #971497 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 20 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 20 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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