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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96FC9C it is the complementary color #690363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96FC9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96FC9C shade: #9BFC97, #ACFFAA, #BDFFBD, #CEFFD0 and #DFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96FC9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96FC9C shade: #96FC9C, #85EA89, #74D876, #63C663 and #52B450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96FC9C shade: #97FB9D, #ACFB97, #C7FB97, #E2FB97 and #FBF997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96FC9C shade: #97FB9D, #97FBB8, #97FBD3, #97FBEE and #97EDFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96FC9C shade matches the following richer shades: #97FB9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96FC9C shade: #97FB9D, #9FF3A4, #A8EAAC, #B1E1B3 and #B9D9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96FC9C shade: #C7FB97, #ACFB97, #97FB9C, #97FBB6 and #97FBD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96FC9C shade: #47F951, #6FFA77, #97FB9D, #BFFDC2 and #E7FEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96FC9C shade: #96FC9C, #97E2FB and #FB97BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96FC9C shade: #96FC9C, #9C97FB and #FB9C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96FC9C shade: #96FC9C, #97E2FB, #FB97F6 and #FBB097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96FC9C shade: #96FC9C, #97C4FB, #FB97F6 and #FBCE97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 38 / 1

HEX #96FC9C

RGB 150 252 156

HSL 123.53, 0.94%, 0.79%

LAB 91.01, -48.7, 36.87

 

Complementary color

CMYK 0 / 97 / 6 / 59

HEX #690363

RGB 105 3 99

HSL 303.53, 0.94%, 0.21%

LAB 23.57, 49.57, -28.05

 

CMYK 38 / 0 / 40 / 1

HEX #9BFC97

RGB 155 252 151

HSL 117.62, 0.94%, 0.79%

LAB 91.15, -47.98, 39.57

 

CMYK 33 / 0 / 33 / 0

HEX #ACFFAA

RGB 172 255 170

HSL 118.59, 1%, 0.83%

LAB 93.1, -41.27, 32.86

 

CMYK 26 / 0 / 26 / 0

HEX #BDFFBD

RGB 189 255 189

HSL 120, 1%, 0.87%

LAB 94.32, -32.9, 25.08

 

CMYK 19 / 0 / 18 / 0

HEX #CEFFD0

RGB 206 255 208

HSL 122.45, 1%, 0.9%

LAB 95.66, -24.25, 17.42

 

CMYK 13 / 0 / 11 / 0

HEX #DFFFE3

RGB 223 255 227

HSL 127.5, 1%, 0.94%

LAB 97.13, -15.42, 9.92

 

CMYK 40 / 0 / 38 / 1

HEX #96FC9C

RGB 150 252 156

HSL 123.53, 0.94%, 0.79%

LAB 91.01, -48.7, 36.87

 

CMYK 43 / 0 / 41 / 8

HEX #85EA89

RGB 133 234 137

HSL 122.38, 0.71%, 0.72%

LAB 84.81, -48.89, 38.08

 

CMYK 46 / 0 / 45 / 15

HEX #74D876

RGB 116 216 118

HSL 121.2, 0.56%, 0.65%

LAB 78.54, -49.02, 39.33

 

CMYK 50 / 0 / 50 / 22

HEX #63C663

RGB 99 198 99

HSL 120, 0.46%, 0.58%

LAB 72.19, -49.06, 40.62

 

CMYK 54 / 0 / 56 / 29

HEX #52B450

RGB 82 180 80

HSL 118.8, 0.4%, 0.51%

LAB 65.76, -48.96, 41.91

 

CMYK 40 / 0 / 37 / 2

HEX #97FB9D

RGB 151 251 157

HSL 123.6, 0.93%, 0.79%

LAB 90.78, -47.84, 36.09

 

CMYK 31 / 0 / 40 / 2

HEX #ACFB97

RGB 172 251 151

HSL 107.4, 0.93%, 0.79%

LAB 91.68, -42.27, 40.41

 

CMYK 21 / 0 / 40 / 2

HEX #C7FB97

RGB 199 251 151

HSL 91.2, 0.93%, 0.79%

LAB 93.18, -33.18, 42.63

 

CMYK 10 / 0 / 40 / 2

HEX #E2FB97

RGB 226 251 151

HSL 75, 0.93%, 0.79%

LAB 94.91, -23.42, 45.19

 

CMYK 0 / 1 / 40 / 2

HEX #FBF997

RGB 251 249 151

HSL 58.8, 0.93%, 0.79%

LAB 96.2, -13.03, 47.21

 

CMYK 40 / 0 / 37 / 2

HEX #97FB9D

RGB 151 251 157

HSL 123.6, 0.93%, 0.79%

LAB 90.78, -47.84, 36.09

 

CMYK 40 / 0 / 27 / 2

HEX #97FBB8

RGB 151 251 184

HSL 139.8, 0.93%, 0.79%

LAB 91.25, -43.34, 23.11

 

CMYK 40 / 0 / 16 / 2

HEX #97FBD3

RGB 151 251 211

HSL 156, 0.93%, 0.79%

LAB 91.81, -38.13, 10.03

 

CMYK 40 / 0 / 5 / 2

HEX #97FBEE

RGB 151 251 238

HSL 172.2, 0.93%, 0.79%

LAB 92.46, -32.27, -3

 

CMYK 40 / 6 / 0 / 2

HEX #97EDFB

RGB 151 237 251

HSL 188.4, 0.93%, 0.79%

LAB 88.98, -22.47, -14.95

 

CMYK 40 / 0 / 37 / 2

HEX #97FB9D

RGB 151 251 157

HSL 123.6, 0.93%, 0.79%

LAB 90.78, -47.84, 36.09

 

CMYK 40 / 0 / 37 / 2

HEX #97FB9D

RGB 151 251 157

HSL 123.6, 0.93%, 0.79%

LAB 90.78, -47.84, 36.09

 

CMYK 35 / 0 / 33 / 5

HEX #9FF3A4

RGB 159 243 164

HSL 123.57, 0.78%, 0.79%

LAB 88.99, -40.89, 30.26

 

CMYK 28 / 0 / 26 / 8

HEX #A8EAAC

RGB 168 234 172

HSL 123.64, 0.61%, 0.79%

LAB 87.07, -32.68, 23.64

 

CMYK 21 / 0 / 20 / 12

HEX #B1E1B3

RGB 177 225 179

HSL 122.5, 0.44%, 0.79%

LAB 85.23, -24.28, 17.53

 

CMYK 15 / 0 / 14 / 15

HEX #B9D9BB

RGB 185 217 187

HSL 123.75, 0.3%, 0.79%

LAB 83.72, -16.25, 11.27

 

CMYK 21 / 0 / 40 / 2

HEX #C7FB97

RGB 199 251 151

HSL 91.2, 0.93%, 0.79%

LAB 93.18, -33.18, 42.63

 

CMYK 31 / 0 / 40 / 2

HEX #ACFB97

RGB 172 251 151

HSL 107.4, 0.93%, 0.79%

LAB 91.68, -42.27, 40.41

 

CMYK 40 / 0 / 38 / 2

HEX #97FB9C

RGB 151 251 156

HSL 123, 0.93%, 0.79%

LAB 90.77, -47.99, 36.56

 

CMYK 40 / 0 / 27 / 2

HEX #97FBB6

RGB 151 251 182

HSL 138.6, 0.93%, 0.79%

LAB 91.21, -43.7, 24.08

 

CMYK 40 / 0 / 17 / 2

HEX #97FBD1

RGB 151 251 209

HSL 154.8, 0.93%, 0.79%

LAB 91.76, -38.54, 11

 

CMYK 71 / 0 / 67 / 2

HEX #47F951

RGB 71 249 81

HSL 123.37, 0.94%, 0.63%

LAB 86.84, -75.07, 65.09

 

CMYK 56 / 0 / 52 / 2

HEX #6FFA77

RGB 111 250 119

HSL 123.45, 0.93%, 0.71%

LAB 88.49, -63.38, 51.12

 

CMYK 40 / 0 / 37 / 2

HEX #97FB9D

RGB 151 251 157

HSL 123.6, 0.93%, 0.79%

LAB 90.78, -47.84, 36.09

 

CMYK 25 / 0 / 23 / 1

HEX #BFFDC2

RGB 191 253 194

HSL 122.9, 0.94%, 0.87%

LAB 93.98, -30.5, 22.09

 

CMYK 9 / 0 / 9 / 0

HEX #E7FEE8

RGB 231 254 232

HSL 122.61, 0.92%, 0.95%

LAB 97.51, -11.43, 7.97

 

CMYK 40 / 0 / 38 / 1

HEX #96FC9C

RGB 150 252 156

HSL 123.53, 0.94%, 0.79%

LAB 91.01, -48.7, 36.87

 

CMYK 40 / 10 / 0 / 2

HEX #97E2FB

RGB 151 226 251

HSL 195, 0.93%, 0.79%

LAB 85.97, -16.99, -19.46

 

CMYK 0 / 40 / 26 / 2

HEX #FB97BA

RGB 251 151 186

HSL 339, 0.93%, 0.79%

LAB 73.67, 41.74, -1.95

 

CMYK 40 / 0 / 38 / 1

HEX #96FC9C

RGB 150 252 156

HSL 123.53, 0.94%, 0.79%

LAB 91.01, -48.7, 36.87

 

CMYK 38 / 40 / 0 / 2

HEX #9C97FB

RGB 156 151 251

HSL 243, 0.93%, 0.79%

LAB 66.65, 25.17, -49.3

 

CMYK 0 / 38 / 40 / 2

HEX #FB9C97

RGB 251 156 151

HSL 3, 0.93%, 0.79%

LAB 73.88, 34.86, 17.65

 

CMYK 40 / 0 / 38 / 1

HEX #96FC9C

RGB 150 252 156

HSL 123.53, 0.94%, 0.79%

LAB 91.01, -48.7, 36.87

 

CMYK 40 / 10 / 0 / 2

HEX #97E2FB

RGB 151 226 251

HSL 195, 0.93%, 0.79%

LAB 85.97, -16.99, -19.46

 

CMYK 0 / 40 / 2 / 2

HEX #FB97F6

RGB 251 151 246

HSL 303, 0.93%, 0.79%

LAB 75.64, 51.08, -31.87

 

CMYK 0 / 30 / 40 / 2

HEX #FBB097

RGB 251 176 151

HSL 15, 0.93%, 0.79%

LAB 78.34, 24.4, 23.79

 

CMYK 40 / 0 / 38 / 1

HEX #96FC9C

RGB 150 252 156

HSL 123.53, 0.94%, 0.79%

LAB 91.01, -48.7, 36.87

 

CMYK 40 / 22 / 0 / 2

HEX #97C4FB

RGB 151 196 251

HSL 213, 0.93%, 0.79%

LAB 77.89, -1.3, -31.79

 

CMYK 0 / 40 / 2 / 2

HEX #FB97F6

RGB 251 151 246

HSL 303, 0.93%, 0.79%

LAB 75.64, 51.08, -31.87

 

CMYK 0 / 18 / 40 / 2

HEX #FBCE97

RGB 251 206 151

HSL 33, 0.93%, 0.79%

LAB 85.45, 8.69, 33.32

 

Description

Color code: HEX #96FC9C | qconv.com Color code: HEX #96FC9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 252 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 252 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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