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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96F082 it is the complementary color #690F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96F082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96F082 shade: #9BF07D, #ACFF90, #BDFFA3, #CEFFB6 and #DFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96F082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96F082 shade: #96F082, #85DE6F, #74CC5C, #63BA49 and #52A836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96F082 shade: #97F083, #B4F083, #D2F083, #EFF083 and #F0D483

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96F082 shade: #97F083, #83F08D, #83F0AA, #83F0C7 and #83F0E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96F082 shade matches the following richer shades: #97F083 and #90FB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96F082 shade: #97F083, #9EE58E, #A5DA9A, #ACCFA5 and #B3C3B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96F082 shade: #D1F083, #B4F083, #97F083, #83F08C and #83F0A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96F082 shade: #59E739, #78EC5E, #97F083, #B6F4A8 and #D5F9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96F082 shade: #96F082, #83EEF0 and #F083C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96F082 shade: #96F082, #8397F0 and #F08397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96F082 shade: #96F082, #83EEF0, #DC83F0 and #F08583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96F082 shade: #96F082, #83CEF0, #DC83F0 and #F0A683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 46 / 6

HEX #96F082

RGB 150 240 130

HSL 109.09, 0.79%, 0.73%

LAB 87.2, -47.3, 44.69

 

Complementary color

CMYK 16 / 88 / 0 / 51

HEX #690F7D

RGB 105 15 125

HSL 289.09, 0.79%, 0.27%

LAB 26.23, 51.61, -40.54

 

CMYK 35 / 0 / 48 / 6

HEX #9BF07D

RGB 155 240 125

HSL 104.35, 0.79%, 0.72%

LAB 87.37, -46.35, 47.35

 

CMYK 33 / 0 / 44 / 0

HEX #ACFF90

RGB 172 255 144

HSL 104.86, 1%, 0.78%

LAB 92.71, -44.95, 45.12

 

CMYK 26 / 0 / 36 / 0

HEX #BDFFA3

RGB 189 255 163

HSL 103.04, 1%, 0.82%

LAB 93.88, -36.83, 37.53

 

CMYK 19 / 0 / 29 / 0

HEX #CEFFB6

RGB 206 255 182

HSL 100.27, 1%, 0.86%

LAB 95.17, -28.38, 29.94

 

CMYK 13 / 0 / 21 / 0

HEX #DFFFC9

RGB 223 255 201

HSL 95.56, 1%, 0.89%

LAB 96.58, -19.71, 22.44

 

CMYK 38 / 0 / 46 / 6

HEX #96F082

RGB 150 240 130

HSL 109.09, 0.79%, 0.73%

LAB 87.2, -47.3, 44.69

 

CMYK 40 / 0 / 50 / 13

HEX #85DE6F

RGB 133 222 111

HSL 108.11, 0.63%, 0.65%

LAB 80.95, -47.41, 45.89

 

CMYK 43 / 0 / 55 / 20

HEX #74CC5C

RGB 116 204 92

HSL 107.14, 0.52%, 0.58%

LAB 74.62, -47.43, 47.07

 

CMYK 47 / 0 / 61 / 27

HEX #63BA49

RGB 99 186 73

HSL 106.19, 0.45%, 0.51%

LAB 68.21, -47.33, 48.17

 

CMYK 51 / 0 / 68 / 34

HEX #52A836

RGB 82 168 54

HSL 105.26, 0.51%, 0.44%

LAB 61.71, -47.04, 49.06

 

CMYK 37 / 0 / 45 / 6

HEX #97F083

RGB 151 240 131

HSL 108.99, 0.78%, 0.73%

LAB 87.26, -46.86, 44.3

 

CMYK 25 / 0 / 45 / 6

HEX #B4F083

RGB 180 240 131

HSL 93.03, 0.78%, 0.73%

LAB 88.76, -37.24, 46.5

 

CMYK 13 / 0 / 45 / 6

HEX #D2F083

RGB 210 240 131

HSL 76.51, 0.78%, 0.73%

LAB 90.62, -26.34, 49.22

 

CMYK 0 / 0 / 45 / 6

HEX #EFF083

RGB 239 240 131

HSL 60.55, 0.78%, 0.73%

LAB 92.71, -15.22, 52.25

 

CMYK 0 / 12 / 45 / 6

HEX #F0D483

RGB 240 212 131

HSL 44.59, 0.78%, 0.73%

LAB 85.63, -0.79, 43.51

 

CMYK 37 / 0 / 45 / 6

HEX #97F083

RGB 151 240 131

HSL 108.99, 0.78%, 0.73%

LAB 87.26, -46.86, 44.3

 

CMYK 45 / 0 / 41 / 6

HEX #83F08D

RGB 131 240 141

HSL 125.5, 0.78%, 0.73%

LAB 86.54, -51.33, 38.31

 

CMYK 45 / 0 / 29 / 6

HEX #83F0AA

RGB 131 240 170

HSL 141.47, 0.78%, 0.73%

LAB 87.02, -46.5, 24.32

 

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

CMYK 45 / 0 / 5 / 6

HEX #83F0E5

RGB 131 240 229

HSL 173.94, 0.78%, 0.73%

LAB 88.35, -34, -4.45

 

CMYK 37 / 0 / 45 / 6

HEX #97F083

RGB 151 240 131

HSL 108.99, 0.78%, 0.73%

LAB 87.26, -46.86, 44.3

 

CMYK 43 / 0 / 52 / 2

HEX #90FB78

RGB 144 251 120

HSL 109.01, 0.94%, 0.73%

LAB 89.99, -54.87, 52.76

 

CMYK 37 / 0 / 45 / 6

HEX #97F083

RGB 151 240 131

HSL 108.99, 0.78%, 0.73%

LAB 87.26, -46.86, 44.3

 

CMYK 31 / 0 / 38 / 10

HEX #9EE58E

RGB 158 229 142

HSL 108.97, 0.63%, 0.73%

LAB 84.62, -38.3, 35.55

 

CMYK 24 / 0 / 29 / 15

HEX #A5DA9A

RGB 165 218 154

HSL 109.69, 0.46%, 0.73%

LAB 82.1, -29.07, 26.13

 

CMYK 17 / 0 / 20 / 19

HEX #ACCFA5

RGB 172 207 165

HSL 110, 0.3%, 0.73%

LAB 79.68, -19.51, 17.1

 

CMYK 8 / 0 / 10 / 24

HEX #B3C3B0

RGB 179 195 176

HSL 110.53, 0.14%, 0.73%

LAB 77.13, -9.03, 7.68

 

CMYK 13 / 0 / 45 / 6

HEX #D1F083

RGB 209 240 131

HSL 77.06, 0.78%, 0.73%

LAB 90.56, -26.72, 49.12

 

CMYK 25 / 0 / 45 / 6

HEX #B4F083

RGB 180 240 131

HSL 93.03, 0.78%, 0.73%

LAB 88.76, -37.24, 46.5

 

CMYK 37 / 0 / 45 / 6

HEX #97F083

RGB 151 240 131

HSL 108.99, 0.78%, 0.73%

LAB 87.26, -46.86, 44.3

 

CMYK 45 / 0 / 42 / 6

HEX #83F08C

RGB 131 240 140

HSL 124.95, 0.78%, 0.73%

LAB 86.52, -51.48, 38.79

 

CMYK 45 / 0 / 30 / 6

HEX #83F0A9

RGB 131 240 169

HSL 140.92, 0.78%, 0.73%

LAB 87, -46.68, 24.81

 

CMYK 61 / 0 / 75 / 9

HEX #59E739

RGB 89 231 57

HSL 108.97, 0.78%, 0.56%

LAB 81.6, -67.75, 68.29

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5E

RGB 120 236 94

HSL 109.01, 0.79%, 0.65%

LAB 84.38, -58.71, 57.51

 

CMYK 37 / 0 / 45 / 6

HEX #97F083

RGB 151 240 131

HSL 108.99, 0.78%, 0.73%

LAB 87.26, -46.86, 44.3

 

CMYK 25 / 0 / 31 / 4

HEX #B6F4A8

RGB 182 244 168

HSL 108.95, 0.78%, 0.81%

LAB 90.54, -33.4, 30.52

 

CMYK 14 / 0 / 18 / 2

HEX #D5F9CD

RGB 213 249 205

HSL 109.09, 0.79%, 0.89%

LAB 94.44, -19.55, 17.31

 

CMYK 38 / 0 / 46 / 6

HEX #96F082

RGB 150 240 130

HSL 109.09, 0.79%, 0.73%

LAB 87.2, -47.3, 44.69

 

CMYK 45 / 1 / 0 / 6

HEX #83EEF0

RGB 131 238 240

HSL 181.1, 0.78%, 0.73%

LAB 88.1, -30.37, -10.59

 

CMYK 0 / 45 / 19 / 6

HEX #F083C3

RGB 240 131 195

HSL 324.77, 0.78%, 0.73%

LAB 68.53, 49.5, -14.74

 

CMYK 38 / 0 / 46 / 6

HEX #96F082

RGB 150 240 130

HSL 109.09, 0.79%, 0.73%

LAB 87.2, -47.3, 44.69

 

CMYK 45 / 37 / 0 / 6

HEX #8397F0

RGB 131 151 240

HSL 228.99, 0.78%, 0.73%

LAB 64.36, 15.89, -47

 

CMYK 0 / 45 / 37 / 6

HEX #F08397

RGB 240 131 151

HSL 348.99, 0.78%, 0.73%

LAB 67.27, 43.72, 8.15

 

CMYK 38 / 0 / 46 / 6

HEX #96F082

RGB 150 240 130

HSL 109.09, 0.79%, 0.73%

LAB 87.2, -47.3, 44.69

 

CMYK 45 / 1 / 0 / 6

HEX #83EEF0

RGB 131 238 240

HSL 181.1, 0.78%, 0.73%

LAB 88.1, -30.37, -10.59

 

CMYK 8 / 45 / 0 / 6

HEX #DC83F0

RGB 220 131 240

HSL 288.99, 0.78%, 0.73%

LAB 67.83, 51.14, -40.99

 

CMYK 0 / 45 / 45 / 6

HEX #F08583

RGB 240 133 131

HSL 1.1, 0.78%, 0.73%

LAB 67.23, 40.57, 19.34

 

CMYK 38 / 0 / 46 / 6

HEX #96F082

RGB 150 240 130

HSL 109.09, 0.79%, 0.73%

LAB 87.2, -47.3, 44.69

 

CMYK 45 / 14 / 0 / 6

HEX #83CEF0

RGB 131 206 240

HSL 198.72, 0.78%, 0.73%

LAB 79.19, -14.47, -24

 

CMYK 8 / 45 / 0 / 6

HEX #DC83F0

RGB 220 131 240

HSL 288.99, 0.78%, 0.73%

LAB 67.83, 51.14, -40.99

 

CMYK 0 / 31 / 45 / 6

HEX #F0A683

RGB 240 166 131

HSL 19.27, 0.78%, 0.73%

LAB 74.47, 23.32, 29.1

 

Description

Color code: HEX #96F082 | qconv.com Color code: HEX #96F082 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 240 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 240 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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