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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96E908 it is the complementary color #6916F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96E908. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96E908 shade: #9BE903, #ACFB16, #BDFF29, #CEFF3C and #DFFF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96E908. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96E908 shade: #96E908, #85D700, #74C500, #63B300 and #52A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96E908 shade: #95E708, #D1E708, #E7C108, #E78508 and #E74908

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96E908 shade: #95E708, #58E708, #1CE708, #08E730 and #08E76C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96E908 shade matches the following richer shades: #95E708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96E908 shade: #95E708, #90D31B, #8AC02F, #85AD42 and #809955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96E908 shade: #E7C208, #D1E708, #95E708, #5AE708 and #1EE708

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96E908 shade: #619705, #7BBF06, #95E708, #A8F621 and #B8F849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96E908 shade: #96E908, #08E786 and #DF08E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96E908 shade: #96E908, #0895E7 and #E70895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96E908 shade: #96E908, #08E786, #5A08E7 and #E70868

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96E908 shade: #96E908, #08E7C9, #5A08E7 and #E70826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 97 / 9

HEX #96E908

RGB 150 233 8

HSL 82.13, 0.93%, 0.47%

LAB 84.37, -52.52, 81.24

 

Complementary color

CMYK 57 / 91 / 0 / 3

HEX #6916F7

RGB 105 22 247

HSL 262.13, 0.93%, 0.53%

LAB 38.36, 76.81, -93.11

 

CMYK 33 / 0 / 99 / 9

HEX #9BE903

RGB 155 233 3

HSL 80.35, 0.97%, 0.46%

LAB 84.61, -50.82, 81.96

 

CMYK 31 / 0 / 91 / 2

HEX #ACFB16

RGB 172 251 22

HSL 80.7, 0.97%, 0.54%

LAB 90.7, -51.88, 85.34

 

CMYK 26 / 0 / 84 / 0

HEX #BDFF29

RGB 189 255 41

HSL 78.5, 1%, 0.58%

LAB 92.79, -46.93, 84.26

 

CMYK 19 / 0 / 76 / 0

HEX #CEFF3C

RGB 206 255 60

HSL 75.08, 1%, 0.62%

LAB 93.87, -39.87, 80.88

 

CMYK 13 / 0 / 69 / 0

HEX #DFFF4F

RGB 223 255 79

HSL 70.91, 1%, 0.65%

LAB 95.07, -32.41, 76.35

 

CMYK 36 / 0 / 97 / 9

HEX #96E908

RGB 150 233 8

HSL 82.13, 0.93%, 0.47%

LAB 84.37, -52.52, 81.24

 

CMYK 38 / 0 / 100 / 16

HEX #85D700

RGB 133 215 0

HSL 82.88, 1%, 0.42%

LAB 78.22, -51.28, 76.8

 

CMYK 41 / 0 / 100 / 23

HEX #74C500

RGB 116 197 0

HSL 84.67, 1%, 0.39%

LAB 71.99, -49.9, 71.62

 

CMYK 45 / 0 / 100 / 30

HEX #63B300

RGB 99 179 0

HSL 86.82, 1%, 0.35%

LAB 65.67, -48.46, 66.36

 

CMYK 49 / 0 / 100 / 37

HEX #52A100

RGB 82 161 0

HSL 89.44, 1%, 0.32%

LAB 59.24, -46.93, 61.03

 

CMYK 35 / 0 / 97 / 9

HEX #95E708

RGB 149 231 8

HSL 82.06, 0.93%, 0.47%

LAB 83.74, -52.06, 80.72

 

CMYK 10 / 0 / 97 / 9

HEX #D1E708

RGB 209 231 8

HSL 65.92, 0.93%, 0.47%

LAB 87.35, -29.04, 85.08

 

CMYK 0 / 16 / 97 / 9

HEX #E7C108

RGB 231 193 8

HSL 49.78, 0.93%, 0.47%

LAB 79.13, -0.9, 79.79

 

CMYK 0 / 42 / 97 / 9

HEX #E78508

RGB 231 133 8

HSL 33.63, 0.93%, 0.47%

LAB 64.79, 30.75, 69.79

 

CMYK 0 / 68 / 97 / 9

HEX #E74908

RGB 231 73 8

HSL 17.49, 0.93%, 0.47%

LAB 53.78, 58.89, 62.97

 

CMYK 35 / 0 / 97 / 9

HEX #95E708

RGB 149 231 8

HSL 82.06, 0.93%, 0.47%

LAB 83.74, -52.06, 80.72

 

CMYK 62 / 0 / 97 / 9

HEX #58E708

RGB 88 231 8

HSL 98.48, 0.93%, 0.47%

LAB 81.43, -69.78, 77.91

 

CMYK 88 / 0 / 97 / 9

HEX #1CE708

RGB 28 231 8

HSL 114.62, 0.93%, 0.47%

LAB 80.41, -78.59, 76.67

 

CMYK 97 / 0 / 79 / 9

HEX #08E730

RGB 8 231 48

HSL 130.76, 0.93%, 0.47%

LAB 80.41, -78.16, 69.45

 

CMYK 97 / 0 / 53 / 9

HEX #08E76C

RGB 8 231 108

HSL 146.91, 0.93%, 0.47%

LAB 80.9, -72.08, 46.62

 

CMYK 35 / 0 / 97 / 9

HEX #95E708

RGB 149 231 8

HSL 82.06, 0.93%, 0.47%

LAB 83.74, -52.06, 80.72

 

CMYK 35 / 0 / 97 / 9

HEX #95E708

RGB 149 231 8

HSL 82.06, 0.93%, 0.47%

LAB 83.74, -52.06, 80.72

 

CMYK 32 / 0 / 87 / 17

HEX #90D31B

RGB 144 211 27

HSL 81.85, 0.77%, 0.47%

LAB 77.64, -45.24, 73.22

 

CMYK 28 / 0 / 76 / 25

HEX #8AC02F

RGB 138 192 47

HSL 82.34, 0.61%, 0.47%

LAB 71.76, -38.45, 62.69

 

CMYK 23 / 0 / 62 / 32

HEX #85AD42

RGB 133 173 66

HSL 82.43, 0.45%, 0.47%

LAB 65.96, -30.36, 49.26

 

CMYK 16 / 0 / 44 / 40

HEX #809955

RGB 128 153 85

HSL 82.06, 0.29%, 0.47%

LAB 59.91, -20.53, 32.79

 

CMYK 0 / 16 / 97 / 9

HEX #E7C208

RGB 231 194 8

HSL 50.04, 0.93%, 0.47%

LAB 79.38, -1.42, 79.98

 

CMYK 10 / 0 / 97 / 9

HEX #D1E708

RGB 209 231 8

HSL 65.92, 0.93%, 0.47%

LAB 87.35, -29.04, 85.08

 

CMYK 35 / 0 / 97 / 9

HEX #95E708

RGB 149 231 8

HSL 82.06, 0.93%, 0.47%

LAB 83.74, -52.06, 80.72

 

CMYK 61 / 0 / 97 / 9

HEX #5AE708

RGB 90 231 8

HSL 97.94, 0.93%, 0.47%

LAB 81.48, -69.33, 77.97

 

CMYK 87 / 0 / 97 / 9

HEX #1EE708

RGB 30 231 8

HSL 114.08, 0.93%, 0.47%

LAB 80.43, -78.44, 76.69

 

CMYK 36 / 0 / 97 / 41

HEX #619705

RGB 97 151 5

HSL 82.19, 0.94%, 0.31%

LAB 56.77, -37.44, 58.62

 

CMYK 36 / 0 / 97 / 25

HEX #7BBF06

RGB 123 191 6

HSL 82.05, 0.94%, 0.39%

LAB 70.51, -44.91, 69.95

 

CMYK 35 / 0 / 97 / 9

HEX #95E708

RGB 149 231 8

HSL 82.06, 0.93%, 0.47%

LAB 83.74, -52.06, 80.72

 

CMYK 32 / 0 / 87 / 4

HEX #A8F621

RGB 168 246 33

HSL 81.97, 0.92%, 0.55%

LAB 89.09, -51.01, 82.23

 

CMYK 26 / 0 / 71 / 3

HEX #B8F849

RGB 184 248 73

HSL 81.94, 0.93%, 0.63%

LAB 90.69, -44.39, 73.28

 

CMYK 36 / 0 / 97 / 9

HEX #96E908

RGB 150 233 8

HSL 82.13, 0.93%, 0.47%

LAB 84.37, -52.52, 81.24

 

CMYK 97 / 0 / 42 / 9

HEX #08E786

RGB 8 231 134

HSL 153.9, 0.93%, 0.47%

LAB 81.25, -67.83, 34.44

 

CMYK 3 / 97 / 0 / 9

HEX #DF08E7

RGB 223 8 231

HSL 297.85, 0.93%, 0.47%

LAB 53.63, 89.39, -58.44

 

CMYK 36 / 0 / 97 / 9

HEX #96E908

RGB 150 233 8

HSL 82.13, 0.93%, 0.47%

LAB 84.37, -52.52, 81.24

 

CMYK 97 / 35 / 0 / 9

HEX #0895E7

RGB 8 149 231

HSL 202.06, 0.93%, 0.47%

LAB 59.27, -2.91, -50.36

 

CMYK 0 / 97 / 35 / 9

HEX #E70895

RGB 231 8 149

HSL 322.06, 0.93%, 0.47%

LAB 51.07, 80.73, -14.7

 

CMYK 36 / 0 / 97 / 9

HEX #96E908

RGB 150 233 8

HSL 82.13, 0.93%, 0.47%

LAB 84.37, -52.52, 81.24

 

CMYK 97 / 0 / 42 / 9

HEX #08E786

RGB 8 231 134

HSL 153.9, 0.93%, 0.47%

LAB 81.25, -67.83, 34.44

 

CMYK 61 / 97 / 0 / 9

HEX #5A08E7

RGB 90 8 231

HSL 262.06, 0.93%, 0.47%

LAB 34.23, 74.46, -90.96

 

CMYK 0 / 97 / 55 / 9

HEX #E70868

RGB 231 8 104

HSL 334.17, 0.93%, 0.47%

LAB 49.69, 77.06, 10.59

 

CMYK 36 / 0 / 97 / 9

HEX #96E908

RGB 150 233 8

HSL 82.13, 0.93%, 0.47%

LAB 84.37, -52.52, 81.24

 

CMYK 97 / 0 / 13 / 9

HEX #08E7C9

RGB 8 231 201

HSL 171.93, 0.93%, 0.47%

LAB 82.6, -52.78, 1.56

 

CMYK 61 / 97 / 0 / 9

HEX #5A08E7

RGB 90 8 231

HSL 262.06, 0.93%, 0.47%

LAB 34.23, 74.46, -90.96

 

CMYK 0 / 97 / 84 / 9

HEX #E70826

RGB 231 8 38

HSL 351.93, 0.93%, 0.47%

LAB 48.64, 74.19, 48.38

 

Description

Color code: HEX #96E908 | qconv.com Color code: HEX #96E908 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 233 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 233 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 97 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 97% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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