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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96E6EC it is the complementary color #691913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96E6EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96E6EC shade: #9BE6E7, #ACF8FA, #BDFFFF, #CEFFFF and #DFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96E6EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96E6EC shade: #96E6EC, #85D4D9, #74C2C6, #63B0B3 and #529EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96E6EC shade: #97E6EC, #97CFEC, #97B8EC, #97A1EC and #A497EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96E6EC shade: #97E6EC, #97CFEC, #97B8EC, #97A1EC and #9797EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96E6EC shade matches the following richer shades: #97E6EC and #8DEEF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96E6EC shade: #97E6EC, #A1DDE2, #ABD5D8, #B5CCCE and #BFC4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96E6EC shade: #97ECC4, #97ECDB, #97E6EC, #97CFEC and #97B9EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96E6EC shade: #51D5DF, #74DDE5, #97E6EC, #BAEEF2 and #DDF6F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96E6EC shade: #96E6EC, #AE97EC and #ECCF97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96E6EC shade: #96E6EC, #EC97E6 and #E6EC97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96E6EC shade: #96E6EC, #AE97EC, #EC9D97 and #D5EC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96E6EC shade: #96E6EC, #C797EC, #EC9D97 and #BCEC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 3 / 0 / 7

HEX #96E6EC

RGB 150 230 236

HSL 184.19, 0.69%, 0.76%

LAB 86.57, -22.91, -10.68

 

Complementary color

CMYK 0 / 76 / 82 / 59

HEX #691913

RGB 105 25 19

HSL 4.19, 0.69%, 0.24%

LAB 22.81, 34.96, 24.93

 

CMYK 33 / 0 / 0 / 9

HEX #9BE6E7

RGB 155 230 231

HSL 180.79, 0.61%, 0.76%

LAB 86.67, -22.77, -7.87

 

CMYK 31 / 1 / 0 / 2

HEX #ACF8FA

RGB 172 248 250

HSL 181.54, 0.89%, 0.83%

LAB 92.93, -22.69, -8.43

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 36 / 3 / 0 / 7

HEX #96E6EC

RGB 150 230 236

HSL 184.19, 0.69%, 0.76%

LAB 86.57, -22.91, -10.68

 

CMYK 39 / 2 / 0 / 15

HEX #85D4D9

RGB 133 212 217

HSL 183.57, 0.53%, 0.69%

LAB 80.23, -22.94, -10.13

 

CMYK 41 / 2 / 0 / 22

HEX #74C2C6

RGB 116 194 198

HSL 182.93, 0.42%, 0.62%

LAB 73.79, -22.96, -9.57

 

CMYK 45 / 2 / 0 / 30

HEX #63B0B3

RGB 99 176 179

HSL 182.25, 0.34%, 0.55%

LAB 67.25, -22.96, -8.97

 

CMYK 49 / 1 / 0 / 37

HEX #529EA0

RGB 82 158 160

HSL 181.54, 0.32%, 0.47%

LAB 60.59, -22.9, -8.32

 

CMYK 36 / 3 / 0 / 7

HEX #97E6EC

RGB 151 230 236

HSL 184.24, 0.69%, 0.76%

LAB 86.62, -22.65, -10.6

 

CMYK 36 / 12 / 0 / 7

HEX #97CFEC

RGB 151 207 236

HSL 200.47, 0.69%, 0.76%

LAB 80.33, -10.99, -20.05

 

CMYK 36 / 22 / 0 / 7

HEX #97B8EC

RGB 151 184 236

HSL 216.71, 0.69%, 0.76%

LAB 74.14, 1.3, -29.49

 

CMYK 36 / 32 / 0 / 7

HEX #97A1EC

RGB 151 161 236

HSL 232.94, 0.69%, 0.76%

LAB 68.11, 14.15, -38.82

 

CMYK 31 / 36 / 0 / 7

HEX #A497EC

RGB 164 151 236

HSL 249.18, 0.69%, 0.76%

LAB 66.58, 23.41, -41.14

 

CMYK 36 / 3 / 0 / 7

HEX #97E6EC

RGB 151 230 236

HSL 184.24, 0.69%, 0.76%

LAB 86.62, -22.65, -10.6

 

CMYK 36 / 12 / 0 / 7

HEX #97CFEC

RGB 151 207 236

HSL 200.47, 0.69%, 0.76%

LAB 80.33, -10.99, -20.05

 

CMYK 36 / 22 / 0 / 7

HEX #97B8EC

RGB 151 184 236

HSL 216.71, 0.69%, 0.76%

LAB 74.14, 1.3, -29.49

 

CMYK 36 / 32 / 0 / 7

HEX #97A1EC

RGB 151 161 236

HSL 232.94, 0.69%, 0.76%

LAB 68.11, 14.15, -38.82

 

CMYK 36 / 36 / 0 / 7

HEX #9797EC

RGB 151 151 236

HSL 240, 0.69%, 0.76%

LAB 65.57, 19.86, -42.81

 

CMYK 36 / 3 / 0 / 7

HEX #97E6EC

RGB 151 230 236

HSL 184.24, 0.69%, 0.76%

LAB 86.62, -22.65, -10.6

 

CMYK 42 / 3 / 0 / 4

HEX #8DEEF5

RGB 141 238 245

HSL 184.04, 0.84%, 0.76%

LAB 88.64, -26.84, -12.36

 

CMYK 36 / 3 / 0 / 7

HEX #97E6EC

RGB 151 230 236

HSL 184.24, 0.69%, 0.76%

LAB 86.62, -22.65, -10.6

 

CMYK 29 / 2 / 0 / 11

HEX #A1DDE2

RGB 161 221 226

HSL 184.62, 0.53%, 0.76%

LAB 84.37, -17.8, -8.61

 

CMYK 21 / 1 / 0 / 15

HEX #ABD5D8

RGB 171 213 216

HSL 184, 0.37%, 0.76%

LAB 82.49, -13.02, -6.02

 

CMYK 12 / 1 / 0 / 19

HEX #B5CCCE

RGB 181 204 206

HSL 184.8, 0.2%, 0.76%

LAB 80.44, -7.31, -3.63

 

CMYK 3 / 0 / 0 / 23

HEX #BFC4C4

RGB 191 196 196

HSL 180, 0.04%, 0.76%

LAB 78.78, -1.72, -0.61

 

CMYK 36 / 0 / 17 / 7

HEX #97ECC4

RGB 151 236 196

HSL 151.76, 0.69%, 0.76%

LAB 87.27, -34.3, 11.34

 

CMYK 36 / 0 / 7 / 7

HEX #97ECDB

RGB 151 236 219

HSL 168, 0.69%, 0.76%

LAB 87.82, -29.46, 0.1

 

CMYK 36 / 3 / 0 / 7

HEX #97E6EC

RGB 151 230 236

HSL 184.24, 0.69%, 0.76%

LAB 86.62, -22.65, -10.6

 

CMYK 36 / 12 / 0 / 7

HEX #97CFEC

RGB 151 207 236

HSL 200.47, 0.69%, 0.76%

LAB 80.33, -10.99, -20.05

 

CMYK 36 / 22 / 0 / 7

HEX #97B9EC

RGB 151 185 236

HSL 216, 0.69%, 0.76%

LAB 74.4, 0.76, -29.09

 

CMYK 64 / 4 / 0 / 13

HEX #51D5DF

RGB 81 213 223

HSL 184.23, 0.69%, 0.6%

LAB 78.85, -32.56, -15.6

 

CMYK 49 / 3 / 0 / 10

HEX #74DDE5

RGB 116 221 229

HSL 184.25, 0.68%, 0.68%

LAB 82.42, -28.29, -13.32

 

CMYK 36 / 3 / 0 / 7

HEX #97E6EC

RGB 151 230 236

HSL 184.24, 0.69%, 0.76%

LAB 86.62, -22.65, -10.6

 

CMYK 23 / 2 / 0 / 5

HEX #BAEEF2

RGB 186 238 242

HSL 184.29, 0.68%, 0.84%

LAB 90.78, -15.6, -7.37

 

CMYK 11 / 1 / 0 / 3

HEX #DDF6F8

RGB 221 246 248

HSL 184.44, 0.66%, 0.92%

LAB 95.19, -7.72, -3.74

 

CMYK 36 / 3 / 0 / 7

HEX #96E6EC

RGB 150 230 236

HSL 184.19, 0.69%, 0.76%

LAB 86.57, -22.91, -10.68

 

CMYK 26 / 36 / 0 / 7

HEX #AE97EC

RGB 174 151 236

HSL 256.24, 0.69%, 0.76%

LAB 67.42, 26.24, -39.78

 

CMYK 0 / 12 / 36 / 7

HEX #ECCF97

RGB 236 207 151

HSL 39.53, 0.69%, 0.76%

LAB 84.33, 2.34, 31.58

 

CMYK 36 / 3 / 0 / 7

HEX #96E6EC

RGB 150 230 236

HSL 184.19, 0.69%, 0.76%

LAB 86.57, -22.91, -10.68

 

CMYK 0 / 36 / 3 / 7

HEX #EC97E6

RGB 236 151 230

HSL 304.24, 0.69%, 0.76%

LAB 73.34, 43.71, -26.83

 

CMYK 3 / 0 / 36 / 7

HEX #E6EC97

RGB 230 236 151

HSL 64.24, 0.69%, 0.76%

LAB 91.26, -14.65, 40.57

 

CMYK 36 / 3 / 0 / 7

HEX #96E6EC

RGB 150 230 236

HSL 184.19, 0.69%, 0.76%

LAB 86.57, -22.91, -10.68

 

CMYK 26 / 36 / 0 / 7

HEX #AE97EC

RGB 174 151 236

HSL 256.24, 0.69%, 0.76%

LAB 67.42, 26.24, -39.78

 

CMYK 0 / 33 / 36 / 7

HEX #EC9D97

RGB 236 157 151

HSL 4.24, 0.69%, 0.76%

LAB 72.35, 28.74, 15.25

 

CMYK 10 / 0 / 36 / 7

HEX #D5EC97

RGB 213 236 151

HSL 76.24, 0.69%, 0.76%

LAB 90.03, -21.03, 38.75

 

CMYK 36 / 3 / 0 / 7

HEX #96E6EC

RGB 150 230 236

HSL 184.19, 0.69%, 0.76%

LAB 86.57, -22.91, -10.68

 

CMYK 16 / 36 / 0 / 7

HEX #C797EC

RGB 199 151 236

HSL 273.88, 0.69%, 0.76%

LAB 69.7, 33.56, -36.04

 

CMYK 0 / 33 / 36 / 7

HEX #EC9D97

RGB 236 157 151

HSL 4.24, 0.69%, 0.76%

LAB 72.35, 28.74, 15.25

 

CMYK 20 / 0 / 36 / 7

HEX #BCEC97

RGB 188 236 151

HSL 93.88, 0.69%, 0.76%

LAB 88.41, -30.07, 36.32

 

Description

Color code: HEX #96E6EC | qconv.com Color code: HEX #96E6EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 230 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 230 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 3 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 3% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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