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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96D519 it is the complementary color #692AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96D519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96D519 shade: #9BD514, #ACE727, #BDF93A, #CEFF4D and #DFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96D519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96D519 shade: #96D519, #85C306, #74B100, #639F00 and #528D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96D519 shade: #97D619, #CAD619, #D6AF19, #D67C19 and #D64919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96D519 shade: #97D619, #63D619, #30D619, #19D634 and #19D667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96D519 shade matches the following richer shades: #97D619 and #9DE905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96D519 shade: #97D619, #90C32C, #8AAF3F, #839C53 and #7D8866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96D519 shade: #D6B019, #C9D619, #97D619, #64D619 and #32D619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96D519 shade: #638C10, #7DB114, #97D619, #AAE632 and #B9EB56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96D519 shade: #96D519, #19D67E and #C919D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96D519 shade: #96D519, #1997D6 and #D61997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96D519 shade: #96D519, #19D67E, #5819D6 and #D61971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96D519 shade: #96D519, #19D6B6, #5819D6 and #D61938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 88 / 16

HEX #96D519

RGB 150 213 25

HSL 80.11, 0.79%, 0.47%

LAB 78.54, -43.93, 74.48

 

Complementary color

CMYK 54 / 82 / 0 / 10

HEX #692AE6

RGB 105 42 230

HSL 260.11, 0.79%, 0.53%

LAB 38.5, 67.04, -83.26

 

CMYK 27 / 0 / 91 / 16

HEX #9BD514

RGB 155 213 20

HSL 78.03, 0.83%, 0.46%

LAB 78.81, -42.17, 75.62

 

CMYK 26 / 0 / 83 / 9

HEX #ACE727

RGB 172 231 39

HSL 78.44, 0.8%, 0.53%

LAB 85.03, -43.04, 77.64

 

CMYK 24 / 0 / 77 / 2

HEX #BDF93A

RGB 189 249 58

HSL 78.85, 0.94%, 0.6%

LAB 91.18, -43.74, 78.6

 

CMYK 19 / 0 / 70 / 0

HEX #CEFF4D

RGB 206 255 77

HSL 76.52, 1%, 0.65%

LAB 93.96, -39.05, 75.58

 

CMYK 13 / 0 / 62 / 0

HEX #DFFF60

RGB 223 255 96

HSL 72.08, 1%, 0.69%

LAB 95.18, -31.38, 70.11

 

CMYK 30 / 0 / 88 / 16

HEX #96D519

RGB 150 213 25

HSL 80.11, 0.79%, 0.47%

LAB 78.54, -43.93, 74.48

 

CMYK 32 / 0 / 97 / 24

HEX #85C306

RGB 133 195 6

HSL 79.68, 0.94%, 0.39%

LAB 72.25, -42.92, 71.54

 

CMYK 34 / 0 / 100 / 31

HEX #74B100

RGB 116 177 0

HSL 80.68, 1%, 0.35%

LAB 65.87, -41.66, 66.88

 

CMYK 38 / 0 / 100 / 38

HEX #639F00

RGB 99 159 0

HSL 82.64, 1%, 0.31%

LAB 59.39, -40.26, 61.48

 

CMYK 42 / 0 / 100 / 45

HEX #528D00

RGB 82 141 0

HSL 85.11, 1%, 0.28%

LAB 52.78, -38.81, 55.99

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 6 / 0 / 88 / 16

HEX #CAD619

RGB 202 214 25

HSL 63.81, 0.79%, 0.47%

LAB 82.23, -23.63, 78.88

 

CMYK 0 / 18 / 88 / 16

HEX #D6AF19

RGB 214 175 25

HSL 47.62, 0.79%, 0.47%

LAB 72.91, 1.31, 71.92

 

CMYK 0 / 42 / 88 / 16

HEX #D67C19

RGB 214 124 25

HSL 31.43, 0.79%, 0.47%

LAB 60.59, 28.65, 62.27

 

CMYK 0 / 66 / 88 / 16

HEX #D64919

RGB 214 73 25

HSL 15.24, 0.79%, 0.47%

LAB 50.84, 53.42, 54.73

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 54 / 0 / 88 / 16

HEX #63D619

RGB 99 214 25

HSL 96.51, 0.79%, 0.47%

LAB 76.57, -60.97, 71.9

 

CMYK 78 / 0 / 88 / 16

HEX #30D619

RGB 48 214 25

HSL 112.7, 0.79%, 0.47%

LAB 75.32, -71.4, 70.34

 

CMYK 88 / 0 / 76 / 16

HEX #19D634

RGB 25 214 52

HSL 128.57, 0.79%, 0.47%

LAB 75.17, -72.32, 63.21

 

CMYK 88 / 0 / 52 / 16

HEX #19D667

RGB 25 214 103

HSL 144.76, 0.79%, 0.47%

LAB 75.62, -66.67, 42.56

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 33 / 0 / 98 / 9

HEX #9DE905

RGB 157 233 5

HSL 80, 0.96%, 0.47%

LAB 84.72, -50.08, 81.91

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 26 / 0 / 77 / 24

HEX #90C32C

RGB 144 195 44

HSL 80.26, 0.63%, 0.47%

LAB 72.98, -37.65, 64.91

 

CMYK 21 / 0 / 64 / 31

HEX #8AAF3F

RGB 138 175 63

HSL 79.82, 0.47%, 0.47%

LAB 66.84, -29.58, 51.63

 

CMYK 16 / 0 / 47 / 39

HEX #839C53

RGB 131 156 83

HSL 80.55, 0.31%, 0.47%

LAB 60.98, -21.1, 35.21

 

CMYK 8 / 0 / 25 / 47

HEX #7D8866

RGB 125 136 102

HSL 79.41, 0.14%, 0.47%

LAB 55, -10.32, 16.96

 

CMYK 0 / 18 / 88 / 16

HEX #D6B019

RGB 214 176 25

HSL 47.94, 0.79%, 0.47%

LAB 73.17, 0.78, 72.13

 

CMYK 6 / 0 / 88 / 16

HEX #C9D619

RGB 201 214 25

HSL 64.13, 0.79%, 0.47%

LAB 82.15, -24.05, 78.79

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 53 / 0 / 88 / 16

HEX #64D619

RGB 100 214 25

HSL 96.19, 0.79%, 0.47%

LAB 76.6, -60.7, 71.94

 

CMYK 77 / 0 / 88 / 16

HEX #32D619

RGB 50 214 25

HSL 112.06, 0.79%, 0.47%

LAB 75.35, -71.12, 70.38

 

CMYK 29 / 0 / 89 / 45

HEX #638C10

RGB 99 140 16

HSL 79.84, 0.79%, 0.31%

LAB 53.43, -31.4, 54.02

 

CMYK 29 / 0 / 89 / 31

HEX #7DB114

RGB 125 177 20

HSL 79.87, 0.8%, 0.39%

LAB 66.41, -37.84, 64.72

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 26 / 0 / 78 / 10

HEX #AAE632

RGB 170 230 50

HSL 80, 0.78%, 0.55%

LAB 84.67, -42.95, 74.49

 

CMYK 21 / 0 / 63 / 8

HEX #B9EB56

RGB 185 235 86

HSL 80.13, 0.79%, 0.63%

LAB 87.19, -37.45, 64.83

 

CMYK 30 / 0 / 88 / 16

HEX #96D519

RGB 150 213 25

HSL 80.11, 0.79%, 0.47%

LAB 78.54, -43.93, 74.48

 

CMYK 88 / 0 / 41 / 16

HEX #19D67E

RGB 25 214 126

HSL 152.06, 0.79%, 0.47%

LAB 75.95, -62.8, 31.56

 

CMYK 6 / 88 / 0 / 16

HEX #C919D6

RGB 201 25 214

HSL 295.87, 0.79%, 0.47%

LAB 49.46, 81.53, -55.68

 

CMYK 30 / 0 / 88 / 16

HEX #96D519

RGB 150 213 25

HSL 80.11, 0.79%, 0.47%

LAB 78.54, -43.93, 74.48

 

CMYK 88 / 29 / 0 / 16

HEX #1997D6

RGB 25 151 214

HSL 200, 0.79%, 0.47%

LAB 59.15, -9.65, -41.06

 

CMYK 0 / 88 / 29 / 16

HEX #D61997

RGB 214 25 151

HSL 320, 0.79%, 0.47%

LAB 48.54, 75.56, -20.05

 

CMYK 30 / 0 / 88 / 16

HEX #96D519

RGB 150 213 25

HSL 80.11, 0.79%, 0.47%

LAB 78.54, -43.93, 74.48

 

CMYK 88 / 0 / 41 / 16

HEX #19D67E

RGB 25 214 126

HSL 152.06, 0.79%, 0.47%

LAB 75.95, -62.8, 31.56

 

CMYK 59 / 88 / 0 / 16

HEX #5819D6

RGB 88 25 214

HSL 260, 0.79%, 0.47%

LAB 33.19, 66.96, -82.92

 

CMYK 0 / 88 / 47 / 16

HEX #D61971

RGB 214 25 113

HSL 332.06, 0.79%, 0.47%

LAB 47.21, 71.92, 1.07

 

CMYK 30 / 0 / 88 / 16

HEX #96D519

RGB 150 213 25

HSL 80.11, 0.79%, 0.47%

LAB 78.54, -43.93, 74.48

 

CMYK 88 / 0 / 15 / 16

HEX #19D6B6

RGB 25 214 182

HSL 169.84, 0.79%, 0.47%

LAB 77.09, -50.2, 3.67

 

CMYK 59 / 88 / 0 / 16

HEX #5819D6

RGB 88 25 214

HSL 260, 0.79%, 0.47%

LAB 33.19, 66.96, -82.92

 

CMYK 0 / 88 / 74 / 16

HEX #D61938

RGB 214 25 56

HSL 350.16, 0.79%, 0.47%

LAB 46.01, 68.51, 34.48

 

Description

Color code: HEX #96D519 | qconv.com Color code: HEX #96D519 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 213 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 213 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 88% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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