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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96CD6A it is the complementary color #693295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96CD6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96CD6A shade: #9BCD65, #ACDF78, #BDF18B, #CEFF9E and #DFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96CD6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96CD6A shade: #96CD6A, #85BB57, #74A944, #639731 and #52851E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96CD6A shade: #96CD69, #B0CD69, #CBCD69, #CDB469 and #CD9969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96CD6A shade: #96CD69, #7BCD69, #69CD73, #69CD8E and #69CDA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96CD6A shade matches the following richer shades: #96CD69, #94DD59, #92ED49 and #90FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96CD6A shade: #96CD69, #97BD79, #99AD8A, #9B9D9A and #9D8CAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96CD6A shade: #CBCD69, #B1CD69, #96CD69, #7CCD69 and #69CD72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96CD6A shade: #6BAB39, #80C24A, #96CD69, #ABD788 and #C1E1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96CD6A shade: #96CD6A, #69CDB4 and #CD69BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96CD6A shade: #96CD6A, #6996CD and #CD6996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96CD6A shade: #96CD6A, #69CDB4, #A069CD and #CD6982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96CD6A shade: #96CD6A, #69C8CD, #A069CD and #CD6E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 48 / 20

HEX #96CD6A

RGB 150 205 106

HSL 93.33, 0.5%, 0.61%

LAB 76.79, -34.85, 43.41

 

Complementary color

CMYK 30 / 66 / 0 / 42

HEX #693295

RGB 105 50 149

HSL 273.33, 0.5%, 0.39%

LAB 32.82, 43.1, -44.83

 

CMYK 24 / 0 / 51 / 20

HEX #9BCD65

RGB 155 205 101

HSL 88.85, 0.51%, 0.6%

LAB 77.02, -33.6, 46.17

 

CMYK 23 / 0 / 46 / 13

HEX #ACDF78

RGB 172 223 120

HSL 89.71, 0.62%, 0.67%

LAB 83.39, -33.61, 45.03

 

CMYK 22 / 0 / 42 / 5

HEX #BDF18B

RGB 189 241 139

HSL 90.59, 0.78%, 0.75%

LAB 89.67, -33.58, 43.88

 

CMYK 19 / 0 / 38 / 0

HEX #CEFF9E

RGB 206 255 158

HSL 90.31, 1%, 0.81%

LAB 94.79, -31.68, 41.36

 

CMYK 13 / 0 / 31 / 0

HEX #DFFFB1

RGB 223 255 177

HSL 84.62, 1%, 0.85%

LAB 96.16, -23.19, 33.96

 

CMYK 27 / 0 / 48 / 20

HEX #96CD6A

RGB 150 205 106

HSL 93.33, 0.5%, 0.61%

LAB 76.79, -34.85, 43.41

 

CMYK 29 / 0 / 53 / 27

HEX #85BB57

RGB 133 187 87

HSL 92.4, 0.42%, 0.54%

LAB 70.33, -34.86, 44.56

 

CMYK 31 / 0 / 60 / 34

HEX #74A944

RGB 116 169 68

HSL 91.49, 0.43%, 0.46%

LAB 63.76, -34.79, 45.62

 

CMYK 34 / 0 / 68 / 41

HEX #639731

RGB 99 151 49

HSL 90.59, 0.51%, 0.39%

LAB 57.08, -34.59, 46.46

 

CMYK 38 / 0 / 77 / 48

HEX #52851E

RGB 82 133 30

HSL 89.71, 0.63%, 0.32%

LAB 50.29, -34.2, 46.76

 

CMYK 27 / 0 / 49 / 20

HEX #96CD69

RGB 150 205 105

HSL 93, 0.5%, 0.61%

LAB 76.78, -34.97, 43.88

 

CMYK 14 / 0 / 49 / 20

HEX #B0CD69

RGB 176 205 105

HSL 77.4, 0.5%, 0.61%

LAB 78.41, -25.24, 46.24

 

CMYK 1 / 0 / 49 / 20

HEX #CBCD69

RGB 203 205 105

HSL 61.2, 0.5%, 0.61%

LAB 80.39, -14.54, 49.09

 

CMYK 0 / 12 / 49 / 20

HEX #CDB469

RGB 205 180 105

HSL 45, 0.5%, 0.61%

LAB 73.96, -0.83, 41.33

 

CMYK 0 / 25 / 49 / 20

HEX #CD9969

RGB 205 153 105

HSL 28.8, 0.5%, 0.61%

LAB 67.11, 13.67, 32.72

 

CMYK 27 / 0 / 49 / 20

HEX #96CD69

RGB 150 205 105

HSL 93, 0.5%, 0.61%

LAB 76.78, -34.97, 43.88

 

CMYK 40 / 0 / 49 / 20

HEX #7BCD69

RGB 123 205 105

HSL 109.2, 0.5%, 0.61%

LAB 75.39, -44.09, 41.85

 

CMYK 49 / 0 / 44 / 20

HEX #69CD73

RGB 105 205 115

HSL 126, 0.5%, 0.61%

LAB 74.76, -47.97, 35.94

 

CMYK 49 / 0 / 31 / 20

HEX #69CD8E

RGB 105 205 142

HSL 142.2, 0.5%, 0.61%

LAB 75.21, -43.38, 22.57

 

CMYK 49 / 0 / 18 / 20

HEX #69CDA8

RGB 105 205 168

HSL 157.8, 0.5%, 0.61%

LAB 75.76, -38.06, 9.48

 

CMYK 27 / 0 / 49 / 20

HEX #96CD69

RGB 150 205 105

HSL 93, 0.5%, 0.61%

LAB 76.78, -34.97, 43.88

 

CMYK 33 / 0 / 60 / 13

HEX #94DD59

RGB 148 221 89

HSL 93.18, 0.66%, 0.61%

LAB 81.14, -44.42, 56.35

 

CMYK 38 / 0 / 69 / 7

HEX #92ED49

RGB 146 237 73

HSL 93.29, 0.82%, 0.61%

LAB 85.58, -53.02, 67.49

 

CMYK 43 / 0 / 77 / 1

HEX #90FD39

RGB 144 253 57

HSL 93.37, 0.98%, 0.61%

LAB 90.08, -60.83, 77.06

 

CMYK 27 / 0 / 49 / 20

HEX #96CD69

RGB 150 205 105

HSL 93, 0.5%, 0.61%

LAB 76.78, -34.97, 43.88

 

CMYK 20 / 0 / 36 / 26

HEX #97BD79

RGB 151 189 121

HSL 93.53, 0.34%, 0.61%

LAB 72.47, -24.95, 30.32

 

CMYK 12 / 0 / 20 / 32

HEX #99AD8A

RGB 153 173 138

HSL 94.29, 0.18%, 0.61%

LAB 68.38, -13.48, 15.7

 

CMYK 1 / 0 / 2 / 38

HEX #9B9D9A

RGB 155 157 154

HSL 100, 0.02%, 0.61%

LAB 64.5, -1.29, 1.31

 

CMYK 8 / 18 / 0 / 33

HEX #9D8CAA

RGB 157 140 170

HSL 274, 0.15%, 0.61%

LAB 60.63, 12.16, -13.45

 

CMYK 1 / 0 / 49 / 20

HEX #CBCD69

RGB 203 205 105

HSL 61.2, 0.5%, 0.61%

LAB 80.39, -14.54, 49.09

 

CMYK 14 / 0 / 49 / 20

HEX #B1CD69

RGB 177 205 105

HSL 76.8, 0.5%, 0.61%

LAB 78.48, -24.86, 46.34

 

CMYK 27 / 0 / 49 / 20

HEX #96CD69

RGB 150 205 105

HSL 93, 0.5%, 0.61%

LAB 76.78, -34.97, 43.88

 

CMYK 40 / 0 / 49 / 20

HEX #7CCD69

RGB 124 205 105

HSL 108.6, 0.5%, 0.61%

LAB 75.43, -43.77, 41.92

 

CMYK 49 / 0 / 44 / 20

HEX #69CD72

RGB 105 205 114

HSL 125.4, 0.5%, 0.61%

LAB 74.75, -48.12, 36.42

 

CMYK 37 / 0 / 67 / 33

HEX #6BAB39

RGB 107 171 57

HSL 93.68, 0.5%, 0.45%

LAB 63.79, -39.92, 50.36

 

CMYK 34 / 0 / 62 / 24

HEX #80C24A

RGB 128 194 74

HSL 93, 0.5%, 0.53%

LAB 72.01, -41.07, 52.36

 

CMYK 27 / 0 / 49 / 20

HEX #96CD69

RGB 150 205 105

HSL 93, 0.5%, 0.61%

LAB 76.78, -34.97, 43.88

 

CMYK 20 / 0 / 37 / 16

HEX #ABD788

RGB 171 215 136

HSL 93.42, 0.5%, 0.69%

LAB 81.31, -28.2, 34.41

 

CMYK 14 / 0 / 26 / 12

HEX #C1E1A7

RGB 193 225 167

HSL 93.1, 0.49%, 0.77%

LAB 86, -20.74, 24.99

 

CMYK 27 / 0 / 48 / 20

HEX #96CD6A

RGB 150 205 106

HSL 93.33, 0.5%, 0.61%

LAB 76.79, -34.85, 43.41

 

CMYK 49 / 0 / 12 / 20

HEX #69CDB4

RGB 105 205 180

HSL 165, 0.5%, 0.61%

LAB 76.05, -35.34, 3.45

 

CMYK 0 / 49 / 7 / 20

HEX #CD69BE

RGB 205 105 190

HSL 309, 0.5%, 0.61%

LAB 58.79, 50.83, -27.19

 

CMYK 27 / 0 / 48 / 20

HEX #96CD6A

RGB 150 205 106

HSL 93.33, 0.5%, 0.61%

LAB 76.79, -34.85, 43.41

 

CMYK 49 / 27 / 0 / 20

HEX #6996CD

RGB 105 150 205

HSL 213, 0.5%, 0.61%

LAB 60.98, -0.1, -32.99

 

CMYK 0 / 49 / 27 / 20

HEX #CD6996

RGB 205 105 150

HSL 333, 0.5%, 0.61%

LAB 57.35, 44.7, -6.3

 

CMYK 27 / 0 / 48 / 20

HEX #96CD6A

RGB 150 205 106

HSL 93.33, 0.5%, 0.61%

LAB 76.79, -34.85, 43.41

 

CMYK 49 / 0 / 12 / 20

HEX #69CDB4

RGB 105 205 180

HSL 165, 0.5%, 0.61%

LAB 76.05, -35.34, 3.45

 

CMYK 22 / 49 / 0 / 20

HEX #A069CD

RGB 160 105 205

HSL 273, 0.5%, 0.61%

LAB 54.01, 40.8, -43.62

 

CMYK 0 / 49 / 37 / 20

HEX #CD6982

RGB 205 105 130

HSL 345, 0.5%, 0.61%

LAB 56.78, 42.14, 4.53

 

CMYK 27 / 0 / 48 / 20

HEX #96CD6A

RGB 150 205 106

HSL 93.33, 0.5%, 0.61%

LAB 76.79, -34.85, 43.41

 

CMYK 49 / 2 / 0 / 20

HEX #69C8CD

RGB 105 200 205

HSL 183, 0.5%, 0.61%

LAB 75.28, -26.72, -11.19

 

CMYK 22 / 49 / 0 / 20

HEX #A069CD

RGB 160 105 205

HSL 273, 0.5%, 0.61%

LAB 54.01, 40.8, -43.62

 

CMYK 0 / 46 / 49 / 20

HEX #CD6E69

RGB 205 110 105

HSL 3, 0.5%, 0.61%

LAB 57.22, 36.88, 19.69

 

Description

Color code: HEX #96CD6A | qconv.com Color code: HEX #96CD6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 205 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 205 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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