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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96CCE9 it is the complementary color #693316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96CCE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96CCE9 shade: #9BCCE4, #ACDEF7, #BDF0FF, #CEFFFF and #DFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96CCE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96CCE9 shade: #96CCE9, #85BAD6, #74A8C3, #6396B0 and #52849D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96CCE9 shade: #95CBE8, #95B5E8, #959FE8, #A295E8 and #B995E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96CCE9 shade: #95CBE8, #95B5E8, #959FE8 and #9595E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96CCE9 shade matches the following richer shades: #95CBE8, #8BCEF3 and #81D1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96CCE9 shade: #95CBE8, #A0C8DE, #AAC5D4, #B4C2C9 and #BFBFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96CCE9 shade: #95E8D8, #95E3E8, #95CDE8, #95B6E8 and #95A0E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96CCE9 shade: #51AADA, #73BBE1, #95CBE8, #B7DCEF and #D9ECF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96CCE9 shade: #96CCE9, #C295E8 and #E8E395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96CCE9 shade: #96CCE9, #E895CD and #CDE895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96CCE9 shade: #96CCE9, #C295E8, #E8B195 and #BCE895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96CCE9 shade: #96CCE9, #DA95E8, #E8B195 and #A3E895

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 12 / 0 / 9

HEX #96CCE9

RGB 150 204 233

HSL 200.96, 0.65%, 0.75%

LAB 79.36, -10.44, -19.91

 

Complementary color

CMYK 0 / 51 / 79 / 59

HEX #693316

RGB 105 51 22

HSL 20.96, 0.65%, 0.25%

LAB 27.92, 21.79, 28.54

 

CMYK 32 / 11 / 0 / 11

HEX #9BCCE4

RGB 155 204 228

HSL 199.73, 0.57%, 0.75%

LAB 79.47, -10.3, -17.03

 

CMYK 30 / 10 / 0 / 3

HEX #ACDEF7

RGB 172 222 247

HSL 200, 0.82%, 0.82%

LAB 85.87, -10.36, -17.4

 

CMYK 26 / 6 / 0 / 0

HEX #BDF0FF

RGB 189 240 255

HSL 193.64, 1%, 0.87%

LAB 91.85, -12.9, -12.54

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 36 / 12 / 0 / 9

HEX #96CCE9

RGB 150 204 233

HSL 200.96, 0.65%, 0.75%

LAB 79.36, -10.44, -19.91

 

CMYK 38 / 13 / 0 / 16

HEX #85BAD6

RGB 133 186 214

HSL 200.74, 0.5%, 0.68%

LAB 72.87, -10.32, -19.58

 

CMYK 41 / 14 / 0 / 24

HEX #74A8C3

RGB 116 168 195

HSL 200.51, 0.4%, 0.61%

LAB 66.26, -10.18, -19.25

 

CMYK 44 / 15 / 0 / 31

HEX #6396B0

RGB 99 150 176

HSL 200.26, 0.33%, 0.54%

LAB 59.53, -10, -18.92

 

CMYK 48 / 16 / 0 / 38

HEX #52849D

RGB 82 132 157

HSL 200, 0.31%, 0.47%

LAB 52.65, -9.77, -18.58

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE8

RGB 149 203 232

HSL 200.96, 0.64%, 0.75%

LAB 79, -10.44, -19.93

 

CMYK 36 / 22 / 0 / 9

HEX #95B5E8

RGB 149 181 232

HSL 216.87, 0.64%, 0.75%

LAB 73.07, 1.37, -28.98

 

CMYK 36 / 31 / 0 / 9

HEX #959FE8

RGB 149 159 232

HSL 232.77, 0.64%, 0.75%

LAB 67.29, 13.69, -37.93

 

CMYK 30 / 36 / 0 / 9

HEX #A295E8

RGB 162 149 232

HSL 249.4, 0.64%, 0.75%

LAB 65.75, 22.99, -40.26

 

CMYK 20 / 36 / 0 / 9

HEX #B995E8

RGB 185 149 232

HSL 266.02, 0.64%, 0.75%

LAB 67.75, 29.63, -36.98

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE8

RGB 149 203 232

HSL 200.96, 0.64%, 0.75%

LAB 79, -10.44, -19.93

 

CMYK 36 / 22 / 0 / 9

HEX #95B5E8

RGB 149 181 232

HSL 216.87, 0.64%, 0.75%

LAB 73.07, 1.37, -28.98

 

CMYK 36 / 31 / 0 / 9

HEX #959FE8

RGB 149 159 232

HSL 232.77, 0.64%, 0.75%

LAB 67.29, 13.69, -37.93

 

CMYK 36 / 36 / 0 / 9

HEX #9595E8

RGB 149 149 232

HSL 240, 0.64%, 0.75%

LAB 64.73, 19.41, -41.92

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE8

RGB 149 203 232

HSL 200.96, 0.64%, 0.75%

LAB 79, -10.44, -19.93

 

CMYK 43 / 15 / 0 / 5

HEX #8BCEF3

RGB 139 206 243

HSL 201.35, 0.81%, 0.75%

LAB 79.67, -11.74, -24.84

 

CMYK 49 / 17 / 0 / 1

HEX #81D1FD

RGB 129 209 253

HSL 201.29, 0.97%, 0.75%

LAB 80.38, -12.93, -29.13

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE8

RGB 149 203 232

HSL 200.96, 0.64%, 0.75%

LAB 79, -10.44, -19.93

 

CMYK 28 / 10 / 0 / 13

HEX #A0C8DE

RGB 160 200 222

HSL 201.29, 0.48%, 0.75%

LAB 78.49, -8.2, -15.26

 

CMYK 20 / 7 / 0 / 17

HEX #AAC5D4

RGB 170 197 212

HSL 201.43, 0.33%, 0.75%

LAB 78.01, -5.87, -10.53

 

CMYK 10 / 3 / 0 / 21

HEX #B4C2C9

RGB 180 194 201

HSL 200, 0.16%, 0.75%

LAB 77.58, -3.39, -5.16

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 36 / 0 / 7 / 9

HEX #95E8D8

RGB 149 232 216

HSL 168.43, 0.64%, 0.75%

LAB 86.53, -28.75, -0.21

 

CMYK 36 / 2 / 0 / 9

HEX #95E3E8

RGB 149 227 232

HSL 183.61, 0.64%, 0.75%

LAB 85.58, -22.64, -10.05

 

CMYK 36 / 12 / 0 / 9

HEX #95CDE8

RGB 149 205 232

HSL 199.52, 0.64%, 0.75%

LAB 79.54, -11.48, -19.1

 

CMYK 36 / 22 / 0 / 9

HEX #95B6E8

RGB 149 182 232

HSL 216.14, 0.64%, 0.75%

LAB 73.33, 0.82, -28.57

 

CMYK 36 / 31 / 0 / 9

HEX #95A0E8

RGB 149 160 232

HSL 232.05, 0.64%, 0.75%

LAB 67.54, 13.12, -37.53

 

CMYK 63 / 22 / 0 / 15

HEX #51AADA

RGB 81 170 218

HSL 201.02, 0.65%, 0.59%

LAB 66.18, -12.21, -32.22

 

CMYK 49 / 17 / 0 / 12

HEX #73BBE1

RGB 115 187 225

HSL 200.73, 0.65%, 0.67%

LAB 72.64, -12.35, -25.99

 

CMYK 36 / 13 / 0 / 9

HEX #95CBE8

RGB 149 203 232

HSL 200.96, 0.64%, 0.75%

LAB 79, -10.44, -19.93

 

CMYK 23 / 8 / 0 / 6

HEX #B7DCEF

RGB 183 220 239

HSL 200.36, 0.64%, 0.83%

LAB 85.75, -7.99, -13.3

 

CMYK 12 / 4 / 0 / 3

HEX #D9ECF7

RGB 217 236 247

HSL 202, 0.65%, 0.91%

LAB 92.34, -4.11, -7.46

 

CMYK 36 / 12 / 0 / 9

HEX #96CCE9

RGB 150 204 233

HSL 200.96, 0.65%, 0.75%

LAB 79.36, -10.44, -19.91

 

CMYK 16 / 36 / 0 / 9

HEX #C295E8

RGB 194 149 232

HSL 272.53, 0.64%, 0.75%

LAB 68.6, 32.3, -35.6

 

CMYK 0 / 2 / 36 / 9

HEX #E8E395

RGB 232 227 149

HSL 56.39, 0.64%, 0.75%

LAB 89.05, -9.64, 38.74

 

CMYK 36 / 12 / 0 / 9

HEX #96CCE9

RGB 150 204 233

HSL 200.96, 0.65%, 0.75%

LAB 79.36, -10.44, -19.91

 

CMYK 0 / 36 / 12 / 9

HEX #E895CD

RGB 232 149 205

HSL 319.52, 0.64%, 0.75%

LAB 71.59, 39.21, -15.78

 

CMYK 12 / 0 / 36 / 9

HEX #CDE895

RGB 205 232 149

HSL 79.52, 0.64%, 0.75%

LAB 88.38, -22.3, 37.49

 

CMYK 36 / 12 / 0 / 9

HEX #96CCE9

RGB 150 204 233

HSL 200.96, 0.65%, 0.75%

LAB 79.36, -10.44, -19.91

 

CMYK 16 / 36 / 0 / 9

HEX #C295E8

RGB 194 149 232

HSL 272.53, 0.64%, 0.75%

LAB 68.6, 32.3, -35.6

 

CMYK 0 / 24 / 36 / 9

HEX #E8B195

RGB 232 177 149

HSL 20.24, 0.64%, 0.75%

LAB 76.54, 16.32, 22.07

 

CMYK 19 / 0 / 36 / 9

HEX #BCE895

RGB 188 232 149

HSL 91.81, 0.64%, 0.75%

LAB 87.28, -28.46, 35.84

 

CMYK 36 / 12 / 0 / 9

HEX #96CCE9

RGB 150 204 233

HSL 200.96, 0.65%, 0.75%

LAB 79.36, -10.44, -19.91

 

CMYK 6 / 36 / 0 / 9

HEX #DA95E8

RGB 218 149 232

HSL 289.88, 0.64%, 0.75%

LAB 71.03, 39.58, -31.65

 

CMYK 0 / 24 / 36 / 9

HEX #E8B195

RGB 232 177 149

HSL 20.24, 0.64%, 0.75%

LAB 76.54, 16.32, 22.07

 

CMYK 30 / 0 / 36 / 9

HEX #A3E895

RGB 163 232 149

HSL 109.88, 0.64%, 0.75%

LAB 85.84, -37, 33.68

 

Description

Color code: HEX #96CCE9 | qconv.com Color code: HEX #96CCE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 204 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 204 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 12 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 12% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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