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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A578 it is the complementary color #695A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A578 shade: #9BA573, #ACB786, #BDC999, #CEDBAC and #DFEDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A578 shade: #96A578, #859365, #748152, #636F3F and #525D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A578 shade: #96A578, #A2A578, #A59B78, #A58F78 and #A58378

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A578 shade: #96A578, #8AA578, #7EA578, #78A57E and #78A58A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A578 shade matches the following richer shades: #96A578, #9CB766, #A2C954, #A8DB41 and #AEED2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A578 shade: #96A578, #90938A, #8A809C, #846EAE and #7E5CC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A578 shade: #A59C78, #A2A578, #96A578, #8AA578 and #7EA578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A578 shade: #6C7951, #829261, #96A578, #A9B591 and #BCC6A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A578 shade: #96A578, #78A590 and #A278A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A578 shade: #96A578, #7896A5 and #A57896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A578 shade: #96A578, #78A590, #8778A5 and #A5788D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A578 shade: #96A578, #78A59D, #8778A5 and #A5787F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

Complementary color

CMYK 22 / 33 / 0 / 47

HEX #695A87

RGB 105 90 135

HSL 260, 0.2%, 0.44%

LAB 41.32, 16.08, -22.85

 

CMYK 6 / 0 / 30 / 35

HEX #9BA573

RGB 155 165 115

HSL 72, 0.22%, 0.55%

LAB 65.84, -12.07, 24.8

 

CMYK 6 / 0 / 27 / 28

HEX #ACB786

RGB 172 183 134

HSL 73.47, 0.25%, 0.62%

LAB 72.47, -12.18, 23.7

 

CMYK 6 / 0 / 24 / 21

HEX #BDC999

RGB 189 201 153

HSL 75, 0.31%, 0.69%

LAB 78.98, -12.27, 22.67

 

CMYK 6 / 0 / 21 / 14

HEX #CEDBAC

RGB 206 219 172

HSL 76.6, 0.39%, 0.77%

LAB 85.38, -12.34, 21.7

 

CMYK 6 / 0 / 19 / 7

HEX #DFEDBF

RGB 223 237 191

HSL 78.26, 0.56%, 0.84%

LAB 91.69, -12.4, 20.77

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 10 / 0 / 31 / 42

HEX #859365

RGB 133 147 101

HSL 78.26, 0.19%, 0.49%

LAB 58.78, -13.24, 22.74

 

CMYK 10 / 0 / 36 / 49

HEX #748152

RGB 116 129 82

HSL 76.6, 0.22%, 0.41%

LAB 51.86, -13.16, 23.93

 

CMYK 11 / 0 / 43 / 56

HEX #636F3F

RGB 99 111 63

HSL 75, 0.28%, 0.34%

LAB 44.77, -13.04, 25.2

 

CMYK 12 / 0 / 53 / 64

HEX #525D2C

RGB 82 93 44

HSL 73.47, 0.36%, 0.27%

LAB 37.49, -12.82, 26.51

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 2 / 0 / 27 / 35

HEX #A2A578

RGB 162 165 120

HSL 64, 0.2%, 0.56%

LAB 66.48, -8.61, 23.04

 

CMYK 0 / 6 / 27 / 35

HEX #A59B78

RGB 165 155 120

HSL 46.67, 0.2%, 0.56%

LAB 64, -2.02, 19.71

 

CMYK 0 / 13 / 27 / 35

HEX #A58F78

RGB 165 143 120

HSL 30.67, 0.2%, 0.56%

LAB 60.78, 4.6, 15.29

 

CMYK 0 / 21 / 27 / 35

HEX #A58378

RGB 165 131 120

HSL 14.67, 0.2%, 0.56%

LAB 57.64, 11.35, 10.9

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 16 / 0 / 27 / 35

HEX #8AA578

RGB 138 165 120

HSL 96, 0.2%, 0.56%

LAB 64.7, -17.84, 20.32

 

CMYK 24 / 0 / 27 / 35

HEX #7EA578

RGB 126 165 120

HSL 112, 0.2%, 0.56%

LAB 63.92, -22.21, 19.13

 

CMYK 27 / 0 / 24 / 35

HEX #78A57E

RGB 120 165 126

HSL 128, 0.2%, 0.56%

LAB 63.68, -23.23, 15.44

 

CMYK 27 / 0 / 16 / 35

HEX #78A58A

RGB 120 165 138

HSL 144, 0.2%, 0.56%

LAB 63.95, -20.91, 9.16

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 15 / 0 / 44 / 28

HEX #9CB766

RGB 156 183 102

HSL 80, 0.36%, 0.56%

LAB 70.8, -22.56, 38.06

 

CMYK 19 / 0 / 58 / 21

HEX #A2C954

RGB 162 201 84

HSL 80, 0.52%, 0.56%

LAB 76.13, -30.75, 53.11

 

CMYK 23 / 0 / 70 / 14

HEX #A8DB41

RGB 168 219 65

HSL 79.87, 0.68%, 0.56%

LAB 81.49, -38.09, 66.61

 

CMYK 27 / 0 / 80 / 7

HEX #AEED2F

RGB 174 237 47

HSL 79.89, 0.84%, 0.56%

LAB 86.89, -44.6, 77.38

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 2 / 0 / 6 / 42

HEX #90938A

RGB 144 147 138

HSL 80, 0.04%, 0.56%

LAB 60.46, -2.81, 4.37

 

CMYK 12 / 18 / 0 / 39

HEX #8A809C

RGB 138 128 156

HSL 261.43, 0.12%, 0.56%

LAB 55.32, 9.49, -13.6

 

CMYK 24 / 37 / 0 / 32

HEX #846EAE

RGB 132 110 174

HSL 260.63, 0.28%, 0.56%

LAB 50.82, 22.35, -31

 

CMYK 34 / 52 / 0 / 25

HEX #7E5CC0

RGB 126 92 192

HSL 260.4, 0.44%, 0.56%

LAB 46.84, 35.89, -47.77

 

CMYK 0 / 5 / 27 / 35

HEX #A59C78

RGB 165 156 120

HSL 48, 0.2%, 0.56%

LAB 64.27, -2.57, 20.08

 

CMYK 2 / 0 / 27 / 35

HEX #A2A578

RGB 162 165 120

HSL 64, 0.2%, 0.56%

LAB 66.48, -8.61, 23.04

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 16 / 0 / 27 / 35

HEX #8AA578

RGB 138 165 120

HSL 96, 0.2%, 0.56%

LAB 64.7, -17.84, 20.32

 

CMYK 24 / 0 / 27 / 35

HEX #7EA578

RGB 126 165 120

HSL 112, 0.2%, 0.56%

LAB 63.92, -22.21, 19.13

 

CMYK 11 / 0 / 33 / 53

HEX #6C7951

RGB 108 121 81

HSL 79.5, 0.2%, 0.4%

LAB 48.83, -12.24, 20.39

 

CMYK 11 / 0 / 34 / 43

HEX #829261

RGB 130 146 97

HSL 79.59, 0.2%, 0.48%

LAB 58.19, -14.48, 24.13

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 7 / 0 / 20 / 29

HEX #A9B591

RGB 169 181 145

HSL 80, 0.2%, 0.64%

LAB 71.91, -10.6, 16.98

 

CMYK 5 / 0 / 15 / 22

HEX #BCC6A9

RGB 188 198 169

HSL 80.69, 0.2%, 0.72%

LAB 78.43, -8.59, 13.38

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 27 / 0 / 13 / 35

HEX #78A590

RGB 120 165 144

HSL 152, 0.2%, 0.56%

LAB 64.09, -19.68, 6.02

 

CMYK 2 / 27 / 0 / 35

HEX #A278A5

RGB 162 120 165

HSL 296, 0.2%, 0.56%

LAB 55.92, 24.31, -17.67

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 27 / 9 / 0 / 35

HEX #7896A5

RGB 120 150 165

HSL 200, 0.2%, 0.56%

LAB 60.36, -6.89, -11.3

 

CMYK 0 / 27 / 9 / 35

HEX #A57896

RGB 165 120 150

HSL 320, 0.2%, 0.56%

LAB 55.72, 22.52, -9.25

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 27 / 0 / 13 / 35

HEX #78A590

RGB 120 165 144

HSL 152, 0.2%, 0.56%

LAB 64.09, -19.68, 6.02

 

CMYK 18 / 27 / 0 / 35

HEX #8778A5

RGB 135 120 165

HSL 260, 0.2%, 0.56%

LAB 53.28, 15.21, -21.95

 

CMYK 0 / 27 / 15 / 35

HEX #A5788D

RGB 165 120 141

HSL 332, 0.2%, 0.56%

LAB 55.44, 20.94, -4.44

 

CMYK 9 / 0 / 27 / 35

HEX #96A578

RGB 150 165 120

HSL 80, 0.2%, 0.56%

LAB 65.55, -13.29, 21.63

 

CMYK 27 / 0 / 5 / 35

HEX #78A59D

RGB 120 165 157

HSL 169.33, 0.2%, 0.56%

LAB 64.43, -16.85, -0.75

 

CMYK 18 / 27 / 0 / 35

HEX #8778A5

RGB 135 120 165

HSL 260, 0.2%, 0.56%

LAB 53.28, 15.21, -21.95

 

CMYK 0 / 27 / 23 / 35

HEX #A5787F

RGB 165 120 127

HSL 350.67, 0.2%, 0.56%

LAB 55.04, 18.65, 3.13

 

Description

Color code: HEX #96A578 | qconv.com Color code: HEX #96A578 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 165 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 165 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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