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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968FB7 it is the complementary color #697048. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968FB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968FB7 shade: #9B8FB2, #ACA1C5, #BDB3D8, #CEC5EB and #DFD7FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968FB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968FB7 shade: #968FB7, #857DA4, #746B91, #63597E and #52476B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968FB7 shade: #968FB7, #A08FB7, #AB8FB7, #B68FB7 and #B78FAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968FB7 shade: #968FB7 and #8F8FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968FB7 shade matches the following richer shades: #968FB7, #8C80C6, #8271D5, #7962E3 and #6F53F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968FB7 shade: #968FB7, #9F9DA8, #A9AC99, #B3BB8A and #BCCA7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968FB7 shade: #8F9DB7, #8F93B7, #958FB7, #A08FB7 and #AB8FB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968FB7 shade: #685F94, #7E75A7, #968FB7, #ADA8C7 and #C5C1D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968FB7 shade: #968FB7, #B78FA8 and #98B78F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968FB7 shade: #968FB7, #B7958F and #8FB795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968FB7 shade: #968FB7, #B78FA8, #B0B78F and #8FB79D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968FB7 shade: #968FB7, #B78F9C, #B0B78F and #8FB7A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

Complementary color

CMYK 6 / 0 / 36 / 56

HEX #697048

RGB 105 112 72

HSL 70.5, 0.22%, 0.36%

LAB 45.72, -9.8, 21.39

 

CMYK 13 / 20 / 0 / 30

HEX #9B8FB2

RGB 155 143 178

HSL 260.57, 0.19%, 0.63%

LAB 61.51, 11.48, -16.68

 

CMYK 13 / 18 / 0 / 23

HEX #ACA1C5

RGB 172 161 197

HSL 258.33, 0.24%, 0.7%

LAB 68.23, 11.1, -17

 

CMYK 13 / 17 / 0 / 15

HEX #BDB3D8

RGB 189 179 216

HSL 256.22, 0.32%, 0.77%

LAB 74.84, 10.75, -17.33

 

CMYK 12 / 16 / 0 / 8

HEX #CEC5EB

RGB 206 197 235

HSL 254.21, 0.49%, 0.85%

LAB 81.32, 10.42, -17.66

 

CMYK 12 / 15 / 0 / 0

HEX #DFD7FE

RGB 223 215 254

HSL 252.31, 0.95%, 0.92%

LAB 87.7, 10.12, -18

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 19 / 24 / 0 / 36

HEX #857DA4

RGB 133 125 164

HSL 252.31, 0.18%, 0.57%

LAB 54.38, 11.38, -19.69

 

CMYK 20 / 26 / 0 / 43

HEX #746B91

RGB 116 107 145

HSL 254.21, 0.15%, 0.49%

LAB 47.33, 11.86, -19.49

 

CMYK 21 / 29 / 0 / 51

HEX #63597E

RGB 99 89 126

HSL 256.22, 0.17%, 0.42%

LAB 40.09, 12.4, -19.33

 

CMYK 23 / 34 / 0 / 58

HEX #52476B

RGB 82 71 107

HSL 258.33, 0.2%, 0.35%

LAB 32.62, 13.04, -19.22

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 13 / 22 / 0 / 28

HEX #A08FB7

RGB 160 143 183

HSL 265.5, 0.22%, 0.64%

LAB 62.12, 14.25, -18.54

 

CMYK 7 / 22 / 0 / 28

HEX #AB8FB7

RGB 171 143 183

HSL 282, 0.22%, 0.64%

LAB 63.11, 17.94, -16.94

 

CMYK 1 / 22 / 0 / 28

HEX #B68FB7

RGB 182 143 183

HSL 298.5, 0.22%, 0.64%

LAB 64.17, 21.69, -15.24

 

CMYK 0 / 22 / 5 / 28

HEX #B78FAD

RGB 183 143 173

HSL 315, 0.22%, 0.64%

LAB 63.94, 20.16, -9.93

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 22 / 22 / 0 / 28

HEX #8F8FB7

RGB 143 143 183

HSL 240, 0.22%, 0.64%

LAB 60.7, 8.7, -20.83

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 29 / 35 / 0 / 22

HEX #8C80C6

RGB 140 128 198

HSL 250.29, 0.38%, 0.64%

LAB 57.16, 20.19, -34.81

 

CMYK 39 / 47 / 0 / 16

HEX #8271D5

RGB 130 113 213

HSL 250.2, 0.54%, 0.64%

LAB 53.34, 30.29, -49.4

 

CMYK 47 / 57 / 0 / 11

HEX #7962E3

RGB 121 98 227

HSL 250.7, 0.7%, 0.64%

LAB 49.91, 40.95, -62.86

 

CMYK 54 / 66 / 0 / 5

HEX #6F53F2

RGB 111 83 242

HSL 250.57, 0.86%, 0.64%

LAB 46.94, 51.91, -76.16

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 5 / 7 / 0 / 34

HEX #9F9DA8

RGB 159 157 168

HSL 250.91, 0.06%, 0.64%

LAB 65.21, 2.88, -5.46

 

CMYK 2 / 0 / 11 / 33

HEX #A9AC99

RGB 169 172 153

HSL 69.47, 0.1%, 0.64%

LAB 69.64, -4.5, 9.41

 

CMYK 4 / 0 / 26 / 27

HEX #B3BB8A

RGB 179 187 138

HSL 69.8, 0.26%, 0.64%

LAB 74.16, -11, 23.95

 

CMYK 7 / 0 / 39 / 21

HEX #BCCA7B

RGB 188 202 123

HSL 70.63, 0.43%, 0.64%

LAB 78.67, -17.12, 37.83

 

CMYK 22 / 14 / 0 / 28

HEX #8F9DB7

RGB 143 157 183

HSL 219, 0.22%, 0.64%

LAB 64.46, 0.77, -15.12

 

CMYK 22 / 20 / 0 / 28

HEX #8F93B7

RGB 143 147 183

HSL 234, 0.22%, 0.64%

LAB 61.76, 6.41, -19.21

 

CMYK 19 / 22 / 0 / 28

HEX #958FB7

RGB 149 143 183

HSL 249, 0.22%, 0.64%

LAB 61.18, 10.63, -20.05

 

CMYK 13 / 22 / 0 / 28

HEX #A08FB7

RGB 160 143 183

HSL 265.5, 0.22%, 0.64%

LAB 62.12, 14.25, -18.54

 

CMYK 7 / 22 / 0 / 28

HEX #AB8FB7

RGB 171 143 183

HSL 282, 0.22%, 0.64%

LAB 63.11, 17.94, -16.94

 

CMYK 30 / 36 / 0 / 42

HEX #685F94

RGB 104 95 148

HSL 250.19, 0.22%, 0.48%

LAB 43.16, 16.07, -27.82

 

CMYK 25 / 30 / 0 / 35

HEX #7E75A7

RGB 126 117 167

HSL 250.8, 0.22%, 0.56%

LAB 51.78, 14.57, -25.48

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 13 / 16 / 0 / 22

HEX #ADA8C7

RGB 173 168 199

HSL 249.68, 0.22%, 0.72%

LAB 70.19, 7.97, -15.15

 

CMYK 8 / 10 / 0 / 16

HEX #C5C1D7

RGB 197 193 215

HSL 250.91, 0.22%, 0.8%

LAB 78.99, 5.58, -10.48

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 17 / 0 / 22 / 28

HEX #98B78F

RGB 152 183 143

HSL 106.5, 0.22%, 0.64%

LAB 71.23, -18.16, 16.93

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 0 / 19 / 22 / 28

HEX #B7958F

RGB 183 149 143

HSL 9, 0.22%, 0.64%

LAB 64.6, 11.76, 7.96

 

CMYK 22 / 0 / 19 / 28

HEX #8FB795

RGB 143 183 149

HSL 129, 0.22%, 0.64%

LAB 70.79, -20.24, 12.97

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 4 / 0 / 22 / 28

HEX #B0B78F

RGB 176 183 143

HSL 70.5, 0.22%, 0.64%

LAB 72.94, -9.33, 19.57

 

CMYK 22 / 0 / 14 / 28

HEX #8FB79D

RGB 143 183 157

HSL 141, 0.22%, 0.64%

LAB 70.97, -18.72, 8.86

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 0 / 22 / 15 / 28

HEX #B78F9C

RGB 183 143 156

HSL 340.5, 0.22%, 0.64%

LAB 63.44, 17.18, -1.07

 

CMYK 4 / 0 / 22 / 28

HEX #B0B78F

RGB 176 183 143

HSL 70.5, 0.22%, 0.64%

LAB 72.94, -9.33, 19.57

 

CMYK 22 / 0 / 8 / 28

HEX #8FB7A9

RGB 143 183 169

HSL 159, 0.22%, 0.64%

LAB 71.26, -16.31, 2.72

 

Description

Color code: HEX #968FB7 | qconv.com Color code: HEX #968FB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 143 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 143 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 22 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 22% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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