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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96808B it is the complementary color #697F74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96808B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96808B shade: #9B8086, #AC9299, #BDA4AC, #CEB6BF and #DFC8D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96808B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96808B shade: #96808B, #856E78, #745C65, #634A52 and #52383F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96808B shade: #96818C, #968186 and #968181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96808B shade: #96818C, #968191, #958196, #908196 and #8A8196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96808B shade matches the following richer shades: #96818C, #A96F8C, #BB5C8C, #CE4A8C and #E0378C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96808B shade: #96818C, #84948C, #71A78C, #5EB98C and #4CCC8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96808B shade: #958196, #968191, #96818C, #968186 and #968281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96808B shade: #6B5A62, #826C77, #96818C, #A998A0 and #BCAEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96808B shade: #96808B, #969081 and #819496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96808B shade: #96808B, #8C9681 and #818C96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96808B shade: #96808B, #969081, #81968C and #818896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96808B shade: #96808B, #969681, #81968C and #818196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 7 / 41

HEX #96808B

RGB 150 128 139

HSL 330, 0.09%, 0.55%

LAB 55.87, 10.38, -2.81

 

Complementary color

CMYK 17 / 0 / 9 / 50

HEX #697F74

RGB 105 127 116

HSL 150, 0.09%, 0.45%

LAB 51.2, -10.36, 3.32

 

CMYK 0 / 17 / 14 / 39

HEX #9B8086

RGB 155 128 134

HSL 346.67, 0.12%, 0.55%

LAB 56.22, 11.37, 0.64

 

CMYK 0 / 15 / 11 / 33

HEX #AC9299

RGB 172 146 153

HSL 343.85, 0.14%, 0.62%

LAB 63.03, 10.9, -0.08

 

CMYK 0 / 13 / 9 / 26

HEX #BDA4AC

RGB 189 164 172

HSL 340.8, 0.16%, 0.69%

LAB 69.72, 10.48, -0.77

 

CMYK 0 / 12 / 7 / 19

HEX #CEB6BF

RGB 206 182 191

HSL 337.5, 0.2%, 0.76%

LAB 76.28, 10.1, -1.42

 

CMYK 0 / 10 / 6 / 13

HEX #DFC8D2

RGB 223 200 210

HSL 333.91, 0.26%, 0.83%

LAB 82.73, 9.75, -2.04

 

CMYK 0 / 15 / 7 / 41

HEX #96808B

RGB 150 128 139

HSL 330, 0.09%, 0.55%

LAB 55.87, 10.38, -2.81

 

CMYK 0 / 17 / 10 / 48

HEX #856E78

RGB 133 110 120

HSL 333.91, 0.09%, 0.48%

LAB 48.88, 10.85, -2.14

 

CMYK 0 / 21 / 13 / 55

HEX #745C65

RGB 116 92 101

HSL 337.5, 0.12%, 0.41%

LAB 41.7, 11.39, -1.42

 

CMYK 0 / 25 / 17 / 61

HEX #634A52

RGB 99 74 82

HSL 340.8, 0.14%, 0.34%

LAB 34.31, 12.02, -0.62

 

CMYK 0 / 32 / 23 / 68

HEX #52383F

RGB 82 56 63

HSL 343.85, 0.19%, 0.27%

LAB 26.68, 12.78, 0.29

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 0 / 14 / 11 / 41

HEX #968186

RGB 150 129 134

HSL 345.71, 0.09%, 0.55%

LAB 55.99, 8.89, 0.26

 

CMYK 0 / 14 / 14 / 41

HEX #968181

RGB 150 129 129

HSL 0, 0.09%, 0.55%

LAB 55.86, 8.01, 2.96

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 0 / 14 / 3 / 41

HEX #968191

RGB 150 129 145

HSL 314.29, 0.09%, 0.55%

LAB 56.32, 10.94, -5.63

 

CMYK 1 / 14 / 0 / 41

HEX #958196

RGB 149 129 150

HSL 297.14, 0.09%, 0.55%

LAB 56.38, 11.55, -8.44

 

CMYK 4 / 14 / 0 / 41

HEX #908196

RGB 144 129 150

HSL 282.86, 0.09%, 0.55%

LAB 55.92, 9.75, -9.17

 

CMYK 8 / 14 / 0 / 41

HEX #8A8196

RGB 138 129 150

HSL 265.71, 0.09%, 0.55%

LAB 55.39, 7.61, -10.03

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 0 / 34 / 17 / 34

HEX #A96F8C

RGB 169 111 140

HSL 330, 0.25%, 0.55%

LAB 53.7, 27.34, -6.38

 

CMYK 0 / 51 / 25 / 27

HEX #BB5C8C

RGB 187 92 140

HSL 329.68, 0.41%, 0.55%

LAB 51.96, 43.87, -8.72

 

CMYK 0 / 64 / 32 / 19

HEX #CE4A8C

RGB 206 74 140

HSL 330, 0.57%, 0.55%

LAB 51.74, 58.15, -8.76

 

CMYK 0 / 75 / 38 / 12

HEX #E0378C

RGB 224 55 140

HSL 329.82, 0.73%, 0.55%

LAB 52.37, 69.87, -7.5

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 11 / 0 / 5 / 42

HEX #84948C

RGB 132 148 140

HSL 150, 0.07%, 0.55%

LAB 59.87, -7.35, 2.27

 

CMYK 32 / 0 / 16 / 35

HEX #71A78C

RGB 113 167 140

HSL 150, 0.23%, 0.55%

LAB 64.19, -23.77, 8.34

 

CMYK 49 / 0 / 24 / 27

HEX #5EB98C

RGB 94 185 140

HSL 150.33, 0.39%, 0.55%

LAB 68.73, -37.76, 14.62

 

CMYK 63 / 0 / 31 / 20

HEX #4CCC8C

RGB 76 204 140

HSL 150, 0.56%, 0.55%

LAB 73.94, -49.9, 21.74

 

CMYK 1 / 14 / 0 / 41

HEX #958196

RGB 149 129 150

HSL 297.14, 0.09%, 0.55%

LAB 56.38, 11.55, -8.44

 

CMYK 0 / 14 / 3 / 41

HEX #968191

RGB 150 129 145

HSL 314.29, 0.09%, 0.55%

LAB 56.32, 10.94, -5.63

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 0 / 14 / 11 / 41

HEX #968186

RGB 150 129 134

HSL 345.71, 0.09%, 0.55%

LAB 55.99, 8.89, 0.26

 

CMYK 0 / 13 / 14 / 41

HEX #968281

RGB 150 130 129

HSL 2.86, 0.09%, 0.55%

LAB 56.12, 7.44, 3.34

 

CMYK 0 / 16 / 8 / 58

HEX #6B5A62

RGB 107 90 98

HSL 331.76, 0.09%, 0.39%

LAB 40.11, 8.43, -2.01

 

CMYK 0 / 17 / 8 / 49

HEX #826C77

RGB 130 108 119

HSL 330, 0.09%, 0.47%

LAB 48.01, 10.68, -2.86

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 0 / 10 / 5 / 34

HEX #A998A0

RGB 169 152 160

HSL 331.76, 0.09%, 0.63%

LAB 64.51, 7.7, -1.91

 

CMYK 0 / 7 / 4 / 26

HEX #BCAEB5

RGB 188 174 181

HSL 330, 0.09%, 0.71%

LAB 72.43, 6.26, -1.77

 

CMYK 0 / 15 / 7 / 41

HEX #96808B

RGB 150 128 139

HSL 330, 0.09%, 0.55%

LAB 55.87, 10.38, -2.81

 

CMYK 0 / 4 / 14 / 41

HEX #969081

RGB 150 144 129

HSL 42.86, 0.09%, 0.55%

LAB 59.9, -0.47, 8.76

 

CMYK 14 / 1 / 0 / 41

HEX #819496

RGB 129 148 150

HSL 185.71, 0.09%, 0.55%

LAB 59.93, -6.31, -3.35

 

CMYK 0 / 15 / 7 / 41

HEX #96808B

RGB 150 128 139

HSL 330, 0.09%, 0.55%

LAB 55.87, 10.38, -2.81

 

CMYK 7 / 0 / 14 / 41

HEX #8C9681

RGB 140 150 129

HSL 88.57, 0.09%, 0.55%

LAB 60.76, -7.6, 9.86

 

CMYK 14 / 7 / 0 / 41

HEX #818C96

RGB 129 140 150

HSL 208.57, 0.09%, 0.55%

LAB 57.68, -1.83, -6.68

 

CMYK 0 / 15 / 7 / 41

HEX #96808B

RGB 150 128 139

HSL 330, 0.09%, 0.55%

LAB 55.87, 10.38, -2.81

 

CMYK 0 / 4 / 14 / 41

HEX #969081

RGB 150 144 129

HSL 42.86, 0.09%, 0.55%

LAB 59.9, -0.47, 8.76

 

CMYK 14 / 0 / 7 / 41

HEX #81968C

RGB 129 150 140

HSL 151.43, 0.09%, 0.55%

LAB 60.22, -9.51, 2.76

 

CMYK 14 / 9 / 0 / 41

HEX #818896

RGB 129 136 150

HSL 220, 0.09%, 0.55%

LAB 56.56, 0.44, -8.34

 

CMYK 0 / 15 / 7 / 41

HEX #96808B

RGB 150 128 139

HSL 330, 0.09%, 0.55%

LAB 55.87, 10.38, -2.81

 

CMYK 0 / 0 / 14 / 41

HEX #969681

RGB 150 150 129

HSL 60, 0.09%, 0.55%

LAB 61.55, -3.79, 11.1

 

CMYK 14 / 0 / 7 / 41

HEX #81968C

RGB 129 150 140

HSL 151.43, 0.09%, 0.55%

LAB 60.22, -9.51, 2.76

 

CMYK 14 / 14 / 0 / 41

HEX #818196

RGB 129 129 150

HSL 240, 0.09%, 0.55%

LAB 54.63, 4.46, -11.24

 

Description

Color code: HEX #96808B | qconv.com Color code: HEX #96808B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 128 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 128 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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