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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9686BF it is the complementary color #697940. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9686BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9686BF shade: #9B86BA, #AC98CD, #BDAAE0, #CEBCF3 and #DFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9686BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9686BF shade: #9686BF, #8574AC, #746299, #635086 and #523E73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9686BF shade: #9686BF, #A686BF, #B586BF, #BF86BA and #BF86AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9686BF shade: #9686BF, #8786BF and #8686BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9686BF shade matches the following richer shades: #9686BF, #9077CE, #8969DD, #835AEC and #7C4BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9686BF shade: #9686BF, #9D95B0, #A3A4A1, #AAB393 and #B0C284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9686BF shade: #8695BF, #8686BF, #9586BF, #A586BF and #B486BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9686BF shade: #69549F, #7F6BB1, #9686BF, #AEA1CD and #C5BCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9686BF shade: #9686BF, #BF86A5 and #8EBF86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9686BF shade: #9686BF, #BF9586 and #86BF95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9686BF shade: #9686BF, #BF86A5, #B0BF86 and #86BFA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9686BF shade: #9686BF, #BF8694, #B0BF86 and #86BFB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

Complementary color

CMYK 13 / 0 / 47 / 53

HEX #697940

RGB 105 121 64

HSL 76.84, 0.31%, 0.36%

LAB 48.32, -15.8, 29.19

 

CMYK 17 / 28 / 0 / 27

HEX #9B86BA

RGB 155 134 186

HSL 264.23, 0.27%, 0.63%

LAB 59.49, 18.42, -24.29

 

CMYK 16 / 26 / 0 / 20

HEX #AC98CD

RGB 172 152 205

HSL 262.64, 0.35%, 0.7%

LAB 66.24, 17.89, -24.48

 

CMYK 16 / 24 / 0 / 12

HEX #BDAAE0

RGB 189 170 224

HSL 261.11, 0.47%, 0.77%

LAB 72.86, 17.4, -24.69

 

CMYK 15 / 23 / 0 / 5

HEX #CEBCF3

RGB 206 188 243

HSL 259.64, 0.7%, 0.85%

LAB 79.36, 16.95, -24.92

 

CMYK 13 / 19 / 0 / 0

HEX #DFCEFF

RGB 223 206 255

HSL 260.82, 1%, 0.9%

LAB 85.53, 15.09, -21.81

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 23 / 33 / 0 / 33

HEX #8574AC

RGB 133 116 172

HSL 258.21, 0.25%, 0.56%

LAB 52.35, 18.61, -27.45

 

CMYK 24 / 36 / 0 / 40

HEX #746299

RGB 116 98 153

HSL 259.64, 0.22%, 0.49%

LAB 45.29, 19.3, -27.4

 

CMYK 26 / 40 / 0 / 47

HEX #635086

RGB 99 80 134

HSL 261.11, 0.25%, 0.42%

LAB 38.04, 20.09, -27.4

 

CMYK 29 / 46 / 0 / 55

HEX #523E73

RGB 82 62 115

HSL 262.64, 0.3%, 0.35%

LAB 30.59, 21, -27.44

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 13 / 30 / 0 / 25

HEX #A686BF

RGB 166 134 191

HSL 273.68, 0.31%, 0.64%

LAB 60.71, 23.09, -25.17

 

CMYK 5 / 30 / 0 / 25

HEX #B586BF

RGB 181 134 191

HSL 289.47, 0.31%, 0.64%

LAB 62.2, 27.97, -22.75

 

CMYK 0 / 30 / 3 / 25

HEX #BF86BA

RGB 191 134 186

HSL 305.26, 0.31%, 0.64%

LAB 63.07, 30.32, -18.5

 

CMYK 0 / 30 / 10 / 25

HEX #BF86AB

RGB 191 134 171

HSL 321.05, 0.31%, 0.64%

LAB 62.56, 27.63, -10.77

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 29 / 30 / 0 / 25

HEX #8786BF

RGB 135 134 191

HSL 241.05, 0.31%, 0.64%

LAB 58, 13.41, -29.57

 

CMYK 30 / 30 / 0 / 25

HEX #8686BF

RGB 134 134 191

HSL 240, 0.31%, 0.64%

LAB 57.92, 13.11, -29.7

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 30 / 42 / 0 / 19

HEX #9077CE

RGB 144 119 206

HSL 257.24, 0.47%, 0.64%

LAB 55.66, 28.63, -41.68

 

CMYK 38 / 52 / 0 / 13

HEX #8969DD

RGB 137 105 221

HSL 256.55, 0.63%, 0.64%

LAB 52.56, 38.85, -55.15

 

CMYK 44 / 62 / 0 / 7

HEX #835AEC

RGB 131 90 236

HSL 256.85, 0.79%, 0.64%

LAB 49.73, 49.99, -68.18

 

CMYK 51 / 70 / 0 / 2

HEX #7C4BFB

RGB 124 75 251

HSL 256.7, 0.96%, 0.64%

LAB 47.34, 60.62, -80.49

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 11 / 15 / 0 / 31

HEX #9D95B0

RGB 157 149 176

HSL 257.78, 0.15%, 0.64%

LAB 63.18, 8.32, -13.02

 

CMYK 1 / 0 / 2 / 36

HEX #A3A4A1

RGB 163 164 161

HSL 80, 0.02%, 0.64%

LAB 67.21, -0.92, 1.42

 

CMYK 5 / 0 / 18 / 30

HEX #AAB393

RGB 170 179 147

HSL 76.88, 0.17%, 0.64%

LAB 71.48, -8.85, 15.3

 

CMYK 9 / 0 / 32 / 24

HEX #B0C284

RGB 176 194 132

HSL 77.42, 0.34%, 0.64%

LAB 75.75, -16.57, 29.21

 

CMYK 30 / 22 / 0 / 25

HEX #8695BF

RGB 134 149 191

HSL 224.21, 0.31%, 0.64%

LAB 61.93, 4.45, -23.51

 

CMYK 30 / 30 / 0 / 25

HEX #8686BF

RGB 134 134 191

HSL 240, 0.31%, 0.64%

LAB 57.92, 13.11, -29.7

 

CMYK 22 / 30 / 0 / 25

HEX #9586BF

RGB 149 134 191

HSL 255.79, 0.31%, 0.64%

LAB 59.16, 17.69, -27.68

 

CMYK 14 / 30 / 0 / 25

HEX #A586BF

RGB 165 134 191

HSL 272.63, 0.31%, 0.64%

LAB 60.61, 22.76, -25.32

 

CMYK 6 / 30 / 0 / 25

HEX #B486BF

RGB 180 134 191

HSL 288.42, 0.31%, 0.64%

LAB 62.1, 27.64, -22.92

 

CMYK 34 / 47 / 0 / 38

HEX #69549F

RGB 105 84 159

HSL 256.8, 0.31%, 0.48%

LAB 40.97, 26.15, -37.83

 

CMYK 28 / 40 / 0 / 31

HEX #7F6BB1

RGB 127 107 177

HSL 257.14, 0.31%, 0.56%

LAB 49.74, 23.38, -34.46

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 15 / 21 / 0 / 20

HEX #AEA1CD

RGB 174 161 205

HSL 257.73, 0.31%, 0.72%

LAB 68.68, 13.48, -20.75

 

CMYK 10 / 15 / 0 / 14

HEX #C5BCDC

RGB 197 188 220

HSL 256.88, 0.31%, 0.8%

LAB 77.88, 9.29, -14.85

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 0 / 30 / 14 / 25

HEX #BF86A5

RGB 191 134 165

HSL 327.37, 0.31%, 0.64%

LAB 62.38, 26.61, -7.64

 

CMYK 26 / 0 / 30 / 25

HEX #8EBF86

RGB 142 191 134

HSL 111.58, 0.31%, 0.64%

LAB 72.72, -27.15, 23.7

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 0 / 22 / 30 / 25

HEX #BF9586

RGB 191 149 134

HSL 15.79, 0.31%, 0.64%

LAB 65.19, 13.58, 13.96

 

CMYK 30 / 0 / 22 / 25

HEX #86BF95

RGB 134 191 149

HSL 135.79, 0.31%, 0.64%

LAB 72.56, -27.19, 15.38

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 0 / 30 / 14 / 25

HEX #BF86A5

RGB 191 134 165

HSL 327.37, 0.31%, 0.64%

LAB 62.38, 26.61, -7.64

 

CMYK 8 / 0 / 30 / 25

HEX #B0BF86

RGB 176 191 134

HSL 75.79, 0.31%, 0.64%

LAB 74.96, -14.77, 27.11

 

CMYK 30 / 0 / 16 / 25

HEX #86BFA1

RGB 134 191 161

HSL 148.42, 0.31%, 0.64%

LAB 72.83, -24.85, 9.26

 

CMYK 21 / 30 / 0 / 25

HEX #9686BF

RGB 150 134 191

HSL 256.84, 0.31%, 0.64%

LAB 59.25, 18, -27.54

 

CMYK 0 / 30 / 23 / 25

HEX #BF8694

RGB 191 134 148

HSL 345.26, 0.31%, 0.64%

LAB 61.88, 23.9, 1.31

 

CMYK 8 / 0 / 30 / 25

HEX #B0BF86

RGB 176 191 134

HSL 75.79, 0.31%, 0.64%

LAB 74.96, -14.77, 27.11

 

CMYK 30 / 0 / 7 / 25

HEX #86BFB2

RGB 134 191 178

HSL 166.32, 0.31%, 0.64%

LAB 73.25, -21.27, 0.63

 

Description

Color code: HEX #9686BF | qconv.com Color code: HEX #9686BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 134 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 134 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 30 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 30% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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