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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967B77 it is the complementary color #698488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967B77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967B77 shade: #9B7B72, #AC8D85, #BD9F98, #CEB1AB and #DFC3BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967B77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967B77 shade: #967B77, #856964, #745751, #63453E and #52332B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967B77 shade: #967B77 and #967777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967B77 shade: #967B77, #968377, #968C77, #969477 and #909677

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967B77 shade matches the following richer shades: #967B77, #AA6D64, #BD5E50, #D0503D and #E4422A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967B77 shade: #967B77, #83898A, #6F989E, #5CA6B1 and #49B5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967B77 shade: #967784, #96777C, #967B77, #968377 and #968B77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967B77 shade: #6A5451, #816763, #967B77, #A8928E and #BAA8A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967B77 shade: #967B77, #8C9677 and #778096

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967B77 shade: #967B77, #77967B and #7B7796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967B77 shade: #967B77, #8C9677, #779396 and #817796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967B77 shade: #967B77, #839677, #779396 and #8A7796

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

Complementary color

CMYK 23 / 3 / 0 / 47

HEX #698488

RGB 105 132 136

HSL 187.74, 0.13%, 0.47%

LAB 53.26, -8.65, -5.34

 

CMYK 0 / 21 / 26 / 39

HEX #9B7B72

RGB 155 123 114

HSL 13.17, 0.17%, 0.53%

LAB 54.4, 11, 9.63

 

CMYK 0 / 18 / 23 / 33

HEX #AC8D85

RGB 172 141 133

HSL 12.31, 0.19%, 0.6%

LAB 61.23, 10.43, 8.66

 

CMYK 0 / 16 / 20 / 26

HEX #BD9F98

RGB 189 159 152

HSL 11.35, 0.22%, 0.67%

LAB 67.93, 9.93, 7.76

 

CMYK 0 / 14 / 17 / 19

HEX #CEB1AB

RGB 206 177 171

HSL 10.29, 0.26%, 0.74%

LAB 74.51, 9.48, 6.93

 

CMYK 0 / 13 / 15 / 13

HEX #DFC3BE

RGB 223 195 190

HSL 9.09, 0.34%, 0.81%

LAB 80.98, 9.08, 6.14

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 0 / 21 / 25 / 48

HEX #856964

RGB 133 105 100

HSL 9.09, 0.14%, 0.46%

LAB 46.99, 10.35, 7.06

 

CMYK 0 / 25 / 30 / 55

HEX #745751

RGB 116 87 81

HSL 10.29, 0.18%, 0.39%

LAB 39.79, 11.03, 8.13

 

CMYK 0 / 30 / 37 / 61

HEX #63453E

RGB 99 69 62

HSL 11.35, 0.23%, 0.32%

LAB 32.38, 11.87, 9.36

 

CMYK 0 / 38 / 48 / 68

HEX #52332B

RGB 82 51 43

HSL 12.31, 0.31%, 0.25%

LAB 24.75, 12.93, 10.85

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 0 / 21 / 21 / 41

HEX #967777

RGB 150 119 119

HSL 0, 0.13%, 0.53%

LAB 52.96, 12.08, 4.6

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 0 / 13 / 21 / 41

HEX #968377

RGB 150 131 119

HSL 23.23, 0.13%, 0.53%

LAB 56.14, 5.2, 9.14

 

CMYK 0 / 7 / 21 / 41

HEX #968C77

RGB 150 140 119

HSL 40.65, 0.13%, 0.53%

LAB 58.58, 0.13, 12.57

 

CMYK 0 / 1 / 21 / 41

HEX #969477

RGB 150 148 119

HSL 56.13, 0.13%, 0.53%

LAB 60.78, -4.31, 15.64

 

CMYK 4 / 0 / 21 / 41

HEX #909677

RGB 144 150 119

HSL 71.61, 0.13%, 0.53%

LAB 60.85, -7.76, 15.66

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 0 / 36 / 41 / 33

HEX #AA6D64

RGB 170 109 100

HSL 7.71, 0.29%, 0.53%

LAB 52.29, 23.19, 15.11

 

CMYK 0 / 50 / 58 / 26

HEX #BD5E50

RGB 189 94 80

HSL 7.71, 0.45%, 0.53%

LAB 51.16, 36.92, 25.73

 

CMYK 0 / 62 / 71 / 18

HEX #D0503D

RGB 208 80 61

HSL 7.76, 0.61%, 0.53%

LAB 51.25, 49.52, 37.35

 

CMYK 0 / 71 / 82 / 11

HEX #E4422A

RGB 228 66 42

HSL 7.74, 0.78%, 0.53%

LAB 52.46, 61.09, 49.68

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 5 / 1 / 0 / 46

HEX #83898A

RGB 131 137 138

HSL 188.57, 0.03%, 0.53%

LAB 56.64, -1.99, -1.31

 

CMYK 30 / 4 / 0 / 38

HEX #6F989E

RGB 111 152 158

HSL 187.66, 0.2%, 0.53%

LAB 60.16, -12.46, -7.68

 

CMYK 48 / 6 / 0 / 31

HEX #5CA6B1

RGB 92 166 177

HSL 187.76, 0.35%, 0.53%

LAB 63.94, -20.03, -12.84

 

CMYK 63 / 8 / 0 / 23

HEX #49B5C5

RGB 73 181 197

HSL 187.74, 0.52%, 0.53%

LAB 68.38, -25.77, -17.29

 

CMYK 0 / 21 / 12 / 41

HEX #967784

RGB 150 119 132

HSL 334.84, 0.13%, 0.53%

LAB 53.32, 14.29, -2.48

 

CMYK 0 / 21 / 17 / 41

HEX #96777C

RGB 150 119 124

HSL 350.32, 0.13%, 0.53%

LAB 53.09, 12.91, 1.87

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 0 / 13 / 21 / 41

HEX #968377

RGB 150 131 119

HSL 23.23, 0.13%, 0.53%

LAB 56.14, 5.2, 9.14

 

CMYK 0 / 7 / 21 / 41

HEX #968B77

RGB 150 139 119

HSL 38.71, 0.13%, 0.53%

LAB 58.3, 0.68, 12.19

 

CMYK 0 / 21 / 24 / 58

HEX #6A5451

RGB 106 84 81

HSL 7.2, 0.13%, 0.37%

LAB 37.84, 8.6, 5.21

 

CMYK 0 / 20 / 23 / 49

HEX #816763

RGB 129 103 99

HSL 8, 0.13%, 0.45%

LAB 46, 9.73, 6.19

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 0 / 13 / 15 / 34

HEX #A8928E

RGB 168 146 142

HSL 9.23, 0.13%, 0.61%

LAB 62.37, 7.52, 5.13

 

CMYK 0 / 10 / 11 / 27

HEX #BAA8A6

RGB 186 168 166

HSL 6, 0.13%, 0.69%

LAB 70.31, 6.16, 3.39

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 7 / 0 / 21 / 41

HEX #8C9677

RGB 140 150 119

HSL 79.35, 0.13%, 0.53%

LAB 60.53, -9.31, 15.17

 

CMYK 21 / 15 / 0 / 41

HEX #778096

RGB 119 128 150

HSL 222.58, 0.13%, 0.53%

LAB 53.56, 1.64, -12.93

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 21 / 0 / 18 / 41

HEX #77967B

RGB 119 150 123

HSL 127.74, 0.13%, 0.53%

LAB 59.13, -16.41, 10.73

 

CMYK 18 / 21 / 0 / 41

HEX #7B7796

RGB 123 119 150

HSL 247.74, 0.13%, 0.53%

LAB 51.39, 8.26, -16.19

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 7 / 0 / 21 / 41

HEX #8C9677

RGB 140 150 119

HSL 79.35, 0.13%, 0.53%

LAB 60.53, -9.31, 15.17

 

CMYK 21 / 2 / 0 / 41

HEX #779396

RGB 119 147 150

HSL 185.81, 0.13%, 0.53%

LAB 58.97, -9.1, -4.85

 

CMYK 14 / 21 / 0 / 41

HEX #817796

RGB 129 119 150

HSL 259.35, 0.13%, 0.53%

LAB 51.91, 10.31, -15.35

 

CMYK 0 / 18 / 21 / 41

HEX #967B77

RGB 150 123 119

HSL 7.74, 0.13%, 0.53%

LAB 54.01, 9.78, 6.1

 

CMYK 13 / 0 / 21 / 41

HEX #839677

RGB 131 150 119

HSL 96.77, 0.13%, 0.53%

LAB 59.86, -12.74, 14.14

 

CMYK 21 / 2 / 0 / 41

HEX #779396

RGB 119 147 150

HSL 185.81, 0.13%, 0.53%

LAB 58.97, -9.1, -4.85

 

CMYK 8 / 21 / 0 / 41

HEX #8A7796

RGB 138 119 150

HSL 276.77, 0.13%, 0.53%

LAB 52.73, 13.44, -14.03

 

Description

Color code: HEX #967B77 | qconv.com Color code: HEX #967B77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 123 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 123 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 21 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 21% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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