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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967675 it is the complementary color #69898A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967675. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967675 shade: #9B7670, #AC8883, #BD9A96, #CEACA9 and #DFBEBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967675. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967675 shade: #967675, #856462, #74524F, #63403C and #522E29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967675 shade: #957473 and #957373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967675 shade: #957473, #957D73, #958673, #959073 and #929573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967675 shade matches the following richer shades: #957473, #A9615F, #BD4F4B, #D13C38 and #E42A24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967675 shade: #957473, #818787, #6E999B, #5AACAE and #46BEC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967675 shade: #957385, #95737C, #957473, #957D73 and #958673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967675 shade: #684F4E, #7F6160, #957473, #A78B8A and #B9A3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967675 shade: #967675, #8E9573 and #738095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967675 shade: #967675, #739574 and #747395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967675 shade: #967675, #8E9573, #739595 and #7A7395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967675 shade: #967675, #849573, #739595 and #857395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 22 / 41

HEX #967675

RGB 150 118 117

HSL 1.82, 0.14%, 0.52%

LAB 52.65, 12.34, 5.32

 

Complementary color

CMYK 24 / 1 / 0 / 46

HEX #69898A

RGB 105 137 138

HSL 181.82, 0.14%, 0.48%

LAB 54.79, -10.96, -4.23

 

CMYK 0 / 24 / 28 / 39

HEX #9B7670

RGB 155 118 112

HSL 8.37, 0.18%, 0.52%

LAB 53.05, 13.57, 8.9

 

CMYK 0 / 21 / 24 / 33

HEX #AC8883

RGB 172 136 131

HSL 7.32, 0.2%, 0.59%

LAB 59.9, 12.93, 7.91

 

CMYK 0 / 19 / 21 / 26

HEX #BD9A96

RGB 189 154 150

HSL 6.15, 0.23%, 0.66%

LAB 66.62, 12.37, 7

 

CMYK 0 / 17 / 18 / 19

HEX #CEACA9

RGB 206 172 169

HSL 4.86, 0.27%, 0.74%

LAB 73.21, 11.87, 6.16

 

CMYK 0 / 15 / 16 / 13

HEX #DFBEBC

RGB 223 190 188

HSL 3.43, 0.35%, 0.81%

LAB 79.7, 11.42, 5.37

 

CMYK 0 / 21 / 22 / 41

HEX #967675

RGB 150 118 117

HSL 1.82, 0.14%, 0.52%

LAB 52.65, 12.34, 5.32

 

CMYK 0 / 25 / 26 / 48

HEX #856462

RGB 133 100 98

HSL 3.43, 0.15%, 0.45%

LAB 45.61, 12.99, 6.3

 

CMYK 0 / 29 / 32 / 55

HEX #74524F

RGB 116 82 79

HSL 4.86, 0.19%, 0.38%

LAB 38.4, 13.77, 7.4

 

CMYK 0 / 35 / 39 / 61

HEX #63403C

RGB 99 64 60

HSL 6.15, 0.25%, 0.31%

LAB 30.99, 14.7, 8.7

 

CMYK 0 / 44 / 50 / 68

HEX #522E29

RGB 82 46 41

HSL 7.32, 0.33%, 0.24%

LAB 23.36, 15.87, 10.31

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 0 / 23 / 23 / 42

HEX #957373

RGB 149 115 115

HSL 0, 0.14%, 0.52%

LAB 51.71, 13.36, 5.14

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 0 / 16 / 23 / 42

HEX #957D73

RGB 149 125 115

HSL 17.65, 0.14%, 0.52%

LAB 54.34, 7.59, 8.89

 

CMYK 0 / 10 / 23 / 42

HEX #958673

RGB 149 134 115

HSL 33.53, 0.14%, 0.52%

LAB 56.76, 2.47, 12.3

 

CMYK 0 / 3 / 23 / 42

HEX #959073

RGB 149 144 115

HSL 51.18, 0.14%, 0.52%

LAB 59.5, -3.12, 16.11

 

CMYK 2 / 0 / 23 / 42

HEX #929573

RGB 146 149 115

HSL 65.29, 0.14%, 0.52%

LAB 60.64, -7.05, 17.64

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 0 / 43 / 44 / 34

HEX #A9615F

RGB 169 97 95

HSL 1.62, 0.3%, 0.52%

LAB 49.27, 28.91, 13.87

 

CMYK 0 / 58 / 60 / 26

HEX #BD4F4B

RGB 189 79 75

HSL 2.11, 0.46%, 0.52%

LAB 48.16, 44.04, 24.8

 

CMYK 0 / 71 / 73 / 18

HEX #D13C38

RGB 209 60 56

HSL 1.57, 0.62%, 0.52%

LAB 48.35, 57.77, 36.89

 

CMYK 0 / 82 / 84 / 11

HEX #E42A24

RGB 228 42 36

HSL 1.88, 0.78%, 0.52%

LAB 49.83, 68.17, 50.21

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 4 / 0 / 0 / 47

HEX #818787

RGB 129 135 135

HSL 180, 0.02%, 0.52%

LAB 55.83, -2.2, -0.77

 

CMYK 29 / 1 / 0 / 39

HEX #6E999B

RGB 110 153 155

HSL 182.67, 0.18%, 0.52%

LAB 60.31, -14.03, -5.77

 

CMYK 48 / 1 / 0 / 32

HEX #5AACAE

RGB 90 172 174

HSL 181.43, 0.34%, 0.52%

LAB 65.54, -24.38, -8.77

 

CMYK 64 / 2 / 0 / 24

HEX #46BEC2

RGB 70 190 194

HSL 181.94, 0.5%, 0.52%

LAB 70.89, -31.54, -11.88

 

CMYK 0 / 23 / 11 / 42

HEX #957385

RGB 149 115 133

HSL 328.24, 0.14%, 0.52%

LAB 52.22, 16.41, -4.71

 

CMYK 0 / 23 / 17 / 42

HEX #95737C

RGB 149 115 124

HSL 344.12, 0.14%, 0.52%

LAB 51.96, 14.83, 0.2

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 0 / 16 / 23 / 42

HEX #957D73

RGB 149 125 115

HSL 17.65, 0.14%, 0.52%

LAB 54.34, 7.59, 8.89

 

CMYK 0 / 10 / 23 / 42

HEX #958673

RGB 149 134 115

HSL 33.53, 0.14%, 0.52%

LAB 56.76, 2.47, 12.3

 

CMYK 0 / 24 / 25 / 59

HEX #684F4E

RGB 104 79 78

HSL 2.31, 0.14%, 0.36%

LAB 36.15, 10.32, 4.63

 

CMYK 0 / 24 / 24 / 50

HEX #7F6160

RGB 127 97 96

HSL 1.94, 0.14%, 0.44%

LAB 44.1, 11.99, 5.25

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 0 / 17 / 17 / 35

HEX #A78B8A

RGB 167 139 138

HSL 2.07, 0.14%, 0.6%

LAB 60.35, 10.41, 4.49

 

CMYK 0 / 12 / 12 / 27

HEX #B9A3A2

RGB 185 163 162

HSL 2.61, 0.14%, 0.68%

LAB 68.84, 7.85, 3.46

 

CMYK 0 / 21 / 22 / 41

HEX #967675

RGB 150 118 117

HSL 1.82, 0.14%, 0.52%

LAB 52.65, 12.34, 5.32

 

CMYK 5 / 0 / 23 / 42

HEX #8E9573

RGB 142 149 115

HSL 72.35, 0.14%, 0.52%

LAB 60.32, -8.63, 17.15

 

CMYK 23 / 14 / 0 / 42

HEX #738095

RGB 115 128 149

HSL 217.06, 0.14%, 0.52%

LAB 53.23, 0.07, -12.88

 

CMYK 0 / 21 / 22 / 41

HEX #967675

RGB 150 118 117

HSL 1.82, 0.14%, 0.52%

LAB 52.65, 12.34, 5.32

 

CMYK 23 / 0 / 22 / 42

HEX #739574

RGB 115 149 116

HSL 121.76, 0.14%, 0.52%

LAB 58.42, -18.63, 13.65

 

CMYK 22 / 23 / 0 / 42

HEX #747395

RGB 116 115 149

HSL 241.76, 0.14%, 0.52%

LAB 49.67, 8.04, -18.27

 

CMYK 0 / 21 / 22 / 41

HEX #967675

RGB 150 118 117

HSL 1.82, 0.14%, 0.52%

LAB 52.65, 12.34, 5.32

 

CMYK 5 / 0 / 23 / 42

HEX #8E9573

RGB 142 149 115

HSL 72.35, 0.14%, 0.52%

LAB 60.32, -8.63, 17.15

 

CMYK 23 / 0 / 0 / 42

HEX #739595

RGB 115 149 149

HSL 180, 0.14%, 0.52%

LAB 59.26, -11.73, -3.88

 

CMYK 18 / 23 / 0 / 42

HEX #7A7395

RGB 122 115 149

HSL 252.35, 0.14%, 0.52%

LAB 50.18, 10.05, -17.45

 

CMYK 0 / 21 / 22 / 41

HEX #967675

RGB 150 118 117

HSL 1.82, 0.14%, 0.52%

LAB 52.65, 12.34, 5.32

 

CMYK 11 / 0 / 23 / 42

HEX #849573

RGB 132 149 115

HSL 90, 0.14%, 0.52%

LAB 59.56, -12.51, 15.98

 

CMYK 23 / 0 / 0 / 42

HEX #739595

RGB 115 149 149

HSL 180, 0.14%, 0.52%

LAB 59.26, -11.73, -3.88

 

CMYK 11 / 23 / 0 / 42

HEX #857395

RGB 133 115 149

HSL 271.76, 0.14%, 0.52%

LAB 51.17, 13.83, -15.85

 

Description

Color code: HEX #967675 | qconv.com Color code: HEX #967675 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 118 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 118 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 22 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 22% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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