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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9675E4 it is the complementary color #698A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9675E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9675E4 shade: #9B75DF, #AC87F2, #BD99FF, #CEABFF and #DFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9675E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9675E4 shade: #9675E4, #8563D1, #7451BE, #633FAB and #522D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9675E4 shade: #9776E4, #B476E4, #D276E4, #E476D8 and #E476BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9675E4 shade: #9776E4, #7976E4 and #7676E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9675E4 shade matches the following richer shades: #9776E4, #9169F1 and #8C5CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9675E4 shade: #9776E4, #9C83D6, #A191C9, #A79EBC and #ACABAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9675E4 shade: #7692E4, #7876E4, #9576E4, #B276E4 and #D076E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9675E4 shade: #6231D6, #7D54DD, #9776E4, #B199EA and #CBBBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9675E4 shade: #9675E4, #E476AF and #83E476

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9675E4 shade: #9675E4, #E49576 and #76E495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9675E4 shade: #9675E4, #E476AF, #C5E476 and #76E4AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9675E4 shade: #9675E4, #E4768E, #C5E476 and #76E4CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 49 / 0 / 11

HEX #9675E4

RGB 150 117 228

HSL 257.84, 0.67%, 0.68%

LAB 56.89, 37.05, -52.09

 

Complementary color

CMYK 24 / 0 / 80 / 46

HEX #698A1B

RGB 105 138 27

HSL 77.84, 0.67%, 0.32%

LAB 53.23, -27.54, 51.03

 

CMYK 30 / 48 / 0 / 13

HEX #9B75DF

RGB 155 117 223

HSL 261.51, 0.62%, 0.67%

LAB 57.09, 37.06, -48.93

 

CMYK 29 / 44 / 0 / 5

HEX #AC87F2

RGB 172 135 242

HSL 260.75, 0.8%, 0.74%

LAB 63.76, 36.14, -48.83

 

CMYK 26 / 40 / 0 / 0

HEX #BD99FF

RGB 189 153 255

HSL 261.18, 1%, 0.8%

LAB 70.05, 33.87, -45.93

 

CMYK 19 / 33 / 0 / 0

HEX #CEABFF

RGB 206 171 255

HSL 265, 1%, 0.84%

LAB 75.74, 28.82, -36.94

 

CMYK 13 / 26 / 0 / 0

HEX #DFBDFF

RGB 223 189 255

HSL 270.91, 1%, 0.87%

LAB 81.46, 24.2, -28.01

 

CMYK 34 / 49 / 0 / 11

HEX #9675E4

RGB 150 117 228

HSL 257.84, 0.67%, 0.68%

LAB 56.89, 37.05, -52.09

 

CMYK 36 / 53 / 0 / 18

HEX #8563D1

RGB 133 99 209

HSL 258.55, 0.54%, 0.6%

LAB 50.11, 38.11, -52.27

 

CMYK 39 / 57 / 0 / 25

HEX #7451BE

RGB 116 81 190

HSL 259.27, 0.46%, 0.53%

LAB 43.23, 39.27, -52.44

 

CMYK 42 / 63 / 0 / 33

HEX #633FAB

RGB 99 63 171

HSL 260, 0.46%, 0.46%

LAB 36.27, 40.48, -52.57

 

CMYK 46 / 70 / 0 / 40

HEX #522D98

RGB 82 45 152

HSL 260.75, 0.54%, 0.39%

LAB 29.25, 41.65, -52.58

 

CMYK 34 / 48 / 0 / 11

HEX #9776E4

RGB 151 118 228

HSL 258, 0.67%, 0.68%

LAB 57.21, 36.73, -51.58

 

CMYK 21 / 48 / 0 / 11

HEX #B476E4

RGB 180 118 228

HSL 273.82, 0.67%, 0.68%

LAB 60.12, 44.39, -46.77

 

CMYK 8 / 48 / 0 / 11

HEX #D276E4

RGB 210 118 228

HSL 290.18, 0.67%, 0.68%

LAB 63.56, 52.64, -41.13

 

CMYK 0 / 48 / 5 / 11

HEX #E476D8

RGB 228 118 216

HSL 306.55, 0.67%, 0.68%

LAB 65.29, 55.58, -31.58

 

CMYK 0 / 48 / 18 / 11

HEX #E476BA

RGB 228 118 186

HSL 322.91, 0.67%, 0.68%

LAB 64.16, 50.82, -16.43

 

CMYK 34 / 48 / 0 / 11

HEX #9776E4

RGB 151 118 228

HSL 258, 0.67%, 0.68%

LAB 57.21, 36.73, -51.58

 

CMYK 47 / 48 / 0 / 11

HEX #7976E4

RGB 121 118 228

HSL 241.64, 0.67%, 0.68%

LAB 54.68, 29.48, -55.76

 

CMYK 48 / 48 / 0 / 11

HEX #7676E4

RGB 118 118 228

HSL 240, 0.67%, 0.68%

LAB 54.46, 28.8, -56.12

 

CMYK 34 / 48 / 0 / 11

HEX #9776E4

RGB 151 118 228

HSL 258, 0.67%, 0.68%

LAB 57.21, 36.73, -51.58

 

CMYK 40 / 56 / 0 / 5

HEX #9169F1

RGB 145 105 241

HSL 257.65, 0.83%, 0.68%

LAB 54.53, 46.02, -63.16

 

CMYK 45 / 64 / 0 / 0

HEX #8C5CFE

RGB 140 92 254

HSL 257.78, 0.99%, 0.68%

LAB 52.27, 55.48, -74.06

 

CMYK 34 / 48 / 0 / 11

HEX #9776E4

RGB 151 118 228

HSL 258, 0.67%, 0.68%

LAB 57.21, 36.73, -51.58

 

CMYK 27 / 39 / 0 / 16

HEX #9C83D6

RGB 156 131 214

HSL 258.07, 0.5%, 0.68%

LAB 60.03, 27.1, -39.25

 

CMYK 20 / 28 / 0 / 21

HEX #A191C9

RGB 161 145 201

HSL 257.14, 0.34%, 0.68%

LAB 63.38, 17.47, -26.72

 

CMYK 11 / 16 / 0 / 26

HEX #A79EBC

RGB 167 158 188

HSL 258, 0.18%, 0.68%

LAB 66.75, 9.2, -14.28

 

CMYK 2 / 2 / 0 / 31

HEX #ACABAF

RGB 172 171 175

HSL 255, 0.02%, 0.68%

LAB 70.17, 1.12, -1.93

 

CMYK 48 / 36 / 0 / 11

HEX #7692E4

RGB 118 146 228

HSL 224.73, 0.67%, 0.68%

LAB 61.66, 12.18, -44.68

 

CMYK 47 / 48 / 0 / 11

HEX #7876E4

RGB 120 118 228

HSL 241.09, 0.67%, 0.68%

LAB 54.61, 29.25, -55.88

 

CMYK 35 / 48 / 0 / 11

HEX #9576E4

RGB 149 118 228

HSL 256.91, 0.67%, 0.68%

LAB 57.02, 36.22, -51.88

 

CMYK 22 / 48 / 0 / 11

HEX #B276E4

RGB 178 118 228

HSL 272.73, 0.67%, 0.68%

LAB 59.91, 43.85, -47.12

 

CMYK 9 / 48 / 0 / 11

HEX #D076E4

RGB 208 118 228

HSL 289.09, 0.67%, 0.68%

LAB 63.32, 52.08, -41.52

 

CMYK 54 / 77 / 0 / 16

HEX #6231D6

RGB 98 49 214

HSL 257.82, 0.67%, 0.52%

LAB 37.2, 59.25, -76.25

 

CMYK 43 / 62 / 0 / 13

HEX #7D54DD

RGB 125 84 221

HSL 257.96, 0.67%, 0.6%

LAB 46.87, 47.99, -64.36

 

CMYK 34 / 48 / 0 / 11

HEX #9776E4

RGB 151 118 228

HSL 258, 0.67%, 0.68%

LAB 57.21, 36.73, -51.58

 

CMYK 24 / 35 / 0 / 8

HEX #B199EA

RGB 177 153 234

HSL 257.78, 0.66%, 0.76%

LAB 68.07, 25.5, -37.64

 

CMYK 16 / 22 / 0 / 5

HEX #CBBBF1

RGB 203 187 241

HSL 257.78, 0.66%, 0.84%

LAB 78.8, 16.13, -24.72

 

CMYK 34 / 49 / 0 / 11

HEX #9675E4

RGB 150 117 228

HSL 257.84, 0.67%, 0.68%

LAB 56.89, 37.05, -52.09

 

CMYK 0 / 48 / 23 / 11

HEX #E476AF

RGB 228 118 175

HSL 328.91, 0.67%, 0.68%

LAB 63.79, 49.23, -10.74

 

CMYK 43 / 0 / 48 / 11

HEX #83E476

RGB 131 228 118

HSL 112.91, 0.67%, 0.68%

LAB 82.71, -49.62, 44.69

 

CMYK 34 / 49 / 0 / 11

HEX #9675E4

RGB 150 117 228

HSL 257.84, 0.67%, 0.68%

LAB 56.89, 37.05, -52.09

 

CMYK 0 / 35 / 48 / 11

HEX #E49576

RGB 228 149 118

HSL 16.91, 0.67%, 0.68%

LAB 68.97, 26.37, 28.6

 

CMYK 48 / 0 / 35 / 11

HEX #76E495

RGB 118 228 149

HSL 136.91, 0.67%, 0.68%

LAB 82.65, -48.54, 29.07

 

CMYK 34 / 49 / 0 / 11

HEX #9675E4

RGB 150 117 228

HSL 257.84, 0.67%, 0.68%

LAB 56.89, 37.05, -52.09

 

CMYK 0 / 48 / 23 / 11

HEX #E476AF

RGB 228 118 175

HSL 328.91, 0.67%, 0.68%

LAB 63.79, 49.23, -10.74

 

CMYK 14 / 0 / 48 / 11

HEX #C5E476

RGB 197 228 118

HSL 76.91, 0.67%, 0.68%

LAB 86.34, -26.9, 49.95

 

CMYK 48 / 0 / 25 / 11

HEX #76E4AB

RGB 118 228 171

HSL 148.91, 0.67%, 0.68%

LAB 83.06, -44.45, 18.26

 

CMYK 34 / 49 / 0 / 11

HEX #9675E4

RGB 150 117 228

HSL 257.84, 0.67%, 0.68%

LAB 56.89, 37.05, -52.09

 

CMYK 0 / 48 / 38 / 11

HEX #E4768E

RGB 228 118 142

HSL 346.91, 0.67%, 0.68%

LAB 62.85, 45.03, 6.72

 

CMYK 14 / 0 / 48 / 11

HEX #C5E476

RGB 197 228 118

HSL 76.91, 0.67%, 0.68%

LAB 86.34, -26.9, 49.95

 

CMYK 48 / 0 / 11 / 11

HEX #76E4CC

RGB 118 228 204

HSL 166.91, 0.67%, 0.68%

LAB 83.81, -37.32, 1.98

 

Description

Color code: HEX #9675E4 | qconv.com Color code: HEX #9675E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 117 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 117 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 49 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 49% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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