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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #966E6A it is the complementary color #699195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #966E6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #966E6A shade: #9B6E65, #AC8078, #BD928B, #CEA49E and #DFB6B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #966E6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #966E6A shade: #966E6A, #855C57, #744A44, #633831 and #52261E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #966E6A shade: #956D69 and #956969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #966E6A shade: #956D69, #957969, #958569, #959069 and #8D9569

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #966E6A shade matches the following richer shades: #956D69, #A95C55, #BE4B40, #D33B2B and #E72A17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #966E6A shade: #956D69, #807E7E, #6B8F93, #57A0A7 and #42B1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #966E6A shade: #95697D, #956971, #956D69, #957869 and #958469

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #966E6A shade: #644A47, #7D5C58, #956D69, #A68581 and #B79C9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #966E6A shade: #966E6A, #889569 and #697795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #966E6A shade: #966E6A, #69956D and #6D6995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #966E6A shade: #966E6A, #889569, #699195 and #766995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #966E6A shade: #966E6A, #7B9569, #699195 and #836995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 29 / 41

HEX #966E6A

RGB 150 110 106

HSL 5.45, 0.17%, 0.5%

LAB 50.31, 15.29, 8.46

 

Complementary color

CMYK 30 / 3 / 0 / 42

HEX #699195

RGB 105 145 149

HSL 185.45, 0.17%, 0.5%

LAB 57.49, -12.69, -6.57

 

CMYK 0 / 29 / 35 / 39

HEX #9B6E65

RGB 155 110 101

HSL 10, 0.21%, 0.5%

LAB 50.76, 16.63, 12.13

 

CMYK 0 / 26 / 30 / 33

HEX #AC8078

RGB 172 128 120

HSL 9.23, 0.24%, 0.57%

LAB 57.62, 15.84, 10.98

 

CMYK 0 / 23 / 26 / 26

HEX #BD928B

RGB 189 146 139

HSL 8.4, 0.27%, 0.64%

LAB 64.36, 15.15, 9.94

 

CMYK 0 / 20 / 23 / 19

HEX #CEA49E

RGB 206 164 158

HSL 7.5, 0.33%, 0.71%

LAB 70.97, 14.55, 8.99

 

CMYK 0 / 18 / 21 / 13

HEX #DFB6B1

RGB 223 182 177

HSL 6.52, 0.42%, 0.78%

LAB 77.47, 14.01, 8.11

 

CMYK 0 / 27 / 29 / 41

HEX #966E6A

RGB 150 110 106

HSL 5.45, 0.17%, 0.5%

LAB 50.31, 15.29, 8.46

 

CMYK 0 / 31 / 35 / 48

HEX #855C57

RGB 133 92 87

HSL 6.52, 0.21%, 0.43%

LAB 43.25, 16.11, 9.62

 

CMYK 0 / 36 / 41 / 55

HEX #744A44

RGB 116 74 68

HSL 7.5, 0.26%, 0.36%

LAB 36.04, 17.08, 10.97

 

CMYK 0 / 43 / 51 / 61

HEX #633831

RGB 99 56 49

HSL 8.4, 0.34%, 0.29%

LAB 28.65, 18.26, 12.6

 

CMYK 0 / 54 / 63 / 68

HEX #52261E

RGB 82 38 30

HSL 9.23, 0.46%, 0.22%

LAB 21.11, 19.68, 14.71

 

CMYK 0 / 27 / 30 / 42

HEX #956D69

RGB 149 109 105

HSL 5.45, 0.17%, 0.5%

LAB 49.91, 15.32, 8.48

 

CMYK 0 / 30 / 30 / 42

HEX #956969

RGB 149 105 105

HSL 0, 0.17%, 0.5%

LAB 48.9, 17.63, 7.04

 

CMYK 0 / 27 / 30 / 42

HEX #956D69

RGB 149 109 105

HSL 5.45, 0.17%, 0.5%

LAB 49.91, 15.32, 8.48

 

CMYK 0 / 19 / 30 / 42

HEX #957969

RGB 149 121 105

HSL 21.82, 0.17%, 0.5%

LAB 53.04, 8.38, 12.87

 

CMYK 0 / 11 / 30 / 42

HEX #958569

RGB 149 133 105

HSL 38.18, 0.17%, 0.5%

LAB 56.27, 1.55, 17.33

 

CMYK 0 / 3 / 30 / 42

HEX #959069

RGB 149 144 105

HSL 53.18, 0.17%, 0.5%

LAB 59.3, -4.57, 21.44

 

CMYK 5 / 0 / 30 / 42

HEX #8D9569

RGB 141 149 105

HSL 70.91, 0.17%, 0.5%

LAB 60.05, -10.54, 22.33

 

CMYK 0 / 27 / 30 / 42

HEX #956D69

RGB 149 109 105

HSL 5.45, 0.17%, 0.5%

LAB 49.91, 15.32, 8.48

 

CMYK 0 / 46 / 50 / 34

HEX #A95C55

RGB 169 92 85

HSL 5, 0.33%, 0.5%

LAB 47.94, 30.61, 18.01

 

CMYK 0 / 61 / 66 / 25

HEX #BE4B40

RGB 190 75 64

HSL 5.24, 0.5%, 0.5%

LAB 47.43, 45.57, 30.38

 

CMYK 0 / 72 / 80 / 17

HEX #D33B2B

RGB 211 59 43

HSL 5.71, 0.66%, 0.5%

LAB 48.45, 58.28, 44.22

 

CMYK 0 / 82 / 90 / 9

HEX #E72A17

RGB 231 42 23

HSL 5.48, 0.82%, 0.5%

LAB 50.34, 68.76, 56.55

 

CMYK 0 / 27 / 30 / 42

HEX #956D69

RGB 149 109 105

HSL 5.45, 0.17%, 0.5%

LAB 49.91, 15.32, 8.48

 

CMYK 0 / 2 / 2 / 50

HEX #807E7E

RGB 128 126 126

HSL 0, 0.01%, 0.5%

LAB 52.97, 0.75, 0.26

 

CMYK 27 / 3 / 0 / 42

HEX #6B8F93

RGB 107 143 147

HSL 186, 0.16%, 0.5%

LAB 56.96, -11.46, -6.2

 

CMYK 48 / 4 / 0 / 35

HEX #57A0A7

RGB 87 160 167

HSL 185.25, 0.31%, 0.5%

LAB 61.62, -20.85, -10.72

 

CMYK 65 / 6 / 0 / 26

HEX #42B1BC

RGB 66 177 188

HSL 185.41, 0.48%, 0.5%

LAB 66.7, -27.59, -14.89

 

CMYK 0 / 30 / 16 / 42

HEX #95697D

RGB 149 105 125

HSL 332.73, 0.17%, 0.5%

LAB 49.46, 20.81, -4.06

 

CMYK 0 / 30 / 24 / 42

HEX #956971

RGB 149 105 113

HSL 349.09, 0.17%, 0.5%

LAB 49.11, 18.84, 2.58

 

CMYK 0 / 27 / 30 / 42

HEX #956D69

RGB 149 109 105

HSL 5.45, 0.17%, 0.5%

LAB 49.91, 15.32, 8.48

 

CMYK 0 / 19 / 30 / 42

HEX #957869

RGB 149 120 105

HSL 20.45, 0.17%, 0.5%

LAB 52.78, 8.96, 12.5

 

CMYK 0 / 11 / 30 / 42

HEX #958469

RGB 149 132 105

HSL 36.82, 0.17%, 0.5%

LAB 56, 2.12, 16.96

 

CMYK 0 / 26 / 29 / 61

HEX #644A47

RGB 100 74 71

HSL 6.21, 0.17%, 0.34%

LAB 34.11, 10.56, 6.08

 

CMYK 0 / 26 / 30 / 51

HEX #7D5C58

RGB 125 92 88

HSL 6.49, 0.17%, 0.42%

LAB 42.34, 12.9, 7.58

 

CMYK 0 / 27 / 30 / 42

HEX #956D69

RGB 149 109 105

HSL 5.45, 0.17%, 0.5%

LAB 49.91, 15.32, 8.48

 

CMYK 0 / 20 / 22 / 35

HEX #A68581

RGB 166 133 129

HSL 6.49, 0.17%, 0.58%

LAB 58.48, 11.97, 6.93

 

CMYK 0 / 15 / 16 / 28

HEX #B79C9A

RGB 183 156 154

HSL 4.14, 0.17%, 0.66%

LAB 66.66, 9.63, 4.74

 

CMYK 0 / 27 / 29 / 41

HEX #966E6A

RGB 150 110 106

HSL 5.45, 0.17%, 0.5%

LAB 50.31, 15.29, 8.46

 

CMYK 9 / 0 / 30 / 42

HEX #889569

RGB 136 149 105

HSL 77.73, 0.17%, 0.5%

LAB 59.66, -12.53, 21.74

 

CMYK 30 / 20 / 0 / 42

HEX #697795

RGB 105 119 149

HSL 220.91, 0.17%, 0.5%

LAB 49.94, 2.1, -17.94

 

CMYK 0 / 27 / 29 / 41

HEX #966E6A

RGB 150 110 106

HSL 5.45, 0.17%, 0.5%

LAB 50.31, 15.29, 8.46

 

CMYK 30 / 0 / 27 / 42

HEX #69956D

RGB 105 149 109

HSL 125.45, 0.17%, 0.5%

LAB 57.66, -23.44, 16.44

 

CMYK 27 / 30 / 0 / 42

HEX #6D6995

RGB 109 105 149

HSL 245.45, 0.17%, 0.5%

LAB 46.34, 11.79, -23.44

 

CMYK 0 / 27 / 29 / 41

HEX #966E6A

RGB 150 110 106

HSL 5.45, 0.17%, 0.5%

LAB 50.31, 15.29, 8.46

 

CMYK 9 / 0 / 30 / 42

HEX #889569

RGB 136 149 105

HSL 77.73, 0.17%, 0.5%

LAB 59.66, -12.53, 21.74

 

CMYK 30 / 3 / 0 / 42

HEX #699195

RGB 105 145 149

HSL 185.45, 0.17%, 0.5%

LAB 57.49, -12.69, -6.57

 

CMYK 21 / 30 / 0 / 42

HEX #766995

RGB 118 105 149

HSL 257.73, 0.17%, 0.5%

LAB 47.14, 14.71, -22.15

 

CMYK 0 / 27 / 29 / 41

HEX #966E6A

RGB 150 110 106

HSL 5.45, 0.17%, 0.5%

LAB 50.31, 15.29, 8.46

 

CMYK 17 / 0 / 30 / 42

HEX #7B9569

RGB 123 149 105

HSL 95.45, 0.17%, 0.5%

LAB 58.72, -17.58, 20.31

 

CMYK 30 / 3 / 0 / 42

HEX #699195

RGB 105 145 149

HSL 185.45, 0.17%, 0.5%

LAB 57.49, -12.69, -6.57

 

CMYK 12 / 30 / 0 / 42

HEX #836995

RGB 131 105 149

HSL 275.45, 0.17%, 0.5%

LAB 48.38, 19.07, -20.12

 

Description

Color code: HEX #966E6A | qconv.com Color code: HEX #966E6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 110 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 110 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 29 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 29% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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