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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96590B it is the complementary color #69A6F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96590B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96590B shade: #9B5906, #AC6B19, #BD7D2C, #CE8F3F and #DFA152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96590B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96590B shade: #96590B, #854700, #743500, #632300 and #521100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96590B shade: #975A0B, #97340B, #970E0B and #970B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96590B shade: #975A0B, #97800B, #89970B, #63970B and #3D970B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96590B shade matches the following richer shades: #975A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96590B shade: #975A0B, #8A5818, #7D5625, #705533 and #625340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96590B shade: #970D0B, #97330B, #97580B, #977E0B and #8C970B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96590B shade: #4B2C05, #714308, #975A0B, #BE700E and #E48711

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96590B shade: #96590B, #2E970B and #200B97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96590B shade: #96590B, #0B9758 and #580B97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96590B shade: #96590B, #2E970B, #0B4A97 and #740B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96590B shade: #96590B, #0B9712, #0B4A97 and #970B90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 93 / 41

HEX #96590B

RGB 150 89 11

HSL 33.67, 0.86%, 0.32%

LAB 43.73, 19.82, 49.37

 

Complementary color

CMYK 57 / 32 / 0 / 4

HEX #69A6F4

RGB 105 166 244

HSL 213.67, 0.86%, 0.68%

LAB 67.13, 2.73, -44.92

 

CMYK 0 / 43 / 96 / 39

HEX #9B5906

RGB 155 89 6

HSL 33.42, 0.93%, 0.32%

LAB 44.41, 21.99, 51.42

 

CMYK 0 / 38 / 85 / 33

HEX #AC6B19

RGB 172 107 25

HSL 33.47, 0.75%, 0.39%

LAB 51.1, 19.83, 52.27

 

CMYK 0 / 34 / 77 / 26

HEX #BD7D2C

RGB 189 125 44

HSL 33.52, 0.62%, 0.46%

LAB 57.72, 17.97, 51.76

 

CMYK 0 / 31 / 69 / 19

HEX #CE8F3F

RGB 206 143 63

HSL 33.57, 0.59%, 0.53%

LAB 64.26, 16.38, 50.65

 

CMYK 0 / 28 / 63 / 13

HEX #DFA152

RGB 223 161 82

HSL 33.62, 0.69%, 0.6%

LAB 70.72, 15.02, 49.32

 

CMYK 0 / 41 / 93 / 41

HEX #96590B

RGB 150 89 11

HSL 33.67, 0.86%, 0.32%

LAB 43.73, 19.82, 49.37

 

CMYK 0 / 47 / 100 / 48

HEX #854700

RGB 133 71 0

HSL 32.03, 1%, 0.26%

LAB 36.92, 22.23, 46.68

 

CMYK 0 / 54 / 100 / 55

HEX #743500

RGB 116 53 0

HSL 27.41, 1%, 0.23%

LAB 30.06, 24.86, 40.93

 

CMYK 0 / 65 / 100 / 61

HEX #632300

RGB 99 35 0

HSL 21.21, 1%, 0.19%

LAB 23.19, 27.34, 33.66

 

CMYK 0 / 79 / 100 / 68

HEX #521100

RGB 82 17 0

HSL 12.44, 1%, 0.16%

LAB 16.48, 29.16, 25.12

 

CMYK 0 / 40 / 93 / 41

HEX #975A0B

RGB 151 90 11

HSL 33.86, 0.86%, 0.32%

LAB 44.11, 19.7, 49.72

 

CMYK 0 / 66 / 93 / 41

HEX #97340B

RGB 151 52 11

HSL 17.57, 0.86%, 0.32%

LAB 36.1, 39.82, 43.83

 

CMYK 0 / 91 / 93 / 41

HEX #970E0B

RGB 151 14 11

HSL 1.29, 0.86%, 0.32%

LAB 31.62, 52.23, 40.67

 

CMYK 0 / 93 / 93 / 41

HEX #970B0B

RGB 151 11 11

HSL 0, 0.86%, 0.32%

LAB 31.45, 52.73, 40.55

 

CMYK 0 / 40 / 93 / 41

HEX #975A0B

RGB 151 90 11

HSL 33.86, 0.86%, 0.32%

LAB 44.11, 19.7, 49.72

 

CMYK 0 / 15 / 93 / 41

HEX #97800B

RGB 151 128 11

HSL 50.14, 0.86%, 0.32%

LAB 54.07, -1.97, 57.29

 

CMYK 9 / 0 / 93 / 41

HEX #89970B

RGB 137 151 11

HSL 66, 0.86%, 0.32%

LAB 59.41, -20.67, 60.93

 

CMYK 34 / 0 / 93 / 41

HEX #63970B

RGB 99 151 11

HSL 82.29, 0.86%, 0.32%

LAB 56.89, -36.54, 57.84

 

CMYK 60 / 0 / 93 / 41

HEX #3D970B

RGB 61 151 11

HSL 98.57, 0.86%, 0.32%

LAB 55.23, -49.05, 55.78

 

CMYK 0 / 40 / 93 / 41

HEX #975A0B

RGB 151 90 11

HSL 33.86, 0.86%, 0.32%

LAB 44.11, 19.7, 49.72

 

CMYK 0 / 40 / 93 / 41

HEX #975A0B

RGB 151 90 11

HSL 33.86, 0.86%, 0.32%

LAB 44.11, 19.7, 49.72

 

CMYK 0 / 36 / 83 / 46

HEX #8A5818

RGB 138 88 24

HSL 33.68, 0.7%, 0.32%

LAB 41.92, 15.25, 42.85

 

CMYK 0 / 31 / 70 / 51

HEX #7D5625

RGB 125 86 37

HSL 33.41, 0.54%, 0.32%

LAB 39.83, 11.01, 34.13

 

CMYK 0 / 24 / 54 / 56

HEX #705533

RGB 112 85 51

HSL 33.44, 0.37%, 0.32%

LAB 38.16, 6.66, 24.02

 

CMYK 0 / 15 / 35 / 62

HEX #625340

RGB 98 83 64

HSL 33.53, 0.21%, 0.32%

LAB 36.28, 3.03, 13.44

 

CMYK 0 / 91 / 93 / 41

HEX #970D0B

RGB 151 13 11

HSL 0.86, 0.86%, 0.32%

LAB 31.56, 52.4, 40.63

 

CMYK 0 / 66 / 93 / 41

HEX #97330B

RGB 151 51 11

HSL 17.14, 0.86%, 0.32%

LAB 35.93, 40.27, 43.7

 

CMYK 0 / 42 / 93 / 41

HEX #97580B

RGB 151 88 11

HSL 33, 0.86%, 0.32%

LAB 43.63, 20.84, 49.36

 

CMYK 0 / 17 / 93 / 41

HEX #977E0B

RGB 151 126 11

HSL 49.29, 0.86%, 0.32%

LAB 53.52, -0.86, 56.87

 

CMYK 7 / 0 / 93 / 41

HEX #8C970B

RGB 140 151 11

HSL 64.71, 0.86%, 0.32%

LAB 59.65, -19.34, 61.21

 

CMYK 0 / 41 / 93 / 71

HEX #4B2C05

RGB 75 44 5

HSL 33.43, 0.88%, 0.16%

LAB 21.24, 10.9, 28.32

 

CMYK 0 / 41 / 93 / 56

HEX #714308

RGB 113 67 8

HSL 33.71, 0.87%, 0.24%

LAB 33.01, 15.46, 39.77

 

CMYK 0 / 40 / 93 / 41

HEX #975A0B

RGB 151 90 11

HSL 33.86, 0.86%, 0.32%

LAB 44.11, 19.7, 49.72

 

CMYK 0 / 41 / 93 / 25

HEX #BE700E

RGB 190 112 14

HSL 33.41, 0.86%, 0.4%

LAB 54.62, 24.71, 59.14

 

CMYK 0 / 41 / 93 / 11

HEX #E48711

RGB 228 135 17

HSL 33.55, 0.86%, 0.48%

LAB 64.85, 28.55, 68.18

 

CMYK 0 / 41 / 93 / 41

HEX #96590B

RGB 150 89 11

HSL 33.67, 0.86%, 0.32%

LAB 43.73, 19.82, 49.37

 

CMYK 70 / 0 / 93 / 41

HEX #2E970B

RGB 46 151 11

HSL 105, 0.86%, 0.32%

LAB 54.8, -52.59, 55.26

 

CMYK 79 / 93 / 0 / 41

HEX #200B97

RGB 32 11 151

HSL 249, 0.86%, 0.32%

LAB 19.14, 50.88, -68.8

 

CMYK 0 / 41 / 93 / 41

HEX #96590B

RGB 150 89 11

HSL 33.67, 0.86%, 0.32%

LAB 43.73, 19.82, 49.37

 

CMYK 93 / 0 / 42 / 41

HEX #0B9758

RGB 11 151 88

HSL 153, 0.86%, 0.32%

LAB 54.98, -48.55, 23.97

 

CMYK 42 / 93 / 0 / 41

HEX #580B97

RGB 88 11 151

HSL 273, 0.86%, 0.32%

LAB 25.41, 55.42, -58.23

 

CMYK 0 / 41 / 93 / 41

HEX #96590B

RGB 150 89 11

HSL 33.67, 0.86%, 0.32%

LAB 43.73, 19.82, 49.37

 

CMYK 70 / 0 / 93 / 41

HEX #2E970B

RGB 46 151 11

HSL 105, 0.86%, 0.32%

LAB 54.8, -52.59, 55.26

 

CMYK 93 / 51 / 0 / 41

HEX #0B4A97

RGB 11 74 151

HSL 213, 0.86%, 0.32%

LAB 32.26, 12.65, -47.27

 

CMYK 23 / 93 / 0 / 41

HEX #740B97

RGB 116 11 151

HSL 285, 0.86%, 0.32%

LAB 29.88, 59.25, -50.74

 

CMYK 0 / 41 / 93 / 41

HEX #96590B

RGB 150 89 11

HSL 33.67, 0.86%, 0.32%

LAB 43.73, 19.82, 49.37

 

CMYK 93 / 0 / 88 / 41

HEX #0B9712

RGB 11 151 18

HSL 123, 0.86%, 0.32%

LAB 54.29, -57.01, 53.24

 

CMYK 93 / 51 / 0 / 41

HEX #0B4A97

RGB 11 74 151

HSL 213, 0.86%, 0.32%

LAB 32.26, 12.65, -47.27

 

CMYK 0 / 93 / 5 / 41

HEX #970B90

RGB 151 11 144

HSL 303, 0.86%, 0.32%

LAB 35.66, 64.02, -36.81

 

Description

Color code: HEX #96590B | qconv.com Color code: HEX #96590B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 89 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 89 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 93 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 93% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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