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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965465 it is the complementary color #69AB9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965465. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965465 shade: #9B5460, #AC6673, #BD7886, #CE8A99 and #DF9CAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965465. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965465 shade: #965465, #854252, #74303F, #631E2C and #520C19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965465 shade: #965465 and #965454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965465 shade: #965465, #965477, #965488, #915496 and #805496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965465 shade matches the following richer shades: #965465, #A9415C, #BC2E52, #CF1B49 and #E20840

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965465 shade: #965465, #83676E, #707A77, #5D8D80 and #4AA08A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965465 shade: #965489, #965477, #965465, #965454 and #966554

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965465 shade: #613641, #7B4553, #965465, #AA697A and #B98391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965465 shade: #965465, #969154 and #548096

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965465 shade: #965465, #659654 and #546596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965465 shade: #965465, #969154, #549684 and #545896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965465 shade: #965465, #869654, #549684 and #635496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

Complementary color

CMYK 39 / 0 / 10 / 33

HEX #69AB9A

RGB 105 171 154

HSL 164.55, 0.28%, 0.54%

LAB 65.33, -25.06, 2.13

 

CMYK 0 / 46 / 38 / 39

HEX #9B5460

RGB 155 84 96

HSL 349.86, 0.3%, 0.47%

LAB 44.45, 30.75, 6.24

 

CMYK 0 / 41 / 33 / 33

HEX #AC6673

RGB 172 102 115

HSL 348.86, 0.3%, 0.54%

LAB 51.28, 29.76, 4.88

 

CMYK 0 / 37 / 29 / 26

HEX #BD7886

RGB 189 120 134

HSL 347.83, 0.34%, 0.61%

LAB 58.01, 28.84, 3.72

 

CMYK 0 / 33 / 26 / 19

HEX #CE8A99

RGB 206 138 153

HSL 346.76, 0.41%, 0.67%

LAB 64.64, 28.01, 2.69

 

CMYK 0 / 30 / 23 / 13

HEX #DF9CAC

RGB 223 156 172

HSL 345.67, 0.51%, 0.74%

LAB 71.18, 27.24, 1.77

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 50 / 38 / 48

HEX #854252

RGB 133 66 82

HSL 345.67, 0.34%, 0.39%

LAB 36.92, 30.48, 3.72

 

CMYK 0 / 59 / 46 / 55

HEX #74303F

RGB 116 48 63

HSL 346.76, 0.41%, 0.32%

LAB 29.88, 31.47, 5.55

 

CMYK 0 / 70 / 56 / 61

HEX #631E2C

RGB 99 30 44

HSL 347.83, 0.53%, 0.25%

LAB 22.87, 32.24, 8.06

 

CMYK 0 / 85 / 70 / 68

HEX #520C19

RGB 82 12 25

HSL 348.86, 0.74%, 0.18%

LAB 16.14, 32.23, 11.78

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 44 / 44 / 41

HEX #965454

RGB 150 84 84

HSL 0, 0.28%, 0.46%

LAB 43.46, 27.35, 12.06

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 44 / 21 / 41

HEX #965477

RGB 150 84 119

HSL 328.18, 0.28%, 0.46%

LAB 44.46, 32.16, -7.88

 

CMYK 0 / 44 / 9 / 41

HEX #965488

RGB 150 84 136

HSL 312.73, 0.28%, 0.46%

LAB 45.08, 35.05, -17.23

 

CMYK 3 / 44 / 0 / 41

HEX #915496

RGB 145 84 150

HSL 295.45, 0.28%, 0.46%

LAB 45.03, 36.08, -25.77

 

CMYK 15 / 44 / 0 / 41

HEX #805496

RGB 128 84 150

HSL 280, 0.28%, 0.46%

LAB 42.96, 30.72, -29.15

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 62 / 46 / 34

HEX #A9415C

RGB 169 65 92

HSL 344.42, 0.44%, 0.46%

LAB 42.75, 45.09, 6.56

 

CMYK 0 / 76 / 56 / 26

HEX #BC2E52

RGB 188 46 82

HSL 344.79, 0.61%, 0.46%

LAB 43.14, 57.72, 13.84

 

CMYK 0 / 87 / 65 / 19

HEX #CF1B49

RGB 207 27 73

HSL 344.67, 0.77%, 0.46%

LAB 44.98, 67.14, 22.55

 

CMYK 0 / 96 / 72 / 11

HEX #E20840

RGB 226 8 64

HSL 344.59, 0.93%, 0.46%

LAB 47.9, 73.78, 32.52

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 21 / 16 / 49

HEX #83676E

RGB 131 103 110

HSL 345, 0.12%, 0.46%

LAB 46.51, 12.39, 0.35

 

CMYK 8 / 0 / 2 / 52

HEX #707A77

RGB 112 122 119

HSL 162, 0.04%, 0.46%

LAB 50.33, -4.35, 0.36

 

CMYK 34 / 0 / 9 / 45

HEX #5D8D80

RGB 93 141 128

HSL 163.75, 0.21%, 0.46%

LAB 55.01, -19.27, 1.77

 

CMYK 54 / 0 / 14 / 37

HEX #4AA08A

RGB 74 160 138

HSL 164.65, 0.37%, 0.46%

LAB 60.28, -31.47, 3.61

 

CMYK 0 / 44 / 9 / 41

HEX #965489

RGB 150 84 137

HSL 311.82, 0.28%, 0.46%

LAB 45.12, 35.23, -17.77

 

CMYK 0 / 44 / 21 / 41

HEX #965477

RGB 150 84 119

HSL 328.18, 0.28%, 0.46%

LAB 44.46, 32.16, -7.88

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 44 / 44 / 41

HEX #965454

RGB 150 84 84

HSL 0, 0.28%, 0.46%

LAB 43.46, 27.35, 12.06

 

CMYK 0 / 33 / 44 / 41

HEX #966554

RGB 150 101 84

HSL 15.45, 0.28%, 0.46%

LAB 47.54, 17.63, 17.64

 

CMYK 0 / 44 / 33 / 62

HEX #613641

RGB 97 54 65

HSL 344.65, 0.28%, 0.3%

LAB 28.28, 20.74, 1.55

 

CMYK 0 / 44 / 33 / 52

HEX #7B4553

RGB 123 69 83

HSL 344.44, 0.28%, 0.38%

LAB 36.16, 25.01, 1.81

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 38 / 28 / 33

HEX #AA697A

RGB 170 105 122

HSL 344.31, 0.28%, 0.54%

LAB 51.9, 28.3, 1.59

 

CMYK 0 / 29 / 22 / 27

HEX #B98391

RGB 185 131 145

HSL 344.44, 0.28%, 0.62%

LAB 60.42, 22.86, 0.82

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 3 / 44 / 41

HEX #969154

RGB 150 145 84

HSL 55.45, 0.28%, 0.46%

LAB 59.32, -7.3, 32.94

 

CMYK 44 / 15 / 0 / 41

HEX #548096

RGB 84 128 150

HSL 200, 0.28%, 0.46%

LAB 51.3, -9.02, -16.57

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 33 / 0 / 44 / 41

HEX #659654

RGB 101 150 84

HSL 104.55, 0.28%, 0.46%

LAB 57.29, -29.44, 29.64

 

CMYK 44 / 33 / 0 / 41

HEX #546596

RGB 84 101 150

HSL 224.55, 0.28%, 0.46%

LAB 43.35, 7.06, -28.83

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 3 / 44 / 41

HEX #969154

RGB 150 145 84

HSL 55.45, 0.28%, 0.46%

LAB 59.32, -7.3, 32.94

 

CMYK 44 / 0 / 12 / 41

HEX #549684

RGB 84 150 132

HSL 163.64, 0.28%, 0.46%

LAB 57.43, -25.55, 2.94

 

CMYK 44 / 41 / 0 / 41

HEX #545896

RGB 84 88 150

HSL 236.36, 0.28%, 0.46%

LAB 39.69, 15.24, -34.59

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 11 / 0 / 44 / 41

HEX #869654

RGB 134 150 84

HSL 74.55, 0.28%, 0.46%

LAB 59.45, -16.67, 32.83

 

CMYK 44 / 0 / 12 / 41

HEX #549684

RGB 84 150 132

HSL 163.64, 0.28%, 0.46%

LAB 57.43, -25.55, 2.94

 

CMYK 34 / 44 / 0 / 41

HEX #635496

RGB 99 84 150

HSL 253.64, 0.28%, 0.46%

LAB 39.91, 21.95, -34.16

 

Description

Color code: HEX #965465 | qconv.com Color code: HEX #965465 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 84 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 84 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 33 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 33% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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