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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #964ED3 it is the complementary color #69B12C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #964ED3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #964ED3 shade: #9B4ECE, #AC60E1, #BD72F4, #CE84FF and #DF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #964ED3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #964ED3 shade: #964ED3, #853CC0, #742AAD, #63189A and #520687

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #964ED3 shade: #964FD3, #BA4FD3, #D34FC8, #D34FA5 and #D34F81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #964ED3 shade: #964FD3, #734FD3, #4F4FD3 and #4F4FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #964ED3 shade matches the following richer shades: #964FD3, #983DE4 and #992CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #964ED3 shade: #964FD3, #9561C1, #9373AF, #92849D and #90968C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #964ED3 shade: #4F4FD3, #724FD3, #954FD3, #B84FD3 and #D34FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #964ED3 shade: #6D29A6, #8231C7, #964FD3, #AA70DB and #BE91E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #964ED3 shade: #964ED3, #D34F72 and #4FD361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #964ED3 shade: #964ED3, #D3954F and #4FD395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #964ED3 shade: #964ED3, #D34F72, #8CD34F and #4FD3B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #964ED3 shade: #964ED3, #D3534F, #8CD34F and #4FCED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 63 / 0 / 17

HEX #964ED3

RGB 150 78 211

HSL 272.48, 0.6%, 0.57%

LAB 47.8, 53.94, -57.02

 

Complementary color

CMYK 41 / 0 / 75 / 31

HEX #69B12C

RGB 105 177 44

HSL 92.48, 0.6%, 0.43%

LAB 65.46, -44.11, 57

 

CMYK 25 / 62 / 0 / 19

HEX #9B4ECE

RGB 155 78 206

HSL 276.09, 0.57%, 0.56%

LAB 48.1, 53.93, -53.64

 

CMYK 24 / 57 / 0 / 12

HEX #AC60E1

RGB 172 96 225

HSL 275.35, 0.68%, 0.63%

LAB 54.63, 53.22, -53.87

 

CMYK 23 / 53 / 0 / 4

HEX #BD72F4

RGB 189 114 244

HSL 274.62, 0.86%, 0.7%

LAB 61.12, 52.41, -54.02

 

CMYK 19 / 48 / 0 / 0

HEX #CE84FF

RGB 206 132 255

HSL 276.1, 1%, 0.76%

LAB 67.16, 49.85, -50.37

 

CMYK 13 / 41 / 0 / 0

HEX #DF96FF

RGB 223 150 255

HSL 281.71, 1%, 0.79%

LAB 72.71, 45.09, -41.53

 

CMYK 29 / 63 / 0 / 17

HEX #964ED3

RGB 150 78 211

HSL 272.48, 0.6%, 0.57%

LAB 47.8, 53.94, -57.02

 

CMYK 31 / 69 / 0 / 25

HEX #853CC0

RGB 133 60 192

HSL 273.18, 0.52%, 0.49%

LAB 41.25, 54.54, -56.7

 

CMYK 33 / 76 / 0 / 32

HEX #742AAD

RGB 116 42 173

HSL 273.89, 0.61%, 0.42%

LAB 34.77, 54.75, -56.09

 

CMYK 36 / 84 / 0 / 40

HEX #63189A

RGB 99 24 154

HSL 274.62, 0.73%, 0.35%

LAB 28.48, 54.16, -54.97

 

CMYK 39 / 96 / 0 / 47

HEX #520687

RGB 82 6 135

HSL 275.35, 0.91%, 0.28%

LAB 22.56, 52.16, -52.99

 

CMYK 29 / 63 / 0 / 17

HEX #964FD3

RGB 150 79 211

HSL 272.27, 0.6%, 0.57%

LAB 47.98, 53.44, -56.73

 

CMYK 12 / 63 / 0 / 17

HEX #BA4FD3

RGB 186 79 211

HSL 288.64, 0.6%, 0.57%

LAB 52.66, 61.77, -48.98

 

CMYK 0 / 63 / 5 / 17

HEX #D34FC8

RGB 211 79 200

HSL 305, 0.6%, 0.57%

LAB 55.7, 65.93, -37.66

 

CMYK 0 / 63 / 22 / 17

HEX #D34FA5

RGB 211 79 165

HSL 320.91, 0.6%, 0.57%

LAB 54.19, 60.71, -19.73

 

CMYK 0 / 63 / 39 / 17

HEX #D34F81

RGB 211 79 129

HSL 337.27, 0.6%, 0.57%

LAB 52.98, 56.3, -0.28

 

CMYK 29 / 63 / 0 / 17

HEX #964FD3

RGB 150 79 211

HSL 272.27, 0.6%, 0.57%

LAB 47.98, 53.44, -56.73

 

CMYK 45 / 63 / 0 / 17

HEX #734FD3

RGB 115 79 211

HSL 256.36, 0.6%, 0.57%

LAB 44.15, 45.98, -63.11

 

CMYK 63 / 63 / 0 / 17

HEX #4F4FD3

RGB 79 79 211

HSL 240, 0.6%, 0.57%

LAB 41.15, 39.62, -68.12

 

CMYK 63 / 63 / 0 / 17

HEX #4F4FD3

RGB 79 79 211

HSL 240, 0.6%, 0.57%

LAB 41.15, 39.62, -68.12

 

CMYK 29 / 63 / 0 / 17

HEX #964FD3

RGB 150 79 211

HSL 272.27, 0.6%, 0.57%

LAB 47.98, 53.44, -56.73

 

CMYK 33 / 73 / 0 / 11

HEX #983DE4

RGB 152 61 228

HSL 272.69, 0.76%, 0.57%

LAB 46.46, 65.89, -68.86

 

CMYK 38 / 82 / 0 / 4

HEX #992CF6

RGB 153 44 246

HSL 272.38, 0.92%, 0.57%

LAB 45.94, 75.96, -79.86

 

CMYK 29 / 63 / 0 / 17

HEX #964FD3

RGB 150 79 211

HSL 272.27, 0.6%, 0.57%

LAB 47.98, 53.44, -56.73

 

CMYK 23 / 50 / 0 / 24

HEX #9561C1

RGB 149 97 193

HSL 272.5, 0.44%, 0.57%

LAB 50.44, 39.42, -42.47

 

CMYK 16 / 34 / 0 / 31

HEX #9373AF

RGB 147 115 175

HSL 272, 0.27%, 0.57%

LAB 53.56, 24.35, -27.21

 

CMYK 7 / 16 / 0 / 38

HEX #92849D

RGB 146 132 157

HSL 273.6, 0.11%, 0.57%

LAB 57.12, 10.19, -11.39

 

CMYK 4 / 0 / 7 / 41

HEX #90968C

RGB 144 150 140

HSL 96, 0.05%, 0.57%

LAB 61.34, -4.1, 4.51

 

CMYK 63 / 63 / 0 / 17

HEX #4F4FD3

RGB 79 79 211

HSL 240, 0.6%, 0.57%

LAB 41.15, 39.62, -68.12

 

CMYK 46 / 63 / 0 / 17

HEX #724FD3

RGB 114 79 211

HSL 255.91, 0.6%, 0.57%

LAB 44.05, 45.79, -63.28

 

CMYK 29 / 63 / 0 / 17

HEX #954FD3

RGB 149 79 211

HSL 271.82, 0.6%, 0.57%

LAB 47.86, 53.21, -56.93

 

CMYK 13 / 63 / 0 / 17

HEX #B84FD3

RGB 184 79 211

HSL 287.73, 0.6%, 0.57%

LAB 52.38, 61.3, -49.44

 

CMYK 0 / 63 / 4 / 17

HEX #D34FCA

RGB 211 79 202

HSL 304.09, 0.6%, 0.57%

LAB 55.79, 66.25, -38.65

 

CMYK 34 / 75 / 0 / 35

HEX #6D29A6

RGB 109 41 166

HSL 272.64, 0.6%, 0.41%

LAB 33.11, 52.25, -54.64

 

CMYK 35 / 75 / 0 / 22

HEX #8231C7

RGB 130 49 199

HSL 272.4, 0.6%, 0.49%

LAB 39.69, 60.35, -63.34

 

CMYK 29 / 63 / 0 / 17

HEX #964FD3

RGB 150 79 211

HSL 272.27, 0.6%, 0.57%

LAB 47.98, 53.44, -56.73

 

CMYK 22 / 49 / 0 / 14

HEX #AA70DB

RGB 170 112 219

HSL 272.52, 0.6%, 0.65%

LAB 57.32, 42.9, -46.24

 

CMYK 16 / 36 / 0 / 11

HEX #BE91E3

RGB 190 145 227

HSL 272.93, 0.59%, 0.73%

LAB 67.08, 32.23, -35.23

 

CMYK 29 / 63 / 0 / 17

HEX #964ED3

RGB 150 78 211

HSL 272.48, 0.6%, 0.57%

LAB 47.8, 53.94, -57.02

 

CMYK 0 / 63 / 46 / 17

HEX #D34F72

RGB 211 79 114

HSL 344.09, 0.6%, 0.57%

LAB 52.57, 54.78, 8.09

 

CMYK 63 / 0 / 54 / 17

HEX #4FD361

RGB 79 211 97

HSL 128.18, 0.6%, 0.57%

LAB 75.52, -59.14, 45.49

 

CMYK 29 / 63 / 0 / 17

HEX #964ED3

RGB 150 78 211

HSL 272.48, 0.6%, 0.57%

LAB 47.8, 53.94, -57.02

 

CMYK 0 / 29 / 63 / 17

HEX #D3954F

RGB 211 149 79

HSL 31.82, 0.6%, 0.57%

LAB 66.45, 16.23, 45.55

 

CMYK 63 / 0 / 29 / 17

HEX #4FD395

RGB 79 211 149

HSL 151.82, 0.6%, 0.57%

LAB 76.33, -50.33, 20.27

 

CMYK 29 / 63 / 0 / 17

HEX #964ED3

RGB 150 78 211

HSL 272.48, 0.6%, 0.57%

LAB 47.8, 53.94, -57.02

 

CMYK 0 / 63 / 46 / 17

HEX #D34F72

RGB 211 79 114

HSL 344.09, 0.6%, 0.57%

LAB 52.57, 54.78, 8.09

 

CMYK 34 / 0 / 63 / 17

HEX #8CD34F

RGB 140 211 79

HSL 92.27, 0.6%, 0.57%

LAB 77.71, -43.79, 56.69

 

CMYK 63 / 0 / 17 / 17

HEX #4FD3B0

RGB 79 211 176

HSL 164.09, 0.6%, 0.57%

LAB 76.91, -44.31, 6.74

 

CMYK 29 / 63 / 0 / 17

HEX #964ED3

RGB 150 78 211

HSL 272.48, 0.6%, 0.57%

LAB 47.8, 53.94, -57.02

 

CMYK 0 / 61 / 63 / 17

HEX #D3534F

RGB 211 83 79

HSL 1.82, 0.6%, 0.57%

LAB 52.51, 50.24, 28.73

 

CMYK 34 / 0 / 63 / 17

HEX #8CD34F

RGB 140 211 79

HSL 92.27, 0.6%, 0.57%

LAB 77.71, -43.79, 56.69

 

CMYK 63 / 2 / 0 / 17

HEX #4FCED3

RGB 79 206 211

HSL 182.27, 0.6%, 0.57%

LAB 76.38, -32.93, -12.86

 

Description

Color code: HEX #964ED3 | qconv.com Color code: HEX #964ED3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 78 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 78 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 63 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 63% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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