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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #964197 it is the complementary color #69BE68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #964197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #964197 shade: #9B4192, #AC53A5, #BD65B8, #CE77CB and #DF89DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #964197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #964197 shade: #964197, #852F84, #741D71, #630B5E and #52004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #964197 shade: #944095, #95407F, #954068, #954051 and #954040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #964197 shade: #944095, #7D4095, #664095, #4F4095 and #404095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #964197 shade matches the following richer shades: #944095, #A52EA7, #B61DB8 and #C70CC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #964197 shade: #944095, #845184, #736273, #627461 and #518550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #964197 shade: #664095, #7D4095, #944095, #954080 and #954069

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #964197 shade: #5B275C, #783379, #944095, #B14CB2 and #BE69BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #964197 shade: #964197, #954F40 and #409572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #964197 shade: #964197, #959440 and #409594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #964197 shade: #964197, #954F40, #419540 and #408695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #964197 shade: #964197, #956940, #419540 and #406C95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 57 / 0 / 41

HEX #964197

RGB 150 65 151

HSL 299.3, 0.4%, 0.42%

LAB 42, 47.67, -31.05

 

Complementary color

CMYK 45 / 0 / 45 / 25

HEX #69BE68

RGB 105 190 104

HSL 119.3, 0.4%, 0.58%

LAB 70.06, -43.32, 35.51

 

CMYK 0 / 58 / 6 / 39

HEX #9B4192

RGB 155 65 146

HSL 306, 0.41%, 0.43%

LAB 42.5, 48.18, -27.2

 

CMYK 0 / 52 / 4 / 33

HEX #AC53A5

RGB 172 83 165

HSL 304.72, 0.35%, 0.5%

LAB 49.1, 47.67, -28.07

 

CMYK 0 / 47 / 3 / 26

HEX #BD65B8

RGB 189 101 184

HSL 303.41, 0.4%, 0.57%

LAB 55.67, 47.02, -28.74

 

CMYK 0 / 42 / 1 / 19

HEX #CE77CB

RGB 206 119 203

HSL 302.07, 0.47%, 0.64%

LAB 62.19, 46.3, -29.3

 

CMYK 0 / 39 / 0 / 13

HEX #DF89DE

RGB 223 137 222

HSL 300.7, 0.57%, 0.71%

LAB 68.64, 45.56, -29.77

 

CMYK 1 / 57 / 0 / 41

HEX #964197

RGB 150 65 151

HSL 299.3, 0.4%, 0.42%

LAB 42, 47.67, -31.05

 

CMYK 0 / 65 / 1 / 48

HEX #852F84

RGB 133 47 132

HSL 300.7, 0.48%, 0.35%

LAB 35.37, 47.89, -30.06

 

CMYK 0 / 75 / 3 / 55

HEX #741D71

RGB 116 29 113

HSL 302.07, 0.6%, 0.28%

LAB 28.86, 47.48, -28.59

 

CMYK 0 / 89 / 5 / 61

HEX #630B5E

RGB 99 11 94

HSL 303.41, 0.8%, 0.22%

LAB 22.65, 45.78, -26.28

 

CMYK 0 / 100 / 9 / 68

HEX #52004B

RGB 82 0 75

HSL 305.12, 1%, 0.16%

LAB 17, 41.94, -22.65

 

CMYK 1 / 57 / 0 / 42

HEX #944095

RGB 148 64 149

HSL 299.29, 0.4%, 0.42%

LAB 41.43, 47.22, -30.77

 

CMYK 0 / 57 / 15 / 42

HEX #95407F

RGB 149 64 127

HSL 315.53, 0.4%, 0.42%

LAB 40.55, 43.67, -18.71

 

CMYK 0 / 57 / 30 / 42

HEX #954068

RGB 149 64 104

HSL 331.76, 0.4%, 0.42%

LAB 39.67, 40.22, -5.79

 

CMYK 0 / 57 / 46 / 42

HEX #954051

RGB 149 64 81

HSL 348, 0.4%, 0.42%

LAB 38.99, 37.41, 7.64

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 1 / 57 / 0 / 42

HEX #944095

RGB 148 64 149

HSL 299.29, 0.4%, 0.42%

LAB 41.43, 47.22, -30.77

 

CMYK 16 / 57 / 0 / 42

HEX #7D4095

RGB 125 64 149

HSL 283.06, 0.4%, 0.42%

LAB 38.19, 40.84, -36.09

 

CMYK 32 / 57 / 0 / 42

HEX #664095

RGB 102 64 149

HSL 266.82, 0.4%, 0.42%

LAB 35.32, 34.65, -40.83

 

CMYK 47 / 57 / 0 / 42

HEX #4F4095

RGB 79 64 149

HSL 250.59, 0.4%, 0.42%

LAB 32.92, 28.93, -44.82

 

CMYK 57 / 57 / 0 / 42

HEX #404095

RGB 64 64 149

HSL 240, 0.4%, 0.42%

LAB 31.64, 25.66, -46.95

 

CMYK 1 / 57 / 0 / 42

HEX #944095

RGB 148 64 149

HSL 299.29, 0.4%, 0.42%

LAB 41.43, 47.22, -30.77

 

CMYK 1 / 72 / 0 / 35

HEX #A52EA7

RGB 165 46 167

HSL 299.01, 0.57%, 0.42%

LAB 42.37, 62.07, -39.9

 

CMYK 1 / 84 / 0 / 28

HEX #B61DB8

RGB 182 29 184

HSL 299.23, 0.73%, 0.42%

LAB 44.64, 72.83, -46.18

 

CMYK 1 / 94 / 0 / 21

HEX #C70CC9

RGB 199 12 201

HSL 299.37, 0.89%, 0.42%

LAB 47.78, 80.81, -50.9

 

CMYK 1 / 57 / 0 / 42

HEX #944095

RGB 148 64 149

HSL 299.29, 0.4%, 0.42%

LAB 41.43, 47.22, -30.77

 

CMYK 0 / 39 / 0 / 48

HEX #845184

RGB 132 81 132

HSL 300, 0.24%, 0.42%

LAB 41.93, 29.91, -19.84

 

CMYK 0 / 15 / 0 / 55

HEX #736273

RGB 115 98 115

HSL 300, 0.08%, 0.42%

LAB 43.68, 10.12, -7.04

 

CMYK 16 / 0 / 16 / 55

HEX #627461

RGB 98 116 97

HSL 116.84, 0.09%, 0.42%

LAB 46.91, -10.67, 8.3

 

CMYK 39 / 0 / 40 / 48

HEX #518550

RGB 81 133 80

HSL 118.87, 0.25%, 0.42%

LAB 50.81, -28.85, 23.24

 

CMYK 32 / 57 / 0 / 42

HEX #664095

RGB 102 64 149

HSL 266.82, 0.4%, 0.42%

LAB 35.32, 34.65, -40.83

 

CMYK 16 / 57 / 0 / 42

HEX #7D4095

RGB 125 64 149

HSL 283.06, 0.4%, 0.42%

LAB 38.19, 40.84, -36.09

 

CMYK 1 / 57 / 0 / 42

HEX #944095

RGB 148 64 149

HSL 299.29, 0.4%, 0.42%

LAB 41.43, 47.22, -30.77

 

CMYK 0 / 57 / 14 / 42

HEX #954080

RGB 149 64 128

HSL 314.82, 0.4%, 0.42%

LAB 40.6, 43.84, -19.26

 

CMYK 0 / 57 / 30 / 42

HEX #954069

RGB 149 64 105

HSL 331.06, 0.4%, 0.42%

LAB 39.71, 40.36, -6.36

 

CMYK 1 / 58 / 0 / 64

HEX #5B275C

RGB 91 39 92

HSL 298.87, 0.4%, 0.26%

LAB 25.1, 32.14, -21.19

 

CMYK 1 / 58 / 0 / 53

HEX #783379

RGB 120 51 121

HSL 299.14, 0.41%, 0.34%

LAB 33.44, 40.36, -26.39

 

CMYK 1 / 57 / 0 / 42

HEX #944095

RGB 148 64 149

HSL 299.29, 0.4%, 0.42%

LAB 41.43, 47.22, -30.77

 

CMYK 1 / 57 / 0 / 30

HEX #B14CB2

RGB 177 76 178

HSL 299.41, 0.4%, 0.5%

LAB 49.17, 54.75, -35.54

 

CMYK 1 / 45 / 0 / 25

HEX #BE69BF

RGB 190 105 191

HSL 299.3, 0.4%, 0.58%

LAB 56.89, 46.54, -30.85

 

CMYK 1 / 57 / 0 / 41

HEX #964197

RGB 150 65 151

HSL 299.3, 0.4%, 0.42%

LAB 42, 47.67, -31.05

 

CMYK 0 / 47 / 57 / 42

HEX #954F40

RGB 149 79 64

HSL 10.59, 0.4%, 0.42%

LAB 41.77, 27.73, 21.9

 

CMYK 57 / 0 / 23 / 42

HEX #409572

RGB 64 149 114

HSL 155.29, 0.4%, 0.42%

LAB 55.89, -34.36, 10.87

 

CMYK 1 / 57 / 0 / 41

HEX #964197

RGB 150 65 151

HSL 299.3, 0.4%, 0.42%

LAB 42, 47.67, -31.05

 

CMYK 0 / 1 / 57 / 42

HEX #959440

RGB 149 148 64

HSL 59.29, 0.4%, 0.42%

LAB 59.83, -11.24, 43.68

 

CMYK 57 / 0 / 1 / 42

HEX #409594

RGB 64 149 148

HSL 179.29, 0.4%, 0.42%

LAB 56.8, -25.58, -7.21

 

CMYK 1 / 57 / 0 / 41

HEX #964197

RGB 150 65 151

HSL 299.3, 0.4%, 0.42%

LAB 42, 47.67, -31.05

 

CMYK 0 / 47 / 57 / 42

HEX #954F40

RGB 149 79 64

HSL 10.59, 0.4%, 0.42%

LAB 41.77, 27.73, 21.9

 

CMYK 56 / 0 / 57 / 42

HEX #419540

RGB 65 149 64

HSL 119.29, 0.4%, 0.42%

LAB 55.06, -43.17, 36.85

 

CMYK 57 / 10 / 0 / 42

HEX #408695

RGB 64 134 149

HSL 190.59, 0.4%, 0.42%

LAB 52.19, -17.46, -14.72

 

CMYK 1 / 57 / 0 / 41

HEX #964197

RGB 150 65 151

HSL 299.3, 0.4%, 0.42%

LAB 42, 47.67, -31.05

 

CMYK 0 / 30 / 57 / 42

HEX #956940

RGB 149 105 64

HSL 28.94, 0.4%, 0.42%

LAB 48.09, 12.86, 29.85

 

CMYK 56 / 0 / 57 / 42

HEX #419540

RGB 65 149 64

HSL 119.29, 0.4%, 0.42%

LAB 55.06, -43.17, 36.85

 

CMYK 57 / 28 / 0 / 42

HEX #406C95

RGB 64 108 149

HSL 208.94, 0.4%, 0.42%

LAB 44.21, -2.57, -26.98

 

Description

Color code: HEX #964197 | qconv.com Color code: HEX #964197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 65 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 65 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 57 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 57% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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