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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96418B it is the complementary color #69BE74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96418B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96418B shade: #9B4186, #AC5399, #BD65AC, #CE77BF and #DF89D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96418B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96418B shade: #96418B, #852F78, #741D65, #630B52 and #52003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96418B shade: #95408A, #954073, #95405C, #954045 and #954040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96418B shade: #95408A, #894095, #724095, #5B4095 and #444095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96418B shade matches the following richer shades: #95408A, #A72E97, #B81DA4 and #C90CB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96418B shade: #95408A, #84517E, #736271, #617464 and #508557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96418B shade: #724095, #894095, #95408B, #954075 and #95405E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96418B shade: #5C2755, #793370, #95408A, #B24CA5 and #BF69B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96418B shade: #96418B, #955B40 and #40957D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96418B shade: #96418B, #8B9540 and #408B95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96418B shade: #96418B, #955B40, #40954A and #407A95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96418B shade: #96418B, #957540, #40954A and #406195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 7 / 41

HEX #96418B

RGB 150 65 139

HSL 307.76, 0.4%, 0.42%

LAB 41.42, 45.51, -24.7

 

Complementary color

CMYK 45 / 0 / 39 / 25

HEX #69BE74

RGB 105 190 116

HSL 127.76, 0.4%, 0.58%

LAB 70.24, -41.46, 29.56

 

CMYK 0 / 58 / 14 / 39

HEX #9B4186

RGB 155 65 134

HSL 314, 0.41%, 0.43%

LAB 41.95, 46.15, -20.76

 

CMYK 0 / 52 / 11 / 33

HEX #AC5399

RGB 172 83 153

HSL 312.81, 0.35%, 0.5%

LAB 48.58, 45.6, -21.77

 

CMYK 0 / 47 / 9 / 26

HEX #BD65AC

RGB 189 101 172

HSL 311.59, 0.4%, 0.57%

LAB 55.18, 44.92, -22.57

 

CMYK 0 / 42 / 7 / 19

HEX #CE77BF

RGB 206 119 191

HSL 310.34, 0.47%, 0.64%

LAB 61.72, 44.18, -23.24

 

CMYK 0 / 39 / 6 / 13

HEX #DF89D2

RGB 223 137 210

HSL 309.07, 0.57%, 0.71%

LAB 68.19, 43.43, -23.82

 

CMYK 0 / 57 / 7 / 41

HEX #96418B

RGB 150 65 139

HSL 307.76, 0.4%, 0.42%

LAB 41.42, 45.51, -24.7

 

CMYK 0 / 65 / 10 / 48

HEX #852F78

RGB 133 47 120

HSL 309.07, 0.48%, 0.35%

LAB 34.75, 45.79, -23.55

 

CMYK 0 / 75 / 13 / 55

HEX #741D65

RGB 116 29 101

HSL 310.34, 0.6%, 0.28%

LAB 28.2, 45.46, -21.91

 

CMYK 0 / 89 / 17 / 61

HEX #630B52

RGB 99 11 82

HSL 311.59, 0.8%, 0.22%

LAB 21.95, 43.88, -19.37

 

CMYK 0 / 100 / 23 / 68

HEX #52003F

RGB 82 0 63

HSL 313.9, 1%, 0.16%

LAB 16.27, 40.13, -15.44

 

CMYK 0 / 57 / 7 / 42

HEX #95408A

RGB 149 64 138

HSL 307.76, 0.4%, 0.42%

LAB 41.04, 45.53, -24.68

 

CMYK 0 / 57 / 23 / 42

HEX #954073

RGB 149 64 115

HSL 324, 0.4%, 0.42%

LAB 40.07, 41.79, -12.04

 

CMYK 0 / 57 / 38 / 42

HEX #95405C

RGB 149 64 92

HSL 340.24, 0.4%, 0.42%

LAB 39.29, 38.67, 1.17

 

CMYK 0 / 57 / 54 / 42

HEX #954045

RGB 149 64 69

HSL 356.47, 0.4%, 0.42%

LAB 38.7, 36.22, 14.78

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 0 / 57 / 7 / 42

HEX #95408A

RGB 149 64 138

HSL 307.76, 0.4%, 0.42%

LAB 41.04, 45.53, -24.68

 

CMYK 8 / 57 / 0 / 42

HEX #894095

RGB 137 64 149

HSL 291.53, 0.4%, 0.42%

LAB 39.84, 44.16, -33.37

 

CMYK 23 / 57 / 0 / 42

HEX #724095

RGB 114 64 149

HSL 275.29, 0.4%, 0.42%

LAB 36.77, 37.84, -38.44

 

CMYK 39 / 57 / 0 / 42

HEX #5B4095

RGB 91 64 149

HSL 259.06, 0.4%, 0.42%

LAB 34.11, 31.83, -42.84

 

CMYK 54 / 57 / 0 / 42

HEX #444095

RGB 68 64 149

HSL 242.82, 0.4%, 0.42%

LAB 31.96, 26.49, -46.42

 

CMYK 0 / 57 / 7 / 42

HEX #95408A

RGB 149 64 138

HSL 307.76, 0.4%, 0.42%

LAB 41.04, 45.53, -24.68

 

CMYK 0 / 72 / 10 / 35

HEX #A72E97

RGB 167 46 151

HSL 307.93, 0.57%, 0.42%

LAB 41.85, 59.94, -31.1

 

CMYK 0 / 84 / 11 / 28

HEX #B81DA4

RGB 184 29 164

HSL 307.74, 0.73%, 0.42%

LAB 43.87, 70.24, -35.53

 

CMYK 0 / 94 / 12 / 21

HEX #C90CB1

RGB 201 12 177

HSL 307.62, 0.89%, 0.42%

LAB 46.78, 77.78, -38.44

 

CMYK 0 / 57 / 7 / 42

HEX #95408A

RGB 149 64 138

HSL 307.76, 0.4%, 0.42%

LAB 41.04, 45.53, -24.68

 

CMYK 0 / 39 / 5 / 48

HEX #84517E

RGB 132 81 126

HSL 307.06, 0.24%, 0.42%

LAB 41.68, 28.72, -16.57

 

CMYK 0 / 15 / 2 / 55

HEX #736271

RGB 115 98 113

HSL 307.06, 0.08%, 0.42%

LAB 43.61, 9.71, -5.92

 

CMYK 16 / 0 / 14 / 55

HEX #617464

RGB 97 116 100

HSL 129.47, 0.09%, 0.42%

LAB 46.91, -10.45, 6.51

 

CMYK 40 / 0 / 35 / 48

HEX #508557

RGB 80 133 87

HSL 127.92, 0.25%, 0.42%

LAB 50.88, -27.96, 19.4

 

CMYK 23 / 57 / 0 / 42

HEX #724095

RGB 114 64 149

HSL 275.29, 0.4%, 0.42%

LAB 36.77, 37.84, -38.44

 

CMYK 8 / 57 / 0 / 42

HEX #894095

RGB 137 64 149

HSL 291.53, 0.4%, 0.42%

LAB 39.84, 44.16, -33.37

 

CMYK 0 / 57 / 7 / 42

HEX #95408B

RGB 149 64 139

HSL 307.06, 0.4%, 0.42%

LAB 41.09, 45.7, -25.22

 

CMYK 0 / 57 / 21 / 42

HEX #954075

RGB 149 64 117

HSL 322.59, 0.4%, 0.42%

LAB 40.15, 42.1, -13.16

 

CMYK 0 / 57 / 37 / 42

HEX #95405E

RGB 149 64 94

HSL 338.82, 0.4%, 0.42%

LAB 39.35, 38.91, -0

 

CMYK 0 / 58 / 8 / 64

HEX #5C2755

RGB 92 39 85

HSL 307.92, 0.4%, 0.26%

LAB 24.9, 31.07, -16.88

 

CMYK 0 / 58 / 7 / 53

HEX #793370

RGB 121 51 112

HSL 307.71, 0.41%, 0.34%

LAB 33.14, 38.97, -21.17

 

CMYK 0 / 57 / 7 / 42

HEX #95408A

RGB 149 64 138

HSL 307.76, 0.4%, 0.42%

LAB 41.04, 45.53, -24.68

 

CMYK 0 / 57 / 7 / 30

HEX #B24CA5

RGB 178 76 165

HSL 307.65, 0.4%, 0.5%

LAB 48.7, 52.77, -28.62

 

CMYK 0 / 45 / 6 / 25

HEX #BF69B3

RGB 191 105 179

HSL 308.37, 0.4%, 0.58%

LAB 56.52, 44.68, -24.53

 

CMYK 0 / 57 / 7 / 41

HEX #96418B

RGB 150 65 139

HSL 307.76, 0.4%, 0.42%

LAB 41.42, 45.51, -24.7

 

CMYK 0 / 39 / 57 / 42

HEX #955B40

RGB 149 91 64

HSL 19.06, 0.4%, 0.42%

LAB 44.58, 20.94, 25.48

 

CMYK 57 / 0 / 16 / 42

HEX #40957D

RGB 64 149 125

HSL 163.06, 0.4%, 0.42%

LAB 56.15, -31.73, 4.99

 

CMYK 0 / 57 / 7 / 41

HEX #96418B

RGB 150 65 139

HSL 307.76, 0.4%, 0.42%

LAB 41.42, 45.51, -24.7

 

CMYK 7 / 0 / 57 / 42

HEX #8B9540

RGB 139 149 64

HSL 67.06, 0.4%, 0.42%

LAB 59.3, -16.09, 42.86

 

CMYK 57 / 7 / 0 / 42

HEX #408B95

RGB 64 139 149

HSL 187.06, 0.4%, 0.42%

LAB 53.73, -20.13, -12.38

 

CMYK 0 / 57 / 7 / 41

HEX #96418B

RGB 150 65 139

HSL 307.76, 0.4%, 0.42%

LAB 41.42, 45.51, -24.7

 

CMYK 0 / 39 / 57 / 42

HEX #955B40

RGB 149 91 64

HSL 19.06, 0.4%, 0.42%

LAB 44.58, 20.94, 25.48

 

CMYK 57 / 0 / 50 / 42

HEX #40954A

RGB 64 149 74

HSL 127.06, 0.4%, 0.42%

LAB 55.15, -42.03, 31.88

 

CMYK 57 / 18 / 0 / 42

HEX #407A95

RGB 64 122 149

HSL 199.06, 0.4%, 0.42%

LAB 48.48, -10.79, -20.37

 

CMYK 0 / 57 / 7 / 41

HEX #96418B

RGB 150 65 139

HSL 307.76, 0.4%, 0.42%

LAB 41.42, 45.51, -24.7

 

CMYK 0 / 21 / 57 / 42

HEX #957540

RGB 149 117 64

HSL 37.41, 0.4%, 0.42%

LAB 51.25, 5.95, 33.69

 

CMYK 57 / 0 / 50 / 42

HEX #40954A

RGB 64 149 74

HSL 127.06, 0.4%, 0.42%

LAB 55.15, -42.03, 31.88

 

CMYK 57 / 35 / 0 / 42

HEX #406195

RGB 64 97 149

HSL 216.71, 0.4%, 0.42%

LAB 40.91, 4.22, -32.15

 

Description

Color code: HEX #96418B | qconv.com Color code: HEX #96418B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 65 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 65 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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