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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #964061 it is the complementary color #69BF9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #964061. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #964061 shade: #9B405C, #AC526F, #BD6482, #CE7695 and #DF88A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #964061. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #964061 shade: #964061, #852E4E, #741C3B, #630A28 and #520015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #964061 shade: #954061, #95404A and #954040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #964061 shade: #954061, #954078, #95408F, #854095 and #6E4095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #964061 shade matches the following richer shades: #954061, #A72E5D, #B81D59 and #C90C55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #964061 shade: #954061, #845165, #736269, #61746D and #508571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #964061 shade: #954090, #954079, #954062, #95404B and #954B40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #964061 shade: #5C273B, #79334E, #954061, #B24C73 and #BF698A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #964061 shade: #964061, #958440 and #408495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #964061 shade: #964061, #629540 and #406295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #964061 shade: #964061, #958440, #409573 and #405195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #964061 shade: #964061, #8D9540, #409573 and #484095

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

Complementary color

CMYK 45 / 0 / 17 / 25

HEX #69BF9E

RGB 105 191 158

HSL 156.98, 0.4%, 0.58%

LAB 71.37, -33.82, 8.63

 

CMYK 0 / 59 / 41 / 39

HEX #9B405C

RGB 155 64 92

HSL 341.54, 0.42%, 0.43%

LAB 40.26, 40.77, 2.69

 

CMYK 0 / 52 / 35 / 33

HEX #AC526F

RGB 172 82 111

HSL 340.67, 0.35%, 0.5%

LAB 46.91, 39.95, 0.96

 

CMYK 0 / 47 / 31 / 26

HEX #BD6482

RGB 189 100 130

HSL 339.78, 0.4%, 0.57%

LAB 53.54, 39.06, -0.44

 

CMYK 0 / 43 / 28 / 19

HEX #CE7695

RGB 206 118 149

HSL 338.86, 0.47%, 0.64%

LAB 60.11, 38.18, -1.63

 

CMYK 0 / 39 / 25 / 13

HEX #DF88A8

RGB 223 136 168

HSL 337.93, 0.58%, 0.7%

LAB 66.61, 37.33, -2.66

 

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

CMYK 0 / 65 / 41 / 48

HEX #852E4E

RGB 133 46 78

HSL 337.93, 0.49%, 0.35%

LAB 32.9, 40.24, 0.47

 

CMYK 0 / 76 / 49 / 55

HEX #741C3B

RGB 116 28 59

HSL 338.86, 0.61%, 0.28%

LAB 26.33, 40.32, 3.16

 

CMYK 0 / 90 / 60 / 61

HEX #630A28

RGB 99 10 40

HSL 339.78, 0.82%, 0.21%

LAB 20.14, 39.23, 7.07

 

CMYK 0 / 100 / 74 / 68

HEX #520015

RGB 82 0 21

HSL 344.63, 1%, 0.16%

LAB 14.67, 35.96, 12.77

 

CMYK 0 / 57 / 35 / 42

HEX #954061

RGB 149 64 97

HSL 336.71, 0.4%, 0.42%

LAB 39.44, 39.29, -1.75

 

CMYK 0 / 57 / 50 / 42

HEX #95404A

RGB 149 64 74

HSL 352.94, 0.4%, 0.42%

LAB 38.81, 36.69, 11.8

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 0 / 57 / 35 / 42

HEX #954061

RGB 149 64 97

HSL 336.71, 0.4%, 0.42%

LAB 39.44, 39.29, -1.75

 

CMYK 0 / 57 / 19 / 42

HEX #954078

RGB 149 64 120

HSL 320.47, 0.4%, 0.42%

LAB 40.27, 42.56, -14.84

 

CMYK 0 / 57 / 4 / 42

HEX #95408F

RGB 149 64 143

HSL 304.24, 0.4%, 0.42%

LAB 41.28, 46.41, -27.36

 

CMYK 11 / 57 / 0 / 42

HEX #854095

RGB 133 64 149

HSL 288.71, 0.4%, 0.42%

LAB 39.28, 43.05, -34.29

 

CMYK 26 / 57 / 0 / 42

HEX #6E4095

RGB 110 64 149

HSL 272.47, 0.4%, 0.42%

LAB 36.27, 36.76, -39.25

 

CMYK 0 / 57 / 35 / 42

HEX #954061

RGB 149 64 97

HSL 336.71, 0.4%, 0.42%

LAB 39.44, 39.29, -1.75

 

CMYK 0 / 72 / 44 / 35

HEX #A72E5D

RGB 167 46 93

HSL 336.69, 0.57%, 0.42%

LAB 39.51, 52.51, 1.24

 

CMYK 0 / 84 / 52 / 28

HEX #B81D59

RGB 184 29 89

HSL 336.77, 0.73%, 0.42%

LAB 40.88, 61.86, 6.16

 

CMYK 0 / 94 / 58 / 21

HEX #C90C55

RGB 201 12 85

HSL 336.83, 0.89%, 0.42%

LAB 43.27, 68.53, 12.54

 

CMYK 0 / 57 / 35 / 42

HEX #954061

RGB 149 64 97

HSL 336.71, 0.4%, 0.42%

LAB 39.44, 39.29, -1.75

 

CMYK 0 / 39 / 23 / 48

HEX #845165

RGB 132 81 101

HSL 336.47, 0.24%, 0.42%

LAB 40.78, 24.28, -2.55

 

CMYK 0 / 15 / 9 / 55

HEX #736269

RGB 115 98 105

HSL 335.29, 0.08%, 0.42%

LAB 43.36, 8.12, -1.44

 

CMYK 16 / 0 / 6 / 55

HEX #61746D

RGB 97 116 109

HSL 157.89, 0.09%, 0.42%

LAB 47.15, -8.56, 1.51

 

CMYK 40 / 0 / 15 / 48

HEX #508571

RGB 80 133 113

HSL 157.36, 0.25%, 0.42%

LAB 51.47, -22.55, 5.25

 

CMYK 0 / 57 / 3 / 42

HEX #954090

RGB 149 64 144

HSL 303.53, 0.4%, 0.42%

LAB 41.33, 46.59, -27.89

 

CMYK 0 / 57 / 19 / 42

HEX #954079

RGB 149 64 121

HSL 319.76, 0.4%, 0.42%

LAB 40.31, 42.71, -15.39

 

CMYK 0 / 57 / 34 / 42

HEX #954062

RGB 149 64 98

HSL 336, 0.4%, 0.42%

LAB 39.48, 39.42, -2.33

 

CMYK 0 / 57 / 50 / 42

HEX #95404B

RGB 149 64 75

HSL 352.24, 0.4%, 0.42%

LAB 38.84, 36.79, 11.2

 

CMYK 0 / 50 / 57 / 42

HEX #954B40

RGB 149 75 64

HSL 7.76, 0.4%, 0.42%

LAB 40.88, 29.94, 20.75

 

CMYK 0 / 58 / 36 / 64

HEX #5C273B

RGB 92 39 59

HSL 337.36, 0.4%, 0.26%

LAB 23.81, 26.7, -1.05

 

CMYK 0 / 58 / 36 / 53

HEX #79334E

RGB 121 51 78

HSL 336.86, 0.41%, 0.34%

LAB 31.77, 33.59, -1.43

 

CMYK 0 / 57 / 35 / 42

HEX #954061

RGB 149 64 97

HSL 336.71, 0.4%, 0.42%

LAB 39.44, 39.29, -1.75

 

CMYK 0 / 57 / 35 / 30

HEX #B24C73

RGB 178 76 115

HSL 337.06, 0.4%, 0.5%

LAB 46.81, 45.49, -1.51

 

CMYK 0 / 45 / 28 / 25

HEX #BF698A

RGB 191 105 138

HSL 336.98, 0.4%, 0.58%

LAB 55.09, 38.22, -2.85

 

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

CMYK 0 / 11 / 57 / 42

HEX #958440

RGB 149 132 64

HSL 48, 0.4%, 0.42%

LAB 55.34, -2.52, 38.53

 

CMYK 57 / 11 / 0 / 42

HEX #408495

RGB 64 132 149

HSL 192, 0.4%, 0.42%

LAB 51.57, -16.37, -15.66

 

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

CMYK 34 / 0 / 57 / 42

HEX #629540

RGB 98 149 64

HSL 96, 0.4%, 0.42%

LAB 56.55, -32.6, 38.97

 

CMYK 57 / 34 / 0 / 42

HEX #406295

RGB 64 98 149

HSL 216, 0.4%, 0.42%

LAB 41.21, 3.59, -31.68

 

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

CMYK 0 / 11 / 57 / 42

HEX #958440

RGB 149 132 64

HSL 48, 0.4%, 0.42%

LAB 55.34, -2.52, 38.53

 

CMYK 57 / 0 / 23 / 42

HEX #409573

RGB 64 149 115

HSL 156, 0.4%, 0.42%

LAB 55.91, -34.13, 10.34

 

CMYK 57 / 46 / 0 / 42

HEX #405195

RGB 64 81 149

HSL 228, 0.4%, 0.42%

LAB 36.26, 14.51, -39.52

 

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

CMYK 5 / 0 / 57 / 42

HEX #8D9540

RGB 141 149 64

HSL 65.65, 0.4%, 0.42%

LAB 59.46, -15.23, 43.08

 

CMYK 57 / 0 / 23 / 42

HEX #409573

RGB 64 149 115

HSL 156, 0.4%, 0.42%

LAB 55.91, -34.13, 10.34

 

CMYK 52 / 57 / 0 / 42

HEX #484095

RGB 72 64 149

HSL 245.65, 0.4%, 0.42%

LAB 32.29, 27.35, -45.87

 

Description

Color code: HEX #964061 | qconv.com Color code: HEX #964061 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 64 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 64 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 35 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 35% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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