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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963BFC it is the complementary color #69C403. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963BFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963BFC shade: #9B3BF7, #AC4DFF, #BD5FFF, #CE71FF and #DF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963BFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963BFC shade: #963BFC, #8529E9, #7417D6, #6305C3 and #5200B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963BFC shade: #963BFC, #CA3BFC, #FC3BF9, #FC3BC5 and #FC3B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963BFC shade: #963BFC, #623BFC and #3B3BFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963BFC shade matches the following richer shades: #963BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963BFC shade: #963BFC, #964BEB, #975BDB, #986BCB and #997BBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963BFC shade: #3B47FC, #613BFC, #953BFC, #C83BFC and #FC3BFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963BFC shade: #6B03E1, #8012FB, #963BFC, #AB63FC and #C18CFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963BFC shade: #963BFC, #FC3B7B and #3BFC47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963BFC shade: #963BFC, #FC953B and #3BFC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963BFC shade: #963BFC, #FC3B7B, #A1FC3B and #3BFCBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963BFC shade: #963BFC, #FC3B41, #A1FC3B and #3BFCF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

Complementary color

CMYK 46 / 0 / 98 / 23

HEX #69C403

RGB 105 196 3

HSL 88.29, 0.97%, 0.39%

LAB 71.21, -53.07, 70.47

 

CMYK 37 / 76 / 0 / 3

HEX #9B3BF7

RGB 155 59 247

HSL 270.64, 0.92%, 0.6%

LAB 48.02, 71.41, -77.01

 

CMYK 33 / 70 / 0 / 0

HEX #AC4DFF

RGB 172 77 255

HSL 272.02, 1%, 0.65%

LAB 53.27, 68.83, -72.83

 

CMYK 26 / 63 / 0 / 0

HEX #BD5FFF

RGB 189 95 255

HSL 275.25, 1%, 0.69%

LAB 58.25, 64.18, -64.69

 

CMYK 19 / 56 / 0 / 0

HEX #CE71FF

RGB 206 113 255

HSL 279.3, 1%, 0.72%

LAB 63.47, 59.49, -56.22

 

CMYK 13 / 49 / 0 / 0

HEX #DF83FF

RGB 223 131 255

HSL 284.52, 1%, 0.76%

LAB 68.85, 54.91, -47.57

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 43 / 82 / 0 / 9

HEX #8529E9

RGB 133 41 233

HSL 268.75, 0.81%, 0.54%

LAB 41.93, 71.4, -79.2

 

CMYK 46 / 89 / 0 / 16

HEX #7417D6

RGB 116 23 214

HSL 269.21, 0.81%, 0.46%

LAB 36.33, 70.07, -77.62

 

CMYK 49 / 97 / 0 / 24

HEX #6305C3

RGB 99 5 195

HSL 269.68, 0.95%, 0.39%

LAB 31.12, 67.41, -75.22

 

CMYK 53 / 100 / 0 / 31

HEX #5200B0

RGB 82 0 176

HSL 267.95, 1%, 0.35%

LAB 26.53, 62.66, -71.6

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 20 / 77 / 0 / 1

HEX #CA3BFC

RGB 202 59 252

HSL 284.46, 0.97%, 0.61%

LAB 54.78, 80.23, -68.54

 

CMYK 0 / 77 / 1 / 1

HEX #FC3BF9

RGB 252 59 249

HSL 300.93, 0.97%, 0.61%

LAB 62.22, 88.89, -54.51

 

CMYK 0 / 77 / 22 / 1

HEX #FC3BC5

RGB 252 59 197

HSL 317.1, 0.97%, 0.61%

LAB 59.76, 81.84, -29.12

 

CMYK 0 / 77 / 42 / 1

HEX #FC3B91

RGB 252 59 145

HSL 333.26, 0.97%, 0.61%

LAB 57.91, 76.3, -1.71

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 61 / 77 / 0 / 1

HEX #623BFC

RGB 98 59 252

HSL 252.12, 0.97%, 0.61%

LAB 42.39, 65.11, -89.28

 

CMYK 77 / 77 / 0 / 1

HEX #3B3BFC

RGB 59 59 252

HSL 240, 0.97%, 0.61%

LAB 39.72, 61.78, -93.77

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 36 / 68 / 0 / 8

HEX #964BEB

RGB 150 75 235

HSL 268.13, 0.8%, 0.61%

LAB 48.9, 61.02, -68.87

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 25 / 47 / 0 / 20

HEX #986BCB

RGB 152 107 203

HSL 268.13, 0.48%, 0.61%

LAB 53.5, 37, -43.35

 

CMYK 18 / 34 / 0 / 27

HEX #997BBB

RGB 153 123 187

HSL 268.13, 0.32%, 0.61%

LAB 56.61, 24.36, -29.32

 

CMYK 77 / 72 / 0 / 1

HEX #3B47FC

RGB 59 71 252

HSL 236.27, 0.97%, 0.61%

LAB 41.95, 55.49, -90.1

 

CMYK 62 / 77 / 0 / 1

HEX #613BFC

RGB 97 59 252

HSL 251.81, 0.97%, 0.61%

LAB 42.3, 65, -89.42

 

CMYK 41 / 77 / 0 / 1

HEX #953BFC

RGB 149 59 252

HSL 267.98, 0.97%, 0.61%

LAB 47.68, 71.63, -80.39

 

CMYK 21 / 77 / 0 / 1

HEX #C83BFC

RGB 200 59 252

HSL 283.83, 0.97%, 0.61%

LAB 54.49, 79.88, -69.02

 

CMYK 0 / 77 / 0 / 1

HEX #FC3BFC

RGB 252 59 252

HSL 300, 0.97%, 0.61%

LAB 62.38, 89.34, -55.92

 

CMYK 52 / 99 / 0 / 12

HEX #6B03E1

RGB 107 3 225

HSL 268.11, 0.97%, 0.45%

LAB 35.26, 74.9, -85.76

 

CMYK 49 / 93 / 0 / 2

HEX #8012FB

RGB 128 18 251

HSL 268.33, 0.97%, 0.53%

LAB 41.2, 80.24, -90.59

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 32 / 61 / 0 / 1

HEX #AB63FC

RGB 171 99 252

HSL 268.24, 0.96%, 0.69%

LAB 56.69, 57.66, -65.64

 

CMYK 24 / 45 / 0 / 1

HEX #C18CFD

RGB 193 140 253

HSL 268.14, 0.97%, 0.77%

LAB 67.42, 41.64, -48.96

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 0 / 77 / 51 / 1

HEX #FC3B7B

RGB 252 59 123

HSL 340.1, 0.97%, 0.61%

LAB 57.32, 74.47, 10.45

 

CMYK 77 / 0 / 72 / 1

HEX #3BFC47

RGB 59 252 71

HSL 123.73, 0.97%, 0.61%

LAB 87.49, -78.53, 69.32

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 0 / 41 / 77 / 1

HEX #FC953B

RGB 252 149 59

HSL 27.98, 0.97%, 0.61%

LAB 71.22, 32.16, 61.3

 

CMYK 77 / 0 / 41 / 1

HEX #3BFC95

RGB 59 252 149

HSL 147.98, 0.97%, 0.61%

LAB 88.31, -68.68, 36.31

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 0 / 77 / 51 / 1

HEX #FC3B7B

RGB 252 59 123

HSL 340.1, 0.97%, 0.61%

LAB 57.32, 74.47, 10.45

 

CMYK 36 / 0 / 77 / 1

HEX #A1FC3B

RGB 161 252 59

HSL 88.29, 0.97%, 0.61%

LAB 90.56, -54.87, 77.2

 

CMYK 77 / 0 / 26 / 1

HEX #3BFCBB

RGB 59 252 187

HSL 159.79, 0.97%, 0.61%

LAB 88.99, -61.16, 18.03

 

CMYK 40 / 77 / 0 / 1

HEX #963BFC

RGB 150 59 252

HSL 268.29, 0.97%, 0.61%

LAB 47.8, 71.77, -80.19

 

CMYK 0 / 77 / 74 / 1

HEX #FC3B41

RGB 252 59 65

HSL 358.13, 0.97%, 0.61%

LAB 56.29, 71.23, 42.93

 

CMYK 36 / 0 / 77 / 1

HEX #A1FC3B

RGB 161 252 59

HSL 88.29, 0.97%, 0.61%

LAB 90.56, -54.87, 77.2

 

CMYK 77 / 0 / 3 / 1

HEX #3BFCF5

RGB 59 252 245

HSL 177.82, 0.97%, 0.61%

LAB 90.39, -46.78, -9.99

 

Description

Color code: HEX #963BFC | qconv.com Color code: HEX #963BFC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 59 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 59 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 77 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 77% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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