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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #962673 it is the complementary color #69D98C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #962673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #962673 shade: #9B266E, #AC3881, #BD4A94, #CE5CA7 and #DF6EBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #962673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #962673 shade: #962673, #851460, #74024D, #63003A and #520027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #962673 shade: #962573, #962555, #962536 and #962525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #962673 shade: #962573, #962592, #7D2596, #5E2596 and #402596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #962673 shade matches the following richer shades: #962573, #A61679 and #B5077F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #962673 shade: #962573, #87356D, #784468, #695362 and #59625C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #962673 shade: #7C2596, #962593, #962574, #962556 and #962538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #962673 shade: #541541, #751D5A, #962573, #B72D8C and #CF3FA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #962673 shade: #962673, #965E25 and #25968B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #962673 shade: #962673, #749625 and #257496

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #962673 shade: #962673, #965E25, #259647 and #255E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #962673 shade: #962673, #968025, #259647 and #253C96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

Complementary color

CMYK 52 / 0 / 35 / 15

HEX #69D98C

RGB 105 217 140

HSL 138.75, 0.6%, 0.63%

LAB 78.77, -48.82, 28.41

 

CMYK 0 / 75 / 29 / 39

HEX #9B266E

RGB 155 38 110

HSL 323.08, 0.61%, 0.38%

LAB 36.89, 53.86, -13.65

 

CMYK 0 / 67 / 25 / 33

HEX #AC3881

RGB 172 56 129

HSL 322.24, 0.51%, 0.45%

LAB 43.04, 54.32, -15.8

 

CMYK 0 / 61 / 22 / 26

HEX #BD4A94

RGB 189 74 148

HSL 321.39, 0.47%, 0.52%

LAB 49.32, 54.21, -17.45

 

CMYK 0 / 55 / 19 / 19

HEX #CE5CA7

RGB 206 92 167

HSL 320.53, 0.54%, 0.58%

LAB 55.65, 53.78, -18.74

 

CMYK 0 / 51 / 17 / 13

HEX #DF6EBA

RGB 223 110 186

HSL 319.65, 0.64%, 0.65%

LAB 61.99, 53.18, -19.8

 

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

CMYK 0 / 85 / 28 / 48

HEX #851460

RGB 133 20 96

HSL 319.65, 0.74%, 0.3%

LAB 30.23, 51.79, -15.25

 

CMYK 0 / 98 / 34 / 55

HEX #74024D

RGB 116 2 77

HSL 320.53, 0.97%, 0.23%

LAB 24.61, 49.09, -11.59

 

CMYK 0 / 100 / 41 / 61

HEX #63003A

RGB 99 0 58

HSL 324.85, 1%, 0.19%

LAB 19.88, 43.44, -6.06

 

CMYK 0 / 100 / 52 / 68

HEX #520027

RGB 82 0 39

HSL 331.46, 1%, 0.16%

LAB 15.17, 37.3, 0.18

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 0 / 75 / 43 / 41

HEX #962555

RGB 150 37 85

HSL 334.51, 0.6%, 0.37%

LAB 34.93, 49.95, -0.72

 

CMYK 0 / 75 / 64 / 41

HEX #962536

RGB 150 37 54

HSL 350.97, 0.6%, 0.37%

LAB 34.14, 47.36, 18.25

 

CMYK 0 / 75 / 75 / 41

HEX #962525

RGB 150 37 37

HSL 0, 0.6%, 0.37%

LAB 33.86, 46.44, 28.61

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 0 / 75 / 3 / 41

HEX #962592

RGB 150 37 146

HSL 302.12, 0.6%, 0.37%

LAB 37.63, 58.22, -34.91

 

CMYK 17 / 75 / 0 / 41

HEX #7D2596

RGB 125 37 150

HSL 286.73, 0.6%, 0.37%

LAB 33.74, 53.52, -43.81

 

CMYK 37 / 75 / 0 / 41

HEX #5E2596

RGB 94 37 150

HSL 270.27, 0.6%, 0.37%

LAB 29.17, 47.34, -51.42

 

CMYK 57 / 75 / 0 / 41

HEX #402596

RGB 64 37 150

HSL 254.34, 0.6%, 0.37%

LAB 25.61, 42.31, -57.39

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 0 / 87 / 27 / 35

HEX #A61679

RGB 166 22 121

HSL 318.75, 0.77%, 0.37%

LAB 37.95, 62.16, -18.75

 

CMYK 0 / 96 / 30 / 29

HEX #B5077F

RGB 181 7 127

HSL 318.62, 0.93%, 0.37%

LAB 40.42, 68.21, -18.44

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 0 / 61 / 19 / 47

HEX #87356D

RGB 135 53 109

HSL 319.02, 0.44%, 0.37%

LAB 35.6, 41.81, -15.3

 

CMYK 0 / 43 / 13 / 53

HEX #784468

RGB 120 68 104

HSL 318.46, 0.28%, 0.37%

LAB 36.23, 27.87, -11.4

 

CMYK 0 / 21 / 7 / 59

HEX #695362

RGB 105 83 98

HSL 319.09, 0.12%, 0.37%

LAB 37.97, 11.94, -5.21

 

CMYK 9 / 0 / 6 / 62

HEX #59625C

RGB 89 98 92

HSL 140, 0.05%, 0.37%

LAB 40.63, -4.78, 2.22

 

CMYK 17 / 75 / 0 / 41

HEX #7C2596

RGB 124 37 150

HSL 286.19, 0.6%, 0.37%

LAB 33.58, 53.31, -44.07

 

CMYK 0 / 75 / 2 / 41

HEX #962593

RGB 150 37 147

HSL 301.59, 0.6%, 0.37%

LAB 37.69, 58.39, -35.43

 

CMYK 0 / 75 / 23 / 41

HEX #962574

RGB 150 37 116

HSL 318.05, 0.6%, 0.37%

LAB 36.12, 53.68, -18.7

 

CMYK 0 / 75 / 43 / 41

HEX #962556

RGB 150 37 86

HSL 333.98, 0.6%, 0.37%

LAB 34.96, 50.05, -1.32

 

CMYK 0 / 75 / 63 / 41

HEX #962538

RGB 150 37 56

HSL 349.91, 0.6%, 0.37%

LAB 34.18, 47.49, 17.01

 

CMYK 0 / 75 / 23 / 67

HEX #541541

RGB 84 21 65

HSL 318.1, 0.6%, 0.21%

LAB 19.24, 33.94, -12.2

 

CMYK 0 / 75 / 23 / 54

HEX #751D5A

RGB 117 29 90

HSL 318.41, 0.6%, 0.29%

LAB 27.84, 44.05, -15.27

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 0 / 75 / 23 / 28

HEX #B72D8C

RGB 183 45 140

HSL 318.7, 0.61%, 0.45%

LAB 44, 62.6, -20.88

 

CMYK 0 / 70 / 22 / 19

HEX #CF3FA2

RGB 207 63 162

HSL 318.75, 0.6%, 0.53%

LAB 51.19, 65.45, -22.64

 

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

CMYK 0 / 37 / 75 / 41

HEX #965E25

RGB 150 94 37

HSL 30.27, 0.6%, 0.37%

LAB 45.11, 17.82, 40.7

 

CMYK 75 / 0 / 7 / 41

HEX #25968B

RGB 37 150 139

HSL 174.16, 0.6%, 0.37%

LAB 56.16, -33.07, -3.09

 

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

CMYK 23 / 0 / 75 / 41

HEX #749625

RGB 116 150 37

HSL 78.05, 0.6%, 0.37%

LAB 57.71, -28.26, 52.14

 

CMYK 75 / 23 / 0 / 41

HEX #257496

RGB 37 116 150

HSL 198.05, 0.6%, 0.37%

LAB 45.75, -11.81, -25.25

 

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

CMYK 0 / 37 / 75 / 41

HEX #965E25

RGB 150 94 37

HSL 30.27, 0.6%, 0.37%

LAB 45.11, 17.82, 40.7

 

CMYK 75 / 0 / 53 / 41

HEX #259647

RGB 37 150 71

HSL 138.05, 0.6%, 0.37%

LAB 54.72, -48.5, 32.73

 

CMYK 75 / 37 / 0 / 41

HEX #255E96

RGB 37 94 150

HSL 209.73, 0.6%, 0.37%

LAB 38.9, 1.52, -36

 

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

CMYK 0 / 15 / 75 / 41

HEX #968025

RGB 150 128 37

HSL 48.32, 0.6%, 0.37%

LAB 54.09, -1.61, 49.6

 

CMYK 75 / 0 / 53 / 41

HEX #259647

RGB 37 150 71

HSL 138.05, 0.6%, 0.37%

LAB 54.72, -48.5, 32.73

 

CMYK 75 / 60 / 0 / 41

HEX #253C96

RGB 37 60 150

HSL 227.79, 0.6%, 0.37%

LAB 28.97, 24.21, -51.97

 

Description

Color code: HEX #962673 | qconv.com Color code: HEX #962673 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 38 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 38 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 23 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 23% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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