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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #962411 it is the complementary color #69DBEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #962411. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #962411 shade: #9B240C, #AC361F, #BD4832, #CE5A45 and #DF6C58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #962411. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #962411 shade: #962411, #851200, #740000, #630000 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #962411 shade: #972410 and #971010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #962411 shade: #972410, #974810, #976C10, #979010 and #799710

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #962411 shade matches the following richer shades: #972410 and #A51A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #962411 shade: #972410, #892D1E, #7C372C, #6E4139 and #614A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #962411 shade: #971046, #971022, #972210, #974610 and #976A10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #962411 shade: #4D1208, #721B0C, #972410, #BC2C14 and #E13519

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #962411 shade: #962411, #6A9710 and #103497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #962411 shade: #962411, #109722 and #221097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #962411 shade: #962411, #6A9710, #108597 and #3D1097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #962411 shade: #962411, #429710, #108597 and #661097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 89 / 41

HEX #962411

RGB 150 36 17

HSL 8.57, 0.8%, 0.33%

LAB 33.53, 46.14, 39.32

 

Complementary color

CMYK 56 / 8 / 0 / 7

HEX #69DBEE

RGB 105 219 238

HSL 188.57, 0.8%, 0.67%

LAB 81.75, -27.11, -19.15

 

CMYK 0 / 77 / 92 / 39

HEX #9B240C

RGB 155 36 12

HSL 10.07, 0.86%, 0.33%

LAB 34.51, 47.68, 42.68

 

CMYK 0 / 69 / 82 / 33

HEX #AC361F

RGB 172 54 31

HSL 9.79, 0.69%, 0.4%

LAB 40.42, 46.98, 40.15

 

CMYK 0 / 62 / 74 / 26

HEX #BD4832

RGB 189 72 50

HSL 9.5, 0.58%, 0.47%

LAB 46.56, 45.86, 37.27

 

CMYK 0 / 56 / 67 / 19

HEX #CE5A45

RGB 206 90 69

HSL 9.2, 0.58%, 0.54%

LAB 52.8, 44.57, 34.62

 

CMYK 0 / 52 / 61 / 13

HEX #DF6C58

RGB 223 108 88

HSL 8.89, 0.68%, 0.61%

LAB 59.08, 43.27, 32.28

 

CMYK 0 / 76 / 89 / 41

HEX #962411

RGB 150 36 17

HSL 8.57, 0.8%, 0.33%

LAB 33.53, 46.14, 39.32

 

CMYK 0 / 86 / 100 / 48

HEX #851200

RGB 133 18 0

HSL 8.12, 1%, 0.26%

LAB 27.9, 45.96, 40.59

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 76 / 89 / 41

HEX #972410

RGB 151 36 16

HSL 8.89, 0.81%, 0.33%

LAB 33.73, 46.45, 40.03

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 0 / 76 / 89 / 41

HEX #972410

RGB 151 36 16

HSL 8.89, 0.81%, 0.33%

LAB 33.73, 46.45, 40.03

 

CMYK 0 / 52 / 89 / 41

HEX #974810

RGB 151 72 16

HSL 24.89, 0.81%, 0.33%

LAB 40, 29.86, 45.02

 

CMYK 0 / 28 / 89 / 41

HEX #976C10

RGB 151 108 16

HSL 40.89, 0.81%, 0.33%

LAB 48.69, 9.46, 51.96

 

CMYK 0 / 5 / 89 / 41

HEX #979010

RGB 151 144 16

HSL 56.89, 0.81%, 0.33%

LAB 58.57, -10.61, 59.86

 

CMYK 20 / 0 / 89 / 41

HEX #799710

RGB 121 151 16

HSL 73.33, 0.81%, 0.33%

LAB 58.26, -27.5, 58.63

 

CMYK 0 / 76 / 89 / 41

HEX #972410

RGB 151 36 16

HSL 8.89, 0.81%, 0.33%

LAB 33.73, 46.45, 40.03

 

CMYK 0 / 84 / 98 / 35

HEX #A51A03

RGB 165 26 3

HSL 8.52, 0.96%, 0.33%

LAB 35.49, 53.59, 47.8

 

CMYK 0 / 76 / 89 / 41

HEX #972410

RGB 151 36 16

HSL 8.89, 0.81%, 0.33%

LAB 33.73, 46.45, 40.03

 

CMYK 0 / 67 / 78 / 46

HEX #892D1E

RGB 137 45 30

HSL 8.41, 0.64%, 0.33%

LAB 32.46, 38.36, 30.51

 

CMYK 0 / 56 / 65 / 51

HEX #7C372C

RGB 124 55 44

HSL 8.25, 0.48%, 0.33%

LAB 32.26, 29.08, 21.23

 

CMYK 0 / 41 / 48 / 57

HEX #6E4139

RGB 110 65 57

HSL 9.06, 0.32%, 0.33%

LAB 32.68, 18.56, 13.18

 

CMYK 0 / 24 / 27 / 62

HEX #614A47

RGB 97 74 71

HSL 6.92, 0.15%, 0.33%

LAB 33.76, 9.25, 5.54

 

CMYK 0 / 89 / 54 / 41

HEX #971046

RGB 151 16 70

HSL 336, 0.81%, 0.33%

LAB 32.68, 54.55, 5.85

 

CMYK 0 / 89 / 77 / 41

HEX #971022

RGB 151 16 34

HSL 352, 0.81%, 0.33%

LAB 31.96, 52.46, 28.38

 

CMYK 0 / 77 / 89 / 41

HEX #972210

RGB 151 34 16

HSL 8, 0.81%, 0.33%

LAB 33.48, 47.14, 39.83

 

CMYK 0 / 54 / 89 / 41

HEX #974610

RGB 151 70 16

HSL 24, 0.81%, 0.33%

LAB 39.58, 30.93, 44.68

 

CMYK 0 / 30 / 89 / 41

HEX #976A10

RGB 151 106 16

HSL 40, 0.81%, 0.33%

LAB 48.17, 10.61, 51.54

 

CMYK 0 / 77 / 90 / 70

HEX #4D1208

RGB 77 18 8

HSL 8.7, 0.81%, 0.17%

LAB 15.63, 27.11, 20.57

 

CMYK 0 / 76 / 89 / 55

HEX #721B0C

RGB 114 27 12

HSL 8.82, 0.81%, 0.25%

LAB 24.91, 37.13, 31.44

 

CMYK 0 / 76 / 89 / 41

HEX #972410

RGB 151 36 16

HSL 8.89, 0.81%, 0.33%

LAB 33.73, 46.45, 40.03

 

CMYK 0 / 77 / 89 / 26

HEX #BC2C14

RGB 188 44 20

HSL 8.57, 0.81%, 0.41%

LAB 42.07, 55.61, 47.92

 

CMYK 0 / 76 / 89 / 12

HEX #E13519

RGB 225 53 25

HSL 8.4, 0.8%, 0.49%

LAB 50.24, 64.1, 55.17

 

CMYK 0 / 76 / 89 / 41

HEX #962411

RGB 150 36 17

HSL 8.57, 0.8%, 0.33%

LAB 33.53, 46.14, 39.32

 

CMYK 30 / 0 / 89 / 41

HEX #6A9710

RGB 106 151 16

HSL 80, 0.81%, 0.33%

LAB 57.3, -33.68, 57.44

 

CMYK 89 / 66 / 0 / 41

HEX #103497

RGB 16 52 151

HSL 224, 0.81%, 0.33%

LAB 26.16, 28.14, -57.21

 

CMYK 0 / 76 / 89 / 41

HEX #962411

RGB 150 36 17

HSL 8.57, 0.8%, 0.33%

LAB 33.53, 46.14, 39.32

 

CMYK 89 / 0 / 77 / 41

HEX #109722

RGB 16 151 34

HSL 128, 0.81%, 0.33%

LAB 54.41, -55.68, 48.74

 

CMYK 77 / 89 / 0 / 41

HEX #221097

RGB 34 16 151

HSL 248, 0.81%, 0.33%

LAB 19.82, 49.34, -67.66

 

CMYK 0 / 76 / 89 / 41

HEX #962411

RGB 150 36 17

HSL 8.57, 0.8%, 0.33%

LAB 33.53, 46.14, 39.32

 

CMYK 30 / 0 / 89 / 41

HEX #6A9710

RGB 106 151 16

HSL 80, 0.81%, 0.33%

LAB 57.3, -33.68, 57.44

 

CMYK 89 / 12 / 0 / 41

HEX #108597

RGB 16 133 151

HSL 188, 0.81%, 0.33%

LAB 50.83, -22.82, -18.06

 

CMYK 60 / 89 / 0 / 41

HEX #3D1097

RGB 61 16 151

HSL 260, 0.81%, 0.33%

LAB 22.29, 51.26, -63.49

 

CMYK 0 / 76 / 89 / 41

HEX #962411

RGB 150 36 17

HSL 8.57, 0.8%, 0.33%

LAB 33.53, 46.14, 39.32

 

CMYK 56 / 0 / 89 / 41

HEX #429710

RGB 66 151 16

HSL 97.78, 0.81%, 0.33%

LAB 55.41, -47.52, 55.08

 

CMYK 89 / 12 / 0 / 41

HEX #108597

RGB 16 133 151

HSL 188, 0.81%, 0.33%

LAB 50.83, -22.82, -18.06

 

CMYK 32 / 89 / 0 / 41

HEX #661097

RGB 102 16 151

HSL 278.22, 0.81%, 0.33%

LAB 27.93, 56.17, -54.02

 

Description

Color code: HEX #962411 | qconv.com Color code: HEX #962411 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 36 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 36 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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