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Color name
HEX #960D15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960D15 it is the complementary color #69F2EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #960D15 shade: #9B0D10, #AC1F23, #BD3136, #CE4349 and #DF555C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #960D15 shade: #960D15, #850002, #740000, #630000 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #960D15 shade: #960D15 and #960D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #960D15 shade: #960D15, #960D3A, #960D5E, #960D83 and #830D96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #960D15 shade matches the following richer shades: #960D15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #960D15 shade: #960D15, #881A20, #7B272C, #6E3438 and #614143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #960D15 shade: #960D5F, #960D3A, #960D16, #96280D and #964D0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #960D15 shade: #4A060A, #70090F, #960D15, #BC101A and #E2131F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #960D15 shade: #960D15, #83960D and #0D4D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #960D15 shade: #960D15, #16960D and #0D1696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #960D15 shade: #960D15, #83960D, #0D968D and #1F0D96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #960D15 shade: #960D15, #5A960D, #0D968D and #480D96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

Complementary color

CMYK 57 / 0 / 3 / 5

HEX #69F2EA

RGB 105 242 234

HSL 176.5, 0.84%, 0.68%

LAB 88.18, -39.01, -7.42

 

CMYK 0 / 92 / 90 / 39

HEX #9B0D10

RGB 155 13 16

HSL 358.73, 0.85%, 0.33%

LAB 32.47, 53.6, 39.39

 

CMYK 0 / 82 / 80 / 33

HEX #AC1F23

RGB 172 31 35

HSL 358.3, 0.69%, 0.4%

LAB 37.61, 55.02, 35.16

 

CMYK 0 / 74 / 71 / 26

HEX #BD3136

RGB 189 49 54

HSL 357.86, 0.59%, 0.47%

LAB 43.18, 55.34, 31.12

 

CMYK 0 / 67 / 65 / 19

HEX #CE4349

RGB 206 67 73

HSL 357.41, 0.59%, 0.54%

LAB 49.03, 55, 27.68

 

CMYK 0 / 62 / 59 / 13

HEX #DF555C

RGB 223 85 92

HSL 356.96, 0.68%, 0.6%

LAB 55.03, 54.3, 24.8

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 0 / 100 / 98 / 48

HEX #850002

RGB 133 0 2

HSL 359.1, 1%, 0.26%

LAB 26.71, 49.44, 38.75

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 0 / 91 / 91 / 41

HEX #960D0D

RGB 150 13 13

HSL 0, 0.84%, 0.32%

LAB 31.35, 52.16, 39.49

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 0 / 91 / 61 / 41

HEX #960D3A

RGB 150 13 58

HSL 340.29, 0.84%, 0.32%

LAB 31.98, 53.96, 12.78

 

CMYK 0 / 91 / 37 / 41

HEX #960D5E

RGB 150 13 94

HSL 324.53, 0.84%, 0.32%

LAB 33.09, 57.04, -9.28

 

CMYK 0 / 91 / 13 / 41

HEX #960D83

RGB 150 13 131

HSL 308.32, 0.84%, 0.32%

LAB 34.82, 61.64, -30.1

 

CMYK 13 / 91 / 0 / 41

HEX #830D96

RGB 131 13 150

HSL 291.68, 0.84%, 0.32%

LAB 32.51, 61.14, -45.73

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 0 / 81 / 76 / 47

HEX #881A20

RGB 136 26 32

HSL 356.73, 0.68%, 0.32%

LAB 29.61, 45.47, 26.12

 

CMYK 0 / 68 / 64 / 52

HEX #7B272C

RGB 123 39 44

HSL 356.43, 0.52%, 0.32%

LAB 29.02, 36.77, 17.08

 

CMYK 0 / 53 / 49 / 57

HEX #6E3438

RGB 110 52 56

HSL 355.86, 0.36%, 0.32%

LAB 29.55, 26.11, 9.55

 

CMYK 0 / 33 / 31 / 62

HEX #614143

RGB 97 65 67

HSL 356.25, 0.2%, 0.32%

LAB 31.18, 14.24, 4.41

 

CMYK 0 / 91 / 37 / 41

HEX #960D5F

RGB 150 13 95

HSL 324.09, 0.84%, 0.32%

LAB 33.13, 57.14, -9.87

 

CMYK 0 / 91 / 61 / 41

HEX #960D3A

RGB 150 13 58

HSL 340.29, 0.84%, 0.32%

LAB 31.98, 53.96, 12.78

 

CMYK 0 / 91 / 85 / 41

HEX #960D16

RGB 150 13 22

HSL 356.06, 0.84%, 0.32%

LAB 31.42, 52.35, 34.91

 

CMYK 0 / 73 / 91 / 41

HEX #96280D

RGB 150 40 13

HSL 11.82, 0.84%, 0.32%

LAB 34.05, 44.57, 41.48

 

CMYK 0 / 49 / 91 / 41

HEX #964D0D

RGB 150 77 13

HSL 28.03, 0.84%, 0.32%

LAB 40.93, 26.63, 46.69

 

CMYK 0 / 92 / 86 / 71

HEX #4A060A

RGB 74 6 10

HSL 356.47, 0.85%, 0.16%

LAB 13.28, 30.82, 16.57

 

CMYK 0 / 92 / 87 / 56

HEX #70090F

RGB 112 9 15

HSL 356.5, 0.85%, 0.24%

LAB 22.57, 42.01, 27.47

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 0 / 91 / 86 / 26

HEX #BC101A

RGB 188 16 26

HSL 356.51, 0.84%, 0.4%

LAB 39.81, 62.24, 43.33

 

CMYK 0 / 92 / 86 / 11

HEX #E2131F

RGB 226 19 31

HSL 356.52, 0.84%, 0.48%

LAB 47.92, 71.74, 50.84

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 13 / 0 / 91 / 41

HEX #83960D

RGB 131 150 13

HSL 68.32, 0.84%, 0.32%

LAB 58.66, -22.76, 59.81

 

CMYK 91 / 49 / 0 / 41

HEX #0D4D96

RGB 13 77 150

HSL 211.97, 0.84%, 0.32%

LAB 33.13, 10.3, -45.27

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 85 / 0 / 91 / 41

HEX #16960D

RGB 22 150 13

HSL 116.06, 0.84%, 0.32%

LAB 54.04, -55.97, 54.09

 

CMYK 91 / 85 / 0 / 41

HEX #0D1696

RGB 13 22 150

HSL 236.06, 0.84%, 0.32%

LAB 19.48, 45.69, -67.64

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 13 / 0 / 91 / 41

HEX #83960D

RGB 131 150 13

HSL 68.32, 0.84%, 0.32%

LAB 58.66, -22.76, 59.81

 

CMYK 91 / 0 / 6 / 41

HEX #0D968D

RGB 13 150 141

HSL 176.06, 0.84%, 0.32%

LAB 55.91, -34.56, -4.64

 

CMYK 79 / 91 / 0 / 41

HEX #1F0D96

RGB 31 13 150

HSL 247.88, 0.84%, 0.32%

LAB 19.15, 49.94, -68.18

 

CMYK 0 / 91 / 86 / 41

HEX #960D15

RGB 150 13 21

HSL 356.5, 0.84%, 0.32%

LAB 31.41, 52.32, 35.45

 

CMYK 40 / 0 / 91 / 41

HEX #5A960D

RGB 90 150 13

HSL 86.28, 0.84%, 0.32%

LAB 56.1, -39.42, 56.66

 

CMYK 91 / 0 / 6 / 41

HEX #0D968D

RGB 13 150 141

HSL 176.06, 0.84%, 0.32%

LAB 55.91, -34.56, -4.64

 

CMYK 52 / 91 / 0 / 41

HEX #480D96

RGB 72 13 150

HSL 265.84, 0.84%, 0.32%

LAB 23.23, 52.93, -61.28

 

Description

Color code: HEX #960D15 | qconv.com Color code: HEX #960D15 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 13 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 13 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 86 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 86% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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