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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960649 it is the complementary color #69F9B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #960649 shade: #9B0644, #AC1857, #BD2A6A, #CE3C7D and #DF4E90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #960649 shade: #960649, #850036, #740023, #630010 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #960649 shade: #97064A, #970622 and #970606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #960649 shade: #97064A, #970671, #970697, #6F0697 and #480697

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #960649 shade matches the following richer shades: #97064A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #960649 shade: #97064A, #8A134A, #7E1F4B, #712C4C and #64394D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #960649 shade: #970697, #970670, #97064A, #970623 and #971006

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #960649 shade: #480323, #700436, #97064A, #BF075D and #E60970

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #960649 shade: #960649, #977006 and #068497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #960649 shade: #960649, #4A9706 and #064A97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #960649 shade: #960649, #977006, #069753 and #062D97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #960649 shade: #960649, #929706, #069753 and #0B0697

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 51 / 41

HEX #960649

RGB 150 6 73

HSL 332.08, 0.92%, 0.31%

LAB 32.02, 56.09, 2.9

 

Complementary color

CMYK 58 / 0 / 27 / 2

HEX #69F9B6

RGB 105 249 182

HSL 152.08, 0.92%, 0.69%

LAB 88.98, -53.95, 20.74

 

CMYK 0 / 96 / 56 / 39

HEX #9B0644

RGB 155 6 68

HSL 335.03, 0.93%, 0.32%

LAB 32.95, 56.93, 7.67

 

CMYK 0 / 86 / 49 / 33

HEX #AC1857

RGB 172 24 87

HSL 334.46, 0.76%, 0.38%

LAB 38.04, 59.72, 3.05

 

CMYK 0 / 78 / 44 / 26

HEX #BD2A6A

RGB 189 42 106

HSL 333.88, 0.64%, 0.45%

LAB 43.53, 61.25, -0.56

 

CMYK 0 / 71 / 39 / 19

HEX #CE3C7D

RGB 206 60 125

HSL 333.29, 0.6%, 0.52%

LAB 49.29, 61.88, -3.38

 

CMYK 0 / 65 / 35 / 13

HEX #DF4E90

RGB 223 78 144

HSL 332.69, 0.69%, 0.59%

LAB 55.23, 61.94, -5.64

 

CMYK 0 / 96 / 51 / 41

HEX #960649

RGB 150 6 73

HSL 332.08, 0.92%, 0.31%

LAB 32.02, 56.09, 2.9

 

CMYK 0 / 100 / 59 / 48

HEX #850036

RGB 133 0 54

HSL 335.64, 1%, 0.26%

LAB 27.44, 51.42, 8.64

 

CMYK 0 / 100 / 70 / 55

HEX #740023

RGB 116 0 35

HSL 341.9, 1%, 0.23%

LAB 23.12, 45.91, 15.25

 

CMYK 0 / 100 / 84 / 61

HEX #630010

RGB 99 0 16

HSL 350.3, 1%, 0.19%

LAB 18.76, 40.47, 21.85

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 96 / 51 / 41

HEX #97064A

RGB 151 6 74

HSL 331.86, 0.92%, 0.31%

LAB 32.27, 56.41, 2.61

 

CMYK 0 / 96 / 77 / 41

HEX #970622

RGB 151 6 34

HSL 348.41, 0.92%, 0.31%

LAB 31.41, 54.05, 27.76

 

CMYK 0 / 96 / 96 / 41

HEX #970606

RGB 151 6 6

HSL 0, 0.92%, 0.31%

LAB 31.17, 53.38, 42.41

 

CMYK 0 / 96 / 51 / 41

HEX #97064A

RGB 151 6 74

HSL 331.86, 0.92%, 0.31%

LAB 32.27, 56.41, 2.61

 

CMYK 0 / 96 / 25 / 41

HEX #970671

RGB 151 6 113

HSL 315.72, 0.92%, 0.31%

LAB 33.78, 60.41, -20.4

 

CMYK 0 / 96 / 0 / 41

HEX #970697

RGB 151 6 151

HSL 300, 0.92%, 0.31%

LAB 35.88, 65.71, -40.75

 

CMYK 26 / 96 / 0 / 41

HEX #6F0697

RGB 111 6 151

HSL 283.45, 0.92%, 0.31%

LAB 28.76, 59.34, -52.6

 

CMYK 52 / 96 / 0 / 41

HEX #480697

RGB 72 6 151

HSL 267.31, 0.92%, 0.31%

LAB 22.8, 54.79, -62.61

 

CMYK 0 / 96 / 51 / 41

HEX #97064A

RGB 151 6 74

HSL 331.86, 0.92%, 0.31%

LAB 32.27, 56.41, 2.61

 

CMYK 0 / 96 / 51 / 41

HEX #97064A

RGB 151 6 74

HSL 331.86, 0.92%, 0.31%

LAB 32.27, 56.41, 2.61

 

CMYK 0 / 86 / 46 / 46

HEX #8A134A

RGB 138 19 74

HSL 332.27, 0.76%, 0.31%

LAB 30.31, 50.87, -0.57

 

CMYK 0 / 75 / 40 / 51

HEX #7E1F4B

RGB 126 31 75

HSL 332.21, 0.61%, 0.31%

LAB 29.22, 43.96, -3.11

 

CMYK 0 / 61 / 33 / 56

HEX #712C4C

RGB 113 44 76

HSL 332.17, 0.44%, 0.31%

LAB 28.99, 34.11, -4.37

 

CMYK 0 / 43 / 23 / 61

HEX #64394D

RGB 100 57 77

HSL 332.09, 0.27%, 0.31%

LAB 29.84, 22.06, -3.98

 

CMYK 0 / 96 / 0 / 41

HEX #970697

RGB 151 6 151

HSL 300, 0.92%, 0.31%

LAB 35.88, 65.71, -40.75

 

CMYK 0 / 96 / 26 / 41

HEX #970670

RGB 151 6 112

HSL 316.14, 0.92%, 0.31%

LAB 33.73, 60.29, -19.84

 

CMYK 0 / 96 / 51 / 41

HEX #97064A

RGB 151 6 74

HSL 331.86, 0.92%, 0.31%

LAB 32.27, 56.41, 2.61

 

CMYK 0 / 96 / 77 / 41

HEX #970623

RGB 151 6 35

HSL 348, 0.92%, 0.31%

LAB 31.42, 54.09, 27.15

 

CMYK 0 / 89 / 96 / 41

HEX #971006

RGB 151 16 6

HSL 4.14, 0.92%, 0.31%

LAB 31.72, 51.79, 42.79

 

CMYK 0 / 96 / 51 / 72

HEX #480323

RGB 72 3 35

HSL 332.17, 0.92%, 0.15%

LAB 13.01, 33.12, -0.3

 

CMYK 0 / 96 / 52 / 56

HEX #700436

RGB 112 4 54

HSL 332.22, 0.93%, 0.23%

LAB 22.99, 45.35, 1.68

 

CMYK 0 / 96 / 51 / 41

HEX #97064A

RGB 151 6 74

HSL 331.86, 0.92%, 0.31%

LAB 32.27, 56.41, 2.61

 

CMYK 0 / 96 / 51 / 25

HEX #BF075D

RGB 191 7 93

HSL 331.96, 0.93%, 0.39%

LAB 41.25, 67.24, 4.34

 

CMYK 0 / 96 / 51 / 10

HEX #E60970

RGB 230 9 112

HSL 332.04, 0.92%, 0.47%

LAB 49.72, 77.31, 5.71

 

CMYK 0 / 96 / 51 / 41

HEX #960649

RGB 150 6 73

HSL 332.08, 0.92%, 0.31%

LAB 32.02, 56.09, 2.9

 

CMYK 0 / 26 / 96 / 41

HEX #977006

RGB 151 112 6

HSL 43.86, 0.92%, 0.31%

LAB 49.71, 6.98, 54.97

 

CMYK 96 / 13 / 0 / 41

HEX #068497

RGB 6 132 151

HSL 187.86, 0.92%, 0.31%

LAB 50.42, -22.8, -18.68

 

CMYK 0 / 96 / 51 / 41

HEX #960649

RGB 150 6 73

HSL 332.08, 0.92%, 0.31%

LAB 32.02, 56.09, 2.9

 

CMYK 51 / 0 / 96 / 41

HEX #4A9706

RGB 74 151 6

HSL 91.86, 0.92%, 0.31%

LAB 55.69, -45.42, 57.15

 

CMYK 96 / 51 / 0 / 41

HEX #064A97

RGB 6 74 151

HSL 211.86, 0.92%, 0.31%

LAB 32.19, 12.4, -47.39

 

CMYK 0 / 96 / 51 / 41

HEX #960649

RGB 150 6 73

HSL 332.08, 0.92%, 0.31%

LAB 32.02, 56.09, 2.9

 

CMYK 0 / 26 / 96 / 41

HEX #977006

RGB 151 112 6

HSL 43.86, 0.92%, 0.31%

LAB 49.71, 6.98, 54.97

 

CMYK 96 / 0 / 45 / 41

HEX #069753

RGB 6 151 83

HSL 151.86, 0.92%, 0.31%

LAB 54.86, -49.8, 26.52

 

CMYK 96 / 70 / 0 / 41

HEX #062D97

RGB 6 45 151

HSL 223.86, 0.92%, 0.31%

LAB 24.16, 32.4, -60.51

 

CMYK 0 / 96 / 51 / 41

HEX #960649

RGB 150 6 73

HSL 332.08, 0.92%, 0.31%

LAB 32.02, 56.09, 2.9

 

CMYK 3 / 0 / 96 / 41

HEX #929706

RGB 146 151 6

HSL 62.07, 0.92%, 0.31%

LAB 60.12, -16.74, 62.52

 

CMYK 96 / 0 / 45 / 41

HEX #069753

RGB 6 151 83

HSL 151.86, 0.92%, 0.31%

LAB 54.86, -49.8, 26.52

 

CMYK 93 / 96 / 0 / 41

HEX #0B0697

RGB 11 6 151

HSL 242.07, 0.92%, 0.31%

LAB 17.63, 51.79, -71.36

 

Description

Color code: HEX #960649 | qconv.com Color code: HEX #960649 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 6 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 6 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 51 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 51% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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